Reimagining what we think we know about race, gender, sexuality, nation, diaspora, and empire

This week in North Philly Notes Thomas Xavier Sarmiento, author of The Heartland of U.S. Empire, wrotes about the queer Filipinx Midwest.

In the fall of 2010, I decided to watch an episode of Glee, a popular comedy-drama about members of a high school glee club who sing pop hits (among other genres). Incidentally, my first episode was the season two premiere, which featured a character named Sunshine Corazon, a new exchange student from the Philippines. As a queer Filipinx person, I reveled in watching a Filipina belt out lyrics to Lady Gaga and Beyoncé’s sapphic anthem “Telephone.” I was already a fan of the actor playing Corazon, Jake Zyrus, because of his single “Pyramid,” recorded under the name Charice. After this episode, I wanted to see more.

As I started watching more episodes, backtracking to season one, I learned that the show was set in Ohio and the high school was named after President William McKinley. I found it ironic that a Filipina exchange student was enrolled at a high school named after the person responsible for the annexation of her country in 1898. More puzzling was her presence in the middle of the country—a place not readily associated with Filipinx America. And yet, I was also living in the Midwest, starting my third year in the American Studies Ph.D. program at the University of Minnesota and being advised by a queer and trans Filipinx scholar. Nevertheless, being queer and Filipinx in the Midwest can feel like being a unicorn, a unique, beautiful, mythical creature that stands out of place.

Thus began my quest to understand the queer Filipinx presence in America’s heartland, resulting in my book, The Heartland of U.S. Empire: Race, Region, and the Queer Filipinx Midwest. I narrowed my research to literary and cultural representations, given their power to shape perception regardless of actual reality. And given the vastness of the Midwest region, such texts are more accessible. Although some of the texts I analyze feature queer identity, most would be not readily classified as LGBTQ+ (lesbian, gay, bisexual, transgender, queer, and related identities); rather, I frame them as queer for their nonnormative orientation to both Filipinx America and the Midwest. That is, queerness names that sense of being strange and out of place. Filipinxs in the Midwest are neither part of mainstream Filipinx America, which is oriented to the West Coast, nor part of the mainstream Midwest, which is perceived as White. But as my book shows, the middle can be a productive space and place to reimagine what we think we know about race, gender, sexuality, nation, diaspora, and empire.

The book makes a case for both the Midwest as central to the story of the United States’ colonization of the Philippines (1898–1946) and Filipinx Midwesterners as reconfiguring the bounds of the U.S. Filipinx diaspora. Examples include

  • Museum exhibits in Kansas about the Spanish– and Philippine–American Wars and the Pacific front of World War II
  • Poems (Aimee Suzara’s Souvenir), an experimental film (Marlon Fuentes and Bridget Yearian’s Bontoc Eulogy), and a short story (Jesse Lee Kercheval’s “The Dogeater”) about the display of over 1,000 native Filipinxs at the 1904 St. Louis World’s Fair
  • Photographs and unpublished memoirs of White and Black civilian Kansans living in the Philippines during the early twentieth century
  • Filipinx handwritten student essays from 1904 housed at the University of Michigan
  • Filipinx Minnesotan student perspectives on Philippine independence during the 1920s
  • Bienvenido Santos’s literature (Scent of Apples and The Man Who (Thought He) Looked Like Robert Taylor) and memoir (Memory’s Fictions) that capture his time in the Midwest
  • Short stories about Filipinas growing up in Chicago and suburban Milwaukee during the 1970s and 1980s (M. Evelina Galang’s Her Wild American Self)
  • A play about Filipinx siblings growing up on a non-working farm in Middle America in the 1990s (A. Rey Pamatmat’s Edith Can Shoot Things and Hit Them)
  • Filipinx characters and actors on television shows set in the contemporary Midwest (Glee and Superstore)

What these numerous examples revealed to me, and what I hope they reveal to you, is that Filipinxs in the Midwest are not anomalies, but rather appear so because of dominant narratives about race and region. This constellation maps the queer Filipinx Midwest: a counter-narrative of America’s heartland and the U.S. Filipinx diaspora that places queerness, Filipinxs, and the Midwest in dialogue with one another.

The Heartland of U.S. Empire invites you to dive into the middle and to see that “flyover country” is not as bland as you might think.

The Door That Was Never Closed

This week in North Philly Notes, Michael E. Sawyer, author of The Door of N̶o̶ Return, writes about “Being-as-Black.”

As I live with this book, I realize that I am still learning from it.

That starts with the title. The “No” in The Door of N̶o̶ Return is stricken through. Not erased, but crossed out, remaining visible. This turns out to matter enormously, because a stricken “No” has no phonetic form. You cannot say it. If you treat it as simply deleted, you get “The Door of Return,” which misses the point entirely. If you try to say “the No-stricken-but-still-there Return,” you’ve demonstrated only how badly language can fail. The title is, strictly speaking, unsayable.

