House of the Dragon 3.02 ‘Queen’s Landing’

Previously: We began more or less where the Season 2 finale ended, with Alicent arriving at the Red Keep after brokering her clandestine deal with Rhaenyra, only to find…Aemond? On the Iron Throne? And that isn’t even the worst surprise Aemond springs on her this episode. Poor Alicent. She just can’t win. Unfortunately, neither can Rhaenyra, even if her problems with her son seem to be quite the opposite of Alicent’s. In the meantime, Daemon is making good progress in the Riverlands, taking down the incoming Lannister Army (RIP Jason Lannister’s lion mascot) and meeting up with the Northern forces we saw marching southward in the Season 2 finale, who greet him with a gift (RIP Jason Lannister). Also in the Riverlands, our three newest dragonriders, Ulf, Hugh, and Addam, are recording their own version of the Blair Witch Project on the Isle of Faces near Harrenhal, waiting for Aemond. The dragons are all cool with it. Ulf, however, is spooked, for reasons no one else quite gets until Alys Rivers appears like an apparition on a blasted heath with bad news. Which brings us to the biggest setpiece of the show thus far, the Battle of the Gullet. Sharako Lohar (RIP), you lived fast and died young. I won’t miss Tyland Lannister because I’m pretty sure he’s still alive, armour notwithstanding. Corlys lost his newly renamed ship (woe!) but Alyn made it out (yay!) and I know Corlys did too, thanks to the trailer for Episode 2. Jace and Baela impulsively entered the battle on dragonback after Jace countermanded Rhaenyra’s orders to stand down while she rode into battle instead (his justification being that she, as the queen, was more valuable; the same justification Aegon ignored last season), and things at least started well enough, until…a rogue Sheepstealer appears! Rhaena, having succeeded in claiming the wild dragon—inasmuch as a wild dragon can be ‘claimed’—finds herself flying into the middle of the battle, only Sheepstealer doesn’t understand commands and just starts burning everything in sight, only narrowly missing Baela and Jace. In the confusion, one of the Triarchy’s nastiest anti-dragon weapons, a harpoon attached to a heavy anchor, takes down Jace’s dragon Vermax, and both die in the waters of the gullet.

Welp.

Just like the finale of Season 1, this episode was going to be driven by Rhaenyra’s grief, and unfortunately that is one of the central heartbeats of the entire Dance of the Dragons narrative. So, first and foremost, I have to give full credit to Emma d’Arcy for a magnificent performance throughout—this is the moment the entire war has been aiming for, but instead of triumph, Queen Rhaenyra is devastated, and you could see every harrowing bit of that in their performance. Tragedy at its finest.

(And, yes, this felt like a season finale. This felt like Season 2, Episode 10. So that’s how I’m going to think of it, and tell myself—per someone in the History of Westeros Discord—that now I only have to wait a week for the new season!)

It is true that the basic outlines of Rhaenyra and Aegon’s conflict are drawn from the twelfth-century civil wars in England known as the Anarchy, between Matilda (daughter of King Henry I, designated his heir during his lifetime) and her cousin Stephen of Blois (also related but mostly just a guy, who took the throne for himself). However, when creating the character of Rhaenyra in particular, it’s clear that George R.R. Martin drew as much on the melodrama of Mary Queen of Scots (particularly for the various marital dramas) and the bloody tragedy of Margaret of Anjou, at least as Shakespeare wrote her—the queen who briefly had everything, only to watch all of it get destroyed, living long enough to curse the ones who wronged her.

Where the show has shifted the source material in Fire & Blood is, as we all know, in making the relationship between Rhaenyra and Alicent the heart of the narrative, not just symbolically (as ‘The Princess’ vs. ‘The Queen’) but emotionally. Rhaenyra’s decision to claim the Iron Throne at this point in time stems entirely from her willingness to trust Alicent, as both Daemon and Mysaria observe. If she didn’t have Alicent’s buy-in, she would not take this gamble. But what we see throughout this episode is the back-and-forth between Rhaenyra’s heart and her head, both of which are reeling from the deaths of three of her children in quick succession—baby Visenya, Lucerys, and now Jace.

