F is for Fairway

A golf hole typically features a fairway, which is the short-grass, manicured area extending from the tee box to the green.  Fairways are designed to be the optimal path from the tee to the green on par 4s and par 5s. While most holes have one, some designs, especially on challenging courses, may feature no fairways for specific penal, short, or specialized holes.  The minimal height or tightly trimmed grass when you land in the fairway makes it easier for you to hit your ball from there as compared to other areas of the course.  This beautifully manicured, shorter cut grass is uniform, and it should give you the best lie where it is sitting up cleanly.  This should make it easier for you to achieve solid contact on your next shot and allow you to control your distance and spin.  The average golf fairway is generally considered to be between 25 and 40 yards wide, though they typically range from 30 to 45 yards for standard courses. While PGA Tour events may narrow them down to 25–30 yards, typical, enjoyable, and well-designed courses often opt for roughly 40-yard-wide fairways to accommodate average player ability.  Fairway width is heavily influenced by terrain, design philosophy, and maintenance, such as irrigation capabilities.  Narrower fairways are often used to increase difficulty or protect mature trees, while wider, more forgiving fairways are used on resort courses or areas with severe, sloped terrain to keep balls in play.

Golf course fairways are generally not cut every day.  They are typically mowed two to four times per week during the growing season.  While high-end country clubs or tournament-prepped courses may cut them daily, most facilities focus daily mowing on greens, while fairways and the rough are cut on a less frequent rotation.  Golf course fairways require substantial, consistent maintenance to keep them lush, dense, and playable.  They typically covering between 20–30 acres, comprised of about 29% of the overall property, which involves significant labor, fuel, and equipment use, often supplemented with irrigation monitoring, fertilization, aeration, and weed control.  Depending on the turfgrass variety and growing environment, under peak growing conditions, fairways can be expensive to maintain.  Fairway turfgrass quality and playing conditions has improved significantly over the years, where it has become more dense, making it a contiguous cushion of turfgrass where the desired general height is between 0.38 to 0.5 inch.  Maintaining this height range while the grass is growing requires frequent mowing.  In addition to labor costs, fairway mowing costs includes fuel use, mower wear, equipment maintenance and blowing or removal of clippings.  In all cases, fairway mowing is timed to minimize potential disruption of golf.  Groundskeepers will use fairway growth regulators (PGRs) like Primo Maxx (trinexapac-ethyl) and Anuew (prohexadione calcium) to reduce vertical turf growth, redirecting energy to lateral growth and root development.  They are widely used on golf course fairways to decrease mowing frequency, enhance turf density, improve stress tolerance, and increase color consistency.

Golf courses will largely build their reputation on the quality, design, and maintenance of its fairways and greens, as these are critical components of the overall golfing experience and primary factors in golfer satisfaction.  Fairways that are well-maintained allow players to enjoy the game as it is intended and maintaining them in good condition is usually the reason why golfers say that they played their best golf.  Well-manicured fairways are essential to a course being seen as high-quality, especially when they provide a dense, consistent, and well-groomed surface.  A well-maintained, aesthetically pleasing fairway is highly important to golfers, primarily because it provides a consistent, fair lie that boosts confidence and allows for precise ball striking, rather than struggling from rough or bare patches. The five most critical actions to promote health, density, disease resistance, color and playability of fairway turf are soil testing, nutrient management planning, proper mowing, effective irrigation management and soil cultivation.

Fairway soil testing is crucial for optimizing nutrient management, pH levels, and turf health, typically performed annually or every 2–3 years.  Samples should be taken at a 2–6 inch depth from multiple locations (10-15 cores) to form a representative composite sample, ideally in the fall before fertilization, allowing for precise, sustainable, and tailored nutrient management plans.  Fairway nutrient management planning involves developing a site-specific strategy based on soil tests, water quality, and turfgrass needs to optimize fertilizer applications. Effective plans utilize the 4R stewardship principle (right source, rate, time, place) to minimize environmental risk, reduce costs, and maintain healthy, wear-resistant turf.  This is a science-based fertilizer management framework designed to maximize crop nutrient uptake, increase efficiency, and minimize environmental impacts. It balances production, economic, and environmental goals, ensuring sustainable agricultural practices.  Effective fairway irrigation management focuses on deep, infrequent watering to promote root growth, utilizing moisture sensors and weather data for scheduling.  Using high-efficiency nozzles, regular system audits for leaks, and auditing nozzle performance (every 5-8 years) drastically reduces water waste while optimizing turf health.  Fairway soil cultivation enhances turf health and playability by reducing compaction, improving drainage, and managing thatch.  Key practices include core aeration to relieve compaction, sand topdressing to improve soil structure and water infiltration, and occasional deep-tine or slit aeration to promote deeper root growth.  These efforts ensure firm, healthy playing surfaces.

Not all fairways are the same, as some are straight holes and others can be doglegs bending to the left or the right.  Some fairways are contoured and they often feature man-made or intentional, precise, and sculpted mounds, ridges, or specific slopes designed for strategy, while undulating fairways refer more broadly to natural or dramatic, rolling, wrinkled terrain characterized with uneven ridges and dips, that cause unpredictable lies.  A contoured fairway will have preferred landing areas because it has been specifically sculpted, often with subtle features, to dictate strategy, such as intentionally creating a hump that kicks balls into a bunker or a ridge that splits the fairway and the golfer must manage where they want to be as it expands and contracts around different components.  This in and out movement will tell a golfer where the premium ball positions are located and how to approach the hole to fit their style of play.  The fairway shape alone can be a simple defensive element as it narrows at the end of landing areas for definition and difficulty.  Ridges, mounds and moguls (a series of small, rounded mounds or bumps in the turf, often ranging from five to ten feet in diameter and up to three feet high) add strategic difficulty, visual interest, and unpredictability to any golf hole, but they also make it more difficult to cut the grass in that area.