After reading and re-reading this book, I realized that the sonic version of the title, its spoken form, had been there the whole time. I just hadn’t heard it. In the text, in thinking about the discourse of Love under conditions of subjective instability, I linger with August Wilson’s Fences. I’ve always been preoccupied with the scene where the son, Cory, asks his father, Troy, “How come you ain’t never liked me?” Read strictly, the double negative, “ain’t never” produces its opposite: How come you always liked me? Wilson gives Cory language that is structurally available to him but ontologically impossible. A question that cannot be asked within the architecture of the anti-Black world pressing down on father and son alike. The double negative doesn’t cancel itself out. It creates something else: a passage. The Door of Ain’t Never Return.

The title I thought I’d written turns out to be a hieroglyph. The title I actually wrote turned out to be a vernacular utterance in Black English that had been waiting, patiently, for me to hear it.

I think about this now, in 2026, when the political landscape feels like pure foreclosure. The fortress is going up. The “No” feels absolute and permanent. What I want to suggest and what the book argues systematically, is that Black cultural production has never accepted the permanence of that “No.” Not as optimism. Not as resistance narrative. But as ontological fact: The door was never actually closed.

Toni Morrison knew this. August Wilson knew this. Ralph Ellison knew this. And on a January night in 1972, Aretha Franklin demonstrated it.

In the book, I linger with that night at New Bethel Baptist Church in Los Angeles and specifically with Aretha Franklin’s performance of “Never Grow Old” on the second night of what would find itself presented on the Amazing Grace album and in the documentary that was finally released in 2018. Viewers will recall that Mick Jagger and Charlie Watts take a break from their own recording project to be observers rather than observed that night. What the two Rolling Stones witness is the journey to the threshold of the door of ain’t never return. Aretha pulls the audience to a place where observation of Morrison’s third, if you will pardon the expression, world is possible. Where we are led to is a place of competing forces. The resistance of anti-Blackness fights its extinction, and the pull of another world seems foreign, even to those who are also participants in Aretha’s expedition to another world. Reverend Cleveland throws a towel at Aretha to disrupt the journey and Gospel icon Clara Ward has to be physically restrained from ending Aretha’s performance.

What Aretha did with that song was mine its technology to get across that barrier. She took the word “Never” and turned it, probed it, refused to let it resolve into simple negation. She built, note by note, a sonic space constructed entirely of refusal of the refusal that “never,” like the “No,” asserts, and then filled that space of negation of negation with what the refusal of refusal makes possible. When she finally has cleared the necessary sonic space, Aretha gives Toni Morrison’s world a name. Not a theoretical concept. Not a philosophical category. A name for the place: The Beautiful Home of the Soul.

That’s what this book is about. Not the Door of No Return as permanent closure that is the commonly understood consequence of the catastrophic fact of the Middle Passage and everything it created. But the door Aretha’s voice found in 1972 that Wilson’s language had been pointing toward and that Morrison’s novels had been mapping: the Door of Ain’t Never Return. The one that was never truly closed. The one that was, as Morrison wrote, “already made for me, both snug and wide open, with a doorway never needing to be closed.”

I didn’t know I’d written that title until after the book was finished. I think that’s exactly as it should be. The work teaches even its author what it’s about.

Celebrating Black History Month

This week in North Philly Notes, we highlight various Temple University Press titles for Black History Month.

The Door of No Return: Being-as-Black, by Michael E. Sawyer
Presents an alternative system of Black Radical Thought

Foundations of Black Epistemology: Knowledge Discourse in Africana Philosophy, by Adebayo Oluwayomi
Engaging with epistemological questions concerning the object and subject knowledge from the black philosophical perspective

Reel Freedom: Black Film Culture in Early Twentieth-Century New York City, by Alyssa Lopez
Explores Black New Yorkers’ early engagement with film and what it meant in the Black struggle for equality, inclusion, and modernity

Redefining the Political: Black Feminism and the Politics of Everyday Life, by Alex J. Moffett-Bateau
Assessing the political power of low-income Black women

Toni Morrison and the Geopoetics of Place, Race, and Be/longing, by Marilyn Sanders Mobley
Connects Toni Morrison’s cultural politics and narrative poetics through the lens of spatial literary studies

Black History in the Philadelphia Landscape: Deep Roots, Continuing Legacy, by Amy Jane Cohen
Philadelphia’s Black history as seen through historical markers, monuments, murals, and more

BLAM! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century, by Charles L. Blockson Afro-American Collection; Foreword by Lonnie G. Bunch III
This graphic novel tells the inspiring stories of 14 important Black Philadelphians

It Was Always a Choice: Picking Up the Baton of Athlete Activism, by David Steele
Examining American athletes’ activism for racial and social justice, on and off the field

Black Identity Viewed from a Barber’s Chair: Nigrescence and Eudaimonia, by William E. Cross Jr.
On Blackness, identity formation, and the deconstruction of the deficit perspective on Black life

Envisioning Emancipation: Black Americans and the End of Slavery, by Deborah Willis and Barbara Krauthamer
What freedom looked like for black Americans in the Civil War era

Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America, by Daniel R. Biddle and Murray Dubin
Celebrating the life and times of the extraordinary Octavius Catto, and the first civil rights movement in America

Silent Gesture: The Autobiography of Tommie Smith, by Tommie Smith and David Steele
The story of the most famous protest in sports history, written by one of the men who staged it

And forthcoming in 2026

Declaration House, edited by Anna Arabindan-Kesson, Paul M. Farber, and Yolanda Wisher
Expanding our ideas and notions about who is counted among our American founders

The Power We Need Right Now: Black Sororities and Black Radical Movements of the 1970s, by Aisha A. Upton Azzam
Examines diverging Black sorority responses to activism in the post-civil rights era

Scammers Be Damned!

