Thanks to Floodgate for selecting my short story for their latest anthology ‘Night Time Economy.’
The anthology was launched at an event in Digbeth, Birmingham, last night (12 September).
It was a great event hosted by Voce Books and the Warehouse Cafe including readings, the chance to browse and buy the book and several great beers.
The brief was to write a piece of fiction or non-fiction up to 5,000 words with something of the night about it. It had to be set in the West Midlands region.
There are some terrific pieces and we enjoyed readings from Cheryl Powell, Liz Churchill and Anjem Anwar. I’ll review the book in a future blog.
My piece is titled ‘The Chains’ and deals with an aging stand-up comedian who returns to his hometown to do a charity gig (he’s always avoided playing there).
He has a difficult heckler and some demons from the past to tackle.
I’ve included a few photos below. Visit the Floodgate site for more details about the book and other information.
Finally, but it should’ve been first, thanks to Garrie, Peter and Nigel for their fantastic work setting up Floodgate and creating a buzz about books and new writing in the West Midlands.
Garrie included a great introduction arguing the case for the Midlands – a region often overlooked and playing Cinderella despite its huge population and location and talent.
I know that their belief and hundreds of hours of graft are much appreciated.
The titlePreparing for the readings
I’ll add the group pic of all these talented writers when it’s available but, for now, apologies, it’s just me!
St Catherine’s is in a wonderful spot, set in farm fields and woodland overlooking the Menai Straits. We stayed nearby for a wonderful, peaceful week in May. This corner of Anglesey is a few miles from Beaumaris which seems to draw more day-trippers and holidaymakers to its medieval castle, pier, fishing trips, ice creams and galleries every year. Beaumaris gets busy and congested but a short distance away the lanes of Anglesey are silent save for the buzz of insects or cry of a seagull even in high summer.
St Catherine’s
St Catherine’s has an ancient yew towering over its graves. It’s also the final resting place for many workers at the nearby estate and those sadly lost to the sea along this often treacherous, unpredictable coast. I’ll write about this and the links with the Rothesay Castle shipwreck in a future blog.
Over the wall
There is a shortcut through the fields to the village and wonderful views across to the Great Orme and mountains of North Wales.
The Mausoleumancient graves
There is something about visiting old churches. The architecture can be appreciated but it’s fascinating to think of the lives of those almost endless generations of sailors, maids, farmers, estate workers and gentry who trudged or rode horseback to prayer along these lanes.
In early August we had a day out at Boscobel House, where King Charles II famously hid up an oak tree. More of that in an earlier visit here, but this post is about nearby White Ladies Priory.
That afternoon, we were anxiously awaiting news from elsewhere. This turned out to be positive news and what a wonderful landscape in which to experience gratitude. Boscobel lies on the Shropshire/Staffordshire border and the view below (with an ancient oak descendant of that famous tree to the left) is looking west to the Shropshire hills of Housman.
west to Shropshire
The walk is a short one, down the edge of a farm field (below), hugging a hedgerow.
farm fields
The Priory is at the bottom of the slope, beyond a wood. It’s a peaceful place. It was founded in the 12th century as the priory of St Leonard at Brewood (usually pronounced Brewed). It was an Augustinian house of canonesses and called White Ladies after the white habits of the nuns and to distinguish it from the Benedictine house of Black Ladies in nearby Brewood forest.
English Heritage note the priory had little recorded history but King John (1199-1216) awarded it a weir on the River Severn and notable families left small grants.
Elizabeth la Zouche escaped from the convent but was readmitted after confessing before the Bishop of Lichfield at Brewood church. By 1535 the priory’s revenues were only £31 1s 4d and its buildings said to be in great decay. The photos you see here demonstrate building work from the 12th, 14th, 16th and 19th centuries.
The Nave
The Nave above dates from the 12th century. Following the Suppression parts of the priory became a house owned by William Skeffington. By 1587 White Ladies belonged to Edward Giffard – a well known name in these parts.
Arches through the Nave
King Charles II was at White Ladies in 1651. He was attended to by the Penderel brothers, but did not remain at White Ladies choosing to hide in nearby Spring Coppice.
Of note for beer lovers: Charles’ hiding place gave its name to many Royal Oaks. There is a Giffard Arms in nearby Wolverhampton. The Penderel Oak in Holborn, London is named for Richard who helped Charles evade Parliamentarians.
Early graffiti
From the 17th century White Ladies, along with Boscobel, belonged to the Fitzherberts. The gatehouse survived into the 19th century and was used to accommodate farm labourers. The church remained a Catholic burial ground with its last interment in 1844.
