Invisibility, Underdocumentation, and Positive Portraiture September 6, 2010
Posted by Will Thomas in Cult of Invisibility.Tags: Bruno Latour, David Edgerton, E. P. Thompson, Melissa Smith, Steven Shapin
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In historiographical discussions, a key concern is whether certain problematics prejudice historical portraiture. By “problematics” I mean the dialectical process that determines what topics are researched, how they are investigated, and how the results of investigations are presented. By “portraiture” I mean the sum total availability of information about the various aspects of history, apart from any analytical statements made about it and from our ability to navigate within the resulting historiography. In other words, how do the questions we want to ask about the historical record both expand and limit our summary and publication of the record’s contents?
For at least a half a century, one way that professional history of science (and history more generally) has consistently attempted to distinguish itself is by pointing to its ability to recognize and correct for earlier historians’ and non-professionals’ prejudicial limitations in their portraiture. Hagiographic biographies discount major historical actors’ flaws. Positivistic accumulations of scientific contributions discount scientific “wrong turns” and the importance of theoretical frameworks. Intellectual histories of science discount the culture of science. Philosophical accounts of the historical establishment of claims discount the sociological work necessary to secure assent around them.
Invisibility
Initially, criticisms of prejudicial portraiture emphasized that important constituencies have been rendered invisible through various forms of bias. Social history in the vein of E. P. Thompson emphasized bias against histories of common people in favor of interest in political figures, cultural leaders, and other heroic or otherwise individually influential figures identified through what we might think of as a problematic that emphasizes concerted action. Along these lines, portraiture of disempowered and marginal constituencies has flourished (although sometimes these retain a concerted-action problematic, choosing to emphasize actors who are on the fringe but who, within the confines of their particular sphere, are influential nonetheless). Historians who discover new classes of invisible things stand to gain significant cachet.
