Ableton Live Projects
Explore and purchase Ableton Live Projects from my Synth Sounds remakes. Each project is designed to be accessible and easy to use, whether you’re studying the arrangement, remixing, or recreating the sounds in your own DAW.
The Projects Store is the long term archive for Reverb Machine remakes. Projects here were previously available to Patreon members and are now offered as permanent downloads, with lifetime access and no subscription required.
| Image | Product Name | Price | Buy |
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 | Aphex Twin Remake Projects This pack includes four Ableton Live projects recreating tracks from Aphex Twin’s Selected Ambient Works 85–92, covering Ageispolis, Pulsewidth, Xtal, and We Are The Music Makers. The remakes use Arturia Prophet-5 V and DX7 V, with original samples on selected tracks and cassette-style processing from Decapitator and RC-20 on the master.  All four Ableton Live Projects require Ableton Live 11 or later and they use the following plugins: Synths
Effects
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 | Beach House Remake Projects This pack includes three Ableton Live projects from my Beach House Synth Sounds article, covering Lazuli, Space Song, and Wishes. All melodic parts use Arturia V Collection plugins, with Prophet V, Mini V, Solina V, and B3 V, alongside drums from Superior Drummer 3 and drum machine samples. Each project also includes guitar recordings, with additional bass on Lazuli and Space Song, tracked through a Kemper Profiler and processed in Ableton Live.  These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Chromatics Remake Projects This pack includes three Ableton Live projects from my Chromatics Synth Sounds article, with complete remakes of Faded Now, Shadow, and Toy. The projects mainly use Arturia Mini V and Xfer Serum, with additional sounds from Korg Polysix and AAS Lounge Lizard for specific parts like bass plucks and Rhodes.   These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Com Truise “Persuasion System” Remake Projects This pack includes three Ableton Live projects from my Com Truise Persuasion System Synth Sounds article, covering partial remakes of Existence Schematic, Gaussian, and Privilege Escalation. The projects use Arturia SEM V, TAL U-NO-LX, and u-he Repro-5, with additional piano in Gaussian from Arturia Piano V2. These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Daft Punk “Homework” Remake Projects This pack includes two Ableton Live projects recreating Daft Punk’s Da Funk and Around the World. The synths are built mainly with TAL U-NO-LX, alongside original samples like the Dance Stab and drum breaks in Da Funk and the kick in Around the World, with distortion on the lead via bx_greenscream.  These Ableton Live Projects requires Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | Drive Remake Projects This pack contains the Ableton Live Projects from my remakes of A Real Hero by College & Electric Youth, and Under Your Spell by Desire, both featured in my Drive Synth Sounds article. These are updated versions released in 2025 to use newer versions of the Arturia V Collection plugins, Prophet-5 V and Mini V4. Both remakes are full remakes of the original songs.   These Ableton Live Projects require Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | Frank Ocean “Channel Orange” Projects This pack includes two Ableton Live projects recreating Frank Ocean’s Lost and Thinkin Bout You. Lost features Wurlitzer, organ, guitar, and bass parts, while Thinkin Bout You centres on a layered pad built with Arturia Prophet V, alongside additional sounds from Xpand!.  These Ableton Live Projects requires Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | Future Islands Remake Projects This pack includes five Ableton Live projects from my Future Islands Synth Sounds article, covering excerpts from A Dream of You and Me, Balance, Long Flight, Ran, and Seasons (Waiting on You). Each project combines Arturia V Collection synths and TAL U-NO-LX with recorded guitar and bass. These are partial remakes, matching the versions shown in the article remake videos.  These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Grimes Remake Projects This pack includes the Ableton Live projects for Genesis and Oblivion from my Grimes Synth Sounds article, plus a bonus remake of Visiting Statue from Visions. The synth sounds and effects are based on the original Roland Juno-G, recreated using TAL U-NO-LX, Arturia Mini V, and sampled layers. These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Homeshake “Helium” Remake Projects This pack includes five Ableton Live projects from my Homeshake Helium Synth Sounds article, covering All Night Long, Another Thing, Just Like My, Like Mariah, and Nothing Could Be Better. Each project uses a minimal setup with a small number of tracks, focusing on simple arrangements and updated mixes for improved accuracy. These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Homeshake Remake Projects This pack includes three Ableton Live projects recreating Homeshake tracks, Call Me Up, Every Single Thing, and Heat. The projects focus on detailed MIDI programming, with timing adjusted by hand to capture the loose feel of the originals, and a single recorded bass part in Call Me Up.    These Ableton Live Projects require Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | Kate Bush “Running Up That Hill” Remake Project This pack includes the Ableton Live project for my remake of Kate Bush’s Running Up That Hill. The lead and choir use Arturia CMI V, the bassline uses Arturia DX7 V, and drums are handled with Aly James VProm. This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Kavinsky “Nightcall” Remake Project This pack includes the Ableton Live project for my updated remake of Kavinsky’s Nightcall, as featured in my How Kavinsky Created Nightcall article. Dive into the full session to see how the sounds and arrangement work, and adapt them in your own productions.  This Ableton Live Project requires Ableton Live 11 or higher and uses the following plugins: Synths
