Research Rabbit Hole ~ Shaped Notes and Southern Gospel Church Music

Music played a large part in my childhood growing up in the church. Fifth Sunday Singing was a tradition, and gospel groups came to bless us regularly. I can’t remember exactly when a teacher at church introduced me to singing and sight reading. There was always music.

I sang in a duo as a young child and in the children’s choir before that. As a teen member of the youth choir, I performed with my group in church, at nursing homes, and the occasional public event.

And I wasn’t the musical one in the family!

How music instruction became such a big part of southern church life never really crossed my mind.

Until I began researching Della’s Song.

My novel is inspired by The Six Swans, and with such a large number of brothers, it seemed making them gospel singers was a good fit. In 1934, such groups were popular and performed at churches, revivals, and on the radio. But Della’s father also taught music as a traveling instructor.

These week-long “music schools” most likely used materials from Stamps-Baxter, possibly paired with books from James D. Vaughan Music Publishing Company. Both of these companies had a focus on providing music instruction to laypeople, allowing them to learn sight-reading using seven-shape notation or “shape notes” (anyone else remember those?) and four-part harmony—soprano, alto, tenor, bass.

Because of the simplicity of the program, entire choirs could be trained, as well as music leaders. Vaughn’s materials were in circulation earlier, and included hymnbooks that were user friendly and instructional, but by 1934 —when my story takes place—Stamps-Baxter’s publications, schools, and quartet programs had grown extensively, particularly because they actively used radio and touring groups to promote both music and teaching.

In the case of Della’s father and older brother, the teaching job complemented the Swan Family Singers gospel performances and radio appearances, the same way the real-life schools operated. Did I use all this background in my book? Nope. It was truly a rabbit hole (or perhaps I should start calling them side quests) but it was fascinating all the same to learn how the idea of accessible instruction transformed and shaped southern gospel and music in church.

Years ago, I taught a group of girls to sing. And as I said above, I’m not the most musically talented in my family. To my life-long regret I never progressed beyond the first pages of the first book for piano. Yet, when it came to helping my group of girls learn about sight reading and singing together, I managed well enough, proving that the influence of the singing schools remained in the church for generations.

What a legacy!

Text of a Vaughn Songbook can be found here: https://digitalcommons.gardner-webb.edu/shape-note-collection/13/

Another of the Stamps-Baxter Songbook Boundless Joy here: https://hymnary.org/hymnal/BJ1933

Della’s Song is available for preorder now.

New Post @A3~My Road to Published: Queries, Going Indie, and The ACFW Carol Awards

It’s finally here. My contemporary young adult novel, Promise Me Tomorrow, released earlier this month.

It’s been a long road.

This book was birthed out of a desire to deliver a message to my daughter. My very first article published here at Almost an Author talked about that. 

When you’re young, you never think that people you know might die, much less moms. And yet, two of the moms in our community passed away, leaving behind children the same age she was at the time. I could not reassure her. So I did what writers do.

I wrote her a story….https://www.almostanauthor.com/my-road-to-published-queries-going-indie-and-the-carol-awards/

Coming out of my writing cave to announce…

I have a new book coming out! ARC applications for said book are open. And, I’m inviting you to a Facebook cover reveal party!

The Key Collector’s Promise is part of the Our House on Sycamore Street Series.

Our House on Sycamore Street is a new multi-author, multi-genre series set in quaint and quirky Eden Cove, an English seaside town with plenty of spirit. With stories of redemption and salvation behind every door, you’re sure to find a new tale of romance, intrigue, humor or heart. All you have to do is knock!

Authors are: Anna Jensen, Danielle Grandinetti, Ashley Winter, Carolyn Miller, Amy Walsh, Jennifer Mistmorgan, Lynn Dean, Caroline Johnston, Dianne Wilson, Meredith Resce, Vida Li Sik, and yours truly, Donna Jo Stone. Join us as we kick off the series with a cover reveal party on the Our House on Sycamore Street Readers Group. The party starts on June 25th, but you can come hang out with us now. Meet the authors and read about all things Eden Cove. 