Many golf courses feature undulating fairways which are designed with intentional rolls, mounds, and dips to create visual interest and strategic challenges.  These contours often create uneven lies, where the ball will be above or below your feet, requiring you to adjust your stance, aim, and club selection, on the ridges and dips, that make golf more challenging forcing the golfer to take a more controlled, smoother swing.  The uphill, downhill, or sidehill lies prevent flat, simple shots, but they offer aesthetic appeal which is preferred over monotonous flat terrain.  Undulating fairways require more skill to navigate, but they are generally considered key to a perfect and engaging golf experience.  Tee boxes are designed to be level to provide a fair, stable starting point, while fairways and greens are intentionally contoured to add challenge, aesthetic appeal, and natural drainage to the course.

A dogleg or a dogleg hole is a golf hole that is crooked, like the hind leg of a dog, which has a distinct, irregular bend compared to a straight line.  Doglegs are very common in golf, and these holes will bends at some point between the tee and the green.  The point where a dogleg hole bends is called the corner or the elbow and this can be a slight 20-degree bend to a severe 90-degree angle.  Players often try to “cut the corner” get past the pivot point of the turn (by hitting their ball over a tree or a hazard) to reduce the hole’s distance, but this poses significant risks instead of following the curved path of the fairway.  This high-risk, high-reward strategy doesn’t always work out, and if you don’t hit the perfect shot, you will likely end up in the trees, hazards, or some heavy rough.

Some par 5 holes feature the dreaded double dog leg, that snakes in two different directions, either S-shaped (left then right, or right then left) or in a sharp zig-zag fashion, requiring extreme strategic planning, precise shot-making, and often punishing aggressive play.  These holes are designed to force a three-shot approach to the green, as challenging the corners on both bends usually entails high risk, such as encountering water, heavy rough, or you will end up bouncing around in the trees.  The saying “trees are 90% air” is a popular golf adage often attributed to legendary golfer Jack Nicklaus.  It is frequently cited as a humorous justification for attempting a risky shot through trees, implying that the ball will likely pass through the gaps, though studies often prove this to be a myth.

Cape holes are a specialized type of dogleg that incorporate a significant hazard, typically water, bunkers, or harsh vegetation that runs along the inside of the bend, where the corner is formed close to the green.  Cape holes will bend left or right, and the fairway could be designed to kick your ball toward the hazard, making cutting off a large chunk a riskier proposition, so they emphasize a high-risk, high-reward, diagonal carry over a hazard.  A cape hole has two main features.  The first is that a hazard runs along the length of its fairway.  This fairway is typically arced (formed in a curved path or shape) around this hazard.  The second part of the qualification relates to the green.  ‘Cape’ means a piece of land jutting out into a body of water, so for a true cape hole the green has to jut out into the hazard.

Tees, fairways and greens can all be elevated or sunken, with each setup influencing club selection, shot trajectory, and difficulty.  Elevated and sunken features are key architectural elements in golf course design, used to create visual interest, dictate strategy, and enhance drainage.  Elevated and sunken fairways define a golf hole’s character, affecting strategy, visual appeal, and difficulty.  An elevated fairway sits higher than the teeing ground or the surrounding terrain, and this can be a gradual slope or a steep, hilly climb.  Elevated fairways require golfers to adjust for elevation changes, affecting both distance and trajectory.  A fairway that drops off from the tee may offer extra distance, but can lead to difficult, uneven lies.  There is also something called a plateau fairway, which is a specific design where a section of the fairway (usually the landing area) is raised and flattened, resembling a table or plateau.  It is often achieved by leveling off mounds or sand piles, resulting in a distinct, raised, and relatively flat landing surface.  Elevated fairways often require precise, uphill shots to a visible target, while sunken or plateau fairways (where the fairway is above the surrounding rough) provide better roll but steeper penalty for missing.  Both create dramatic, challenging landscapes.  A plateau fairway would have a flat, elevated top, often requiring a blind or semi-blind shot to reach it.

A blind hole is one where the fairway or green is not visible from where you are hitting your ball from, either having an elevated fairway or an elevated green and this would requiring knowledge of the course to play correctly.  Blind holes and shots in golf occur when the target (either the fairway on a tee shot or the green on an approach) is not visible, often due to elevation changes, ridges, or doglegs.  These shots, common in links golf, require trusting alignment aids, using course knowledge, and, when possible, consulting technology to ensure safety and accuracy.  Some golf courses may utilize periscopes and bells to enhance safety and pace of play on blind-shot holes.  Periscopes allow golfers to see if the fairway or green is clear from the tee.  Bells are placed in landing areas or near greens, which players ring once they have moved out of range, signaling it is safe for the next group to hit.

Determined to Succeed

Willpower is a finite, “muscle-like” resource that typically holds up for short-term, intense challenges, but it usually depletes and degrades over long periods, like falling water reshaping a stone, the power of prolonged persistence and uninterrupted consistency always wins out over force.  Where there is a will, people will find a way to hold out for hope, so a person’s willpower can feel almost unbreakable, particularly when driven by intense motivation, deep-rooted purpose, or the belief that it is an unlimited resource.  Hope is not just a feeling, but rather the combination of willpower and finding the right pathway needed to achieve goals.  Willpower is often seen as fragile, appearing delicate or susceptible to damage, yet it the essence of inner strength needed to withstand intense pressure and continue to exist.