Effects
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 | Kaytranada Remake Projects This pack includes three Ableton Live projects recreating Kaytranada tracks, Glowed Up, Together, and Vivid Dreams. The projects capture his groove-driven style with off-grid MIDI, deep basslines, and detailed effects, including a transcribed 808 in Glowed Up and stereo chord processing.  All three Ableton Live Projects require Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | Mac DeMarco Remake Projects This pack includes five Ableton Live projects from my Mac DeMarco Synth Sounds article, covering Another One, Chamber of Reflection, For The First Time, On The Level, and Watching Him Fade Away. Each project uses a minimal setup with recorded bass, and drums from Superior Drummer 3 on all tracks except Watching Him Fade Away. These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Men I Trust Remake Projects This pack contains three Ableton Live projects recreating Norton Commander, Numb, and Tailwhip by Men I Trust, as featured in my Men I Trust Synth Sounds article. The projects focus on recreating the band’s “live” sound, with layered guitars, full bass performances, and audio-heavy arrangements. Bass tracks use UAD Ampeg SVTVR and Soundtoys FilterFreak1 for effects, but all tracks are frozen for compatibility.      These Ableton Live Projects require Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | MGMT “Kids” Project This pack includes the Ableton Live project for my remake of MGMT’s Kids. All synth parts use Arturia Prophet-5 V, with effects from Soundtoys Decapitator and Ozone Imager 2, plus a short brass part from Roland Cloud JV-1080.  This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | MGMT “Little Dark Age” Remake Projects This pack includes three Ableton Live projects recreating tracks from MGMT’s Little Dark Age, covering Little Dark Age, She Works Out Too Much, and Me and Michael. The projects use a mix of Xfer Serum, Arturia V Collection, and Korg M1 to recreate the core sounds, from the modulated lead in Little Dark Age to the layered synths and keys across the others.   This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | New Order “Elegia” Project This pack includes the Ableton Live project for my remake of New Order’s Elegia. It recreates the layered E-mu Emulator II textures using processed sample-based sounds, alongside two guitar parts, Peter Hook’s intro line and Bernard Sumner’s outro solo, recorded through Clone Theory, Tubescreamer, and Kemper Profiler.  This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Paul McCartney “Wonderful Christmastime” Remake Project This pack includes the Ableton Live project for my remake of Paul McCartney’s Wonderful Christmastime. It recreates the Yamaha CS-80-style plucks and high string parts using two Arturia V Collection plugins, with additional guitar tracks recorded on a Gibson Les Paul through a Kemper Profiler and processed in Ableton Live.  This Ableton Live Project requires Ableton Live 11 or higher and uses the following plugins: Synths
Effects
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 | Rival Consoles Remake Projects This pack includes three Ableton Live projects recreating Rival Consoles tracks, Articulation, Recovery, and Untravel. The projects focus on complex, heavily automated synth patches and velocity-driven MIDI, recreated using Xfer Serum and Arturia OP-Xa V.  These Ableton Live Projects require Ableton Live 11 or later and use the following plugins: Synths
Effects
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 | Robyn “Dancing On My Own” Project This pack includes the Ableton Live project for my remake of Robyn’s Dancing On My Own, showing how the layered synths and wide mix fit together. Open it up to explore the arrangement, tweak sounds, or reuse parts in your own tracks.  This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Tame Impala “Eventually” Project This pack includes the Ableton Live project for my remake of Tame Impala’s Eventually. With 45 tracks, it covers the full arrangement using TAL U-NO-LX, Roland Cloud JV-1080, Arturia Mellotron V, and Arturia Prophet V3, along with nine guitar parts and a custom layered snare built from Drumtraks and acoustic samples.  This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Tame Impala “Love/Paranoia” Project This pack contains the Ableton Live Project for my remake of Love/Paranoia by Tame Impala, as featured in my Tame Impala Love/Paranoia Synth Sounds article. The project uses sounds from the Roland JV-1080 and includes two distinct drum kits, with some drum samples created from scratch. It also features two electric guitar tracks and one bass guitar track, recorded through a Kemper Profiler and processed entirely in Ableton Live.  