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AluanWang
@IOivm
Living w/ digital art for more than 15 years. linktr.ee/aluanwang
Taiwan | Taipei
Joined March 2021
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    When I was making the Polypaths series, I always felt the real heart of the project wasn't the final image, but the system behind it. The output is just what happens. The real magic is in the underlying logic. There are a bunch of ways to build a generative system, but with
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    Lately I’ve been painting with code instead of a brush. I used to be obsessed with how pigments spread in water and colors melt into each other. Now I’m simulating those molecular dances through algorithms—and it’s even more addictive. Brush trails emerge from mouse velocity,
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    Finally. I used to code all day— now I draw all day. :)))
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    April is almost here, I haven't been sleeping well these days, I'm really excited, are you all ready? @fx_hash_
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    Turner Light on @fx_hash_ 2022/8/1 | 300 editions | NO WL #generativeart #creativecoding #fxhash #tezos
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    My friend sent this picture to me..🤣 Best Memes forever !! @jjjjjjjjjjohn
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    The hardest thing? Keeping it simple.
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    Today I’ve been working on how watercolor darkens around the edges as it dries. Inside the brush stroke, the tone changes with how much water there is. It’s frying my brain, but I love this kind of challenge. #p5js #brushResearch
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    晚安,如果我睡得著的話。
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    This project is an ink study made with p5.js. It started when I tried to make my lines look less mechanical. Then I got curious about pigment buildup, paper layers, how brushes react, and how light moves across the surface. I didn’t plan for it to go this far, but that’s what
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    Chaos Memory 👀..
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    Every drop is not an easy thing to do. It's like standing next to a cliff, you can't just listen to the crowd, you have to make your own decisions. #fxhash #tezos
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    Developing the white brush was way harder than the black one. White has to be layered with noise — coarse, fine, ultra-fine — like chalk rubbing against paper, powder caught in every groove. Edges must stay sharp, so the contrast between bright and dark grains creates that
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    Lately I’ve been painting with code instead of a brush. I used to be obsessed with how pigments spread in water and colors melt into each other. Now I’m simulating those molecular dances through algorithms—and it’s even more addictive. Brush trails emerge from mouse velocity,