Written for Missy’s MAD Challenge #087 where Missy asked us to, “Write about something fragile that refuses to break.”

Sorry No Results Yet

Crowdsignal says creating surveys and polls should be simple and fast, but that was not the case for me, as I went to the New Song Lyric Sunday Banner poll today to close it out and get the results, but it says, “No data for this period”, which is very frustrating for me to see, as I know that at least some of you must have cast a vote for this.  I only have a free membership on Crowdsignal.com, and I contacted their support for help by writing, “I guess it is possible that I did something wrong, but I am very frustrated, as I promised all of my readers that I would have the results today.”  They got back to me quickly and told me to make sure that I was looking at the correct date range, and I could see that it was set from Feb 20 through Mar 20 and it should be set from Mar 20 through Apr 06.  I replied back to them, asking if they could tell me how to fix this, and I am waiting for their reply, because I have no clue how to adjust this on my own.

Dragon Girl

Leslie was taught the magic of fire breathing at a very young age, as she was a circus kid, born and bred of stardust, having grown up in a unique, nomadic, and tightly knit community, often living in trailers and traveling from town to town.  Her dad was a juggler, and her mom was a contortionist, so Leslie knew it was in her blood to be a performer.  She started with fire eating first and worked her way up to breathing these nice like long fire trails that filled the air with bright yellow colors.  Leslie’s grandmother was retiring from being the circus fire breather, as soon as her granddaughter was ready to take her place.  Leslie inherited all of the specialized metal fire wands that were durable tools crafted from stainless steel, designed for safely transferring flames to the mouth.  They featured hand-stitched Kevlar wicks to prevent metal exposure, with heat-resistant silicone handles for a secure, comfortable grip.  She only worked with highly purified, unscented paraffin-based lamp oil because of its high flash point (~90°C), which made it safer than using low-flashpoint fuels like white gas or alcohol, but she knew that this still carried significant risks of chemical pneumonia, toxicity, and being severely burned.

Lesly knew that fire eating was one of the coolest jobs she could have in the circus, as it is ranks right up there with the most exhilarating and visually stunning form of entertainment, that captivates audiences with its daring and mystique.  Fire eating has a rich history that dates back thousands of years, and fire eaters were revered for their ability to manipulate one of the most powerful natural forces.  Leslie was trained in twirling and spinning the fire wands to create dynamic visual effects, before she moved up to fire eating.  Leslie got a lot of help from her mother the contortionist as she was also an excellent sword swallower.  Her mom Dana possessed this extreme body awareness, muscle control, and ability to relax specific internal muscles required to guide a blade safely down her throat and she taught Lesly how to relax her upper esophageal sphincter and align her esophagus, by extending her neck.  Leslie learned the lip extinguish trick, where she moistened her lips to help snuff out the fire safely, and then she moved on to the mouth extinguish, where she placed the lit wick into her mouth, using the lack of oxygen to extinguish the flame.

Once Leslie had the necessary fire eating skills, she transitioned from fire eating to fire breathing, which involved moving from extinguishing flames in her mouth to atomizing and propelling fuel into a mist over a torch.  This is a higher-risk skill that requires precise control of breathing to avoid swallowing or inhaling fuel, which has a nasty taste.  Leslie realized that a fine mist worked best, and she learned to keep her mouth, lips, and hair protected.  She had to look up at approximately 45 degrees, blow the fuel through the flame, and avoid inhaling during the action, easy peasy, fire squeezy.  Once she mastered playing with fire, she dubbed herself Hot Lips Dragon Girl and the crowds were always delighted to see her do her stuff.

Written for Melissa’s Flash Fiction Challenge #367.

Wedding Morning Prep

Many brides will make a To-Do list on their wedding day to manage the overwhelming number of details that need to be done right, and this should reduce stress, and ensure that their wedding is seamless and comes off without a hitch.  Connie could not sleep this morning, because this was the biggest day of her life, and she woke up wearing the same white lace-trimmed bridal dressing gown that she wore to her stripper-free bridal shower / bachelorette party last night.  Her best friends had booked a spa day with massages, facials, mani-pedis, and sauna sessions where the girls all had fun playing with each other’s hair and doing their makeup.  Connie totally enjoyed being with her friends, connecting, laughing, and sharing stories that included gossip, while they all sipped their tea lounging around in their robes.  Connie decided to spring for a top quality, versatile bridal dressing gown, one with delicate Chantilly lace that would have a romantic and luxurious feel and one that could be worn more than just once.  Connie was smiling because she knew the robe she selected would be practical for her honeymoon.  Her robe was comfortable, easy-to-remove and she would put this on again after she finished her list and got out of the shower.  Connie would wear the bridal dressing gown during her morning preparations (hair/makeup) to protect her wedding dress and so she would look stylish in her getting ready photos that her mom would surely want to take of her.

Written for Sadje at Keep It Alive What Do You See #335.

E is for Etiquette

Golf is termed a “gentleman’s game” because it is a self-regulated sport rooted in integrity, etiquette, and respect, where players adhere to strict rules, honorably call penalties on themselves, and maintain composure without referees.  Players uphold high standards of behavior, including silence during others’ shots, repairing divots, and managing pace of play to respect fellow golfers.  Golf etiquette revolves around safety, pace of play, and course maintenance.  Key rules include remaining still and staying silent while another player is addressing the ball and swinging, yelling “Fore!” for safety, repairing ball marks and divots, raking bunkers, and keeping up with the group ahead.  Proper etiquette ensures a respectful, enjoyable experience for everyone on the course.  Etiquette is fundamentally about showing respect, kindness, and consideration for others, rather than merely following rigid, outdated rules.  It serves as a framework for positive interaction, helping people feel comfortable and valued in both social and professional situations.

