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The music of Spain is as varied and as delicious as its cuisine. Host Frank Byrne shares three contrasting works, culminating with a dynamic ballet score that fuses indigenous dances and songs, into a thrilling narrative.
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Dedicated to Music Director Stéphane Denève and the SLSO, Kevin Puts’ Concerto for Orchestra is a complex, beautiful, and satisfying emotional journey. This music resonates in Powell Hall alongside a new work by Chinese composer Jasmine Guo and Beethoven’s heroic Emperor Piano Concerto, performed with finesse by acclaimed pianist Víkingur Ólafsson.
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Experience stunning performances and sensational stories featuring remarkable women. Anna Sułkowska-Migoń opens her SLSO debut with a dynamic overture by fellow Polish musician, Grażyna Bacewicz. Leila Josefowicz displays her formidable talent in Berg’s soul-searching Violin Concerto, and the orchestra conjures the magic of Rimsky-Korsakov's Scheherazade.
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David Robertson, SLSO Music Director from 2005 to 2018, returns to conduct works by four American musical luminaries. Robertson’s own piano concerto, written for and performed by Orli Shaham, Steven Mackey’s Turn the Key, Sarah Kirkland Snider’s Something for the Dark, and Leonard Bernstein’s Second Symphony features a solo piano voice representing the composer’s own introspective journey.
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Celebrate 250 episodes of "From the Archives" with Franz Schubert’s Symphony No. 9, known as “The Great.” Its “heavenly length” (as described by Robert Schumann), today seems just perfect, and Schubert gives us melodies as only he can. We’ll hear it in a spectacular live performance by the Gunter Wand and the Berlin Philharmonic.
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The Magic Flute is a story that blends fairy tale and philosophy. One of Mozart’s most brilliant orchestral scores, this magnificent, extravagant opera-in-concert production combines the talents of the SLSO, a cast of acclaimed vocalists including Kansas City born tenor Ben Bliss, and the St. Louis Symphony Chorus and Children's Chorus.
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Erich Wolfgang Korngold was one of the greatest film composers of the early 20th century. He composed a brilliant score for the 1940 film “The Sea Hawk” starring Errol Flynn. It’s been called “the best swashbuckling film of all time,” and the music is spectacular and great fun.
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Humanity is at the core of this transformative program that includes Sergei Prokofiev's wartime Fifth Symphony, and RE|Member by Reena Esmail. And composer Billy Childs expresses trauma, resilience, and empowerment within the Black American experience through his poignant symphonic poem, Diaspora, brought to life by saxophone soloist Steven Banks.
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The Polonaise is a Polish rustic dance dating back to the 16th century. It’s one of Poland’s national dances, and has inspired composers for centuries. We’ll hear Polonaises by six different composers, especially the great Frédéric Chopin who mastered the form.
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Conductor Dima Slobodeniouk joins the SLSO for the first time, leading the orchestra in Peter Tchaikovsky’s Symphony No. 4. Wu Wei plays a stunning concerto by Finnish composer Jukka Tiensuu on the sheng, a mouth organ and one of the oldest-known Chinese instruments, dating back more than 3,000 years. Plus, we'll hear Lotta Wennäkoski’s Flounce.
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Among Christoph von Dohnányi’s many posts over his long career, his 18 years as Music Director of the Cleveland Orchestra was remarkable. He took this great orchestra to new heights, expanded its repertoire, and took it around the world. In this final show remembering him, we’ll hear studio and live recordings from his time in Cleveland – a tribute to his musical leadership.
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One of the world’s great conductors passed away in September 2025. Christoph von Dohnányi became known to American audiences during his tenure as Music Director of the Cleveland Orchestra, but he had an impressive career in opera prior to that time. We’ll hear music from opera and from the symphonic literature that he knew and interpreted so well.