Photographic documentation of handmade mask prototype constructed primarily from brown cardboard sheets and reinforced with white adhesive tape. Mask designed in anthropomorphic bread-head style, characterized by oversized cranial volume, rounded contours, and bulbous central nose. Cardboard surfaces cut into angular planes, folded and layered to approximate curved three-dimensional form. White adhesive tape strips affixed along seams, joints, and surface irregularities, both structurally reinforcing connections and visually accentuating segmented construction.Eye apertures cut into mask, small and elongated, positioned asymmetrically across front plane. Nose region extended outward using layered cardboard ridges to simulate protruding anthropomorphic feature. Side regions incorporate protruding ear-like extensions, built from folded cardboard tabs, contributing to caricature physiognomy. Interior partially visible through apertures, suggesting hollow structural cavity sized to fit over wearer’s head.
Surface coloration primarily uniform brown of untreated cardboard, with contrasting white tape marks creating patchwork effect. Lighting originates from ambient indoor environment, illuminating surface texture, corrugation impressions, and tape edges.
Mask worn by individual in partial view, cropped at lower edge. Right side includes pointing hand gesture, contextualizing scale and emphasizing performative intent.
Overall construction reflects prototype stage of wearable sculpture, merging low-cost craft materials with anthropomorphic bread-inspired character design. Structural method highlights taped seams and planar assembly as visible elements of aesthetic and functional process.






Représentation tridimensionnelle d’une tête anthropomorphique constituée d’une miche de pain lisse, dorée et arrondie, intégrant des éléments faciaux stylisés. La surface supérieure montre une texture parsemée de grains rappelant des graines de sésame, accentuant l’aspect panifié. Les yeux sont formés de cercles concentriques blancs et noirs, accentués par des sourcils foncés arqués. Le nez est conçu comme un anneau circulaire creux intégré à la croûte, au centre du visage. La bouche adopte une forme semi-circulaire souriante, taillée directement dans la pâte. Les oreilles, placées latéralement, sont exagérément larges et sculptées à partir de volumes arrondis dérivés de pain. L’ensemble combine langage graphique de caricature et matérialité boulangère. L’image se situe sur fond neutre clair, isolant la figure et permettant une lecture directe de ses caractéristiques formelles et matérielles.