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Popular Posts

Cinematographer Pepe Avila del Pino reveals how he re-created the fabled 1996 wedding that almost no one photographed.

The cinematographer and crew turned to Unreal Engine to previsualize lighting for the musical biopic's stadium-set concert scenes — all shot on Sony's Stage 27.

The cinematographer used a mis-timed Arri 435 shutter and a dual-filmout process to help bridge the film's two visual worlds.

Cinematographer Jackson Parrell details the custom LUTs, LED-volume work and practical-driven lighting scheme that helped create the low-budget sports-romance series' distinctive visuals.

Darius Khondji, ASC, AFC helps director Josh Safdie put wild topspin on the tale of a ping-pong prodigy.

Cinematographer Evgenia Alexandrova, AFC creates a warm and vivid palette for director Kleber Mendonça Filho's film, which journeys into the dark heart of 1970s Recife during the week of Carnival.

Director Peter Weir and cinematographer Peter Biziou, BSC tell the imaginative tale of a hapless man whose very existence has been turned into a television show.

A cadre of creative minds infused MGM’s classic fantasy with a timeless supply of movie magic.

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