This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Tears for Fears “Everybody Wants to Rule the World” Project This pack contains the Ableton Live Project for my full remake of Everybody Wants to Rule the World by Tears for Fears, updated to use the Arturia Prophet-5 V plugin. The project features layered DX7 V factory presets with added chorus, MIDI drum tracks using drum machine samples, and extensive guitar recordings including rhythm and lead parts. Processing is done with Ableton effects, plus Arturia Chorus DIMENSION-D and Dist OPAMP-21. Reverb is handled by a single Valhalla Vintage Verb send track.   This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Thom Yorke Remake Projects This pack includes three Ableton Live projects from my Thom Yorke Anima Synth Sounds article, covering excerpts from Dawn Chorus, Last I Heard, and Twist. All synth parts use u-he Repro-5, with the Dawn Chorus project updated for improved accuracy and included in both a master MIDI version and split track version.  These Ableton Live Projects require Ableton Live 10.1 or later and use the following plugins: Synths
Effects
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 | Trent Reznor “In Motion” Project This pack includes the Ableton Live project for my full remake of Trent Reznor & Atticus Ross’ In Motion from The Social Network. It covers layered bass, sequenced parts, and SID-style arpeggios using GForce Oddity 2, along with five electric guitar tracks including eBow and distorted parts. This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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 | Vangelis “Tears in Rain” Project This pack includes the Ableton Live project for my full remake of Vangelis’ Tears in Rain from Blade Runner. It recreates the free-tempo performance using tempo automation, with additional filter and volume movement, plus a tape noise track to match the original texture.  This Ableton Live Project requires Ableton Live 11 or later and uses the following plugins: Synths
Effects
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Project FAQs
If you have Ableton Live 11 or Ableton Live 12, you can open all of these projects without any issues. However, if you are still using Ableton Live 10, only some projects are compatible. Please check the Requirements tab on each project page to confirm compatibility before purchasing.
Each remake includes two zip files:
1. Ableton Live Project – The full project, with all tracks frozen to ensure compatibility.
2. Multitrack Stems & MIDI Files – Includes individual .wav audio tracks and .mid files for use in any DAW.
This allows both Ableton and non-Ableton users to access the project files.
Frozen tracks in Ableton Live are tracks that have been temporarily rendered as audio, allowing users to hear the full sound of the project even if they don’t have all the required third-party plugins.
This means that even if a synth or effects plugin is missing from your setup, you’ll still hear the processed audio exactly as intended. Frozen tracks appear highlighted in blue and can still be soloed, muted, and mixed within the project.
If you have the necessary plugins installed, you can unfreeze the tracks to make full edits. However, if you don’t have the plugins, the frozen tracks ensure that you can still play back the project without any missing sounds.
Yes, most projects use third-party plugins. You can find the exact plugins required in the Requirements tab on each project page.
I try to limit the number of third-party plugins, and most projects use the same go-to instruments and effects, including:
- Soft synths: TAL U-NO-LX, Arturia V Collection plugins
- Effects: Soundtoys Decapitator, Valhalla Vintage Verb, iZotope Ozone Imager 2
If you don’t own these plugins, frozen tracks allow you to hear the full project anyway.
Yes! The multitrack WAV stems and MIDI files can be imported into any DAW.
- WAV Stems: Each project includes both grouped bus stems (with processing) and individual track stems (dry). This means you can mix and arrange freely.
- MIDI Files: Some DAWs require MIDI files to be renamed as .midi instead of .mid to import them correctly. Check your DAW’s requirements before purchasing.
Yes. If I’ve created an updated version of a project you’ve already purchased, the new version will be added to your account.
To access updated downloads, log in to your account and visit the Downloads section. If you didn’t create an account at the time of purchase, you can create one using the same email address and your previous orders will be synced automatically.
No, these projects are not royalty-free.
The remakes are based on copyrighted music and are provided for learning and educational purposes only. They cannot be used in commercial releases or redistributed in any form.
Nope, all remakes are instrumental-only. The projects do not include any vocal tracks.
After completing your purchase, you’ll have immediate access to download your project from the Thank You page. Download links will also be sent to your email, and the links never expire, so you can access them anytime. If you create a user account at checkout, you’ll also be able to download your projects from your account page whenever needed.
If you receive an error about missing plugins, first check that you have the correct version of Ableton Live by looking at the Requirements tab on the project page. If the issue is missing files, try re-downloading the project to ensure everything was downloaded correctly.
If you’re still experiencing problems, feel free to get in touch via contact(at)reverbmachine.com or by using the contact page.