Join the Facebook Group here.

About my Book

The Key Collector’s Promise: A 1980s suspense with romance at Our House on Sycamore Street

She came to warn her estranged mother of danger. But will the cost of unraveling family secrets be too much to bear? If you love domestic suspense with romance, you’ll love The Key Collector’s Promise.

Summer, 1983: When real estate agent Sandra Lejeune receives an anonymous letter threatening her family, she leaves her home in Cypress Bend, Louisiana and travels to England, intending to warn her estranged mother. But first she has to find her. Sandra starts her search in the Suffolk coastal village of Eden Cove, untangling memories and mysteries along the way. 

Conner Harrison, her father’s lackey and Sandra’s main business rival, follows her and tracks her down, claiming he flew over the ocean out of concern. It’s hard to take Conner at face value. In the past, he threw away the chance to win her love.

Who sent the letter? Her father’s shady business partners? The private investigator Sandra previously hired?

Or perhaps it’s someone closer to Sandra’s heart.

ARC reader applications for The Key Collector’s Promise are open now! Click here to apply. 

https://docs.google.com/forms/d/e/1FAIpQLSdX4S89OHN16QcK7wciqpDbdMf63UHvvf28iMsV3abX0Z6nmw/viewform

Exciting things happening this year!

A Wedding to Remember Release Day!

Today’s the day!
My short romance, A Wedding to Remember, is live on Amazon here.


For those who pre-ordered, it is winding its way into their kindles or has already arrived.


It’s been an adventure learning how to use Amazon KDP. This was one of the main reasons I published this short read first as a kind of dry run, and it’s a good thing. Some early readers found a couple of typos, so I had to re-format my book after correcting my manuscript and re-upload it. That wasn’t difficult at all once I get the hang of it.

The strangest thing that happened was my book ended up in Health, Diet, and Exercise (or something like that). I think this happened because my book description mentions characters dealing with Alzheimer’s. From my new understanding, Amazon’s bots search your description for information and then choose category based on what they determine fits, no matter what the author chose on the form when they upload the book.

This is how I broke the top 100! It made me laugh to think I got a top ranking by being in the wrong place. Or maybe it’s the right place, depending on how you look at it. I corrected my category to romance, sacrificing my top 100 ranking so that readers who wanted a romantic wedding story could find my novelette.

I’m sure I’ll have many more adventures with Amazon.

There was another slight wrinkle with the JOANN book, but it self-corrected itself after a couple of days. I’m learning that many times when things aren’t exactly as I expect, instead of assuming I’ve made a mistake and jumping in to fix it, I should just wait. It’s not always me.

“Have patience with all things but first of all with yourself.” —Francis de Sales.

Author Spotlight ~ Amy Walsh

I connected with Amy Walsh through the Apron Strings collaboration, and was delighted to find a kindred spirit! I love her Facebook group, called Wisdom, Whimsy, and Wordsmithing. Don’t you just love that name?

DJS: Hi Amy! Thanks for answering my questions. Tell me, what have you recently published, and what are you working on right now?

AW: My most recent novel to enter the world was Voices in the Sanatorium. This was my first attempt at a dual timeline, and it was completely epistolary. I must have driven the poor characters nuts because I restarted and changed the entire genre multiple times – and they were already struggling to begin with – ha ha! Bridget is a tuberculosis patient in 1931, and Aislyn is a high school student in 2009 trying to adjust to a new home near the ruins of a TB hospital.

Nellie will be released in February 2024 as part of the Apron Strings multi-author series. Working on Nellie has been such a blessing as I investigated more of my region’s history during the Great Depression.

It’s been a privilege to work with the other authors to write characters who share the same cookbook over a century of America history. I am especially thankful that I got to know you during this process, Donna Jo. I have been so encouraged by our talks about parenting and life in general.

DJS: I feel the same way! You’ve been such a huge blessing to me.

You write about such interesting people and places. What’s the most unusual place you’ve ever visited for your novel research? Tell me about that.

AW: Can I tell you about two?  Please, please?

