Elisabeth Harnik is Konrad Boehmer Visiting Professor 2026

We are happy to announce that Elisabeth Harnik is our Konrad Boehmer Visiting Professor in 2026.

Elisabeth Harnik, an Austrian pianist and composer has created a multi-faceted body of work in the field of improvised music, interdisciplinary projects, radio works and contemporary compositional works. She studied classical piano at the University of Music and Performing Arts in Graz, followed by composition studies with Beat Furrer.

Her compositions have been performed by numerous ensembles such as Schallfeld, RSO, PHACE, Platypus, Klangforum, Reconsil, “die reihe,” Kontrapunkte, Studio Dan, Trio Amos, Trio Eis, Trio Alba, Haydn Trio, Airborne Extended, Thürmchen Ensemble Cologne, Ensemble Tonfall of the Duisburg Philharmonic, Ensemble Crush Duisburg, Fidelio Trio London, Cantus Ensemble Zagreb, Ensemble mise-en NYC, Ensemble Argento NYC and Ensemble Offspring Sydney.

As an improviser she works within an electro-acoustic inspired sound world, using specific preparations and extended techniques while pushing the limitations of the piano.
She has worked worldwide with many internationally recognised representatives of the contemporary jazz scene (Harri Sjöström, Andrea Centazzo, Jaap Blonk, John Edwards, Tony Buck, Steve Swell, Jasna Jovićević, Zlatko Kaučič…) having long-standing musical friendships with the Chicago free scene (Ken Vandermark, Dave Rempis, Michael Zerang, Tim Daisy, Fred Lonberg-Holm…) or Joëlle Léandre among others.

She has received numerous scholarships and awards, most recently the Andrzej Dobrowolski Composition Prize from the Province of Styria (Austria).

Elisabeth Harnik received her DL Certificate from Oliveros (Center for Deep Listening at Rensselaer in Troy, New York ), in 2016.

GRM and Sonology on the Acousmonium: 5–7 March 2026

The Institute of Sonology and the Groupe de Recherches Musicales in Paris (GRM) are among the few institutes whose history extends in an uninterrupted line back to the early years of electronic music and musique concrète. Despite the initially large differences in theoretical and aesthetic principles, mutual respect has always been strong. On the initiative of then GRM director Daniel Teruggi, a partnership with the Institute of Sonology was established in 2009 that has led to cooperation in organising concerts and symposia on several occasions.

To mark the 200th anniversary of the Royal Conservatoire The Hague and to celebrate that the Institute of Sonology has been part of the Royal Conservatoire for 40 years, GRM will visit The Hague with its Acousmonium from 5 to 7 March 2026. In a series of concerts in the Conservatoriumzaal, works by teachers, students and alumni of the Institute of Sonology, as well as classics from the GRM repertoire, will be spatially performed on this extensive loudspeaker system.

Thursday 5 March 2026, 19:00–21:30:
Gottfried Michael Koenig, Pierre Schaeffer, Viktoria Arvayova, Lawrence Mc Guire, Liza Kuzyakova, Bjarni Gunnarsson, Bernard Parmegiani, Shawn Wong, Ji Youn Kang, Farzaneh Nouri, François J. Bonnet.

Friday 6 March 2026, 19:00–21:30:
Axel Kolb, François Bayle, Karmen Ponikvar, Siamak Anvari, Kees Tazelaar, Richard Barrett, Ivo Malec, Isul Kim, Yannis Patoukas, Eve Aboulkheir.

Saturday 7 March 2026, 16:00–17:00:
Justin Bennett, Beatriz Ferreyra, Gabriel Paiuk, Éliane Radigue.

Admission for these concerts is free, but registration is required. Tickets can be reserved here.

Sonology Discussion Concert on 21 January 2026

We are happy to invite you to the third Sonology Discussion Concert of the academic year 2025-26 on 21 January 2026 at 19:00 in Amare’s Conservatoriumzaal.