This week in North Philly Notes, as part of our “resources for authors,” we warn authors not to fall for publicity scams

Temple University Press as well as its authors are frequently contacted by scammers keen to exploit writers eager to get their book out in the world. 

Many of the emails, offer:

·      Publicity assistance/campaigns,

·      Book club opportunities,

·      Social media influencers,

·      Movie rights opportunities,

·      Amazon visibility/optimization or Goodreads Listopia promotion

For new authors especially, it all sounds very exciting! And many of these promised services are inexpensive; most of these scammers request a modest fee for what sound like helpful services.

But they are also not real

With AI becoming prevalent, scams are increasing and fake requests can look very “real,” and we caution authors about getting catfished (even if no money is initially requested). These scammers prey on your fears—of Amazon dropping your book, or authors selling their rights, or sending copies that will be uploaded for free to the internet. 

Authors should forward any “too good to be true” come-ons  to our staff for review before responding.

Tips on how to spot a scammer:

  • If the email seems disconnected from its source or seems to come from an obscure and unlikely  location, delete the message.  
  • If it seems too good to be true, it surely is too good to be true.  
  • If you feel the flattery in the message might have been generated by a Chatbot, you’re right!  

Want to know more? This article from Electric Lit is especially useful: 
https://electricliterature.com/that-personalized-email-about-loving-and-marketing-your-book-is-a-scam/

This blog https://writerbeware.blog/ focuses on how to spot scams

The Author’s Guild website has an article about publishing scam alerts:  https://authorsguild.org/resource/publishing-scam-alerts/ 

We value your book as much as you do. Trust us to promote it widely.

Announcing Temple University Press’ Spring/Summer 2026 Catalog

This week in North Philly Notes, we present our exciting list of titles from our Spring/Summer 2026 Catalog

To read the full catalog online, please click here.

Declaration House, edited by Anna Arabindan-Kesson, Paul M. Farber, and Yolanda Wisher
Expanding our ideas and notions about who is counted among our American founders

Native Americans and Pennsylvania: Revised and Expanded Edition, by Daniel K. Richter
An up-to-date survey of regional Indigenous history from earliest times to the present

The Mighty WMMR: An Oral History of Philadelphia’s Rock Radio Revolution, by Erin Riley
An insider’s behind-the-scenes look at how WMMR grew to rule Philadelphia’s rock radio world in the 1970s and 1980s

Elected American: From Red China to Blue Maryland, by Lily Qi
An immigrant’s journey from Chairman Mao’s Cultural Revolution to the Maryland State House

Torn from the Root: A Memoir of a Black Transracial Adoptee, Rhonda M. Roorda
A powerful journey of identity and belonging

Brooklyn Odyssey: My Journey out of Hasidismby Zalman Newfield
An affecting memoir about moving away from a tight-knit Orthodox Jewish community

Your Own Will Leave You: My Mother’s Dementiaby Manash Firaq Bhattacharjee
An intense—and intensely moving—account of the impact of his mother’s dementia on the author’s life

Stories of Raising Boys: Masculinity, Disability, Gender Expansiveness, and Anxiety, by Julie-Ann Scott-Pollock
Exploring the complexity and cultural intersections of parenting and masculinity

Not Going Back: Public Opinion on Abortion in Post-Dobbs Americaby Laurel Elder, Steven Greene, and Mary-Kate Lizotte
How American opinion on abortion has undergone a profound shift following the Dobbs decision

The Power We Need Right Now: Black Sororities and Black Radical Movements of the 1970sby Aisha A. Upton Azzam
Examines diverging Black sorority responses to activism in the post-civil rights era

Searching for Democracy: Women, Domestic Work, and Social Reproduction in Latin America, by Leda M. Pérez
How fully enfranchising women in the lowest tiers of employment can help close the equality gap in Latin America

How Women Win Presidential Elections in Latin America, by Catherine Reyes-Housholder
Explaining the paths women must take—and the barriers they face—to become President

Diseases Have No Eyes: Valley Fever and Environmental Health Justice, by Sarah M. Rios
Explores how marginalized communities organized to combat a public health crisis

Tautua: Service and Disability Activism in Sāmoa, by Juliann Anesi
A feminist ethnography that explores how women established two schools for students living with disabilities in 1970s Oceania

Asian Ameritopias: Asian American Speculative Fictionsby Stephen Hong Sohn
Analyzing themes of social justice for Asian Americans in a literary supergenre

The Heartland of U.S. Empire: Race, Region, and the Queer Filipinx Midwestby Thomas Xavier Sarmiento
Queers the conventional understandings of region, nation, diaspora, and empire by analyzing literary and visual cultural representations of Filipinxs in the Midwest

Activism, Majority Rule, and Local Democracy: Rethinking Public InfluenceBrian E. Adams
Is more local activism a solution to our political ills?

Women and Regulation: Challenging the Status Quoedited by Sara R. Rinfret and Michelle C. Pautz
What is it like to be a woman in a regulatory environment?

