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The Historic New Orleans Collection

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Stories from the Historic New Orleans Collection

1975 130 web

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Glasnost Menagerie

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Dust jacket on the first USSR edition of Williams’s plays, Iskusstvo, 1967.

Glasnost Menagerie

Even while denigrating his work, Soviet reviewers set the stage for Tennessee Williams’s popularity in Russia.

A view of a Spanish artillery battery in "American Revolution: The Augmented Exhibition"

Independence Won

An interactive exhibition immerses visitors in the events of the American Revolution, including Louisiana’s role in the conflict.

Al Jackson at the Treme Petit Jazz Museum

Tremé’s Homegrown Historian

Founder Al Jackson’s scholarship and personal history come together in Treme’s Petit Jazz Museum.

Poster featuring an illustration of a Catahoula Cur, the state dog of Louisiana.

Who’s a Good Boy? These Pups from the Past

For as long as dogs have been domesticated, there have been dog lovers. The evidence runs throughout HNOC’s holdings.

Sketch of Grace King in "Famous Creoles," by Williams Spratling

“One of the Great Literary Curiosities” of French Quarter Bohemia Turns 100

With a foreword by William Faulkner and clever portrait drawings, Sherwood Anderson and Other Famous Creoles is an offbeat who’s-who of 1920s New Orleans. 

William Haskell Coffin’s 1918 painting of Joan, commissioned by the United States Treasury Department and used in a campaign urging women to buy war savings stamps (detail).

Joan of Arc: Maid of (New) Orleans

Every year, New Orleans kicks off Carnival season with a parade in honor of Joan of Arc. But what is her historical connection to Louisiana?

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Views of the Vieux Carré

An HNOC exhibition showcases a diverse selection of paintings that reflect the unique character of New Orleans’s French Quarter.

Photograph of a convict built replica of an electric chair dubbed "Old Sparky"

Death on Display

Louisiana’s travelling electric chair, and the shift from public to private executions

Lydia Blackmore and Kylie Hewitt clean items from the Williams Residence, currently closed as part of HNOC’s 533 Royal Street renovation.

Cataloging Every Item in the Williams Residence, from Spoons to Sofas

During the renovation of 533 Royal Street, staff are working to clean and create records for all of our founders’ furnishings—some 3,000 objects in total.

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Cajuns & Creoles

A historical illustration depicts a group of men in suits and top hats standing against a wall, while a separate group of women in long dresses gathers nearby. A child with a dog stands in the foreground, and a sign reads Slave Depot.

Sally Miller or Salomé Müller?

An enslaved woman named Sally Miller went to the Louisiana Supreme Court to sue for her freedom. She won, then she was forgotten.

A detailed close-up of a painting showing the expressive eyes of a person. The skin tone is warm, and the eyebrows are dark and prominent. The person is looking slightly to the side, showcasing the artists skill in capturing emotion and detail.

Identity Theft

Nearly 35 years ago, a heedless conservator altered a rare portrait of a free woman of color. Now, it has been restored and is on view again—and this time, HNOC is telling the story. 

A vintage sepia-toned image shows a large group of people in historical costumes dancing in a circle outdoors. Spectators in period attire surround the dancers, with trees and a rustic wooden building in the background.

What’s the Difference Between Cajun and Creole—Or Is There One?

The answers are tied up in race, class, language, and, of course, history.

New Orleans Icons

A smiling person with curly hair, wearing a vibrant blue tank top, is surrounded by colorful balloons with various patterns, including stars and stripes, against a bright background.

Richard Simmons, New Orleans’s Hometown Hero

How a native son who grew up in the French Quarter sweated his way into the spotlight

A woman with long braided hair and a pink scarf smiles while gesturing indoors. She is surrounded by framed black-and-white photos on a dark wall.

Shades of Blanche

An experimental theater production sheds new light on one of Tennessee Williams’s most beloved characters.

A man in a white suit and hat leads a festive parade, holding a cigar and a card. Behind him, a band plays brass instruments, and a group of people, including a trombone player, follows in celebration. The atmosphere is lively and cheerful.

Danny Barker’s Folk Heroes

The jazzman was also a gifted writer and storyteller who put his own spin on the archetypes of African American folklore, from badmen and blues mamas to “day people and night people.” 

Carnival Chronicles

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DJ Soul Sister’s Personal Mardi Gras Playlist

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The Renaissance Man Who Changed Mardi Gras

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Carnival Couture

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North Side Skull and Bone Gang: “You Next!”

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The Defiance of New Orleans’s Black Debutante Tradition

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Krewe FAQ

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The Breadth of Carnival Artistry in Nine Photographs

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How to Catch Beads during Mardi Gras (No, Not That Way)

Publishing

HNOC Quarterly

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