DJS: Yes! Please do!

AW: I think going down in a coalmine as part of my research for A Dark Lustre is quite unique. My parents went with me, and we had a blast. At the same time, I was imagining my characters having been underground during a time when there was little respect for miners’ safety, so it was also sobering.

My most exciting places for research were London and a bunch of places in Scotland. I had the privilege of joining Pepper Basham and Laura Frantz on a literary tour while Laura was wrapping up her novel set in Scotland that just won a Christy, The Rose and the Thistle. Pepper was working on her series that starts with Authentically Izzy, which also involves Scotland. It was quite an adventure because a bunch of us contracted COVID, and we couldn’t return to the United States for an extra TEN days. But that just meant that I had more time to research! I have three books outlined for my London Debutantes series, plus two novels partially set in Scotland in the works.

DJS: A visit to London and Scotland? And to get to go with Pepper Basham and Laura Frantz! The trip sounds amazing—except for the COVID part. I’m glad you’re better now.

For a fun seasonal question, what’s the best Christmas gift you ever got?

AW: Do I have to pick one? My mom and dad gave me so many wonderful gifts over the years, some homemade, all with great thought. I still have the small hutch my father built for me when I was ten. What a multi-purpose present for an imaginative kid like me. It was the shelf in my apothecary shop, the display case in my restaurant, and my imaginary pioneer husband could make it for our log cabin over and over and over. 

Another favorite of mine is a miniature diner for my Christmas village. My husband gave it to me on our first Christmas because it looks just like the Glider Diner, where we had hot roast beef sandwiches with French fries and gravy on our first date.

DJS: What special memories that must bring back. I love that idea.

Thank you for visiting with me, Amy!

Readers can find the links to Amy’s webpage and all her social media links at https://allauthor.com/author/amylynnwalsh/

Author Spotlight: Interview with Naomi Musch

Naomi Musch is a Selah Finalist, Book of the Year, AND a Carol Award finalist! She is part of the Apron Strings collaboration, a series of inspirational women’s fiction books set to release next year. Naomi’s book, Polly, will be the first to release and comes out in January, but you can preorder now.

DJS: Tell me what you’ve recently published, what’s coming up, and what you’re working on now.

NM: Hi, Donna,

2022 was a big year for me. I had three books published, one with Smitten Historical Fiction and two with Barbour Books.

My Smitten title, Song for the Hunter, is the sequel to my 2019 Selah Finalist and Book of the Year finalist Mist O’er the Voyageur. Both Barbour Books were awards finalists this year. Season of My Enemy, one of the Heroines of WWII collection, was a Faith, Hope, & Love Reader’s Choice finalist, and Not for Love, my novella in the Lumberjacks & Ladies collection was a Carol Awards finalist.

I’m getting set now for the January 2024 release of my next book Polly, the first book in the new, multi-author Apron Strings collection which follows a cookbook as it’s passed along from decade to decade from the 1920s to 2020. Polly is an uplifting story that takes place just after WWI and is set here in Wisconsin during those quickly changing times.

Readers can read the back cover copy and find Polly available for pre-order here: Polly Preorder at Amazon.com.

I also recently signed a contract for The Angel and the Sky Pilot to be part of another novella collection with Barbour, so I’m writing away on that story too. The collection called Courting the Country Preacher is due to come out late in 2024.

DJS: Wow! You have been busy! I think you deserve to take days off. Now that fall is here, tell me, what’s your idea of a perfect fall day?

NM: My idea of a perfect fall day is spending some time outdoors taking in the amazing scents while I crunch around in the leaves. I try to hold onto these days as long as I can, because I know that ol’ white stuff will be here before long (as it is here now). I’d much rather have the fall leaves! If we get any unseasonably warm days in October, I try to get out on the water in my kayak. Except for some apples still on the trees, most of my large garden is usually put up by then, and I look forward to a little more time for relaxation—usually getting back to some writing. Hanging out in my vintage camper is the place I like to do that until it gets too cold.