Golf etiquette is heavily tied to dress, serving as a sign of respect for the game’s traditions and other players.  Typical requirements include collared shirts (often tucked in) and tailored shorts or slacks.  Prohibited items usually include denim, cargo shorts, and gym wear, especially at private clubs.  Golf etiquette involves certain rituals including the order of play and the honors tradition, which allows the player with the lowest score on the previous hole to be the first to tee off on the next hole.  Golfers should always try to avoid hitting their balls simultaneously primarily to prevent safety hazards (as there is an increased risk of being struck by a ball when golfers are not watching out for each other), ball collisions (especially in mid-air or on the green resulting in unpredictable outcomes and potentially unfair positions), and to adhere to proper golf etiquette and rules.  While rarely resulting in penalties in casual play, simultaneous shots can lead to confusing rulings, deflected shots, or damaged equipment.  The golfer whose ball is farthest from the hole putts first, regardless of who is on or off the green.  However, in modern “ready golf “where golfers play when they are prepared, rather than waiting for the person farthest from the hole, if you are closer but ready, you may hit your shot or putt to speed up play, provided you don’t interfere with others’ lines.

In 2019, ready golf became officially recognized and formalized by the two primary governing bodies for golf worldwide, the USGA (United States Golf Association) and R&A (Royal and Ancient Golf Club of St. Andrews) to improve pace of play, particularly within Rule 5.6, which mandates that players must not unreasonably delay play.  While formalized in 2019, it has been used in social play for over 15 years, used to avoid unreasonably slow play where golfers are taking more than 40 to 50 seconds to play a stroke once it is their turn, or failing to keep pace with the group ahead, resulting in a round that exceeds the course’s recommended time (usually 4 to 4.5 hours).  Ready golf says when it’s your turn to hit, that you should hit, while the other players in your group are setting up for their shots.  Check out your lie, know your yardage, select your club and then as soon as it is your turn, start taking the practice swings and then hit your ball.  This 2019 rule now allows players to leave the flag in for any putt, because this speeds up play.

Golf carts make a round of golf more enjoyable, providing convenience and efficiency while navigating the course.  Proper golf cart etiquette requires following course-specific rules (like the 90-degree rule or cart-path-only), driving at safe speeds, and keeping all four tires on the path near tees and greens.  To protect the turf and minimize the impact on the fairway grass, golfers should drive on the path until they are parallel to their ball, then drive straight across (90 degrees) to it.  After hitting, they return to the path via the same perpendicular route, minimizing fairway driving.  The 90-degree rule or cart-path-only rule are both often enforced after rain or during damp conditions, but you should ask the starter or pro shop for daily rules before you begin play.  When enforced, these rules can create a paradox, making riding in a golf cart often slower than walking.  Always avoid driving through wet spots, bunkers, or sensitive turf, and park behind greens to speed up play, where you should leave the cart on the side of the green closest to the next tee, never in front, to allow for a quick exit.  The fringe and apron areas surrounding the green are delicate and can be damaged by excessive cart traffic.  By keeping carts off these areas, it helps maintain smooth, playable surfaces for everyone.

Usually, two golfers will share a golf cart, and they need to work together forming a plan so that they know what each one is doing, and they should utilize the “drop and drive” method to speed up play.  The driver should drop their partner off at their ball with the necessary club(s) and then proceed directly to their own ball.  After hitting, the player who was dropped off should walk toward the cart, rather than waiting for the cart to return to pick them up.  If your shots are close enough, then park in the middle and each player grabs their club.  Players sharing a golf cart should ideally both be prepared to drive, as this contributes significantly to a faster pace of play and better etiquette.  While one player often takes the lead, the other person is not a permeant shotgun rider, as a shared driving responsibility ensures that the cart can be moved efficiently to accommodate both players’ positions on the course.  In Leslie Nielsen’s Stupid Little Golf Book, he suggests that the driver should not step on the acceleration peddle just as their playing partner is sitting down, to avoid giving them a case of whiplash, which makes total sense to me.  Like doctors, players that drive golf carts should follow the “do no harm rule” associated with the Hippocratic Oath, as this protects both the course and people, so everyone should drive responsibly.  Putting your golf cart in reverse will make it beep and this can distract other players, because cart reverse beepers are loud, high-pitched safety features intended to alert bystanders.  Proper etiquette dictates ensuring no one is within earshot and avoiding reversing while a player is addressing their ball to show courtesy.

Golf etiquette on the tee box focuses on safety, silence, and speed.  When someone else is teeing up their ball, you should stand on the side of the player hitting so they can see where you are and not being directly behind them and definitely not in front of them as that would be stupid.  You should remain silent and still during their swing, and when it is your turn to tee up, make sure that you are behind the markers.  Keep the pace of play by being ready when it is your turn and minimizing practice swings.  Golfers need to be aware of where their shadows are, to avoid distracting another player, particularly during early morning or late afternoon when shadows are long, and this is very important when a player is on the green putting.

Proper golf etiquette regarding music and cell phones prioritizes consideration for other players.  Keep music low and restricted to your cart, ensuring it cannot be heard by other groups.  Cell phones should be kept on silent/vibrate, with voice calls limited to emergencies or between holes, while maintaining a respectful pace of play.  Placing a golf bag on the green is a significant breach of golf etiquette, as it can damage the delicate putting surface, create uneven spots, and leave debris.  Always place your bag on the fringe, collar, or rough surrounding the green to protect the course and show respect for other players.  Fixing ball marks, raking bunkers, and leaving the course better than you found it is essential for golf etiquette, as this improves play for everyone and ensures proper turf recovery.  Properly repairing a ball mark takes seconds with a tool or tee, while a single unrepaired mark can take weeks to heal.  Golfers are encouraged to fix more than one ball mark on the green, and proper etiquette suggests that you repair your own mark plus at least one other.

