culture reporter @nytimes. writing a book about the Black filmmaker in America for @bloomsburypub. @WhitingFdn nonfiction grant ‘23. this is a microblog.
I did an old-school profile of Malala Yousafzai. We ordered room service, went to a ballgame, watched a concert, gabbed on the phone. Gift link in thread
Last year, a source described a mystery that stuck with me: Many black filmmakers suffered from a “sophomore curse.” Unraveling it became a minor obsession, in which I’m so proud that the Times has majorly invested. Today, 6 filmmakers tell their stories:
The first time I interviewed SZA was in 2013. She didn't have a manager then, or a deal, or an apartment. When I caught up with her again last month, she was the Grammys' most-nominated woman. Here she is on what that means and how she found her purpose.
Me and @kylebuchanan did some digging into the Criterion Collection. Out of more than 1,000 movies released over two decades, just 4 African-American directors are included. Only 2 are alive. Why?
My first proper pop music profile in the Times. It’s of Camila Cabello, who had a hard time last year, became her own boss, and made one of the biggest songs in the world.
Hello. Would you like to meet Chris Evans’s new mustache?
The man soon to be formerly known as Captain America (and his hardy face curtain) is an unironic tap dancer, a normal-sized human IRL and a Rebecca Solnit fanboy. My latest for the Times: nytimes.com/2018/03/22/the…
I have a new profile up of Chadwick Boseman: Man of intergalactic gravitas (you’ll want to hear his James Brown story), consummate little brother and, yes, former hip-hopera scribe.
Michael Schultz is unique in Hollywood. At 83, and still directing TV, the man behind “Cooley High,” “Car Wash” and “Krush Groove” is likely the longest-working Black director in history. We had a series of talks about his 50 years in the business.
i spent some time thinking about and talking to Lupita Nyong'o. discussed: the brilliance of "Regulate," creating her terrifying "Us" character, and giving blackness a chance to be banal