DJS: Those sound like wonderful ways to spend fall days! There’s something about the changing of the seasons. Harvest time always reminds me to be grateful for the land’s bounty, even though I haven’t preserved food in a looong time.

On a non-writing note,(although everything is material for a writer) do you have a favorite cause that you are passionate about?

NM: My favorite cause, if I have one, is encouraging grandparents. Satan has always wanted to steal, kill, or destroy—and that’s especially true of our children. We have an integral role to play in protecting and guiding our children and grandchildren, and especially in sharing the love of Jesus with them. Sometimes a grandparent is not in a position to do that, of course. Our grands may live at a great distance or be estranged for some reason. But our prayers for them can go the distance. Jesus will wrap his arms around them for us when we can’t. So pray, pray, pray! That’s the mightiest weapon and shield we have. Surround your grandchildren with your prayers, and I believe God will faithfully answer. Your prayers me be forming your grandchild in ways you can’t see now, and maybe won’t see until that Great Someday to come.

DJS: Grandparents are so important! And you are right. Whether near or far, prayers are a way of providing love to children.

Thank you for visiting with me Naomi.

To keep up with Naomi, and get a free short story, sign up for her newsletter Northwoods Faith & Fiction at https://naomimusch.com/.

You can follow her on Goodreads, her Amazon Author Page, Bookbub, Facebook, Instagram, Pinterest, Twitter, and Youtube.

☕ Book Break ☕ | The Night of the Hunter by Davis Grubb

The Night of the Hunter by Davis Grubb

Since it’s October, my thoughts turned to scary reads.

The scariest book I ever read was the classic The Night of the Hunter by Davis Grubb and originally published in 1953. This National Book Finalist is a southern gothic, set in rural West Virginia during the Great Depression. Ten-year-old John holds a secret his father, Ben Harper, trusts him with before the blue men (police) take Ben away. Ben has stolen $10,000 and murdered two people in the commission of his crime, but where is the money? Only John knows.

Harry Powell (Preacher) shows up, gaining the trust of Willa, John’s mother. In these difficult times, he seems a person Wlla can trust, but John has an instant dislike and fear of Preacher. 

I first read this book when I was in my early teens. This is one that definitely gives you the shivers. I never forgot the key elements of the story. It’s atmospheric and immersive. I never saw the movie, although the movie firmly placed the love/hate tattoo that Preacher had into our culture. It has a fairy tale (Grimm’s) quality. It’s dark and gritty.

Did you know that this novel was based on an actual serial killer?

I didn’t.  

I don’t write thrillers, but because this book stuck in my mind and made such an impact on me, it’s one of the stories I tried to dissect, asking myself why did this particular story resonate so deeply? What made it so successful and memorable? I decided if I figured those things out, I could probably learn some lessons that would apply to any type of novel or story writing. 

Conflict and Mystery

The mystery was immediately established and the characters were put in imminent danger. 

Danger

I think one of the main things that captured me were the vulnerable characters. I was immediately sympathetic, and the danger involving children gave me something to worry about that wouldn’t let me go. I was invested.

Easy to Understand, Yet Complicated Characters

There are clear motivations for almost every character that appears on the page. The author understands his characters intimately. These are complicated people. Weak or vulnerable characters are also strong. The characters are complicated. Willa, who should be protecting her children, is easily overcome and doesn’t fight back. The story has many contrasts, and Preacher’s hate/love tattoo is brilliant.

There’s a rich and detailed setting. The strong imagery and visuals encapsulate the theme and conflict. I’ve heard it said that description slows down a story, but this is how to use description to build tension. It’s not what you tell, but how you tell it.

Universal Theme that is Scary

The possibility of the corruption of religion. Greed. Strength in weakness.

I’m sure there are many other writing lessons that could be drawn from this classic novel (and subsequent movie). People a lot smarter than I am have written about this Gothic thriller! 

(I was listening to this read, so hope I am quoting correctly, but doesn’t this just get you in the heart?) “Lord save little children! Because with every child ever born of woman’s womb there is a time of running through a shadowed place, an alley with no doors, and a hunter whose footsteps ring brightly along the bricks behind them. 

