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Dream Journal

Moving Bits and Pieces

Taking down the living room wall mural at our old house. It’s assembled from big pieces of vinyl, some in smaller squares as if it were tiles. As I peel off a square, I hold it in my hand and think about how the mural is certainly big art, but only big enough the fit the space. I think about how we would need a new one for the new place because the living room wall is even bigger. Originally, this mural was just found art, but after these years looking at it I have a subtle understanding of the shades of meaning it gives, how it affects you. I realize I have insight into the message it gives when you slowly absorb it. It affects you a certain way.

Underneath the mural is the “radio cabinet” with a sliding door, which used to house a radio station transmitter many years ago. I deal with it separately out on the lawn or elsewhere. In the dream, it’s exactly the furniture piece we’ve had in the living room for many years, but in this incarnation there are circular beams which would block part of the TV — if you kept a TV in there, like they might’ve in the 60s. These support arms are worn from years of minute bouncing, as if the small motions from the rat cage above gradually wore it to splintering bits.

A few rats get loose (or I let them loose). Three scramble away immediately onto a nighttime sidewalk yet I can easily grab their tails so they don’t get away. I notice two rats performing a “leg up” maneuver to climb up a wall — though they’re far too small to get all the way over. Very cute escape artists. I help by grabbing them in my hand and placing them atop the wall. They don’t seem to know what to do!

A few fragments:

Sitting at a desk in class, my rat Porkpie climbs onto a desk of the student behind me. I grab him so he doesn’t bother them.

I joke with my friend Nancy Kleppe acting as though her name was Norma (obviously I know it’s not her name.I’m talking with her about moving.

Remember being in Punjab Chinese food while it was closed. I discover three RAM sticks (that I once pilfered from there) have since been taken out of my computer, but I think the one stick that’s left isn’t in the correct slot.

(the custom font I chose to write in today, which I may implement someday, was called “Lambrada”)

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Dream Journal

Hidden in the Cantina

Street scenes. Navigating blind sidewalk corners of New York’s rectangular grid while attempting to retrieve or deliver a suitcase. Tall, colorful, narrow buildings. Autumnal.

Another street. This is literally Hollywood Boulevard and its crowds of tourists. Many themed experiences with their lines of ticket gates outside, bustling excited people.

I find a quiet cantina that was mentioned by a friend. No cover charge. I make my way directly to the back room, an enclosed patio that looks carved from sandstone. It’s based on the same design as another bar I’ve been to, the exact layout. With my existing knowledge I gain access to the upper level, the mezzanine ringing the patio space. Usually this would just be decorative but I take the opportunity to lounge in a corner, savoring the assurance of privacy in a public space. Eventually a group of people enter the space and begin chatting, unaware of me. I make my way down and exit the wall closest the front of the building instead of the far back wall. I inspect what looks like a small piece of art, an incomplete outline of a five-pointed star formed by a living plant vine. I have the chance but for some reason intentionally don’t try take a picture — perhaps I am already waking up, perhaps I know I won’t be able to keep it, perhaps it would be too frustrating with dream logic rules.

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Dream Journal

Hitting it Off with Art Girl, bit of a Pokémon

Twilight in a round mid-sized stone cathedral, an art show of one girl’s work is displayed in every direction at eye-level height. I find it enthralling, wanting to know more.

Back in my own building, the grubby ground floor apartment of the girl includes a living room half open to the outside, cute little plants on the exposed basement walls. Her sideboards in the disused interior still have the landlord’s old stuff such as 80s radio scattered about. Next door (in apartment #306?) where the landlord’s family has just moved in recently, it’s a lot less grubby than expected, like an 80s nightclub in a mall — colored plexiglass panels, plush diner booths, knocked out walls — a multi-level living space big enough for the family not to have to see each other.

My wife introduces me to the girl who made the art, repeating her name like a Pokémon. We really hit it off; before I know it I’ve been pimped out and the girl is making out with me.


A twisty beige ground-floor office in the process of being decommissioned. As a stop-gap measure we often lock things in place so they don’t move — for example, a log in the hallway, or a heavy military-style desk made of enameled metal (like something I’d see on old Fort Ord during college). We’re setting little plants out on the exposed retaining walls outside, going back and forth down the unlit hallways even as someone pulls up in a red sports car outside, looking for someone I don’t know.


In a rolling almost artificial landscape, unfinished-looking, grid-like. Myself and a few associates are trying to get to a power plant I now own. In our way is a locked gate and barbed wire-topped wall abutting a rocky outcrop of a hill. Trading property here is like trading cards, and I only recently acquired the power plant (sight unseen) from a Mr. Burns-type character.

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Dream Journal

What’s Your Opinion on Rat Autostatus?

Outside the back door of my cozy ground floor apartment, a neighboring building has recently constructed a gravel path. Opening the back door of our kitchen today I discover they’ve expanded it, from merely passing by the front our place, all the way so the gravel runs against the back wall of our kitchen. It’s another parking spot, with no barriers at all — cars could drive right through the wall. To compromise, I negotiate a window to be installed in that wall. When the wall is opened we find there’s a window frame already built into the structure, which I scoff at, and opine that we should’ve had one there all along.

It’s a lovely day outside. Near the other building, I spot a 3-wheeled white BMW which has been parked (or drifted) onto a fence. I move it off the common path, a bit derisively and vindictively, and it settles in front of a realty office. The grill cracks a modest hole in the glass door.

Discussing strange and noteworthy oddities in city layout. From a map high above, I zoom the group’s view into a house here in San Francisco perfectly surrounded by a circular complex of inaccessible military buildings. Abruptly I’m inside the location myself, a tiny community set in an odd miniature forest park — for intelligence agents or staging — where I can’t see the horizon of city buildings.


Boarding a first class airline cabin, which has been adapted now as just a small, unremarkable room. I have a huge duffel bag to stuff under the seat, with nitrous empties in one side pocket. No one seems to mind but I still worry. They get lined up in a long row at the front of the cabin until someone (me, I think) realizes as soon as the plane lurches forward they’ll be scattered everywhere.

I try to convince my sister Alia to quietly help me gather them handful by handful. Alia is engaged singing a two-part Viking harmony dirge, which I join in as a third, middle harmony to get her attention. While she’s deciding I come up with a algorithmic method to get them fastest. I don’t have time to implement it before I awake, but I remember asking, in terms optimizing the algorithm, “what’s your opinion on Rat Autostatus[] ?” A variable I cannot explain, nor am I sure anyone understood me asking.