
Conor Kerr is a Canadian writer of Métis and Ukrainian descent from Edmonton, Alberta. For non-Canadians, Alberta, the next province over from British Columbia, is on the Great Plains east of the Rockies. Edmonton (pop. 1.4 mil) is about 600 km north of the US border (map).
The Métis are one of three legally recognized Indigenous peoples under the Canadian Constitution Act, 1982, along with the First Nations and Inuit. They arose originally I think from French and English fur traders, from the 1600s through to the mid 1800s, taking and usually abandoning First Nations, mostly Cree, wives, and of course, their children. Alberta is the only Canadian province with a recognized Métis land base.
The beast on the cover is a bison, called colloquially ‘buffalo’ in N America, but only distantly related (bison are closer genetically to yaks than to buffalo). An adult bison is around 2m at the shoulder and can weigh more than a tonne. At the beginning of the 1800s, tens of millions of bison roamed North America. Colonists slaughtered an estimated 50 million, in part motivated by the U.S. government’s desire to limit the range and power of plains Indians whose diets and cultures depended on the buffalo herds; so that by 1889 the estimated population was just 1,091 animals (both wild and captive). Repopulation attempts via enforced protection of government herds and extensive ranching began in 1910 and numbers are now back up around 150,000.
The subject of Prairie Edge (2024) is the relationship between two Métis – Grey, country girl, student activist, her degree in Native Studies done, but not enthused by post-grad; and Ezzy, her deadbeat (remote) cousin, a city boy bought up in poverty, the foster system and juvie – when Grey comes up with a scheme for kidnapping bison and releasing them into downtown Edmonton parks.
The novel begins with a prologue, an Indian community travelling in wagons, presumably before the turn of the last century, to observe what they believe will be the last bison migration south of the ‘medicine line’, the Canada/US border.
Elders talked about America’s war against the bison. They finished killing each other out east and switched their focus to the bison and the Sioux. The Sioux fought hard. But the bison just moved as they had always done, and it took them right into the paths of America’s guns.
For the remainder, Ezzy and Grey take turns narrating.
Late one summer they are sharing a trailer (caravan) on an unused rural block outside Edmonton, where they live cheaply, lazing all day, playing cards, drinking. There is no sexual tension, which, frankly, I do not understand. Later in the novel, when they’re in trouble, Ezzy moves to his Aunty May’s, where he begins to understand that he was not abandoned by his family, but was taken; and Grey moves back to her parents’ farm on a reservation. Later still, Ezzy is mentored by an Indian elder who knew his grandfather and belatedly begins his journey towards mainstream life.
The story is that Grey persuades Ezzy to help her ‘kidnap’ some bison from a nearby national park. With her father’s Dodge pickup truck and trailer she transports them, in three loads, into town and releases them to run free in the (North Saskatchewan) River Valley park which runs right though the city. Ten head of cows and calves Ezzy counts in one load, say seven tonne. A lot for a Dodge pickup! (In Australia a Dodge Ram has a towing capacity of 3500 kg).
The bison are happy with their relocation. Whites over 50 are enraged. Students proclaiming BISON RECLAMATION and LAND BACK mount protests in support. City fathers are unable to act. Grey and Ezzie carry out a second bison-napping, from a farm this time, which doesn’t go as well.
A former boyfriend of Grey’s, Tyler, assumes leadership of the protesters, and also resumes giving Grey excellent sex. I feel for Ezzy, but I’m not sure he notices.
The action in Ezzy and Grey’s story progresses from there, first downhill, then, very slowly, back up. It’s not something a reviewer can talk about without giving away too much. I could say I hope the bison are there in Edmonton still, smelling the flowers, but as I live my working life on unfenced roads in cattle country, I can’t imagine they would be left in any city a day past the first car wreck.
The author uses Tyler to make points about ‘professional Indians’ whose main employment, it seems, is to make whites feel good about themselves. You could say that Ezzy is a familiar character in grunge literature, born into society’s underclass and never likely to escape the standard path – foster homes, juvie, petty theft, prison, drugs and alcohol, lifetime welfare dependence – but Kerr shows that being Indian can also mean having support.
The story is good and the messages, which are not intrusive are nevertheless worth reflecting on, in Australia as much as in Canada.
“Statistics tell us [Australian] Indigenous children are 11 times more likely to be removed by child protection systems than non-Indigenous children”. Sam Burrow, Renna Gayde, ‘Removing babies is still harming First Nations families, almost two decades after the apology to Stolen Generations’, The Conversation, 13 Feb., 2025 (here).
Today, 30 Sept., is Canada’s National Day for Truth and Reconciliation (also T&R Day, Orange Shirt Day). “The day honours the children who never returned home and Survivors of residential schools, as well as their families and communities.” (here). Later today Marcie/Buried in Print will post on Tanya Talaga’s The Knowing, a comprehensive and personal account of the consequences of Canada’s genocidal Residential Schools system. (Marcie’s post)
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Conor Kerr, Prairie Edge, Strange Light (Penguin Random House, Canada), 2024. 253pp.







