user avatar
Devan Scott
@SadHillDevan
Vancouver-based DOP/Director/Colourist | Host of @filmformally. Adjunct Prof @FilmUBC | Faculty @emilycarru letterboxd.com/DevanAGScott/ ernstcast.com
Vancouver
Joined November 2008
  • Pinned
    user avatar
    Insofar as I've stuck around here at all, it was motivated by the podcast: well, the darn podcast is over, so I've got no excuse. Find me at the site below, or on my YT channel.
    So long as folks are making the jump.... (If I don't follow you on there, feel free to respond to this with your info, mutuals!)
  • user avatar
    That's the worst thing I ever saw
    Luma's start and end keyframes are a game changer. With a sequence of keyframes from the original film, we can seamlessly remaster stop motion classics like "Jason and the Argonauts" as modern single-take action scenes.
    00:00
  • user avatar
    Had no idea there was a new restoration of SO THIS IS PARIS on HBO Max of all places. The upgrade is, um, significant.
  • user avatar
    This is the lighting that $200M USD gets you in 2021, apparently. Inflation is just killing the industry, folks.
  • user avatar
    Please give Mark Ruffalo an Oscar for corpsing his way through POOR THINGS. We need this.
    00:00
  • user avatar
    THE RISE OF SKYWALKER is such a towering example of the creative opportunities that arise when you're freed from the bounds of such useless concepts as "sense" and "good taste."
  • user avatar
    THE NORTHMAN has intensely peculiar camera operation, and I'm surprised it hasn't been brought up more. You've got lots of shots like this, in which the camera seems to be reacting deliberately sluggishly and panning/tilting in a jagged and awkward way.
    00:00
  • user avatar
    Frankly, nothing comes remotely close and all the other answers are wrong.
    What is the best movie you've ever seen that uses architecture brilliantly?
  • user avatar
    SKYFALL and SPECTRE sure are an interesting contrast in colour direction techniques!
  • user avatar
    There's a scene in Atom Egoyan's CHLOE (2009) in which Amanda Seyfried's character casually attempts to ride a bike down a sidewalk in the middle of the winter in Toronto during a snowstorm only to wipe out after five seconds. This is, astonishingly, played as a dramatic beat.
    00:00
  • user avatar
    Higuchi and Anno's absolute unwillingness to cover a single scene like sane people in SHIN ULTRAMAN is an inspiration for us all.
    00:00
  • user avatar
    I don't have much to say on this that hasn't already been said a million times, but the contrast between the duels at the end of STAR WARS 2 and STAR WARS 3 is a good argument for why thinking of light as a compositional tool is, to say the least, handy.
  • user avatar
    People in 2022: "Why are movies so dim now? It's the digital that's done it!" Gregg Toland, 1940, shooting the most beautiful movie ever:
  • user avatar
    Not to pile on the discourse too much but it strikes me that "ugh, VEGETABLES" is generally considered a phase children go through before they grow into adults and develop actual palettes. At least, that was my understanding.
    Let’s be honest, some Oscar-nominated films feel like the vegetables of movies
    00:00