In the 19th century medieval floor tiles were discovered and graves could still be seen, including copies of the headstones of Penderels.
Lord Stafford gave White Ladies into guardianship in 1938.
Arches of White Ladies
Information from the English Heritage guide to Boscobel House.
I’ve written before about the huge Burleyfields development taking place to the west of Stafford. As well as touching on and recording some of the concerns these posts aim to be a record of this landscape as it changes forever. The development totals around 2,000 houses and is on farmland formerly owned by Lord Stafford to the west of the town on the slopes beneath the castle. It’s always sad to see a landscape changed forever and also so much wildlife habitat and quiet spaces lost, but of course people need places to live. Although some aspects have been done well (wildlife corridors, preservation of oak and ash, bridlepath retained etc) there are worries about flooding, increased traffic and the scale. Although this is a short distance and walkable from the town there is no public transport yet available and no shops or other amenities.
The first pic below shows birch, oak and other species taking over a section of former farmland left alone for three years or so. The plans for this development (except for individual builders) don’t seem to have changed since 2015 so it’s hard to keep track but I think this is a further phase.
Birch trees
Below is the same birch woods and the development to the right as we look west towards the bridlepath and slopes of the castle.
Looking west towards the bridlepath
Below is the scene from the bridlepath and Burleyfields Lane junction. A road runs right to left in the middle and this will all be filled with houses.
From the entrance of the bridlepath towards Doxey
Below is the view from the bridlepath towards Stafford Castle (in the trees).
Looking from the bridlepath towards Stafford Castle
This is land off Burleyfields Lane looking towards the M6. It is a steep, short climb here and water has always run off the fields here.
Looking west towards the M6
This is the bottom of Burleyfields Lane, which according to plans should be retained as a right of way. This area is prone to flooding so it will be interesting to see how the drainage copes when the development is complete.
Burleyfields Lane where it meets the old railway line
Below is almost exactly the same view last October (2023).
This is a story version of an earlier-published non-fiction piece.
Unless Tim could hide as a tree trunk he wanted no part in school plays or musicals. He hated being stared at, never having the confidence of the louder, brasher, more popular kids. He lacked the self-belief to shout and stomp about or play it for laughs. Forced to be part of the Nativity he’d been a shepherd, his head bowed beneath a stripy, winceyette bedsheet at the periphery of the stables where it was gloomiest and the straw was piled highest, trying not to knock over the cotton wool sheep with his crook. He’d be found in the third or fourth row during carol services, mouthing the words like a footballer who’d forgotten the national anthem. Tim was a hanger-on, a fetcher and carrier, happy to assemble cardboard chairs or cribs or paint rainbows and skyscrapers as the backgrounds to his drama teacher’s dreams. There would be a day when Tim could hide no more.
Tim was sticking green crepe paper ‘leaves’ to a coat hanger tree when he got a whiff of Mrs Moody’s perfume. A pungent scent of Boots perfume counter and the clop of her shiny heels always preceded her. ‘Things are going to be a little different this year,’ she said. ‘Put down your spatula.’ Tim tried to protest, but she said: ‘No, this is your chance to show what you can do. I think you’ll surprise people.’ When he got home his guts churned so badly he couldn’t eat his tea.
And so he was destined to be the Wolf in Little Red Riding Hood. He had grunts to practise but at least there would be plenty of fur and whiskers and face paint to hide behind. Knowing he couldn’t get out of it and that Mum and Dad were desperate to see him do anything on stage where it was possible to identify their child he spent hours practising his lines, endlessly repeating ‘all the better for seeing you’ in his Nan’s half-moon specs in front of her dressing table mirror.
‘I knew you’d get the bug,’ Mum said, although acting in Tim’s family only went as far as expressing delight when opening socks on Christmas morning. The smile was wiped off Mum’s face the following morning when she was told wolves had to be grey. According to Mrs Moody – assuming the role of artistic director – Tim’s black school uniform with some sort of mask wouldn’t cut it. He’d be needing fangs too and scary claws.
Mum dug through their nature books in the loft and granddad’s battered old copies of National Geographic, desperate to find a black wolf to prove her point. ‘We’ll have to make do,’ she said when Tim pointed out cartoon wolf-type creatures who chased chickens or handled sticks of dynamite were usually grey or brown. She suggested wearing something of granddad’s.