Basic golf etiquette requires you to be quiet while someone is swinging and silence is golden when playing golf.  Talking on a golf course while someone is swinging is considered poor etiquette because it disrupts the intense concentration, focus, and silence required for a precise, high-speed movement.  Noise or sudden movement during a backswing can ruin a player’s timing, causing bad shots and frustration.  Golfers need to know when to engage in conversation, and when they should keep their mouth shut.  Anytime a player sets up in their stance, even if they are just making a practice swing, you should be mindful of noise levels, as this is the time when they want to focus.  Earl Woods intentionally used distracting tactics, such as jingling coins, dropping golf bags, and shouting mid-swing to train his son Tiger Woods to maintain focus under extreme pressure.  Walking in a player’s line on the green is considered poor etiquette because footprints can cause a ball to deviate, especially on soft surfaces.  The “line” is the direct (or intended factoring in green contours, speed, and slope) path that the ball must follow to get into the hole.  This is considered sacred territory on the green, where walking on or damaging another player’s line is poor etiquette.  Always walk behind a player’s ball marker or around the putting line to show respect.

Golfers should tell other players in their group what ball they are playing, typically on the first tee, as a best practice of golf etiquette.  While not a strict rule requirement, it prevents accidental mix-ups and helps identify balls during play, avoiding a potential two-stroke penalty incurred for playing the wrong ball.  Hitting another player’s ball should not happen if you are paying attention, always identify your ball, use a unique personal mark, and never hit a ball if you are unsure it is yours.  Searching too quickly or not properly identifying the ball before hitting can lead to mistakes.  Never hit your shot if there is any risk of hitting the group in front of you.  If you do not mark your ball on the green, it is liable to be hit by another player’s putt.

Golfers have been yelling “fore” as a warning on the golf course for centuries, with recorded usage dating back to at least the mid-19th century and likely originating as early as the 18th century in Scotland.  The term is rooted in Scottish golf history, originating when players shouted to their forecaddies (caddies stationed ahead to track balls) to watch out for incoming shots.  Saying fore serves as a quick, efficient warning for anyone in the potential path of a golf ball.  Players hearing it should immediately crouch down, cover their head, turn away from the sound, and try to locate the ball to avoid serious injury from a potential strike.  It would be better to get hit in your back with a golf ball than to get hit in your face or vital organs.  Any high-velocity impact from a golf ball carries significant medical risks depending on the force and the specific point of contact.  A direct hit to the head or impact to the abdominal area can be life threatening, so stay alert and be prepared to react if youy hear this word on a golf course.

Productive Perfection


Image created by Microsoft Copilot

Writing something only once by focusing on a single draft without immediate, obsessive editing can significantly increase productivity because you will maintain focus while you are building up momentum, and both of these techniques can be very productive, but it probably won’t come out perfect.  Productive perfection is the strategic shift from seeking flawless, unattainable results to prioritizing consistent progress, action, and the desire to be done and have something completed over being perfect which is rarely needed.  It involves setting realistic, time-based goals to overcome procrastination and fear of failure, ensuring that work is completed rather than perpetually revised.  In every post that I write, my goal is to publish it, and none of them ended up being perfect, as that achievement always seems to allude me.  I try to maintain high standards in my writing, but most of the time, being good enough works out for me.

I put a lot of effort into my posts, and I am a research writer, so I examine, explore, investigate and study up on things before I write them.  I want to know the who, what, why, when, where and how, as I delve into topics, and then I try to make sense out of that so I can pass along the information to my readers.  The other day, Fandango posted something saying that there is nothing new under the Sun, but I have to disagree with this because existing material can be analyzed, interpreted, and synthesized to offer new insights, arguments, or perspectives, thus creating original material.  When Robert Hooke claimed Isaac Newton stole his work, Newton said, “If I have seen further than others, it is only because I was standing on the shoulders of giants”, Newton was saying that his discoveries and achievements were only possible because of the knowledge and groundwork laid by previous generations, and that is how research works.  You dig into a topic, and you don’t quit until you have the answer that you need.

I am always editing while I am writing and then I rewrite and I edit while I am proofreading to make sure that my words come across the way I want them to.  I would say that on most of my posts that I do not need to come back to them once they are published, but there have been some cases where my readers have pointed out mistakes that I made (which I am very grateful for) and I did go back and correct them.  I write all of my posts, using Microsoft Word, which does spell checks and Grammar checking, so they are usually in pretty good shape before I paste them into WordPress.  My books are different from my WordPress posts, as I have gone back and edited all 3 of them hundreds of times, and since none of them are published, they are all still works in progress.  I feel that there is a really good chance that I will not have to go back to this post and edit it again.

Written for Sadje’s Sunday Poser #280 where today she asked, “How many times do you edit or rewrite your post before publishing it?  How many times do you read and edit your posts before publishing them?  Do you have to correct an error after you have posted a blog post?”