Between Belonging and Exclusion: The Intersections of Integration and Anti-Discrimination Politicsby Lara-Zuzan Golesorkhi
Highlights the lived experiences of refugee women in the German labor market

Governing Genealogies of International Film Educationedited by Hadi Gharabaghi and Terri Ginsberg
A multifaceted forat into the complexities and contradictions of educational cinema and cinema education

Action = Vie: A History of AIDS Activism and Gay Politics in France, by Christophe Broqua with a Foreword by David M. Halperin
Chronicling the history and accomplishments of Act Up-Paris

400 Years of Salem, MA History

This week in North Philly Note, Donna Seger and Brad Austin, coeditors of Salem’s Centuries, write about the history of a city that should be known for much more than just witches.

If one looks only at the vast number of academic studies of its history, Salem is surely one of the most scrutinized of all American cities, especially among those in the “small city” categories.  Over the last century, scholars have published hundreds of books on Salem’s history, and the number of journal articles dwarfs the monograph total.  If one prefers metrics related to tourism (Salem’s attractions and museums host more than 1,000,000 visitors a year) then it is easy to conclude that the last thing the world needs is another examination of the city’s past. What else is there to be said and shown, right?

Quite a lot, as it turns out.  Those truly impressive numbers of publications and visitors conceal as much as they reveal. The overwhelming majority of the publications focus on Salem’s role as the host of the 1692 Essex County Witch Trials or the maritime history of the city’s “Golden Age of Sail.” Most of those million visitors come to see sites associated (sometimes very loosely) with the accused witches or that feature some Halloween connection.

Our experience working as historians in Salem convinced us that there was a need for a close look at Salem’s history outside the 18 months of the witch trials and the couple of decades of Salem’s maritime dominance.  The fact that Salem’s quadricentennial was looming in 2026 inspired us to  fill that void.

Salem’s Centuries: New Perspectives on the History of an Old American City builds on the much smaller, but still substantial, scholarship on Salem’s history outside of the usual foci, and  elevates  the fascinating ways that Salem has both shaped and reflected the contours of American history for four centuries. While the book includes discussions of the accused witches, it considers the witch trials from a variety of new perspectives. The relevant chapters focus not on the trials themselves but on scholars’ recent confirmation of the long-lost execution site and on oral histories passed down through descendants’ families.  A separate chapter explores why so many tourists participate in Salem’s “ghost tours,” taking their interest and engagement seriously. 

Most of the book, though, explores fascinating topics unrelated to maritime or macabre history.  Readers will find explanations of the complicated and exploitative processes colonists used to secure land deeds from Native American nations, Salem’s extensive and troubling relationship with slavery, the role of a Salem preacher in the killing of an English king, and the city’s centrality to the American Revolution and the Civil War. Other chapters introduce Salem as the antebellum home of significant Black entrepreneurs as well as mobs looking to attack abolitionists.

Readers will learn about how Salem has experienced a host of economic and demographic changes. They’ll see how the “new immigrants” of the late  nineteenth and early  twentieth centuries led to the establishment of more than a dozen Catholic parishes in a former Puritan stronghold andhow Salem’s national leadership of the colonial revival movement was, in part, a reaction to those new Salemites.  Chapters explore how Salem survived World War II and the turmoil of the 1960s and document  labor strife and the contributions of more recent migrants from Puerto Rico and the Dominican Republic.  

As colleagues who share an enthusiasm for connecting local history to national and global narratives, we have found studying history in Salem to be endlessly fascinating. We fervently hope that Salem’s Centuries helps readers understand why we remain captivated by this city’s compelling history four hundred years after its founding.

Temple University Press’ Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press close out 2025 by suggesting the Temple University Press books they would give along with some non-Temple University Press titles they hope to receive and read this holiday season. 

Mary Rose Muccie, Director

Give: John Shjarback’s Chasing Change in Camden: Police Reform in One of America’s Most Violent Cities to my friend Stephanie, who recently retired after decades working in the Camden County Police Department. She was instrumental in managing Camden’s transition from city to county policing. 

Get: I’d love to receive two books that appeared on several “Best of 2025” lists: What We Can Know, by Ian McEwan, and A Marriage at Sea, by Sophie Elmhirst. The first intrigues me—a scholar in a post-apocalyptic future searching for a lost poem from what he sees as the halcyon days of the mid 2010s—and the second sounds like exactly the kind of narrative nonfiction that sucks me in.

Karen Baker, Associate Director, Financial Manager

Give: Brandon Graham’s BG’s ABCs: Tackling Football and Life. I have 2 grandsons under the age of 4 who would love this book.

GetGordon Ramsay Quick and Delicious. I need new recipe ideas that won’t take forever to make.

Aaron Javsicas, Editor-in-Chief

Give: One thing many people like to do in December is dream of their favorite warm weather activities. For Philadelphians, outdoor music has to be near the top of the list. Jack McCarthy’s A Century of Music Under the Stars: A History of the Mann Center for the Performing Arts and Robin Hood Dell is a beautifully produced and illustrated, highly giftable book, ideal for everyone on your list who loves music, the outdoors, and our great city.

Get: 
How Infrastructure Works: Inside the Systems That Shape Our World, by Deb Chachra. Does infrastructure actually still work? I hope so. As the book’s marketing copy notes, many of these engineering marvels “would have been unimaginable a century ago.” Now, however, it seems we take infrastructure for granted to such an extent that we often don’t bother to think about it at all. 