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House of the Dragon 3.01 ‘Salt and Sea, Fire and Blood’

Previously: After losing her second son Lucerys (and his dragon Arrax) to her half-brother Aemond and his dragon Vhagar, Queen Rhaenyra vows revenge. What she wants is Aemond. What she gets is a whole lot more complicated. Daemon puts on his murder hoodie and chaos ensues. He hires two King’s Landing lowlifes to infiltrate the Red Keep, but when they don’t find Aemond, they instead kill the young prince Jaehaerys, King Aegon II[1] and Helaena’s son and heir. Aegon vows bloody revenge on his half-sister, prompting alarm from his grandfather Otto and wary interest from Aemond. Rhaenyra sends Daemon and Caraxes to secure the Riverlands by way of Harrenhal, but what Daemon does is fall down a rabbit hole into Alys Rivers’ Wonderland. Some people hated this plotline but I loved it and would not change a thing. In the meantime, Rhaenyra loses one of her most valuable allies, Princess Rhaenys, in a battle over Rook’s Rest that—on the upside?—also takes out King Aegon and his dragon Sunfyre. Desperate in the face of that loss, Rhaenyra decides to seek dragonriders from the larger population, and ends up with three newborn ‘dragonseeds’—Ulf the White, riding Silverwing; Hugh Hammer, riding Vermithor; and Addam of Hull, riding Seasmoke. This worries Prince Jacaerys, whose claim to the throne is already shaky for sexist reasons.[2] In the midst of all this, Rhaenyra and Alicent manage to meet twice, each trying desperately for peace. Alicent ends the season offering to open the gates of King’s Landing to Rhaenyra and surrender Aegon to her, unaware that at that very moment, Larys Strong is sneaking Aegon out of the city.

Am I already a bit annoyed that this season has only 8 episodes? Yes. But I know this isn’t the fault of the production team so much as the Powers That Be (who are clearly considering strangling their golden dragon—er, goose), and am reserving judgement until I see how they use those 8 episodes.

If this first foray is any indication, they are using every minute of screentime they’ve been given. So much was packed into this episode, between things tied up from last season and new plotlines opened. In a longer Season 2, this would have been the first half of a finale, and Season 3 would have picked up with the aftermath. But we have what we have, and I don’t want to shortchange that. Because what we have was very good, and I am curious to see where things go from here.

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PSA: A Knight of the Seven Kingdoms

I don’t know if anybody was expecting me to recap this show, but for a variety of reasons I haven’t had the time to properly devote to that just now. However, I do intend to write about it once the season has finished, and I expect I will have lots of things to say.

Good things, to be clear. I am thoroughly enjoying the latest foray into Westeros, and it’s just such a different side of the story from both Game of Thrones and House of the Dragon. I love how much it reminds me of A Knight’s Tale and The Princess Bride, two of my favourite works of medievalism, while still slotting flawlessly into George R.R. Martin’s larger universe.

So, there will be something about A Knight of the Seven Kingdoms. As soon as I have time to catch my breath.

House of the Dragon 2.08 ‘The Queen Who Ever Was’

