Late Poems

the human heart is not exactly bright red.

it is dusk-lit and moth-bitten,

the colour of traffic at rush hour,

of midnight soup gone cold on the stove,

of pass-midnight texts,

and letters written too late

then folded again and again,

creased in pockets like timelines

we forgot to live.

the heart speaks in pulses.

the body answers in static.

i wrote you letters i didn’t send.

then i did. then i lost track 

of the version i meant to send.

the heart does that too.

it remembers only the most recent rewrite

for something as soft as memory.

i knew, the way the body knows

the weather of someone else’s motion

some dreams don’t start as dreams.

they arrive like postcards from another life:

i am in a storm.

i am the storm.

i am running.

i am you. 

in dreams,

everything means everything,

but only in the way

the heart means when it flinches

when we’re not in dreams,

our bodies unsure what to do with themselves.

my memory: a black sea.

my heart: a clock without hands.

the heart echoes a truth so deep

it sounds like a secret.

sometimes it grows quiet

like the air before a storm.

sometimes, it doesn’t stop.

and maybe we used to be one person.

split by time.

maybe that’s why your pain shows up

in my limbs.

because

the heart is not a metaphor.

it’s the thing that is still moving

after everything else

gives up.

from my hearts. ©️all rights reserved.

A River of Minutes

I don’t like how the second you don’t die

you’re a survivor—there should be some between period where you don’t have to be that quite yet, like how when wild garlic gets torn out

by the roots, the life within it doesn’t beam straight into some other shoot,

there’s a minute or river of minutes—everyone needs to slow down, debrief, no new sobriquet at this time, please—the only speed

I want in my life is to sleep and then wake

with a start, the way they do in representations of dreaming on film, not wake as I do now, lightly from the nightmare,

lip raw and a haze of being unsure if it all was real, which means it was.

Natalie Shapero

my dearest, my love,

Ultimately,

we will lose each other to something. I would hope for grand circumstance – death or disaster.

But it might not be that way at all.

It might be that you walk out one morning after making love… and never return, or I fall in love with another man.

It might be a slow drift into indifference.

Either way, we’ll have to learn to bear the weight of the eventuality that we will lose each other to something.

So why not begin now, while your head rests like a perfect moon in my lap, and the dogs on the beach are howling?

Why not reach for the seam…, just a little, so the falling can begin?

Because later, when we cross each other on the streets, and are forced to look away,

when we’ve thrown the disregarded pieces of our togetherness into bedroom drawers and the smell of our bodies is disappearing like the sweet decay of lilies —

what will we call it, when it’s no longer love?

Tishani Doshi

Wendell Berry