With every child, rich or poor, however favored, however warm and safe the nursery, there is this time of echoing and vast aloneness, when there is no one to come nor to hear. And dry leaves scurrying past along a street become the rustle of dread and the ticking of the old house is the cocking of the hunter’s gun. For even when the older ones love and care and are troubled for the small ones, there is little they can do as they look into the grave with stricken eyes that are windows to this affrighted nursery province beyond all succor all comforting. To Rachael, the most dreadful and moving thing of all, was the humbling grace with which these small ones accept their lot. Lord save little children!”

Sunflowers on a Windy Day~ Jory Sherman Short Story Contest Honorable Mention

 

Monday morning, early, while he sleeps, I enter the field to cut an armful of sunflowers. The doctors said surround him with familiar things. What could be more familiar? The house with its heavy front door, handmade by my daddy? The cracked linoleum in front of the sink? Me? We were childhood neighbors. He spent more time at our house than his own. For the last five years, since Daddy passed and I came back home, Pierce has been my plus one. Long ago, Daddy nicknamed him P.S. because he hung around so much. A tag along. But his name is Pierson Ansel Stevens the Third. And apparently, last.

I squint into the sky. The misty haze could be predawn, or a harbinger of showers. The forecast is fifty fifty for the morning. He doesn’t do well with storms. The rain would come, but later would be better. My arms ache as I cut the thick stems. I’d forgotten gloves. My fingernails bite the tender stalks’ skin. The sharp green of summer wafts into the new day’s air, mixes with the good dirt smell my clumsy feet stir up. Wind slaps at me. I forgot to tie my hair and it thrashes my cheek, gets stuck in between my squeezed shut eyelids. I bow my head and blink it clear. The hem of the old cotton housecoat I’d thrown on whips around my legs. A gust caught the big sunflower faces, tried to kite them away into the cloud strewn gray expanse. I have to hang on or lose the whole bunch. Contrary, nature stills, pausing in her tirade, and lets me catch my breath.

At least the wind cleaned out any bugs for me.

The kitchen door bangs shut behind me. It settles wonky. The loose hinge needs tightening. I hold the sunflowers close and they scratch the tender skin of my neck. I deposit them on the counter, dig in the cabinet beneath, and fetch out my vases, line them in a row. They’d grown dusty already. Pierce used to bring me flowers, so many they filled the house. He claimed to be making up for lost time. I have a lot of vases.

When he’d first started to forget things, I’d thought he was cheating on me.

 

On laundry day, an orange scrap of paper rested in my hand. I’d fished it out of the pocket of his coveralls.

My ears throbbed with each pulse beat of my heart.

Don’t be stupid. Pierce loves you.

The clink of his tea glass as he set it on the table brought me into the kitchen. “Whose number is this?”

Pierce unlaced his boot, let it drop to the floor. “What number?”

My hands shook the tiniest bit as I handed it to him. Pierce’s face went blank, another indication of guilt, I thought.

He studied the numbers, the small V of an almost scowl marked the space above his eyes. Eyes gone dark-cloudy, he crumpled the paper in his fist. “It’s nothing.”

But it hadn’t been nothing. I was right to be terrified, for he’d been stolen, that was certain.

It shames me now, to think I imagined he’d  go willingly.

 

I focus on the task at hand and rinse the four biggest vases one by one. Water beads on the blue and green and yellow, waiting for my dishtowel to wipe away drops that streak and puddle. The vases don’t match, but that’s all right. Under the tap they go. At the half mark, I stop filling.

My gathering had been messy. The shears neaten raw ends to a forty-five degree angle. The vase sits ready. I divide and arrange the flowers. Perhaps those big cheery faces will push back the gloom settling into the corners of the house like untended dust bunnies left to breed and multiply.

Generous bouquets fill three vases. The fourth waits, empty. There are plenty more blooms in the field, but the sun is coming on soon. It’s always good to leave some for tomorrow. I tip out the forlorn, forsaken receptacle and watch the water swirl down the drain. I dry the outside of the vase and set it back in the cabinet. One arrangement goes on the kitchen table, the second on the top of the old wooden writing desk in the corner and the final in front of the window. After breakfast, I’ll move them to the T.V. room.

