Previously: We began more or less where the Season 2 finale ended, with Alicent arriving at the Red Keep after brokering her clandestine deal with Rhaenyra, only to find…Aemond? On the Iron Throne? And that isn’t even the worst surprise Aemond springs on her this episode. Poor Alicent. She just can’t win. Unfortunately, neither can Rhaenyra, even if her problems with her son seem to be quite the opposite of Alicent’s. In the meantime, Daemon is making good progress in the Riverlands, taking down the incoming Lannister Army (RIP Jason Lannister’s lion mascot) and meeting up with the Northern forces we saw marching southward in the Season 2 finale, who greet him with a gift (RIP Jason Lannister). Also in the Riverlands, our three newest dragonriders, Ulf, Hugh, and Addam, are recording their own version of the Blair Witch Project on the Isle of Faces near Harrenhal, waiting for Aemond. The dragons are all cool with it. Ulf, however, is spooked, for reasons no one else quite gets until Alys Rivers appears like an apparition on a blasted heath with bad news. Which brings us to the biggest setpiece of the show thus far, the Battle of the Gullet. Sharako Lohar (RIP), you lived fast and died young. I won’t miss Tyland Lannister because I’m pretty sure he’s still alive, armour notwithstanding. Corlys lost his newly renamed ship (woe!) but Alyn made it out (yay!) and I know Corlys did too, thanks to the trailer for Episode 2. Jace and Baela impulsively entered the battle on dragonback after Jace countermanded Rhaenyra’s orders to stand down while she rode into battle instead (his justification being that she, as the queen, was more valuable; the same justification Aegon ignored last season), and things at least started well enough, until…a rogue Sheepstealer appears! Rhaena, having succeeded in claiming the wild dragon—inasmuch as a wild dragon can be ‘claimed’—finds herself flying into the middle of the battle, only Sheepstealer doesn’t understand commands and just starts burning everything in sight, only narrowly missing Baela and Jace. In the confusion, one of the Triarchy’s nastiest anti-dragon weapons, a harpoon attached to a heavy anchor, takes down Jace’s dragon Vermax, and both die in the waters of the gullet.

Welp.
Just like the finale of Season 1, this episode was going to be driven by Rhaenyra’s grief, and unfortunately that is one of the central heartbeats of the entire Dance of the Dragons narrative. So, first and foremost, I have to give full credit to Emma d’Arcy for a magnificent performance throughout—this is the moment the entire war has been aiming for, but instead of triumph, Queen Rhaenyra is devastated, and you could see every harrowing bit of that in their performance. Tragedy at its finest.
(And, yes, this felt like a season finale. This felt like Season 2, Episode 10. So that’s how I’m going to think of it, and tell myself—per someone in the History of Westeros Discord—that now I only have to wait a week for the new season!)
It is true that the basic outlines of Rhaenyra and Aegon’s conflict are drawn from the twelfth-century civil wars in England known as the Anarchy, between Matilda (daughter of King Henry I, designated his heir during his lifetime) and her cousin Stephen of Blois (also related but mostly just a guy, who took the throne for himself). However, when creating the character of Rhaenyra in particular, it’s clear that George R.R. Martin drew as much on the melodrama of Mary Queen of Scots (particularly for the various marital dramas) and the bloody tragedy of Margaret of Anjou, at least as Shakespeare wrote her—the queen who briefly had everything, only to watch all of it get destroyed, living long enough to curse the ones who wronged her.
Where the show has shifted the source material in Fire & Blood is, as we all know, in making the relationship between Rhaenyra and Alicent the heart of the narrative, not just symbolically (as ‘The Princess’ vs. ‘The Queen’) but emotionally. Rhaenyra’s decision to claim the Iron Throne at this point in time stems entirely from her willingness to trust Alicent, as both Daemon and Mysaria observe. If she didn’t have Alicent’s buy-in, she would not take this gamble. But what we see throughout this episode is the back-and-forth between Rhaenyra’s heart and her head, both of which are reeling from the deaths of three of her children in quick succession—baby Visenya, Lucerys, and now Jace.
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