Premier Session Drummer

I just realized that this will probably be the last time that I am going to use this Song Lyric Sunday banner, but I am looking forward to the new one that will be selected tomorrow.  I am going with Jim Keltner, who was born on April 27, 1942, and he worked as a session drummer along with members of the Wrecking Crew, although he was not officially part of that, but he was on some sessions with producer Phil Spector and he was in the band Little Village with Ry Cooder, John Hiatt and Nick Lowe, and also part of the Traveling Wilburys, the supergroup featuring Harrison, Bob Dylan, Tom Petty, Roy Orbison, and ELO’s Jeff Lynne.  Keltner has worked with a range of astonishing artists, from Elton John to the Rolling Stones, from the Steve Miller Band to Elvis Costello, and he did session work with Eric Clapton, Neil Young, Pink Floyd, Leon Russell, and Joe Cocker.  Jim Keltner played with Bob Weir and John Mayer before they formed Dead & Company.  Keltner played with all four Beatles, not when they were still a band, but extensively throughout their solo careers, mostly Harrison, Lennon and Starr, but he did work with Paul McCartney on the 2002 Concert for George.  Jim played on Bob Dylan’s ‘Knockin’ on Heaven’s Door’, Steely Dan’s ‘Josie’, John Lennon’s ‘Jealous Guy’, and Gary Wright’s ‘Dream Weaver’.  Jim Keltner performed at The Concert for Bangladesh on August 1, 1971, at Madison Square Garden in New York.  He was recruited by George Harrison to play drums, often in a double-drumming setup with Ringo Starr, providing a solid rhythmic foundation for the all-star band.  The song that I have selected today where Keltner played drums on is the George Harrison song ‘Give Me Love (Give Me Peace on Earth)’.

Keltner first crossed paths with Harrison on February 16, 1971, during the sessions for Lennon’s 1971 Imagine album at Lennon’s Ascot Sound Studios.  Keltner came out of the bathroom as George was walking in the hall and they said “Hi’ to each other.  Harrison told him that he loved the Delaney & Bonnie record that he played on their 1969 debut studio Accept No Substitute, where he played drums and percussion on every track.  It wasn’t a successful record, or a big record, but Delaney & Bonnie did have some great musicians backing them up with Bobby Keys (sax), Jim Keltner (drums), Leon Russell (guitar/piano), Bobby Whitlock (organ), Carl Radle (bass), Jim Price (trumpet/trombone) and Rita Coolidge (backing vocals) among them.  When George Harrison heard the pre-release mixes of the album, he offered Delaney and Bonnie a contract with the Beatles’ Apple Records label, which they signed despite their prior contractual commitment to Elektra.  After that initial meeting, Keltner began recording with Harrison regularly.  The first Harrison studio album on which Keltner appeared was his second post-Beatles solo album and his 1973 fourth studio album Living in the Material World, which also featured Ringo Starr on drums, and percussion and Jim Gordon played drums and tambourine on one song.  This album topped the Billboard 200, and it featured the US Billboard Hot 100 #1 hit ‘Give Me Love (Give Me Peace on Earth)’, which was as the opening track reached #8 on the UK Singles Chart.

This became Harrison’s second US #1, after ‘My Sweet Lord’, and it pushed the Paul McCartney and Wings song ‘My Love’ off the top in the US charts, marking the only occasion that two former Beatles have held the top two chart positions in America.  Harrison plays slide guitar on this, as he sings of his desire for love and peace on Earth and George delves into the Hindu karmic cycle of rebirth, known as Samsara, where people are born, die, and then reincarnated.  George described this song as “a prayer and personal statement between me, the Lord, and whoever likes it”.  Harrison admitted to being a perfectionist in his songwriting, and these people often operate out of fear of failure, and having hope allows them to let go of the past, accept the present and view their mistakes as necessary parts of growth rather than personal failings.  George Harrison is on a spiritual journey in this song praying to the Lord for help with his heavy load and to take his hand and help him to understand, as he was searching for guidance to navigate life’s challenges.  George Harrison performed ‘Give Me Love (Give Me Peace on Earth)’ at every concert during his rare tours as a solo artist.

Jim Keltner said that George Harrison was his favorite musician to work with in the studio.  Keltner admired Harrison’s ability to use space and melody, noting his guitar playing was a “spiritual practice” rather than an ego exercise.  Keltner said it was so easy to play with George, but he felt that the drums he played on ‘Give Me Love (Give Me Peace on Earth)’ were kind of subdued, because he was playing a very busy, syncopated part designed to complement the acoustic guitar, rather than provide a heavy backbeat.  When they finally got the take, Jim thought that he wouldn’t have gotten away with that with anybody else.  This was primarily recorded in the autumn of 1972 at Harrison’s home studio, FPSHOT, located at Friar Park in Henley-on-Thames, England, and additional sessions or overdubs were also conducted at Apple Studio in London.  When Jim Keltner got back to LA, this song was already being played on the radio.  He got into a car with his wife Cynthia, George and Pattie, and Richard Perry and Joni Mitchell and they went to the Playboy Mansion when he heard this tune playing on the radio.  Jim Keltner is now 83 and he was inducted into the Modern Drummer Hall of Fame in 2025, and he remains active and continues to record.

Give me love, give me love
Give me peace on earth
Give me light, give me life
Keep me free from birth
Give me hope, help me cope
With this heavy load
Trying to touch and reach you with
Heart and soul
Om, my Lord

Please
Take hold of my hand
That I might understand you

Won’t you, please, oh, won’t you…
Give me love, give me love
Give me peace on earth
Give me light, give me life
Keep me free from birth
Give me hope, help me cope
With this heavy load
Trying to touch and reach you with
Heart and soul
Om, my Lord

 

Won’t you please, oh, won’t you…
Give me love, give me love
Give me peace on earth
Give me light, give me life
Keep me free from birth
Give me hope, help me cope
With this heavy load
Trying to touch and reach you with
Heart and soul

Give me love, give me love
Give me peace on earth
Give me light, give me life
Keep me, keep me free from birth
Now, give me hope, and help me cope with this
Heavy load
Trying to touch and reach you
With heart, and soul
Om, my Lord

Written for Song Lyric Sunday where the theme is to find a song that was written or performed by someone who was born in the month of April.