Ryan Mulligan, Senior Editor

Give: Jane McManus’ The Fast Track: Inside the Surging Business of Women’s Sports. This book takes readers inside the leagues and broadcasters to show how women’s sports is finally getting a chance to find its huge audiences and, more tellingly, what’s been holding it back to this point.

Get: Dennard Dale’s How to Dodge a Cannonball, A satirical historical novel about the American dream sounds up my alley.

Shaun Vigil, Editor

Give: This season, I’ll certainly find myself wrapping copies of Averill Earls’s Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922–1972. In it, Dr. Earls blends thoughtful research with social biography to tell a compelling, narratively rich series of stories that truly bridges the gap between rigorous scholarship and an engaging, accessible style representative of the absolute best in public history.

Get: As has been chronicled in this very blog, I’m a lifelong metalhead and avid reader of musician memoirs. Given this year’s passing of the Prince of Darkness himself, Ozzy Osbourne, I’m hoping to receive his final volume, Last Rites.

Stephen Bassett Gluckman, Editorial Assistant and Rights and Contracts Coordinator

Give: Worlds at the End: Los Angeles, Infrastructure, and the Apocalyptic Imagination, by Pacharee Sudhinaraset, is a fascinating, if unsettling, book that revises how we see infrastructure’s hand in underpinning colonial life. Reading apocalypse and “end times” through Indigenous, Black, Asian American, and Latinx literatures, Sudhinaraset challenges the reader’s understanding of both cities and catastrophe and the role of material foundations in the shaping and maintenance of power.

Get: As I am on a post-dissertation John Le Carré kick, I would like to receive Willem Frederik Hermans’s The Darkroom of Damocles, which he may or may not have ripped off when he wrote The Spy Who Came in from the Cold.

Steven Fino, Graduate Editorial Assistant 

Give: In my continued effort to get all of my friends and family to care about my dissertation, I would give Beyond the Law”: The Politics of Ending the Death Penalty for Sodomy in Britain, by Charles Upchurch. The book is about the law well before the period in which I am primarily working, but it provides an important context to the issues of criminality that I am talking about.

Get: I hope to receive Open, Heaven, by Seán Hewitt, which touches on a number of the themes I am constantly returning to in literature, and is influenced by one of my favorites, Maurice by EM Forster. 

Ashley Petrucci, Senior Production Editor
Give: Even though I’ve given some of the Eagles fans in my life The Eagles Encyclopedia: Champions Edition, I think I’ll have to supplement that with the new Champions II edition that just came out this year! There’s so much new information in this edition, such as many new profiles, stories, photos, and the chapter on the most recent Super Bowl, that it could be its own standalone book, so I don’t think they’ll mind an “Eagles round two,” so to speak!

Get: This year I’m pivoting and going more visual—I have the Fullmetal Alchemist manga boxset on my Christmas wishlist. I don’t think it’s going to happen for me, but a girl can dream!

Faith Ryan, Production Assistant

Give: I would give Amy Jane Cohen’s Black History in the Philadelphia Landscape:Deep Roots, Continuing Legacy. I read it earlier this year and I really appreciated how Cohen gave just as much space to the stories of lesser-known Philadelphians as to those who went on to become nationally famous figures. There’s so much to learn here, even if you’ve lived in Philadelphia for years. By the time I finished the book, I ended up with a long list of people I’d like to read more about!

Get: I would love to get Women Changing Cities: Global Stories of Urban Transformationby Melissa and Chris Bruntlett. I love reading books about city planning, especially when they focus on the ways we can improve our cities for everyone, and I’m intrigued by how this book is bringing women’s efforts to the forefront as it explores cities all over the world.

Irene Imperio, Senior Manager, Advertising and Promotions

GiveForgotten Philadelphia: Lost Architecture of the Quaker City, by Thomas H. Keels. As we celebrate the country’s 250th anniversary, what a great reminder of our city’s beginnings! 

Get: The next installment of Richard Osman’s Thursday Murder Club series: The Impossible Fortune.

Gary Kramer, Assistant Director, Sales and Publicity

Give: As a cinephile, I will be gifting Reel Freedom: Black Film Culture in Early Twentieth-Century New York City, by Alyssa Lopez. Not only does this book spotlight the fascinating, underknown history of African American film culture in early 20th century New York, it also won a Choice Outstanding Academic Title this year. (So proud of Alyssa!)

Get: The Silver Book: A Novel, by Olivia Laing. After an author asked me to secure an endorsement for his book from Laing (who graciously declined) I found out why: she is busy promoting her new book, a queer romantic thriller that unfolds against the backdrop of Cinecittà. I can’t wait to read it. However, I might have to. I become quite obsessed with the series Heated Rivalry. Having already read four of the books in the series a few years back, I can see I will spend my holiday reading the two volumes I missed: Heated Rivalry and Game Changer.

Congratulations to our authors this year

This week in North Philly Notes, we celebrate the author and books that have won awards this calendar year.

