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Mya Ward

Mya Ward is a senior at University of California, Los Angeles and an arts editorial intern for Observer. Her work has appeared in several publications including The Daily Bruin, Polyester Zine and Pleaser Magazine, and she is biweekly D.J. for UCLA Radio.

Large abstract painting dominated by a bright yellow background. Layered, expressive brushstrokes in pinks, greens, blues, grays, and oranges radiate from a central crossing point. Drips, scraped textures, and grid-like marks create a dynamic, energetic surface with a sense of movement and tension.

Trains of Thought: Yunghun Yoo’s Paintings of Connection and Parting at 839 Gallery

By Mya Ward
Man in a pastel pink suit stands beside an ornate easel, holding a paint palette and brush. On the canvas is a surreal, wide-eyed doll with voluminous pink hair and a bow, framed in gilded pink. The studio background is entirely pink.

I AM THAT ‘EYE AM’: Mark Ryden’s Whimsy and Wonder at Perrotin Los Angeles

By Mya Ward
On a blue-lit stage, a small doll-like girl sits on a swing frame made of utility poles and wires, beside a dark, creature-like figure, all standing on a mound of debris, cables, and broken objects.

Lauren Tsai On Keeping Ideas Alive in a Dying World

By Mya Ward
Woman dressed in clown makeup and a cowboy hat hugs a red inflatable sky dancer around her shoulders.

REDCAT’s 22nd NOW Festival Showcased the Breadth of L.A.’s Performance Art Scene

By Mya Ward
A barefoot woman in a yellow tunic dress sits on her knees before the end of massive train of blue cloth. The cloth is worn by a figure who sits several meters away from her in the background. The woman in yellow bends over the blue cloth as though folding it.

Elia Arce’s ‘No Time to Mourn (An Excerpt)’ Is a Monument to Grief

By Mya Ward
A textured abstract painting composed of dense, interlocking blocks and brushstrokes of color, dominated by greens, yellows, and earthy tones, with touches of turquoise, lavender, and red. The thickly applied paint creates a mosaic-like surface with visible ridges and cracks. Vertical and horizontal forms intersect throughout the composition, giving the impression of an abstracted cityscape or layered foliage. The work is displayed in a simple white frame against a light-colored wall.

The Early Experiments of Manoucher Yektai

By Mya Ward
A woman holding a gavel stands smiling with raised arms at the Christie's auction house dais

A $30.2 Million Fabergé Egg Commissioned by the Last Czar of Russia Sets a New Auction Record

By Mya Ward
A stylized painting depicts a reclining nude pregnant woman covered partly by a green cloth, a small child pulls at his umbilical cord near her, and an audience of people watching from below. The scene uses geometric forms and muted earthy colors.

At Perrotin, Painter Danielle Orchard Makes an Allegory of Matrescence

By Mya Ward
A collage of two ceramic animal statues set in a grid with a gradiant background

How Artist Alake Shilling Gives Kitsch a Conscience

By Mya Ward

Misty Copeland Takes a Bow at the American Ballet Theatre Gala

By Mya Ward

Zheng Chongbin’s Dialogue With the Golden State

By Mya Ward
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