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Debut Album Shows Owls to Be Rare Birds Indeed
The quartet’s new release is packed with surprises. Here, the ensemble discusses the record and their newly launched foursome.

The quartet’s new release is packed with surprises. Here, the ensemble discusses the record and their newly launched foursome.

The violinist’s new recording with Daniel Harding and the Orchestre de la Suisse Romande shines with bold, projecting tone and a forthright sense of phrasing.

The cellist, best known as the singing, beatboxing member of the phenomenal a cappella ensemble Pentatonix, tells the story behind his first full solo album, ‘Dawn of a Misfit.’

The Hungarian-British violinists Jelly d’Arányi and Adila Fachiri represent a crucial link in the history of violin performance.
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The two-step customizable rosin is made to get the most out of the company's strings, intended to support “focus, attack, and brilliance” while adding a dash of color

Enescu, for all his considerable gifts, has been a stubbornly neglected figure.

The Grammy-winning trumpeter and composer's latest work—a blend of blues, gospel, jazz, and symphonic music—is a historical, social, and cultural powerhouse.

Perhaps no modern string quartet has tapped such a varied slate of collaborators.
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In this interview, the 29-year-old Porter discusses her career, her philosophy of life, and her striking new recording.

1963 saw the formation of the first integrated string quartet in the South, performing in white, Black, and newly integrated schools across Nashville during a pivotal time in the city’s history.

Sir Donald Francis Tovey (1875–1940) raised the program note to a literary genre when he used them to provide audiences with the means of hearing music through his unique and perceptive lens.

The evolution of the violin’s E string, from its fragile gut origins to the durable steel strings of today, mirrors the progression of violin making itself.
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The music on this double-disc is dark, sometimes sublime, often intense, and at times downright uncomfortable.

Bärenreiter, a publisher known for scholarly attention to historical source materials, has now released another urtext for the Schumann concerto.

The question being addressed here is not whether old instruments sound better than new ones but how one develops the tone in instruments that have seldom or never been played.

Composer Anna Thorvaldsdottir and cellist Johannes Moser discuss the creation of ‘Before we fall’—the first concerto Thorvaldsdottir has written.
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A recent phenomenon in classical music is the evolution of performer-entertainers who must balance artistic integrity with public engagement.

This was probably the finest 20th-century collection of instruments owned by a single individual.

The city is a melting pot of traditions, ethnicities, and languages, and is a thriving hub for artists and musicians.
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