Please note: all discussion concerts will start at 19:00 this season!

The concert will have fixed-media compositions by Nino Baleyte, Jacob Eckhardt and Livija Šiaudvirtaitė, a piece for violin and electronics by Iulia-Andreea Smeu, a performance with a self-built instrument by David Bilek, a performance by Katarina Kadijević, a site-specific performance for light and objects by Eva Morgado Oliveira Aguilar, and improvised music by the Sonology Electroacoustic Ensemble.

Admission and drinks are free.

Please be on time or even better, 15 minutes early. Doors will stay closed once the concert has started.

Upcoming events:
5–7 March 2026: GRM Acousmonium Project, Conservatoriumzaal
15 April 2026: Discussion Concert 4, Conservatoriumzaal

Sonology Concert on 15 October 2025

We are happy to invite you to the first Sonology Discussion Concert of the academic year 2025-26 on 15 October 2025 at 19:00 in Amare’s Conservatoriumzaal.

Please note: all discussion concerts will start at 19:00 this season!

The concert will have multichannel fixed-media compositions by Emilio Casaburi, Viktoria Arvayova, Karmen Ponikvar and Michal Dabrovski, oscilloscope music by Nicolo Angioni, a performance by the Sonology Electroacoustic Ensemble, and a piece by Alina Petrova for drums, live electronics and speech synthesis, performed by Ruslan Burnashev, Eric J. Breitenbach, Luca Faraldi, Paul Taro Schmidt and herself.

Admission and drinks are free.

Please be on time or even better, 15 minutes early. Doors will stay closed once the concert has started.

Upcoming events:

3 December 2025: Discussion Concert 2, Conservatoriumzaal
21 January 2026: Discussion Concert 3, Conservatoriumzaal
4–7 March 2026: GRM Acousmonium Project, Conservatoriumzaal
15 April 2026: Discussion Concert 4, Conservatoriumzaal

European Meeting of Experimental Studios

On the occasion of the 43rd edition of the Musica Festival, the first meeting day brought together European experimental studios and the French National Centers for Music Creation (CNCM). The goal is to showcase the activities of the different institutions, foster exchanges, share perspectives, and explore opportunities for cooperation on a European scale. Participating institutions include:

  • Elektronmusikstudion (EMS), Stockholm, Sweden
  • Experimentalstudio of SWR, Freiburg im Breisgau, Germany
  • Institute of Sonology / Royal Conservatoire, The Hague, Netherlands
  • SARC: Centre for Interdisciplinary Research in Sound and Music – School of Arts, English & Languages, Belfast, Northern Ireland, United Kingdom
  • Groupe de Recherche Musicale (GRM), Paris, France
  • Musica Festival, Strasbourg
  • L’Institut Français / French Institut 
  • 5 out of the 8 French National Centers for Music Creation (CNCM)

This gathering took take place during the opening weekend of the Musica Festival on Saturday, September 2025, offering the opportunity to engage with other international
visitors and institutional representatives. On the program: joint presentations, discussions on practices and shared challenges, identification of future directions for a European project. A unique occasion to strengthen ties between our studios and contribute to the vitality of contemporary music creation in Europe.

Looking ahead

Beyond an initial exchange, this day aimed to open up new avenues for collaboration, in a European spirit and in line with the ongoing missions of supporting creation and technological innovation that unite these studios.

Final Presentations on 23–28 June 2025

You are cordially invited to Sonology’s final presentations on 23–28 June 2025, which will take place this year in the New Music Lab on the 6th floor of Amare at
Spuiplein 150, 2511 DG Den Haag. 
Please note that the concerts from 23–27 June start at 19:00, and the concert on 28 June starts at 16:00.

Monday, 23 June, 2025, 19h: Otso Aho, Yaara Yaniv and Nicolás Kliwadenko.
Tuesday, 24 June, 19h: Seraina Fässler, Lydia Krifka-Dobes and Max Frimout.
Wednesday, 25 June, 19h: Flurina Häberli and Agita Reke.
Thursday, 26 June, 19h: Clara de Asís Geraldia Gallardo and Nirantar Yakthumba.
Friday, 27 June, 19h: Cansu Ülker and Hilde Wollenstein.
Saturday, 28 June, 16h: Shawn Wong.

