IMI | Muttnik

A photographic project by Mattia Micheli who, in the past 4 years, shot people in the polygons and in their own houses to investigate their relation with the firearms and what are the inputs and the social accepted activities related to this world. The book project shows a selection of images after a long period interaction with the author. The cover paper and the golden letters remind the bullets that are often the main character of the pictures.

Centro per l'Arte Contemporanea Luigi Pecci celebrates its 30th anniversary (1988 - 2018) through a series of events and exhibitions. Design of an identity system for all exhibitions based on a grid-based layout that allows a great variability in the arrangement of images and contents.

The National Gallery of Umbria is an italian museum that collects some of the most important artwork of central Italy realized from XIII to XIX century. Muttnik redesign all the identity of the Gallery that intends to underline the formal role of the museum among the Italian and International National Galleries. Starting from the logo, that itself represents the visual combination of the letters composing the acronym “GNU” and it creates an institutional symbol visually close to an heraldry shape, the communication project includes the design of the whole corporate identity, the website interfaces and the audioguide interactive application. Design of the identities for all the changing exhibitions of the Gallery that took place over each year. The project won the bronze prize at the 2018 <a href="https://europeandesign.org/submissions/gnu-galleria-nazionale-dellumbria/">European Awards</a> in "branding company logo".

Proposal for “Director’s Cut”, communication project for a series of lectures from Italian museum directors, organized by Marino Marini Museum. The poster grid is based on the structure of one of the most distinctive windows in the museum. The modularity of the grid allows a great flexibility in the disposal of the contents.

Jazz and Blue is an independent production that collects portraits of musicians made by Nicola Giorgio during the July jazz festival in Lo Sverso - Florence. To introduce the illustrations there is a short essay "Jazz, Blue, Love and Earth planet" by the illustrator Andrea de Franco where the colour blue becomes a pretext to talk about the deep relationship between jazz and images. The book is printed in risograph in a limited edition of 50 copies with screen-printed covers on canvas.

Visual survey of Isolotto, a residential district of Florence, by the photographer Luca di Salvo. Through the collection of archive material, the personal photographs of the inhabitants of the district, together with the photographer's shots, Salvo builds a visual story based on the comparison and the association on what is, the past and present, identity of Isolotto. Design of the layout of the reportage, a Degree Thesis at ISIA in Urbino later which became a self-production.

On the occasion of its reopening, after the completion of the futuristic spaceship-shaped extension by architect Maurice Nio and the redevelopment of Italo Gamberini's original building, Centro per l'arte contemporanea Luigi Pecci presents the exhibition “The end of the world”, curated by director Fabio Cavallucci. Design of the whole identity and the communication of the event and creation of all the outputs of the event (flyers, posters etc.) and the exhibition catalogue.