April Music Birthdays

Happy Easter, Peter Cottontail has jelly beans for Tommy, and colored eggs for sister Sue.  April symbolizes rebirth and renewal, and it’s believed this energy carries on into the personalities of people who are born in this month.  People born in April are often characterized as natural leaders, optimistic, and adventurous, with research suggesting a higher likelihood of becoming CEOs.  They tend to be physically healthier, with studies indicating a lower risk of cardiovascular, neurological, and respiratory diseases.  April-born individuals are either fiery Aries or steadfast Taurases.  The birthstone for April is the diamond, which symbolizes invincibility, purity, and eternal love, and the daisy is the birth flower.  April is known for National Grilled Cheese Month, National Pecan Month, and National Soft Pretzel Month.  April’s full moon is called the Pink Moon, and it is named for the pink moss phlox wildflower.  March’s windy weather helps shift the climate toward April’s rainier conditions; thus, these March winds contribute to April showers, which in turn bring May flowers and these either bring June bugs, or Pilgrams.

Last week we had The Psychic Apparatus where the theme was to find a song related to Sigmund Freud’s id.  This week the theme is to find a song written or performed by someone who was born in the month of April.  Take some time to read the posts of other bloggers who respond to this music challenge, and even better, read as many of them as you can as you will probably find many enjoyable songs and it is quite possible that you will learn a thing or two.  Share your music with others and post a video, try do some research and let everyone know something about the song that you post.  Tell everyone why you like the song, whether it was a hit, or what you think the song is about.  Show the lyrics, let’s all listen to our favorite songs and explore some new music.  Try to find a song that fits the theme, then write your post and create a pingback, or you can just place your link in the comments section.

Suggestions
• Try to use the prompt words or at least conform to a general theme, as you see it.  If the song you select does not meet the criteria, then please explain why you chose this song.
• It would be good if you could post the lyrics to the song of your choice, as this is helpful for the people that want to follow along with the music.  Warning: Bloggers make posts at their own risk, and since song lyrics are copyrighted, you may be asked to take them down from your post if you don’t have permission.  It is highly unlikely estates or artists will sue regular people (although it has happened) especially if the bloggers that do this are not making money from their site, but an artist or a publisher can ask you to remove the lyrics from your post.  I am not a lawyer and there are no rules for Song Lyric Sunday, as we are all here to have fun and hopefully get to listen to some good music.
• Please try to include the songwriter(s) – it’s a good idea to give credit where credit is due. It would also be a good idea to give credit to the singer and the band associated with your song.
• Your post can be as long or as short as you want it to be, but please try not to include too many videos as that just makes it take longer to look at all of the other posts.
• Link to the YouTube video, or you can pull it into your post, so others can listen to the song.
• Ping back to this post or place your link in the comments section below.
• Read at least one other person’s blog, so we can all share new and fantastic music and create amazing new blogging friends in the process.
• Feel free to suggest future prompts.
• Have fun and enjoy the music.

Note: Today is the last day to cast your vote for the new Song Lyric Sunday banner.  Make your selection by going to this post https://jimadamsauthordotcom.wordpress.com/2026/03/20/sls-new-banner-submittals/.  I will announce the winning banner tomorrow.

This week I will be writing about the George Harrison song ‘Give Me Love (Give Me Peace on Earth)’, and next week, I will be writing about the song ‘Espresso’ by Sabrina Carpenter.  The upcoming prompts will be:
April 12, 2026 – Song by an artist that you just discovered
April 19, 2026 – Song that mentions a family member such as mom, dad, sister, brother, aunt, uncle, grandparent, or cousin suggested by Di of pensitivity101
April 26, 2026 – Song that represents Earth Day (April 22), or Arbor Day (April 24)
May 3, 2026 – Song written or performed by someone who was born in the month of May

D is for Divot

A divot in golf is a piece of turf removed from the ground by the clubhead during a swing, usually with irons.  Ideally, the club should strike the ball first, taking a shallow divot after the ball, as the lowest part of your swing arc should be just past the ball, indicating a proper downward strike and compressed shot.  Divots located behind the ball indicate that you hit a fat shot or that you chunked the ball, because the low point of your swing arc occurred too early, while making no divot or a very thin one is called picking it clean and this is fine as long as you are able to get your ball to stop on the green.  A fat shot or one that is chunked results from your clubhead bottoming out 2-3 inches behind the ball, causing you to lose distance and control over where your ball is going.  This might be caused by breaking your wrists too early, which releases the club’s energy before impact, or if your weight stays on your back (right) foot rather than shifting forward.  Many golfers will try to “scoop” or “flip” the ball because they are instinctively trying to lift it into the air, fearing the club’s natural loft is insufficient, but this only robs them of distance and consistency.  Scooping the ball can be fixed by moving your swing’s low point forward, keeping your hands ahead through impact, and trusting that hitting down makes the ball go up.

