Violinist Kev Marcus talks about his relationship to the violin, the challenge of racial stereotypes in the classical music world, and the duo’s latest recording project.
The SF Bay Area group features some of the best and (arguably) weirdest classical musicians playing instrumental versions of the greatest rock songs ever written.
Prague has a broad appeal. But to truly appreciate this city and its legacy of music and art, don’t confine your visit to the touristy center.
Finalists at the international competition faced a formidable challenge in a city where everything seems larger than life.
Advertisement
Totenberg started giving violin lessons at the age of nine. Ninety-two years later, he was still teaching.
To mark the first 25 years of this century, here are 15 new string pieces that proved especially significant and impactful (plus a few honorable mentions).
These works come to life under Tomáš Netopil’s direction.
The best critics combine a deep understanding of repertoire, performance practice, and historical context with the ability to communicate effectively to both novice and experienced audiences.
Advertisement
Violinist Kip Jones’ arrangement of the legendary bassist’s composition highlights the intersection between the blues, gospel, and mid-1940s cool that makes the piece so special.
A vibrant hub for art, ideas, and innovation since the time of Jefferson, the city continues to blend its rich history with a forward-thinking energy that inspires musicians and audiences alike.
The French violinist is willing to bet you haven’t heard most of the music—or even the names of some of its composers—that you’ll find on this album.
‘Mirrors,’ which finds Huang accompanied by gifted concert pianist Helen Huang (no relation), was ten years in the making.
Advertisement
This book covers information every cellist needs to know in a way that preempts common errors and misconceptions.
Nine tracks for cello and electronics, ‘Peter Gregson’ (Decca) is distinctly contemporary.
Until recently, few knew that Hartford, largely known as a banjo player and country-pop composer, had a nearly obsessive devotion to the fiddle.
When encountering thumb position, it is natural to find the lack of pitch control and general awkwardness of the technique frustrating. Steady on. The only way is through, not around.
Advertisement
For more than a century, "the Queen City" has been a haven for players and lovers of string music.
“I feel like this violin has a soulful quality in its timbre, and the clarity of the tone really complements my playing,” says Um.
The breezy music often evokes youthful innocence as it weaves its way through a potpourri of pop, jazz, funk, and string-band styles.
Advertisement