Vertical triptych showing three stages of a performance or installation setup combining projection, fabric screens, and costumed figure interaction. The top frame depicts a draped black backdrop spanning the width of the space, against which lighter cloth panels are suspended from a wooden pole structure. A humanoid figure in light-colored costume stands beside the hanging textiles, extending an arm toward them. The middle frame introduces projected imagery: the phrase “WALKING BREAD” is cast across the central cloth surface in bold lettering, illuminated in bright cyan and red tones against the darkened environment. Red light floods the surrounding space, intensifying the theatrical effect. The lower frame shows continued interaction between the figure and the suspended cloth, with the projection shifting to abstract shapes and patterns across the black backdrop.The installation combines static physical staging—wooden support poles, draped cloth, costumed performer—with dynamic light projection, creating layered visual fields where text, pattern, and fabric overlap. Spatial contrasts emerge between the heavy black backdrop and the illuminated projection zones, reinforcing the dual presence of physical material and transient digital imagery. The piece situates itself at the intersection of performance, projection mapping, and experimental scenography.
Two-panel composite image documents a costumed performance associated with the Walking Bread project. The top frame shows an outdoor-to-indoor transition, where a performer in a large textured bread-like headpiece and plaid coat engages with onlookers. Another person in the foreground, partially visible in red clothing and an elongated beige mask, interacts with the costumed figure. Overlay text graphic at the center reads WALKINGBREAD in stylized white capital letters outlined with orange and black, accompanied by a repeating bread-loaf motif beneath.