This dual-lens fisheye capture offers a fully immersive glimpse into the workspace where the Walking Bread mythology takes shape. The spherical perspective splits into two overlapping domes, turning the studio into a warped cognitive chamber where sketches, prototypes, and conceptual diagrams engulf the walls and surfaces.

The left dome emphasizes the working process: a desk covered in papers, tools, and sculptural fragments, suggesting active creation and experimentation. The right dome amplifies the density of imagery, showing collaged walls layered with drawings, anatomical studies, bread textures, and references that blur into a vortex of research material.

The fisheye distortion transforms the space into an immersive installation in itself, where the documentation of labor becomes indistinguishable from the artwork. It presents the lab as both archive and living organism, reinforcing the thematic tension of Walking Bread between bodily transformation, absurd materiality, and recursive visual systems.