Nirantar Yakthumba will also present a performance-installation on 26 June from 14–16h in Studio 2, located on the 4th floor of Amare (no registration needed).

Please be on time or even better, 15 minutes early. Doors are closed once the concert has started

Admission and drinks are free, but admission registration for each concert is required through this link: RESERVE TICKETS

Peter Ablinger passed away on 17 April 2025

We were very sad to hear the news about Peter Ablinger’s passing on 17 April 2025 at the age of 66. Peter was a Konrad Boehmer Visiting Professor at the Royal Conservatoire’s Institute of Sonology in 2019 and the focus on his work was developed during the Transformations of the Audible symposium with performances, a workshop and lectures. We have very fond memories of his presence at Sonology and we value his artistic and intellectual impact on the contemporary music field in general and on our community in particular. Despite his health issues we had planned a second visit, which unfortunately could not be realised.

Sonology Discussion Concert

We are happy to invite you to the fourth and last Sonology Discussion Concert of the academic year 2024–25 on 9 April 2025 at 19:00 in Amare’s Conservatoriumzaal.

Please note: all discussion concerts will start at 19:00 this season!

The concert will have new multichannel fixed-media compositions by Agita Reke and Otso Aho, a collaborative fixed media composition by first-year bachelor’s students, an audiovisual work by Tzu Ni, a composition for voice, piano and electronics by Eva Aguilar, a composition for Cor Anglais and fixed media by Brandon Chow, the result from this year’s Listening to Film workshop by Sara Pinheiro, and a performance by Cis de Gendt, Roc Montoriol, Jacob Eckhardt and Lawrence Mc Guire.

Admission and drinks are free. 

Please be on time or even better, 15 minutes early. Doors will stay closed once the concert has started.

Upcoming events:
30–31 May 2025: Wave Field Synthesis Festival, New Music Lab
23–28 June 2025: Final Presentations, New Music Lab

Premiere of Kees Tazelaar’s composition Viewpoints at GRM

Kees Tazelaar’s multichannel fixed media composition Viewpoints, commissioned by GRM, will premiere on 15 February 15 2025 at Maison de la Radio et de la Musique – Studio 104, as part of the INA/GRM concert series Akousma. More info about the concert can be found here.

Viewpoints is based on circuits that Jaap Vink demonstrated during his lessons in the 1980s. In the realisation of Viewpoints, however, no interaction took place with the circuits – an important characteristic of Vink’s working method – but the gradual timbre changes were ‘programmed’ with control voltages instead. At the same time, a certain degree of coincidence was incorporated into the circuits with the help of random control voltage generators: even when a control voltage program was repeated, the sounding result was always slightly different.

After working with these circuits in many studio sessions over a period of several months, a recording of more than 29 minutes was selected on the basis of which the composition was further designed. That recording was transposed a number of times, after which a second control voltage program consisting of very slow envelopes determined the balance between the original recording and its transpositions. An accidental silence two-thirds of the way through was emphasised with a caesura, resulting in a two-part large form. Finally, preserved material recorded in the studio in Utrecht in 1984–85 was integrated into the composition at a few places.

We are happy to invite you to the third Sonology Discussion Concert of the academic year 2024–25 on 12 February 2025 at 19:00 in Amare’s Conservatoriumzaal.

Please note: all discussion concerts will start at 19:00 this season!

The concert will have new multichannel fixed-media compositions by Lawrence Mc Guire, Nicolás Kliwadenko, Yaara Yaniv and Siamak Anvari, and two performances by the Sonology Electroacoustic Ensemble.

Admission and drinks are free. 

Please be on time or even better, 15 minutes early. Doors are closed once the concert has started.