I did it. I don't know how, but I did it. Music for #genlock is officially wrapped. I composed close to 3 hours of music for this season, some of the most complicated and challenging cues I have ever written. By far the most stressful and rewarding projects to date. On to #RvB17!
Hereβs some UAC stuff!
The main synths are running through several parallel stages of distortion (tube+solid state), waveshaping, heavy compression and harmonic saturation.
The cat, on the other hand, isnβt running through anything and is completely unprocessed! π
#doom
Turns out my gen:LOCK soundtrack was removed from all streaming services when Rooster Teeth shut down a few weeks ago.
I canβt let that happen. I just canβt let all that music be buried forever. I worked way to hard on it. Itβs just not right.
Gen:LOCK was my first βbig breakβ
I am beyond excited to announce that I spent the majority of 2022 scoring the music for the upcoming RWBY x Justice League crossover movie(s)!
The OST will be released on April 25th but you can listen to the single "Final Battle II" in the meantime!
@DCOfficial@officialRWBY
This is one of the main signature sounds from the Immora light combat music (last level on DLC 2).
A combination of a kick drum+synth running through tube/ solid state distortion + wave-shaping = π€π»
#doometernal#doom#theancientgods#metasonix
Fun fact: these babies are the main driving force behind that gnarly guitar tone on the Immora Gates cutscene music. β‘οΈπΊπ»β‘οΈ
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#DoomEternal#Doom
βThat melodyβ from the first Ancient Gods trailer.
Aka βBlood Swamps boss musicβ.
Aka βThe Trial of Maligogβ.
ππ»
@DOOM#doom#doometernal