Here are my thoughts on the Hugo ballot for Best Novel, 2016:
All the Birds in the Sky, by Charlie Jane Anders (Tor Books / Titan Books)
I love this book. It is not long, but there so much in it. It is a modern fable, pulling in tropes from all kinds of pop culture: fairy tales, comic books, movies and cartoons. At the same time it is seriously realistic. The world is going to hell in exactly the same ways that ours is, just a little bit faster. People are (mostly) sympathetic and mean well but they are imperfect and success is often beyond them, especially as the world's problems become even more daunting. The tone is wry but not cynical. Things seem to be heading towards a conflict between magic and super-science, but the different schools of magic don't see things the same way, and the different groups of scientists and technologists are often competing instead of cooperating. But it's still worth trying. And it's worth trusting other people even when there is no way you can imagine how or why you can.
A Closed and Common Orbit, by Becky Chambers (Hodder & Stoughton / Harper Voyager US)
I found out that it is a sequel to
The Long Way to a Small, Angry Planet so I read both. The worldbuilding is good, especially the aliens are truly diverse. It presents a vision of the future that is mostly positive. It reminds me of James White's classic SF. But the characters are just kind of what they are, and there are some structural issues. It's uneven.
A Closed and Common Orbit is better written, and it has two really great characters with compelling stories. Along the way it raises some very interesting and subtle questions about morality (vs. legality), friendship, and personhood. In other words, don't underestimate this book, just because it's a fun read and it's nice.
Death’s End, by Cixin Liu, translated by Ken Liu (Tor Books / Head of Zeus)
I really liked
The Three Body Problem. I started reading
The Dark Forest and bounced off the prose in the first chapter. It was so clunky. I picked it up again recently and was able to make headway. I plan to finish the trilogy presently. I didn't feel any urgency to finish it before voting because the first book in the trilogy already won (deservedly), and the third book would have to be amazingly good in order to justify awarding two Hugos to what is really a single work in three volumes.
Ninefox Gambit, by Yoon Ha Lee (Solaris Books)
The common question about this book is if it is really science fiction or merely fantasy. I am squarely in the it's science fiction camp. Space opera as a genre requires faster than light travel in order to maintain its traditional plot pacing (which happens to be exactly the same as 19th century steamship stories, go figure). Faster than light travel is bogus science. So are force fields, blasters, phasers, anti-gravity, teleportation, and so on. Yoon Ha Lee invented a fresh and new form of bogus science to power his space opera. He gets to do that. Go him. I think it's a lot of fun. The space opera is set in a grim dystopian interstellar empire. Not fun. I've read some other reviews where readers were bummed out because it was so grim and the characters were so constrained by the system. I didn't read it that way. The system has a lot of cracks in it, including a really huge one that maybe we'll learn more about in the third book. Many of the main characters are wild cards. Unexpected things happen. Overall, I think it's one of the most innovative and interesting space operas in recent years.
The Obelisk Gate, by N. K. Jemisin (Orbit Books)
I think the
The Obelisk Gate is good, but not at the same level as
The Fifth Season. It reveals some things about the Earth that are very big, but we have to wait for the third book to see anything climactic (as opposed to climatic). The middle book is more about developing characters and moving the plot along. Unfortunately, the key character developments are sad, or creepy and unpleasant. At least the sad developments are very weird and leave at least a smidgen of hope. I am waiting for the third book and we'll see what happens.
Too Like the Lightning, by Ada Palmer (Tor Books)
Too Like the Lightning is a dazzling and enthralling debut novel that is also unreliable and contrarian, sometimes even infuriating. Or maybe it is just Mycroft Canner, most reliable of servants and most unreliable of narrators. On the plus side, it's a science fiction novel set on a near future Earth where nobody is hungry, there are no wars, and politics are based on the fundamental principles of the Enlightenment: rationality, order, justice, humanism, enterprise, and compassion. On the minus side, decisions seem to be made by a very small number of elite leaders who are very much in bed with each other (except the utopians are snubbed for some reason), and it seems about to fall apart. What seems like an ultimate love letter to the Enlightenment could turn out to also be a devastating critique of it. Enough has been revealed in the first book to make it clear that it does not stand alone.
Novels I nominated:
Everfair, by Nisi Shawl (Tor Books)
This is a book that needed to be written and I am glad that Nisi wrote it the way she did. The steampunk movement imagines an alternate past where the second industrial revolution was accelerated to extraordinary heights and at the same time somehow was shared in an egalitarian way without colonialism, racism or sexism. Which of the two imaginations is more unrealistic is hard to say. Nisi tackles both head-on by establishing a 19th century high-technology utopian settlement in the Belgian Congo. It works because the settlers are not just technically skilled, but also radical socialists, the kind of people who would really try to create a steampunk utopia, and to fight King Leopold II. (It helps on the super-technology side that the Congo has major sources of uranium.) What I really liked about this novel was how the native African characters were just as empowered and important as the settlers. Also, as one would hope with radicals, just about every possible unconventional relationship that could occur does, and the love and care in these relationships is a great strength.
Arabella of Mars, by David D. Levine (Tor Books)
A delightful, strongly feminist, alternate-cosmology planetary romance that riffs on Jane Austen, Patrick O'Brian, Jules Verne and Edgar Rice Burroughs. Featuring a plucky heroine, a dashing captain and his brilliant mechanical sidekick, and a motley crew of tuckerized SF writers and fans. What more could you ever ask for? Okay, maybe it starts a bit slow. But it really gets moving soon enough, and the ending is fantastic. Now that it's won the Andre Norton Award, it is officially certified as suitable for corrupting the minds of our youth. But there's no reason not to corrupt your own mind too, it's good for all ages.
This entry was originally posted at http://voidampersand.dreamwidth.org/27530.html.