Previously: Rhaenyra meets her first non-Targaryen dragonrider, Addam of Hull, and he turns out to be a parfit gentyl knyght (as I said on Heart of the Dragon, he is what Criston Cole ought to have been this whole time). This prompts her to look for more of these ‘dragonseeds’, proceeding against the advice of her council, her son Jace, and basically everyone around her except for Mysaria, who suggests she stop looking for nobles and start seeking out Targaryen bastards instead. Using Mysaria’s proletarian intelligence network, and with some help from Corlys and Alyn of Hull, word goes out about the search for Targaryen bastards willing to risk their lives for a chance at glory. Both Hugh and Ulf join the crowd, and—unsurprisingly perhaps for the two characters we’ve been following all this tie—end up claiming, respectively, Vermithor and Silverwing. But not before the titular ‘Red Sowing’, where Vermithor kills most if not all of the other unfortunate dragonseeds. Watching all of it from (literally) on high, Rhaenyra gets her new dragonriders and, perhaps ominously, finds a new sense of purpose. In King’s Landing, in the meantime, Aemond has scared his entire small council such that they are unwilling to give him important information, such as the fact that Seasmoke has acquired a new rider. Thus, when a rogue dragon appears over the city, and Aemond launches himself onto Vhagar to deal with the problem, he instead follows the newcomer to Dragonstone and realizes Rhaenyra now has four full-grown dragons on her side. Alicent touches grass (literally). Oscar Tully returns to Harrenhal and gives Daemon a magnificent public dressing-down, that would make his great-something-granddaughter Catelyn so proud, before pledging fealty to Rhaenyra’s cause and bringing all the Riverlords with him. The pieces are lining up; it’s now a question of where they’re going.

***

That was…an episode that made me wish we had two more episodes.

To their credit, they managed to fit a lot into an hour and 25 minutes. So much foreshadowing. Helaena, my poor love. I’m sad we didn’t get Dreamfyre, but I loved each and every one of her appearances. Aegon and Larys road trip comedy! Tessarion is so pretty. Where in the world is Otto Hightower? …locked in a cell? Possibly even a Black Cell?! PIRATES HAPPEN TO TYLAND LANNISTER and it is great. Alyn read his bio dad the riot act and Corlys shockingly took it in stride. Baela called Jace out for pouting and Jace appears to have taken it in stride. (Also, everyone who was watching with me agreed that Jace is the book version of Jon Snow.) Criston Cole’s shame kink has outlasted both of his relationships but Gwayne refuses to put him out of his misery. Aemond is mad. So mad. And that makes Vhagar want to burn things. Rhaena chases a wild dragon, and finds one. Daemon’s dark night of the soul has, according to Alys, taught him what he needs to know, and so she inflicts on him a combination of Bran’s first flying dream and Daenerys’ visit to the House of the Undying, both of which we were denied on Game of Thrones. And it is good, everyone. It is really good. As for Rhaenyra, she already has doubts about her choice to give dragons to random people. Ulf is certainly not inspiring her confidence. After conferring with both her Hand and her unofficial Mistress of Whisperers, she has only just resigned herself to choosing violence when an unexpected Alicent appears! And she offers the city of King’s Landing, and full surrender. Everyone is moving into place and…credits!

MAX, I know you aren’t listening, but at least ten episodes per season. You can afford it. This is the dragon in the dragon money.

Overall, I did not find this to be one of the stronger episodes in the season, but that had less to do with content and more to do with structure and pacing. It felt, to me, that the climax of the episode was the reunion between Daemon and Rhaenyra at Harrenhal, and that having the scene with Alicent afterward blunted the impact of both. I don’t have a problem with the meeting itself—I don’t mind that they’re adding multiple scenes between Rhaenyra and Alicent that are, strictly speaking, not in the book—only that it felt out of place and killed some of the tension they were clearly working to build.

All that being said, what a gorgeous episode. They have raised the bar, especially when it comes to low-light cinematography, which is such a relief after those frustrating scenes mid-Season 1. And that last montage reminded me so much of the end of Game of Thrones Season 6, which I admit I loved despite the presence of Teleporting Varys, because it was just so damn stirring, and Ramin Djawadi was clearly working overtime. But I have far more faith in Ryan Condal & co to stick the landing.

So, tl;dr is I liked it overall but there were pacing and structural issues, all of which could have been solved if MAX had given them two more episodes. The long version is beneath the cut.

