At the Edge of Intonation: The Interplay of Utterance-Final F0 Movements and Voiceless Fricative Sounds
Abstract
The paper is concerned with the ‘edge of intonation’ in a twofold sense. It focuses on utterance-final F0 movements and crosses the traditional segment-prosody divide by investigating the interplay of F0 and voiceless fricatives in speech production. An experiment was performed for German with four types of voiceless fricatives: /f/, /s/, /ʃ/ and /x/. They were elicited with scripted dialogues in the contexts of terminal falling statement and high rising question intonations. Acoustic analyses show that fricatives concluding the high rising question intonations had higher mean centres of gravity (CoGs), larger CoG ranges and higher noise energy levels than fricatives concluding the terminal falling statement intonations. The different spectral-energy patterns are suitable to induce percepts of a high ‘aperiodic pitch’ at the end of the questions and of a low ‘aperiodic pitch’ at the end of the statements. The results are discussed with regard to the possible existence of ‘segmental intonation’ and its implication for F0 truncation and the segment-prosody dichotomy, in which segments are the alleged troublemakers for the production and perception of intonation.
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© 2012 S. Karger AG, Basel
Articles in the same Issue
- Paper
- Title Page / Table of Contents
- Front and Back Matter
- Front & Back Matter
- Editorial
- Bridging the Segment-Prosody Divide in Speech Production and Perception
- Original Paper
- At the Edge of Intonation: The Interplay of Utterance-Final F0 Movements and Voiceless Fricative Sounds
- Intonation Adapts to Lexical Tone: The Case of Kammu
- Making Sense of Outliers
- The Perception of Lexical Stress in German: Effects of Segmental Duration and Vowel Quality in Different Prosodic Patterns
- Intelligibility of Non-Natively Produced Dutch Words: Interaction between Segmental and Suprasegmental Errors
- Further Section
- Index autorum
Articles in the same Issue
- Paper
- Title Page / Table of Contents
- Front and Back Matter
- Front & Back Matter
- Editorial
- Bridging the Segment-Prosody Divide in Speech Production and Perception
- Original Paper
- At the Edge of Intonation: The Interplay of Utterance-Final F0 Movements and Voiceless Fricative Sounds
- Intonation Adapts to Lexical Tone: The Case of Kammu
- Making Sense of Outliers
- The Perception of Lexical Stress in German: Effects of Segmental Duration and Vowel Quality in Different Prosodic Patterns
- Intelligibility of Non-Natively Produced Dutch Words: Interaction between Segmental and Suprasegmental Errors
- Further Section
- Index autorum