A series of thumps from upstairs catches my attention and I hold my breath. No fussing. No calling out. Just him coming down.

Please God, let it be a good day.

I pluck at my collar and dip my face into my cotton blouse, pat my eyes and cheeks.

Pierce comes into the kitchen, his robe tied askew. His hair sticks out like he’d been through a windstorm. I should trim it later if the morning goes well. We would see. After I got him to shave. I bought an electric shaver, but he hates it.

His favorite blue cup hangs on the mug tree and I unhook it, cradle it in my palm. “Would you like coffee?”

He nods and shuffles over to a chair.

Hot, dark liquid from the carafe streams out as I pour, and wisps of fragrant steam fog the air above his cup. I dollop it good with cold milk and a heaping spoonful of sugar. For a second, my hand hesitates near the can of protein powder. Not yet. Wait. Coffee first. If he refuses the drink, he might not take in anything all day.

I set the mug down in front of him. My own cupful had grown tepid, but I pick it up and sit down, scooting over to get closer. In case. Pierce’s coffee was cooled considerably by the milk, but still.

He leans back a little, not so slumped as some days.

Ignoring the cup before him, he reaches out and with one finger traces the bright petals on the smallest flower in the arrangement centered on the table.

His gaze lingers on the yellow bloom. “I went to China for you.”

“You did.”

He did. I’d run away from him and he’d chased me. To China.

“I’d go to China a thousand times for you.”

The dry, empty places in my body and soul rush with blood and water. He takes my hand, turns it palm up, kisses the sweet, tender center. The morning sun slants in. A beam strides boldy across the table, dips into our coffee.

“P.S.” My voice is so calm and regular, part of me marvels. “I love you.” My hand, palm open, waiting to snatch whatever gifts the day gave, stays in his grip.

He smiles at me. “P.S. loves you, too.”

I curl my fingers around his. We drink our cold coffee and watch the sun kiss the faces of the flowers.

 

 

 

LSUS Exhibit Art and Writing Collaboration

My flash fiction piece, One of the Team, was paired with art in a collaboration with The Shreveport Art Club for an exhibition. The display will be open to the public for viewing in the LSUS University Center Gallery in Shreveport until February 28th.

The painting is by Joan Cole.

One of the Team

by Donna Jo Stone

His sweaty hands grasp the bat. The band of his cap itches. He ignores it and concentrates on the ball.

He swings.

Whack.

It’s a hit!

His eyes widen as he tracks the ball’s arc. The bat slides from his grip, the gentle landing thump lost in the rush filling his ears with each beat of his red-blooded heart.

Run to first base.

He hears nothing, sees nothing but the white triangle. No one tags him. Should he stop? His feet keep running and the rest of him follows.

Pound, pound, pound.

A cloud of fine red dirt rises up to baptize his virgin white cross-trainers. Dust flies. So does he.

Safe!

At home plate he leans over, hands on knees, panting.

All at once, the volume comes back on. The yelling is not happy.

“Wrong way!” a boy shouts. “You went the wrong way!”

It’s hard to tell which teammate he is. They all wear red shirts. The boy’s mouth and eyebrows are mad.

Coach comes near, saying something.

“Look at me.”

He tries to make eye contact, but the angry face pushes him away. He looks hard at Coach’s middle.

“Look,” Coach says.

Look?

“First base is that way.” Coach points. “You should know that by now.”

The team clusters on the sideline, distancing themselves from the loser.

Game over.

In his room, he sits on the floor. There is a file box in his mind where he keeps all the facts. These are today’s facts.

Fact #1 He went the wrong way.

Fact #2 First base is to the right.

Fact #3 He should know this.

When the mother finds him, he is rhythmically banging his head against the wall, repeating a mantra.

Stupid. Stupid. Stupid.

Beside him, on the floor, lays a dirty red baseball cap.