Meyers' impression might not exactly tread new ground for him, but it is clearly borne out of a great deal of intense hatred, and one has to respect that.
Hmm... I wonder if there's a reason why she's still one of the only franchise producers of the 2000s/2010s to have turned their lead actor into an actual butts-in-seats movie star?
The next JAMES BOND has been PUT ON HOLD. Producer Barbara Broccoli and Amazon/MGM are in the middle of a feud when it comes to the creative direction.
Amazon/MGM wants "Marvel-Style" spinoffs. Broccoli has called them "f*cking idiots" (via @WSJ)
tinyurl.com/3dsdnzkc
The Pirates movies have thousands of CG shots, even for minor stuff like adjusting camera angles.
The reason Eternals looks bad is because most current directors barely engage with their VFX teams until AFTER they’ve shot the footage, so everything just looks pasted on top.
Glazer getting around the lack of money for a conveyor belt by just building the walls on wheels and physically dragging the room around... peak director brain.
Literally every single labor horror story you've heard about American VFX houses is, like, hundred times worse in Japan. lol
That's it, that's their secret.
tbh- this is one of the funnier parts of the whole Marvel-Sony custody split.
Sony makes cameras and TVs so they have an investment in making sure their movies at least look consistently good enough to be played on a TV Display at the mall, while the MCU... well
"She brought the franchise back to Connery-levels of popularity. She stopped Amazon from turning them into streaming content. She was a brave Italian producer. And in this house, Barbara Broccoli is a hero, end of story!"
In a funny way, this is a great example of why Disney can't make the Muppets work and how franchising kills concepts in general.
The Muppets didn't used to be just a single set group of characters who always said/did things a certain way.
Now they are. See also; Looney Tunes.
Lame: Addressing Sherlock Holmes' rampant heroin and cocaine use in a respectful and frank way, showcasing the horror and pain of such a terrible addition.
Cool: This Shit.
Glen Powell on choosing a theatrical release for #AnyoneButYou: “We had offers from every streamer, and it was guaranteed and a much bigger budget, but Syd and I really have a very similar worldview about Hollywood. We said, ‘If we make this on a streamer, it won’t have any
This has always been streaming's dirty little secret.
It doesn't make money, has never made money, and cannot ever make money.
Its only purpose was to lose money long enough so that it could destroy all other forms of media consumption and then dominate the market.