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House of the Dragon 2.07 ‘The Red Sowing’

Previously: Rhaenyra and Jace test out their plan to have non-Targaryens attempt to claim dragons by having Kingsguard knight Ser Steffon Darklyn (whose great-grandmother was a Targaryen) attempt to claim the lonely Seasmoke. It…does not go well. RIP Ser Steffon Darklyn and one dragonkeeper. A frustrated Rhaenyra confides in Mysaria, which goes far better (all aboard the good ship Rhaesariya!), at least until they’re interrupted. Meanwhile in King’s Landing, Aemond is growing annoyed with the fact that being regent means everyone is demanding things of him. Most recently, Lord Jason Lannister wants Vhagar protecting his army as it marches east, but being a Lannister, he chose to command rather than ask. Aemond is disinclined to acquiesce to his request. He also refuses to join Criston on his (new) march north toward Harrenhal, saying he’ll join them when he’s ready. Then he dismisses Alicent from the Small Council. She enquires about her absent fourth son Daeron, who has been fostered in Oldtown, and Gwayne assures her he’s nothing like his brothers. Alicent then attempts to visit the sept with Helaena, only for the two queens to find themselves in the middle of a food riot! Caused by Mysaria, with an assist from Rhaenyra! Who broke her own blockade to send bundles of food into the city on unmanned boats, but of course there isn’t enough, and therefore riot. The queens escape, but at least one of the Aegoons is down. The fates of the two remaining ones is unknown. Meanwhile, in Harrenhal, Daemon’s psychological journey reaches its zenith (or its nadir, depending on one’s perspective) and he finds himself face-to-face with Viserys. (Oh hi, Paddy Considine, nice to see you again!) We get an almost but not quite rehash of the ‘heir for a day’ scene from 1.01, only this time Viserys is more sorrowful and Daemon’s regret is palpable. He comes to, attempts to murder Simon Strong for definitely being responsible for his whole situation, and then decides he’s going to get the hell out. (Caraxes vehemently agrees.) Only Alys intercepts him and convinces him to stick around. (Caraxes vehemently disagrees.) And then, in a complete coincidence, Daemon has a good dream for a change, where he’s with Viserys to help him grieve for Aemma and Baelon. The following day, in another complete coincidence, they receive word that Lord Grover Tully has finally shuffled off this mortal coil. The fact that Alys was there to ‘help’ him, again, a total coincidence. Finally, on Driftmark, Alyn is told by his admiral (and dad) that he has to report as first mate on the Sea Snake. And Seasmoke, disappointed by Steffon Darklyn, decides to take matters into his own claws and notifies Addam of Hull that he just became a dragonrider. Rhaenyra, hearing of this, immediately takes off on Syrax to confront him.

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House of the Dragon 2.06 ‘Smallfolk’

Previously: The many and varied consequences of the battle at Rook’s Rest become clear. Criston’s attempt to turn the battle into a Roman-style triumph fails miserably, but he does succeed in sneaking the barbecued King Aegon back into the Red Keep without the population of King’s Landing figuring it out (for now). Alicent is suspicious of the role her younger son played in all of this, but while she’s unable to find concrete proof, everything Aemond does in this episode justifies her concerns. Including—and perhaps especially—when the Small Council bypasses Alicent to name Aemond Regent and confirm his status as heir to the throne (though points to Grand Maester Orwyle for supporting Alicent). Rhaenyra, reeling from the loss of one of her best allies and her most experienced dragonrider, reaches out to Rhaenys’ widowed husband Corlys Velaryon to offer him the position of Hand of the King. She sends this message via his granddaughter Baela, who takes the opportunity to read her grandfather the riot act. Jace disobeys his mother exactly the same way Rhaenyra disobeyed her father in 1.02 by sneaking off on his dragon to make an alliance with the Freys of the Crossing so Cregan Stark’s Northmen will be able to march south for war. Finally, Rhaenyra and Jace come up with a bold plan to increase the number of dragonriders on their side by calling on anybody with even the smallest bit of Targaryen ancestry. This idea comes courtesy of Jace, who is both a dragonrider and extremely conscious of how much he doesn’t fit the image of a Targaryen prince. Rhaenyra calls it a ‘mad thought’, but is clearly listening.

