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TIFF
@TIFF_NET
CHRISTOPHER NOLAИ: GRAND DESIGNS Customer Relations: tiff.net/help
Toronto, Ontario
Joined July 2009
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    Explore time, dreams, and bold new worlds with TIFF’s summer marquee series, Christopher Nolan: Grand Designs ⏳ Presented ahead of THE ODYSSEY, this full retrospective celebrates the Oscar-winning filmmaker with screenings of his work, presented exclusively on 35mm and 70mm.
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    The first Asian actress to win an Oscar since 1957 and the second in history. Congratulations to Youn Yuh-jung, winner for Best Supporting Actress at this year's #Oscars
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    🏆 Announcing the recipient of the #TIFFTribute Award for Performance, presented by @PolestarCars: The ensemble cast of Michael Grandage’s MY POLICEMAN (@Harry_Styles, Emma Corrin, Gina McKee, Linus Roache, David Dawson, and Rupert Everett). #TIFF22
    A 3x2 photo composite of Harry Styles, Emma Corrin, David Dawson, Linus Roache, Gina McKee, and Rupert Everett in the film My Policeman
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    Who's an actor that always makes a movie better just by being in it?
    A film still from Get Out. Daniel Kaluuya looks into the camera with an open mouth, big eyes and tears down his face.
    A film still from Judas and the Black Messiah. Daniel Kaluuya, in a camouflage bucket hat and brown jacket, points his left arm towards the right.
    A film still from Nope. Daniel Kaluuya, in an orange hoodie and jeans, sits on a horse and looks intensely towards the right. The background has dry mountains.
    A film still from Black Panther. Daniel Kaluuya in blue clothing thoughtfully looks towards the right. There are others behind him facing the same direction as him.
    Who's an actor that always makes a movie better just by being in it?
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    I don't know about you, but I'm feeling #TIFF22 📸 Getty/ Amy Sussman
    Taylor Swift in a gold dress standing against a black step and repeat with the TIFF logo.
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    Me watching the MY POLICEMAN Press Conference #TIFF22
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    "In another life, I would have really liked just doing laundry and taxes with you."
    A film still from EVERYTHING EVERYWHERE ALL AT ONCE. A man stands in an alleyway and wears a smart black suit. Coloured by green light, he holds a cigarette and gives a skeptical look.
    A film still from EVERYTHING EVERYWHERE ALL AT ONCE. A woman wearing an elaborate gown and fur trench stands in an alleyway. She appears uneasy, coloured by green light.
    A film still from IN THE MOOD FOR LOVE. A man stands in an alleyway with a woman. He looks at her with a pained look on his face. Rain falls around them.
    A film still from IN THE MOOD FOR LOVE. A woman rests her back against the wall of an alleyway. Saddened, she casts her view down.
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    One perfect frame from 2022. We'll start.
    A film still from Everything Everywhere All At Once. A woman with a scared, worried expression is in the centre of a cracked mirror, with two versions of her on each side of the frame. On the left, she is in a lighter setting, and on the right, she is in a darker room.
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    "I couldn't be happier for him. My heart overflows." Key & Peele reunited. #Oscars
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    Thinking about them.
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    Announcing the recipient of the 2020 Changemaker Award, presented by the Shawn Mendes Foundation (@shawnfoundation) and selected by the #TIFFNextWave Committee: Kelly Fyffe-Marshall’s BLACK BODIES. #TIFF20
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    Always thinking about this moment.
    Still from Portrait of a Lady on Fire. A gold-framed painting of a woman and a child both wearing white dresses is surrounded by other paintings in gold frames on a salon wall. The woman is holding a book with her finger lifting up one of the pages.
    Still from Portrait of a Lady on Fire. Noémie Merlant looks at a painting with a grave expression and tears in her eyes.
    Still from Portrait of a Lady on Fire. A zoomed in shot of the same painting in which you can see the page number of the open book. The page number is 28.
    Still from Portrait of a Lady on Fire. After recognizing the number "28" in the painting, Noémie Merlant smiles with tears in her eyes.
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    A photograph of a young Ke Huy Quan on the set of INDIANA JONES AND THE TEMPLE OF DOOM. He wears a baseball cap and carries a whip.
    A film still of Ke Huy Quan in EVERYTHING EVERYWHERE ALL AT ONCE. He brandishes a fanny pack like a weapon, holding it out in front of him.
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    Takeshi Kaneshiro. Everybody moved.
    A black and white photograph of Takeshi Kaneshiro. He wears a sweater vest and casually styled dress shirt. He gives a thoughtful look off-camera while a cityscape towers behind him.
    A photograph of Takeshi Kaneshiro. He wears a yellow ringer t-shirt and and peers out of a window.
    A film still from CHUNGKING EXPRESS. Takeshi Kaneshiro smiles while holding up a can of sliced pineapple to a tank of fish.