CHOICE OUTSTANDING ACADEMIC TITLES

Three Temple University Press were named Choice Outstanding Academic Titles! These outstanding works have been selected for their excellence in scholarship and presentation, the significance of their contribution to the field, and their value as an important—often the first—treatment of their subject. This year’s honorees are:

FIRST PRIZES

Nicole Rader is the recipient of the American Society of Criminology, Division of Victimology 2025 Robert Jerin Book of the Year Award for her book Teaching Fear.

Redefining the Political, by Alex J Moffett-Bateau, won the 2025 Anna Julia Cooper Outstanding Publication Award from the Association for the Study of Black Women in Politics.

Alexandre Baril’s Undoing Suicidism won the 2025 Qualitative Book Award from the International Congress of Qualitative Inquiry.

Molly Lester and Michael Bixler are the 2025 recipients of the Preservation Alliance for Greater Philadelphia’s Young Friends of the Preservation Alliance Award. According to YFPA, their new book, Building Ghosts, “won this year’s award through its exceptional storytelling and innovative approach to documenting Philadelphia’s built landscape.”

The Pennsylvania Historical Association (PHA) has won a 2025 PA Museums Institutional Award for its publication, Cradle of Conservation.

Marianne Novy, author of Adoption Memoirs, received First Place from Bookfest in the category of Relationships—Family—under Nonfiction. She also received an International Impact award for Biography: Unsung Heroes and Everyday Lives, and Family—Adoption and Foster Care.

HONORABLE MENTION

The Improviser’s Classroom, edited by Daniel Fischlin and Marc Lomanno, was awarded honorable mention from the Society for Ethnomusicology’s Ellen Koskoff Prize, which recognizes an outstanding edited volume in ethnomusicology.

INDIVIDUAL AWARDS

Michael Menser, author of We Decide! received the Transdisciplinary Award for Research in Philosophy of the City. The award, which will recognizing individuals whose real-world scholarship and engagement meaningfully impact cities. Following his acceptance, it will be renamed the Michael Menser Award in Transdisciplinary Research in his honor.

Shamira Gelbman, author of The Civil Rights Lobby, received the 2025 APSA Award for Teaching Innovation. The award honors a wide range of new directions in teaching by recognizing a political scientist who has developed an effective new approach to teaching in the discipline.

Sunaina Maira, author of Desis in the House, received the 2025 Association for Asian American Studies’ Lifetime Achievement Award.

Nelson Diaz, author of Not from Here, Not from There, received the 2025 6abc Philly Proud Community Leader Award.

Gregory Squires, author of Chicago, and From Redlining to Reinvestment, and editor of Organizing Access to Capital, was the recipient of the 2025 American Sociological Association’s Public Understanding of Sociology Award.

Bill Wong, author of Sons of Chinatown won the PEN Oakland Award for U.S. multicultural writers, to “promote works of excellence by writers of all cultural and racial backgrounds and to educate both the public and the media as to the nature of multicultural work.

SHORTLISTED

Beth Kephart’s My Life in Paper was one of five books shortlisted for the Pattis Family Foundation Creative Arts Book Award at Interlochen. This award recognizes outstanding works of fiction or nonfiction. The winning author receives a $25,000 cash prize, and will conduct a multi-day residency at Interlochen Arts Academy. Two runner-up awards of $2,500 may also be presented.

Amanda Cachia’s book, The Agency of Access, is one of five titles shortlisted for the Charles Rufus Morey Book Award College Art Association.

Beethoven in Beijing, by Jennifer Lin, is one of six books shortlisted for an inaugural Richard T. Arndt Prize for an Outstanding Work on Cultural Diplomacy.

Banned Book Week

This week in North Philly Notes, in honor of Banned Book Week, we repost our entry from earlier this year when six Temple University Press titles were banned from the Naval Academy’s Nimitz library.

On January 20, President Trump signed an executive order eliminating all “illegal DEI and ‘diversity, equity, inclusion, and accessibility’ (DEIA) mandates, policies, programs, preferences, and activities in the Federal Government.” Federal departments moved quickly, canceling programs and services, shuttering departments, removing vast amounts of content from websites, and rewriting history.

As the Pentagon moved to comply, libraries at the military service academies were directed to remove books related to DEI from their shelves. The Naval Academy was the first to act, removing 381 books from the Nimitz Library on March 31 and April 1. The Guardian reported that Army and Air Force officials directed academy staff to compile lists of books for removal.  

Included among the books removed from the Nimitz shelves were the frequently banned How to Be an Antiracist, by Ibram X. Kendi, and Gender Queer, by Maia Kobabe. And in a stark testament to where the president and his administration may be headed, Maya Angelou’s seminal I Know Why the Caged Bird Sings was pulled, but Adolf Hitler’s Mein Kampf remains on the library shelves.

It was a surprise—or maybe not—to find these six Temple University Press books on the list.

When these authors were informed about their books being banned, many asked the question on everyone’s mind: Why? Are these Temple University Press titles that controversial, or did an AI bot snag them because their titles, descriptions, or subject categories contained one or more of the hundreds of words flagged as subversive?

