This image documents an early handmade graphic concept associated with the ongoing Walking Bread project. The composition features the words Walking bread rendered in black hand-painted text across a patch of textured yellow pigment, which has been brushed directly onto a coarse canvas or textile surface. The uneven strokes of both paint and lettering highlight the material immediacy of the process, recalling traditional poster-making, DIY stencil art, and painterly improvisation before the adoption of digital typography workflows. The yellow background, applied with visible brush textures, creates a high-contrast ground that emphasizes the irregular spacing, angled baseline, and organic letterforms of the black text. The word “Walking” appears slightly elevated and more curved, while “bread” sits larger and bolder, anchoring the composition. This physical prototype likely represents a stage in the iterative development of branding, title treatment, or visual identity experiments tied to Walking Bread as an animation film and broader conceptual project. The rawness of the design conveys immediacy, experimentation, and a tactile materiality absent from purely digital methods. The juxtaposition of bright color against neutral fabric foregrounds a sense of handmade authenticity, situating the work in the lineage of craft-based visual culture, activist poster aesthetics, and workshop prototyping. As an artifact, it embodies both archival and developmental significance, linking material studio practice to the evolution of an internationally circulating creative project.