***

Well, that is all very interesting.

(And not just because the good ship Rhaenyra/Mysaria is officially afloat.)

Fanart by jellolegos.

Not only do I love the composition, the fact that it’s based on a promo photograph from a 2009 production of Twelfth Night, and Rhaenyra is in the Viola/Cesario position gives me many feelings, given how much emphasis House of the Dragon is placing on her complicated relationship with her own gender. Ugh, love it so much.

(Also, this unrelated but beautiful piece by Amuelia juxtaposing Aemond and Daemon. The HotD fandom is on fire with amazing fanart.)

Anyway, moving on to the actual episode. Another quieter offering, lots of plotlines moving around, characters shifting into place. A few introductions (Daeron!), but also some farewells (we hardly knew ye, Grover Tully). But if last episode was taking the time to process Rhaenys’ death, this one is looking forward in dread to the next dragon battle.

Everyone is asking about the dragons, specifically Vhagar. Lady Jeyne Arryn pointed out in the last episode that even the impregnable Eyrie doesn’t stand a chance against Vhagar. Which she would know, given that the story of how the Vale surrendered to Visenya Targaryen involved a visit from Vhagar. Lord Jason Lannister surprises nobody by being overly arrogant and demanding that Aemond support his army on their march eastward using Vhagar. Criston finds himself disappointed when Aemond orders him to march north, adding only that he and Vhagar will join them ‘in due course’. And the search for new dragonriders on Dragonstone is based almost entirely on the fact that without Caraxes, none of their dragons would survive Vhagar.

I suspect Vhagar herself is having a well-deserved nap after all those war crimes, and that Aemond probably couldn’t wake her up even if he wanted to. But of course he’s going to claim it’s masculine pride or some such.

Aemond continues to push Alicent out of power, this time removing her from the Small Council altogether. He also pays a visit to Aegon to ‘remind’ him of which version of events he’s supposed to be remembering. And I’ll be curious to see how he reacts to the food riots erupting in King’s Landing.

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House of the Dragon 2.05 ‘Regent’

Previously: In the wake of Rhaenyra and Alicent’s secret meeting in the sept, Alicent is reeling from the loss of her best justification for Aegon’s usurpation. In classic Hightower fashion, she takes it out on Aegon. Aegon wants to kill things and his council won’t let him; then his brother starts nerding it up in High Valyrian, revealing Aegon’s very poor grasp of the language used to command dragons. In the meantime, Criston Cole and his army march northward, picking up men from Rosby, Stokeworth, and Duskendale—that last, after beheading Lord Darklyn for his loyalty to Rhaenyra. Instead of heading for Harrenhal (currently occupied by Daemon undergoing important psychological trauma thanks to some angry weirwoods), Criston and his army besiege the small fortress of Rook’s Rest, whose only significance is that it is the closest mainland castle to Dragonstone, and Lord Staunton is on Rhaenyra’s council. Having resolved that peace is no longer an option, Rhaenyra decides that the time has come to unleash the dragons—or at least one dragon. She offers to go on Syrax, but everyone immediately objects. Jace is too inexperienced, as is Baela. Then Rhaenys steps forward, the obvious and final choice. She and Meleys fly to the aid of Rook’s Rest, barbecuing a swathe of Cole’s forces before a surprise Aegon appears! (Having responded to his brother’s taunting and his mother’s disdain with the decision to drunk-drive a dragon into battle.) Aemond, who has been hiding out in a nearby forest while Vhagar (everybody’s favourite basset hound) enjoys Important Dragon Naptimes, sees his brother, and bails on the plan he and Criston put together so he can watch Aegon crash and burn (literally). Aegon’s dragon Sunfyre (a golden retriever and goodest boi) clashes with Meleys (the beautiful Red Queen), who immediately takes the advantage. Aemond finally manages to wake Vhagar up, and Aegon has a brief moment of hope before Vhagar flames both Sunfyre and Meleys. Sunfyre falls, gravely wounded, as is Aegon. Meleys almost escapes, but after a brief conference with her rider, turns back toward Rook’s Rest and Vhagar. Alas for us all, Vhagar does her patented chomp, Rhaenys says farewell to her best girl, and both of them plunge to a fiery doom. Meanwhile, on the ground, Criston gets knocked out (yay!) but gets back up again (boo!) and tracks down Sunfyre’s body to try to save Aegon. But when he reaches the clearing, he sees Aemond walking toward his brother with his sword drawn. As soon as Aemond sees Criston, he retreats. Cue credits.

