IMAX Frame
182 posts
Not associated with IMAX Corporation; purely for non-profit entertainment
Joined September 2017
- Digital-to-film transfers are often used today for specific artistic reasons in films such as Dune: Part One, The Batman, and now Dune: Part Two. For Part One, cinematographer Greig Fraser ACS, ASC and team decided to shoot digital on the ARRI ALEXA LF and Mini LF, then transfer
- Replying to @skorloxTV and @NebsGoodTakes
- Kingdom of the Planet of the Apes director Wes Ball says IMAX screenings of the film will not have an expanded 1.90:1 aspect ratio
- IMAX Fact: We’re going to crash a real Trojan Horse with Tom Holland inside
00:00 - Chris Nolan destroys his first IMAX camera, the $500K MSM 9802 (circa 2007)
00:00 - The “Experience it in IMAX” tagline is widely used to market films that obtain IMAX screenings, and is not to be confused with the “Filmed for IMAX” tagline or any other variation thereofReplying to @supersymmetry_I and @JokerCritichuh then wtf is this poster
- The second ever mainstream feature to shoot with IMAX 70mm cameras after The Dark Knight in 2008, Revenge of the Fallen would mark the first and last time Michael Bay would ever consider the use of the IMAX 70mm format due to the challenges of rendering footage at 4K to satisfy
00:00 - Replying to @imaxframeZack Snyder previously shot his iteration of Superman on IMAX 70mm film cameras for 27 minutes of expanded 1.43:1 footage for Batman v Superman.














