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As a film director, what I ask from my actors is consistency.
They’re trained to repeat the same sequence of movements from take to take, from shot to shot, so the material can be cut together. Continuity is what allows cinema to exist as a constructed time.
When I work with
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AI VIDEO ART: The feedback loop shifts from body–camera–viewer to dataset–model–viewer
A recurring problem in video art is that the camera doesn’t just capture the body; it makes the body aware of itself being seen. Early video practice often treated the camera as an extension