***

Everyone (myself included) is reeling from Rhaenys’ fiery death in the last episode, but also from the not-quite-as-fiery and not-quite-as-fatal plunge taken by one King Aegon II. RIP Meleys the Red Queen, who deserved better. RIP(??) Sunfyre the golden retriever. [I will note that Criston mentioned leaving a contingent behind to guard the dragon, which seems a moot point if said dragon were dead, so I’m going to assume that our goodest boi is still alive, if not very happy.]

In both cases, we have a new power vacuum. Rhaenys was Rhaenyra’s most trusted advisor, and the most experienced dragonrider for Team Dragonstone. In King’s Landing, Aegon is still the king, even though he’s in a coma. I guess Alicent got her wish from last episode…?

That is not fair, I know. But that is clearly what Alicent is thinking as she looks at her crispified son. Her last words to him were that the best thing for him to do as king was nothing. He did the opposite, but ended up as the very definition of a figurehead monarch. And while Alicent has already proven herself more than capable of ruling as regent—which, lest we forget, she did for Viserys—that doesn’t matter. Otto was Hand of the King, yes, but Alicent was Regent. These were two separate roles. Unfortunately for Alicent, the council never saw it that way. They just assumed she was Otto’s puppet, and are therefore happy to turn to Aemond for guidance, just as Aegon was happy to name a ‘steel fist’ his hand. Criston himself tells Alicent that Aemond is the only logical choice because ‘we have given the war to the dragons’.

But have they, really? Or is Criston giving the wheel to the Seven, so to speak, and abdicating responsibility yet again? This week’s recap will feature an excess of Niccolò Machiavelli, which seems only appropriate given the events of Episode 2.05 ‘Regent’.

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House of the Dragon 2.04 ‘The Red Dragon and the Gold’

Previously: Fighting breaks out in the Riverlands between everybody’s favourite feuding families, the Blackwoods and the Brackens. As the Velaryon blockade tightens, food grows scarce in King’s Landing. Lord Commander of the Kingsguard and newly named Hand of the King Criston Cole (damn, that man fails upward) leads an army north to take control of the Riverlands, unaware that Daemon and Caraxes have already seized Harrenhal in Rhaenyra’s name in a gorgeously shot sequence during a thunderstorm. While the castle’s few remaining inhabitants offer a quick surrender, Harrenhal’s connections to various magical phenomena prove a bit more challenging. In King’s Landing, Aegon appoints his friends to the Kingsguard and tries to enjoy being king, but instead he just feels like a fraud and takes it out on Aemond after a chance encounter in a brothel. Alicent is forced to reckon with her father’s absence (again) and her sons’ unwillingness to heed her counsel; at least Helaena is on her side, for now. On Dragonstone, Rhaenyra sends her three youngest children (Joffrey, Aegon, and Viserys) away for their safety, entrusting them to her stepdaughter Rhaena, along with all three of the boys’ very small dragons and several eggs. Rhaena is understandably resentful, but nonetheless obeys her queen. Her sister Baela, in the meantime, is taking on increasing responsibilities as a dragonrider, at one point spotting but not engaging with Criston Cole and his army moving north. This prompts Rhaenyra to one, last-ditch attempt to prevent the full-scale destruction of a dragon-on-dragon combat. With Mysaria’s assistance, she disguises herself as a septa and sneaks into King’s Landing on a fishing boat with the intention of speaking to Alicent face-to-face. Although she succeeds, what she learns is that it is far too late, and the war has already begun.