It would be interesting to know what if any Temple University Press titles remain on the Naval Academy Library’s shelves. Did they have copies of George Lipsitz’ other title, The Possessive Investment in Whiteness, or Just Who Loses?, Samuel Rounfield Lucas’ second volume in his Theorizing Discrimination trilogy? What about the recent book in our Sexuality Studies series, Talk about Sex, by Janice Irvine, which shows how the American right wing used sex education to build a political movement and regulate sexuality by controlling sexual speech. And how about a copy of the NAACP Award-winning Envisioning Emancipation, by Deborah Willis and Barbara Krauthamer, which uses photos and text to reflect on Black Americans and the end of slavery? Our list is full of potential targets, including Prison Masculinities, edited by Don Sabo, Terry Kupers, and Willie London, which years ago was banned by the entire state of Texas prison system.

Themes of racial and social justice, diversity, equity, and inclusion run throughout the Press’ list. We’re proud that our titles are being challenged and banned by an administration intent on rewriting history and creating a present and future that doesn’t include equal treatment for all. The authors of these banned books and many others speak to and about things the government doesn’t want to be discussed. The Press is honored to support that conversation.

Below are reactions and responses from the Temple University Press authors whose books were banned.

“I’m confused and dazed and sad and proud. Confused and dazed that my work could be so threatening. Sad because it has been censored. Proud, in rather a perverse way, to be one of the authors identified as frightening by the most risible government in modern American history”Toby Miller, author of Sportsex

“Having my book—my ideas—censored is a direct and personal reminder that especially for higher education, there will be no strategy of negotiation and conciliation that will succeed under this regime. All that’s left is to resist and organize.”—Thomas Kim, author of The Racial Logic of Politics

“I have to laugh at the vain efforts of petty bureaucrats who think they can keep ideas from people who look for or need them. You think you can keep what is written from those who you are interesting in those ideas by suppressing them? Forget it. You bring such writings to the attention of those who look for it, and who will find it. And read it. That is the big one. So much is printed, and many don’t read it until some powerless administrator calls attention to it. And then they will read it. And all you administrators can do with your money is hire a therapist to give you excuses for your unethical behavior.Steve Martinot, author of The Machinery of Whiteness

“I am proud to be on a list of authors of banned books that includes Martin Luther King, Jr. and Maya Angelou. As the poet Blas de Otero observed about being censored by the Franco dictatorship in Spain, ‘They don’t let people see what I write, because I write what I see.’ Dictators throughout history have banned and burned books that invite readers to think for themselves rather than merely follow the orders issued by those in power. Book bans are confessions of weakness, of the inability of those doing the banning to refute arguments they do not like. This exercise in censorship indicates that the Naval Academy has so little faith in the intelligence—and so much fear of the fragility—of its students and faculty that it has to shield them from books that simply reveal that racism exists. This sends the midshipmen off to careers where they will be ill equipped to understand and command the troops they lead or the civilian populations they encounter. As the elders in Haiti say, breaking the thermometer will not cure the fever. The history of banning books bodes ill for the banners. Such acts almost always increase rather than decrease demand for the banned books. They also provoke authors to write more works that expose and critique the corruptions of the powerful. Like the many headed hydra of mythology, cutting off one head only enables more to grow in its place.”—George Lipsitz, author of How Racism Takes Place

“The United States, my native land, has long articulated powerful ideals of freedom, liberty, justice, human rights, and equal opportunity, and through time, sweat, tears, and blood, has haltingly journeyed toward realizing those ideals for everyone–wealthy and poor, of whatever sex, race, religion, nationality, or predicament. Thus, I am disappointed and sad that the stewards of the U.S. now seem committed to destroying that progress and erasing signposts of it, for as they deny U.S. history and undo U.S. progress, they simultaneously deny the triumph and undo the promise—and worldwide hope–of America. Their banning of my book, Theorizing Discrimination in an Era of Contested Prejudice, is one small act of many in their erasure project. But I do not feel erased. For I was but one of many channels for the expression of fundamental ideals of human freedom, and the continuation of those ideals is the point. Thus, while they can certainly ban an object–paper, ink, thread, and glue–I take joy in the knowledge that no one has or ever can have sufficient power to ban or otherwise extinguish the spirit and fundamental ideals that provided the book’s force, effect, and inspiration.”—Samuel Roundfield Lucas, author of Theorizing Discrimination in an Era of Contested Prejudice

“The U.S. Naval Academy’s decision to remove my book, along with almost 400 others, from its library’s shelves is disheartening and small-minded. No books should be removed from library shelves for political or censorship reasons, and certainly not at the college level. Our naval officers should be exposed to a wide range of viewpoints and historical interpretations before they lead our soldiers and represent our country. My book, Men’s College Athletics and the Politics of Racial Equality, analyzes five case studies of college sports integration from 1915 through the early 1970s. It explores how people used sports to discuss issues of equality, freedom, citizenship, and community. While the book calls attention to unsolved issues related to race, it also celebrates progress on and off the field. Learning about the past—including the history of desegregation in college sports, and the ways that athletes, fans, media commentators, and university administrators responded to changes in racial norms and ideas of masculinitywill help make our leaders more informed and better attuned to a wide range of issues in American life.

