Logo
June 12, 2026 | 1:41 PM
June 12, 2026 | 1:41 PM

Knicks Remind the City: Everyone Is a New Yorker

(Photo by: Adam Gray/Getty Images)

Blue and orange have become the colors of New York City. They belong to the Knicks, the city’s basketball team, which has made it to the NBA Finals for the first time since 1999. The team is now one game away from bringing back the championship to the city. 

Meanwhile, Knicks mania has swept across New York. Through jerseys, T-shirts, shoelaces, handbags, hair accessories and makeup, fans are expressing their love in myriad ways. Strangers are greeting one another with “Go Knicks” or “Knicks in five.” 

Watch parties have popped up throughout the five boroughs. The games are projected onto walls and storefronts, screened in parks and skating rinks, and blasted from TVs dragged onto sidewalks. City Hall itself joined in, broadcasting Wednesday’s thrilling game on public display kiosks.

The collective enthusiasm in a city better known for minding its own business has become hard to miss.

Fat Joe, the Bronx rapper, captured the mood when he said, “I’ve seen Hasidic Jews breakdancing with Black kids outside the stadium. This is the greatest unification you’ve ever seen of this New York City in your life since 9/11.”

The Knicks’ playoff run arrives at a moment when New York has already been unusually present in the American imagination. The election of Zohran Mamdani after a stunning insurgent campaign injected new energy.

But the Knicks have given New Yorkers a shared language that cuts across neighborhoods, religions, races and ideologies. The team has become one of the few institutions making all New Yorkers feel part of the same story.

And its run comes on the heels of a fierce debate about who gets to call themselves a New Yorker. 

Last week, Jennifer Lopez reignited the conversation when she argued on the popular show “Subway Takes” that one had to be born in one of the city’s five boroughs to truly qualify as a New Yorker.

The comment prompted an outpouring of reactions in a city built by successive waves of immigrants. Some agreed with her, others argued that if someone went to a public elementary school, or even high school, they should also qualify as a “native” New Yorker. 

Others said being a New Yorker means surviving the city’s relentless pace, and that its defining feature is precisely its openness. Almost everyone, at some point, comes from somewhere else.

Beneath this conversation, however, lies another debate that has become increasingly potent in New York recently: the question of how “transplants” are reshaping the city.

While the term once referred, simply, to someone who moved to the city from elsewhere, it has lately taken on a more loaded meaning. 

Today, a transplant is often thought of as a particular class of newcomer — typically young professionals, including influencers and content creators — who arrived from other parts of the U.S. after the pandemic and treats New York less as a place to live and more like an aesthetic or a personal brand. 

Many are criticized for complaining about fundamental parts of living in New York, such as fast walkers, loud music or crowded subways. Others are mocked for “discovering” institutions and customs long woven into the city’s fabric.

This online discourse has created a cultural fault line between “native” New Yorkers and transplants. 

In some ways, “transplant” is a successor to the term “gentrifier.” While the latter captures what someone does to a neighborhood — driving up rents, reshaping local businesses and shifting demographics — “transplant” has increasingly become a judgment about newcomers’ relationship to the city itself.

The term has less to do with economics and more to do with authenticity and belonging.

The cultural skirmishes mask a more material anxiety over the city’s ongoing affordability crisis, which also propelled Mamdani’s campaign, and a feeling that the city has become inaccessible to the people who built it. 

But this line of thinking has also made many New Yorkers uncomfortable.

They argue that it veers into a form of urban nativism, one that marks some residents as “outsiders” and implies authenticity based on the time they’ve lived in the city. Some even liken it to the exclusionary agendas of MAGA-style politics.

In light of these debates, moments like Mamdani’s campaign and the Knicks playoff run take on new meaning.

Many transplants actively supported Mamdani and voted for him, while others who were not yet eligible to vote still volunteered. Influencers who are often dismissed as performative used their platforms to encourage civic participation and demystify the political process.

Mamdani’s campaign, which included scavenger hunts and soccer tournaments, and inspired a wave of affinity groups, served as a reminder that the city belonged to everyone who lived in it. 

That same feeling is now embodied with the Knicks games. In a city that has become distracted with questions of who belongs, the Knicks have offered something rare: a shared, uncomplicated sense of belonging. Both lifelong residents and recent arrivals find themselves united in the blue and orange.