*points at “not” in title*
You have been warned.
Also, this post contains spoilers for DH. The spoiler in the drawings is relative, if you ask me :-).

Feel free to skip all the tutorial stuff (which is image-heavy and, well, totally unprofessional) and sneak a peek at the pictures in my LJ gallery, here (pencils); here (inks); and here (watercolour).

I should really be doing other things, but I am still trying to cope with Deathly Hallows (*g*) and found that I needed to get a silly picture out of my system (in fact, more are popping up; I must squash them, aaaargh!!!). I wasn’t quite sure how it was going to work out, and I made scans and took pictures of the several stages, so I thought I might as well share them. Hence: a tutorial of sorts, though I’m not quite convinced that anyone stands anything to gain from my totally uninformed methods…

The picture is rated G (big surprise :P) and it’s a sort of joke. But it won’t work unless you know that the woman with the huge nose is my OFC, whose name is Brynhild.



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1. What I Used
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2. Pencils
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3. Inks
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4. Watercolour Pencils
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5. Watercolour Paint
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( The Ride of the ValkyrieCollapse )

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I shouldn’t have been drawing and writing this when I still owe:
bethbethbeth a drawing;
redvelvetcanopy a drawing;
somebody at dh_predictions a drabble/drawble/ficlet/whatever;
lots of people replies to their comments on my previous two posts;
and the world (;P) a heap of RL writing –

…But I couldn’t help it. Will change my wicked ways as best I can. Trying to catch up.

Ahem.

Welcome to my first sort of attempt at something supposed to resemble a tutorial. The best thing I could think of was to take you step by step through the process of inking a picture, and addressing as many issues as possible with your answers to my tutorial poll as a guideline. Because some of the issues you have put to me are quite terrifying (and, to be frank, I don’t think I am the right person to help you with them), I opted for a focus on something in which I at least have a little confidence *g*.

A note before I start:
The only education I ever received art-wise was in secondary school, one hour a week in my first two years there (ages 12-13). The only thing I actually learnt and remembered was a thing my teacher told me at the very beginning: that the single most important thing for any artist is to develop a personal style, a manner that distinguishes him or her from all others. The teacher in question was quite a celebrity in my hometown, and maybe she said it as an easy excuse for not teaching us anything resembling technique; but the fact is that I always did remember those words, and whatever its countless shortcomings, my art is recognisably mine.

I have drawn countless pictures, teaching myself by copying all manner of artists – comics artists (Merho – as a girl; then Wendy Pini; later Enrico Marini, Mike Mignola, Colleen Doran, and Linda Medley), illustrators (Warwick Goble, Arthur Rackham and Aubrey Beardsley), and several greats of the artistic canon (Alfons Mucha, Gustav Klimt). Though I have consulted a number of “How To” books, I have learnt much more from looking at what my favourite artists do. I am afraid I do not believe in the “How To” style. Whenever an art book tells me what I should do, I do it differently. That is not just because I am stubborn (I am, very) and difficult (I certainly am), but also because I don’t want to be a clone. I would therefore ask you not to treat what follows as “How To”. I called it “How Not To”. But if you find something that you can bend to your purpose – well, that’s good, of course :D.

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1. First Things First: What and When
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2. Stuff I Used:
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3. Design and Draw: The Sketch
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4. Tracing
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5. The Inking
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