***

Then the storm broke, and the dragons danced.

I honestly had no idea how I was going to feel about the dragon combat but damn. I think that really was everything I wanted. Well, except for the fix-it fic ending, which of course we did not get. But what we got—and what absolutely broke my heart—was some real glimpses at the bonds between dragons and riders, and the dragons’ own personalities. How is it that CGI fire-breathing monsters can give me all the pet feels? Well, they do.

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Double Feature: Episodes 2.2 and 2.3

I’m home after 2 weeks away. It was…adventuresome. I learned a great deal and, while I don’t intend to repeat the experience, I don’t regret having done so this once.

I did manage to watch both episodes, however, so this recap/essay considers elements from both Episode 2.2 ‘Rhaenyra the Cruel’ and Episode 2.3 ‘The Burning Mill’. Up front, I thoroughly enjoyed both. 2.3 in particular I found especially fun to think through—I agree with the commenters who have compared it favorably to, if not quite the content, the general malaise that suffuses A Feast For Crows. I haven’t been keeping up with the discourse, so whatever it is I don’t know about it. But those were two damn good hours of television and I’m very curious to see where things go from here.

Apologies in advance for the lack of references and the minimal screenshots—I wanted to get this out as soon as possible so I could catch up on everybody else’s thoughts. We will return to your regularly scheduled posts this weekend.

Edit (5 July 2024): I only realised this morning that all my footnotes disappeared when I uploaded this to WordPress. I have attempted to add them back in, but it does make for a bit of wonky formatting. Again, apologies, and things will be back to normal for Ep. 4.

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House of the Dragon 2.01 ‘A Son for a Son’

PSA: There will be no recap next week because I will be away from my computer and will be catching the episode whenever I’m able. As such, I will either post the two recaps together after Episode 3 or will just recap both in a single post. This is what happens when I plan things before HBO releases their schedule.

Previously: 172 years before the Mother of Dragons, the Targaryen family was at the height of its power, but found itself facing a succession crisis. Princess Rhaenyra is, on paper, heir to the Iron Throne after her father King Viserys I. However, Viserys’ impulsive decision to marry Alicent, daughter of his ambitious Hand Otto Hightower, puts Rhaenyra’s position under threat, especially after Alicent gives birth to two sons, Aegon and Aemond. The two women, once the best of friends, are pitted against one another for the next fifteen or so years as the men around them—particularly Alicent’s father and Viserys’ younger brother Daemon—prepare for what they insist is an inevitable war. When Viserys dies after a debilitating illness, Otto’s faction seizes control of King’s Landing and proclaims Aegon king, despite Alicent’s protests. Meanwhile, on Dragonstone, news of Viserys’ death causes Rhaenyra to go into premature labour and lose her sixth child. She sends her two eldest sons, Jacaerys and Lucerys, as envoys on dragonback to several of the Great Houses seeking their support. Lucerys, unfortunately, runs into his cousin Aemond, whose enormous, grouchy grandma of a dragon, Vhagar, chomps Luke and his tiny boi Arrax into bits. Season 1 ends with Rhaenyra receiving the news of her son’s death.

***

Oh my god we are back. Not only are we back, we have A NEW CREDIT SEQUENCE.

It’s based on the Bayeux Tapestry. Yes, I shrieked when it first appeared. I love everything about it. A++, 10/10, no notes, but if they add to it over the course of the seasons like they did with Game of Thrones, then a million bonus points.

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