Your divot can tell you a lot about what the club was doing at impact.  It is not a perfect lie detector, but it is one of the easiest on-course clues you have for diagnosing contact and direction problems with your irons.  Seeing the direction your divot points can tell you your club’s swing path through the impact zone.  For right-handed golfers, a divot pointing left indicates an outside-in path (potential slices/pulls), while a right-pointing divot indicates an inside-out path (potential hooks/pushes).  A straight-pointing divot indicates a neutral target-oriented swing path.  Looking at the depth and shape of a golf divot reveals crucial details about your swing, primarily the angle of attack, club path (direction), and low point control.  A shallow, “bacon-strip” divot indicates a proper, sweeping blow, while a deep, thick divot suggests a steep, “fat” swing where the ball is aligned too far forward, and no divot may indicate a “thin” (scull) shot where the ball was too far back.  A deep, heavy divot that removes a lot of turf usually points to a steep angle of attack.  A long, thin divot that skims the turf more lightly usually suggests a shallower strike.  The divot will tend to be larger the shorter the iron being used (when your distance is closer to the green).  That’s because the angle of attack into the ball becomes steeper as you use a higher numbered iron, but when you are further from the green, using a lower numbered iron which is a longer club, that will deliver a shallower angle into the ball, to a pitching wedge, where the angle is far steeper.

Being in the deep rough significantly affects the size, depth, and nature of the divot you make., because the ball is often sitting lower and obstructed by heavy, thick grass, forcing you to use a steeper angle of attack to reach the ball.  To combat the grass grabbing your club, you must hit down more sharply, which often results in a deeper, wider, and more explosive divot compared to the shallow, smooth bacon strip divot taken in the fairway.  Shanking a ball in the ruff can be caused by taking too big of a divot, as your club digs into the turf, slowing the head, and forcing the hosel (the neck connecting the clubhead to the shaft) to pass first.  Losing your grip while making a divot often causes a shank because it allows the clubhead to twist, exposing the hosel to the ball.  When your grip loosens, the club tends to shift outward or the clubface opens, causing the ball to strike the hosel and fly sharply to the right.

Flushing an iron shot means to hit it perfectly on the center of the face with the correct descending blow and this is directly tied to, and often defined by, high-quality turf interaction.  Ideal turf interaction during a flushed shot is often described as a slight brushing of the grass or a shallow, clean divot, rather than digging deep into the ground.  Flushing a golf shot and picking it clean are not the same, though both result in solid contact.  Flushing refers to striking the ball perfectly in the center of the face, usually with a descending blow that compresses the ball and creates a divot.  Picking a golf ball clean (not taking a divot) is a precise technique often used by skilled players, where the club head picks the ball off the turf on a slightly descending or level path.  Many golf professionals will do this for precision, but amateurs can also use this technique, although taking a small divot is generally preferred for better compression, spin, and distance.  Picking a golf ball clean is a valid technique often dictated by turf conditions where you are on firm ground and not on mud.  Firm ground provides a stable, consistent surface allowing for crisp, ball-first contact, while mud introduces extreme unpredictability in ball flight and makes controlling impact difficult.  When the ground is soft and wet, the club acts like a shovel.  It digs in, gets stuck, and you hit a thick, fat shot that goes nowhere.  In wet conditions, you should focus on avoiding making a divot.  Your swing needs to be about skimming the top of the grass, while hitting the ball slightly on the upswing.

Intact sod divots (usually cool-season grass) should be replaced or filled with sand mix to repair the course.  If the divot is intact and there is soil still attached, simply replace it in the correct orientation and firmly press the divot into the ground with your foot.  Pressing down is important because this establishes good contact between turf roots and the soil, which helps the divot heal.  Pressing down also creates a firm, smooth surface that provides better playability if someone’s ball ends up on the divot while it is healing.  Some divots dry out and become shattered, disintegrated, or pulverized, so they cannot be replaced effectively and should be filled with sand/seed mix instead to level the surface.  If there are any significant gaps between the divot and the surrounding turf, fill them with divot mix and smooth it with your foot, as this will help the turf knit back together.

When playing on Bermuda grass, do not replace your divot, instead fill it with the provided sand/seed mixture instead, because Bermuda grass grows horizontally via stolons and rhizomes (specialized horizontal stems used by plants for asexual reproduction and rapid spreading), replacing the chunk of turf creates dead matter that inhibits new growth.  Filling with sand allows the turf to grow over and self-repair within roughly two weeks.  Depending on the course and the grass types, divot mix may be pure sand, or it may contain seed to aid in recovery.  Regardless of what’s in the mix, the way to properly fill a divot is to add mix until it is slightly below the height of the adjacent turf, then smooth the mix and press down with your foot.  It is worth taking a few extra seconds to get the level just right.  Too little mix will create poor playability and may not allow the divot to heal fully.  Too much mix creates playability issues and can damage mowing equipment.

Landing in another person’s divot is considered one of the unluckiest breaks in golf, often called the “worst rule in golf”, because it penalizes a well-struck shot that lands in the fairway.  Under the official Rules of Golf, you must play the ball as it lies.  However, if “winter rules” (Preferred Lies/Model Local Rule E-3) are in effect (enacted by committees during poor course conditions to ensure fair play), you may lift, clean, and place your ball within a specified distance (typically within 6 inches or one club-length, no closer to the hole) in the fairway, providing relief from a divot.  There are two main arguments for why golf does not grant you free relief when you land in a divot that someone created.  The first reason is that this would be impossible to enforce, because nobody knows where the line is for what constitutes a divot.  Sure, some of them are obvious, but there is a wide range of imperfections on fairways across the world.  Defining a divot for relief purposes is complex, as some grass could be broken worn-out and scraped but still largely intact, or it could be an old divot that has partially grown back in, or you may have landed on a patch of dirt or hardpan, or your ball might be sitting down slightly in a depression but otherwise has no issues.  Even if a definition was somehow agreed upon, not everyone will have the same interpretation, so two players, or two rule’s officials, could see things differently and come to separate conclusions.  The second argument is about golf being inherently unfair and playing the ball as it lies is not only a condition of the game but an enjoyable challenge.