“One of the truly great things about the service academies is that they bring in students from all over the country, and from all different walks of life. There is an emphasis on learning from one another, of the benefits that come from hearing a variety of perspectives. The decision to remove these books from the USNA library strikes hard against the ideals of our military and our nation at large. Our military leaders should be modeling intellectual curiosity and a thoughtful engagement with the past. Reading more books, not less, is the way to achieve those goals.”—Gregory Kaliss, author of Men’s College Athletics and the Politics of Racial Equality

To the students of U.S. military academies: if you are reading this, we will be happy to send you a copy of one of these banned books for your personal library upon request.

Meet Steven Fino

This week in North Philly Notes, we get to know the Press’ new Graduate Editorial Assistant, Steven Fino.

In 2022, Temple University Press and Temple University’s Department of Graduate Affairs, working with the English department, created the Graduate Editorial Assistant (GEA) position. We had two goals: the GEA would assist the editors and occasionally other Press departments with key tasks, and he or she would have an opportunity to explore scholarly publishing as an alternative career path and get hands-on experience to support a possible future position in publishing. 

Our newest GEA, Steven Fino, just started at the Press. He graduated from Temple in 2015 with a degree in secondary English education and is currently a PhD candidate in English. His dissertation, entitled “Queering the Bildungsroman,” looks at works of gay and lesbian fiction from the late 19th through the early 20th centuries, such as The Picture of Dorian Gray, by Oscar Wilde; E.M Forster’s Maurice; and Radclyffe Hall’s The Well of Loneliness.

We interviewed Steven to welcome him to the Press and get to know him better.

What prompted you to work at the Press? How does the GEA position align with your goals?
I wanted to make sure I completed my degree having some experience that wasn’t focused on teaching. I know I want to do something connected to academia in the long run, and publishing seemed like an excellent fit for me. When the head of the graduate English program recommended the position to me, I immediately applied.

What observations do you have about academic publishing as a graduate student

As someone who works broadly in queer studies, one thing I am very aware of is the heightened sense of criticism and pushback against the field at the moment, not just in the ones that I am particularly interested in reading but anything I can see myself writing as well.

Are there any books on Temple’s list that dovetail with your work as a grad student?
There are a bunch that overlap with what I work on, namely Beyond the Law by Charles Upchurch and Love in the Lav by Averill Earls. Making Modern Love by Lisa Z. Sigel, in particular, is one that looks like it will be incredibly useful for my dissertation. Public City/Public Sex, by Andrew Israel Ross, is also of interest; there tends to be a massive overlap between the gay writers of London and Paris.

What Temple book are you interested in reading (if your time allows)?
One that does not directly fit with my field but interests me quite a bit is City of Sisterly and Brotherly Love, by Marc Stein. I know that Philadelphia was home to the first organized gay rights protests in the U.S. with the Annual Reminders at Independence Hall from 1965 to 1969 and would love to know more about the history of the queer community of my city. 

What authors (Temple or otherwise) are particularly meaningful for you and why?
Limiting myself to scholarly writers, there are two that immediately come to mind: José Esteban Muñoz and Paul Baker. Reading Muñoz, specifically Cruising Utopia, during my exams gave me a strong sense of the type of thinking I want to be doing. And  Paul Baker, who has written for both academic and general audiences, specifically with his book Fabulosa! The Story of Polari, Britan’s Secret Gay Language, showed me the type of book I want to write.

If we’re looking at literature as a whole, this is a random assortment but the ones that had the biggest impact on me are Bernardine Evaristo, E.M. Forster, Christopher Isherwood, Kazuo Ishiguro, Jamie O’Neill, author of my favorite novel, At Swim, Two Boys, Christopher Marlowe, Salman Rushdie, William Shakespeare, Zadie Smith, Sarah Waters, Oscar Wilde, and Virginia Woolf.

What kind of reader were you like as a child? 
When I was about 8, I really started reading for fun, which meant basically anything I was interested in. My mother was thrilled and said I could have as many books from the store as I would like. She then quickly had to put limits on the amount she would allow me to buy given the speed at which I could go through books for that age group. 

Is there a book you thought was overrated? 
This is not really a book I would call overrated, as I can’t ignore the impact it had on literature, but the book I am the most bitter about is Ulysses by James Joyce. When I was making my reading list for my exams, I tried not including it and was told by my committee chair that I needed to have it. Since that book in particular was brought up, I was certain there would be a question about Ulysses on the exam, so I spent more time on that book than anything else – reading it twice as well as multiple companion books. Day of the exam, I get my questions and immediately see that not a single one had anything to do with Ulysses.  

Is there a book you think folks should know but don’t?
The one book in my field I tell everyone to read is Maurice by E.M. Forster, which is the novel at the center of my dissertation. Just the existence of the novel is incredible, being way ahead of its time in how it approaches the issue of M/M romance and the fact that it ends happily. I never get tired of talking about this book.

If you hosted a dinner party, what three authors, living or dead, would you invite and why? 
Virginia Woolf, E.M. Forster, and Lytton Strachey. Essentially, I just want to hang out with the Bloomsbury Group for a bit. 

What is something we should know about you outside your Temple experience?
Off the top of my head, I am just a big fan of storytelling regardless of the medium in which it is told (novels, movies, stage productions, audio drama, comics, etc.) I am the go-to baker of my friend group and have a habit of bringing baked goods to the workplace. I also live with my cat, whose full title is Her Royal Highness Lady Macbeth, Queen of Scotland and Empress of the Couch. Long may she reign. 

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