‘Wolves don’t wear cardigans with a pipe and betting slips in the pockets.’ Dad said. Tim went on and on at her, desperate that the class wouldn’t make fun of him. There was meant to be a full-dress rehearsal, but as time was tight, it got cancelled. The afternoon of the day before the big performance Mum relented and went to the market, grumbling that it was ‘just like’ Tim to get the most difficult part.
‘Daft is what it is. It’s not as if you’ll get to do much more than growl.’ Mum went to a haberdasher’s stall in the market. Tim liked the hundreds of buttons on display at the stall, each kept like precious stones in tall, clear plastic tubes. There were turquoise and gold and ruby and sparkly buttons and ones the size of cookies or shaped like coffee beans. Mum got grey wool and some thread, but she said they ought to try the sports stall to see if they had anything a wolf might wear. Tim hated the going to the sports stall in the market as nothing was branded and they sold things like Jesus sandals bound together with elastic bands and headbands and T-shirts with things like ‘I’m Sporty’ printed on them. No one wore that stuff. Mum said she didn’t have money for brands and told him to go and sit in the car if he wasn’t going to be helpful. She held a few tops against him before he could trudge off – hideous cast-off bottle greens and burgundy colours of the town’s Catholic school. ‘A wolf isn’t going to wear-’
‘You’re driving me up the wall. Do you know that?’ Mum’s cheek twitched. He left her rummaging about in the bargains box while he went and sat in the passport photo booth, spinning the chair around and around so he could pretend he was really tiny or super tall until he had to jump off it when he got dizzy. Mum found him tangled in the orange curtains and shook her head. ‘I couldn’t get anything.’
‘I can’t do it.’
‘If you let me finish…I bumped into your Auntie Bren and she’s got something for you that sounds ideal.’
‘Let’s see it then.’ Tim had stacks of aunties. All his mum’s mates were called auntie, so he had aunties who were dinner ladies, aunties who worked at the chippy and aunties who sold poppies in the Market Square. Auntie Bren wore her hair up with knitting needles poking out of the bun. She worked at the chemist near school whispering in a voice you could hear three streets away at creams people had been prescribed.
‘She didn’t have it with her. She’ll drop it off tomorrow.’
His toes bit into his inner soles. ‘But the play’s tomorrow.’
‘It’ll be there. She won’t let us down.’
At the start of rehearsals there was no sign of Tim’s rescue sweater. He bit his thumbnail till it was jagged and sore, all through the morning. The performance was due to start at two in the afternoon. He couldn’t eat his sandwiches even though they were his favourite cheese and pickle and broken-up salt and vinegar crisps. He poked his head through the curtain. He couldn’t see Mum, but parents were filing into the assembly and taking their seats as Miss Cockcroft played ‘Onward, Christian Soldiers’ on the piano.
Tim jolted at a tap on his shoulder. Mrs Moody handed him a brown paper parcel. ‘This was dropped off just this minute. You’d better hurry getting changed,’ she said. He tugged on his trousers and the grey sweater from the parcel, Mrs Moody holding the mask up to his face as soon as the rescue sweater had been pulled over his head. He snapped the elastic bands over his ears that held the mask in place. Tim liked the mask which he’d helped to make in Art class. It had sharp, jaggy teeth and yellowy, bloodshot eyes with a thick mane of fur at the neck and pricked and pointy ears. Tim had pinched some pipe cleaners from Granddad for whiskers. His red, flappy tongue was a spare inner sole for Dad’s golf shoes.
He waited for his cue, tucked behind the dusty, black curtains, heart pounding. He hated it, all of it, but knew he’d have to go through with it or they’d never forgive him. Mrs Moody gave him the thumbs-up and he stomped onto stage, roaring and growling. He gave such a roar you’d have heard it from one side of the Rockies to the other.
And it went silent. Tim paused, squinting through the slits in his painted wolf’s eyes. Had he forgotten a line? Missed a roar? Had he come on too soon? His heart thumped in his throat.
Then he saw a man in the front row was chuckling, rocking back and forth in his chair. Others began to laugh and a kid in the front row with a pudgy face and gap in his teeth pointed at Tim. It took Tim a few seconds to realise they were pointing and chuckling at him. Laughing at him, rather than his performance. He tugged at the mask, so he could try to see what they were pointing at. Perhaps one of his pipe-cleaner whiskers or button nose had fallen from his mask? No. The kid was pointing at his jumper. Tim looked down at it and was the last person in that assembly hall to see the joke. On the front of his pale grey sweater the word ‘JOGGING’ was picked out in huge shiny electric blue capitals.
‘The wolf’s into keep fit,’ someone sniggered.
Shame can crush a child. That day Tim was lost to the world of acting forever.