Outside Influence: Photography in Colorado, 1945–1995

By Rupert Jenkins, University Press of Colorado, 2026. 

On Amazon.

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On Students Graduating into an AI Job Market

In a recent interview, Professor John Craig Freeman was asked to comment on students’ prospects as they graduate into a job market dominated by automation and the rise AI, in and around Boston.

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MyStory AI Cycle Series

The MyStory AI Cycle Series is an experimental body of artwork that functions as a multi-channel video installation exploring the intersection of individual memory, institutional ideology, and generative artificial intelligence.

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Border Memorial, Work Sample 2026

This geolocative AR project serves as a digital memorial to thousands of migrant workers who perished in the Arizona desert. Using GPS data, the work places life-sized virtual calacas (skeleton effigies) at exact coordinates where remains were recovered. This video demonstrates how the mobile device acts as a “looking glass,” unmasking a hidden landscape of loss. By inviting a one-on-one encounter with the dead, the project transforms the desert into a public square for collective mourning and political reflection, re-humanizing the globalized border.

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PreterPark: Theme Park of the Psyche

Tarantula Jar, JustLaughs, Sun Dagger, Camera Obscura


Family: Experiencing my father catching a tarantula in a clean empty mayonnaise jar, and abruptly throwing it into the canyon behind our suburban home in La Mesa, California, in 1963, there was a large T sign for the Thriftymart down the canyon in the background.

Community: Activating a toy Just for Laughs, Ozen Laughing Box, at the Roxy Theater in Pacific Beach San Diego in California during the scene of Love Story, directed by Arthur Hiller, 1970 where Jenny (Ali MacGraw) tells Oliver (Ryan O’Neal) that she is dying.

Entertainment: The scene from Carl Sagan, ‘Cosmos, Episode 3: The Harmony of the Worlds,’ c. 1980, the Sun Dagger petroglyph during Summer Solstice, Fajada Butte in Chaco Culture National Historical Park, in northwest New Mexico.

Career: Experiencing turning the lens turret in the darkened observation room at the Camera Obscura, Santa Monica, California in 1967, projecting a scene of the Pacific Palisades, the pier and the beach front.

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Big Daddy Watching

Paramount Urban Screen, WaveForms – Multimedia Art Occurrence, LED public art, John Craig Freeman, 2026. Boston.

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Bloomberg, ART + TECHNOLOGY

Technology is changing the way we make, experience and share our ideas. But how do artists use it to shape their craft and the way their audiences experience it? ART + TECHNOLOGY explores how creatives are bringing the disparate fields of ART + TECHNOLOGY together to reveal surprising works that belong to a whole new genre.

ART + TECHNOLOGY Episode 26: “Can AR drive change?”

Viewing technology as a crucial part of the art world in 2018, John Craig Freeman works with AR to create authentic artwork that will be relevant to the masses. In the twenty-sixth episode of ART+TECHNOLOGY, we are introduced to John’s AR art through the lens of globalisation and local communities.

John’s project, Coming Home is an AR public art installation that raises awareness of the houseless in San Francisco. To showcase the plights of the elderly, the homeless and students; Coming Home combines AR and storytelling to create a vehicle for education and empathy through art.

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Experiments in Augmented Reality

INSTALLATION SPACE
49 Eagle Street, North Adams, MA

OPENING RECEPTION
Friday, October 7, 4:00pm-8:00pm

Saturdays & Sundays 12:00pm-6:00pm

Augmented reality installations by John Craig Freeman and Michael Lewy
On View October 7 – November 27, 2022

Augmented reality (AR) is the integration of digital information with the user’s environment in real time. AR users experience a real-world environment with generated perceptual information overlaid on top of it. Freeman and Lewy have installed their distinctive augmented reality works at the Installation Space gallery, as well as at access points in downtown North Adams public spaces. The augmented art is viewable by downloading the free Hoverlay app on a mobile device.

CLIMATE CHANGE MIGRATION STORIES
An augmented reality installation by John Craig Freeman
Climate Change Migration Stories is an augmented reality public art project designed for exhibition in public squares and other publicly accessible spaces. People encounter the project by way of wayfinding signage placed at the physical location, with information and instructions about how to experience the augmented reality content. Users use common mobile phones to guide themselves on a walking tour through a series of virtual scenes. The experiences consist of world scale, photorealistic scans created on location in and around the U.S./Mexico border.

John Craig Freeman is a public artist with over twenty years of experience using emergent technologies to produce large-scale public work at sites where the forces of globalization are impacting the lives of individuals in local communities. His work seeks to expand the notion of public by exploring how digital networked technology is transforming our sense of place.

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MIT Open Documentary Lab, Climate Change Migration Stories

Climate Change Migration Stories, Augmented Reality Public Art, ©John Craig Freeman, 2022.

Climate Change Migration Stories is an augmented reality public art project designed for exhibition in public squares and other publicly accessible spaces. People encounter the project by way of wayfinding signage placed at the physical location, with information and instructions about how to experience the augmented reality content. Users use common mobile phones to guide themselves on a walking tour through a series of virtual scenes. Being developed at the MIT Open Documentary Lab, the resulting work consists of world scale experiences created on location in and around the U.S./Mexico border.

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adhoc Episode 8: Michael Rees in conversation with John Craig Freeman

Michael Rees and the International Sculpture Center, publisher of Sculpture magazine, are excited to present Ad Hoc, a virtual talk series. Join Michael Rees as he talks with special guests who work in art, technology, and sculpture.

In this episode, Michael is joined by artist and educator, John Craig Freeman. Join us every other week for more episodes! Make sure you like and subscribe to get updates on the International Sculpture Center.

Michael Rees is an artist working in themes of figuration, language, technology, and the social to weave a sculptural mélange. He received his BFA from the Kansas City Art Institute and his MFA from Yale University. He also won a Deutscher Akademischer Austaushdienst for undergraduate study at the Kunstakademie in Dusseldorf, Germany, with Joseph Beuys. Rees is currently professor of sculpture and digital media at William Paterson University, and Director of the Center for New Art there.

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