My hero’s journey, ever on and on

THE BLIGHT ON THE DEEP WOODS, my first Kellan Oakes novel, is now available for pre-order from Lycan Valley Press!

This is, in fact, my first published novel, period. It should come as no suprise that my initial success in wrestling a unified book into shape should come as a long-form adventure of everyone’s favorite druid private eye. It’s a heck of a yarn if I do say so myself, revealing quite a lot about Kellan’s origins (and those of his mysterious, nature-mystic mother Foltchain) that none of his previous short story appearances have disclosed.

Go to LVP’s web site to get in on the pre-order special package which includes the paperback, ebook and audiobook! Order now for the special discounts which go away when The Blight on the Deep Woods hits wide release on April 8, 2025. Thanks!

Man vs. Lore

Like the trees and wildflowers themselves, which must spend time dormant only to return to vibrant life once again in an endless cycle, the adventures of Kellan Oakes, druid-raised private investigator, go on and on and on. The most recent installment in the saga of the man with roots in both the modern world and the Deep Woods is entitled “Abandonment and Possession” and is included in the anthology Sidearm & Sorcery, Volume Three – available now!

There is more exciting Kellan Oakes news yet to come, so be sure to check in regularly here at the blog for future announcements!

Trifecta

I’m pleased to announce that my short story “Abandonment and Possession” has been accepted to appear in Sidearm & Sorcery Volume Three, coming later this year. The contract has been signed, so let the word go out! This will be the eleventh Kellan Oakes story I’ve had published, bringing us yet another step closer to the inevitable Kellan Oakes Omnibus! Of course I’m always pleased to announce a short story sale, particularly when it extends the long chain of Kellan Oakes’s adventures, but this instance is particularly gratifying for another reason.

I’ve brought it up many times before, but at the risk of wearing the anecdote out, my career as a published short story writer begins with a piece of short experimental fiction in an anthology titled How the West Was Weird v. 2. A small group of writers, some of whom I knew through various internet fandom spaces, brought How the West Was Weird into the world, and when they decided to proceed with a second volume, their goal was to make something even bigger and better. So one of those acquaintances reached out to me, and in a stroke of great luck I already had a story in reserve that fit the weird west theme. I sent “The Demon Wrestler” to the editor, he accepted it, and the story saw print.

When discussion inevitably turned to a potential third volume in the How the West Was Weird series, I was looped in from the beginning. I wrote a new story from scratch, and once again earned a place in the anthology’s table of contents. That proved to be the final installment, but by then I had gotten into a more productive writing routine, earned another acceptance at a completely different publisher, and indicated my interest in a different series with the How the West Was Weird publisher. That series was the PulpWork Holiday Specials, my first contribution to which was the very first Kellan Oakes story, so not only is this my origin story for short fiction publishing in general, it’s more or less the druid private eye’s instigation point as well.

My one regret, if that’s even the right word, was always that the stars hadn’t aligned for me to be a part of the first volume of How the West Was Weird. If I had been, I could have appeared in every volume of the trilogy, and that would have been a nice accomplishment in and of itself. Human beings love patterns, repetitions, and things that come in threes, and I’m no exception to the allure.

So my happiness at the latest Kellan Oakes story finding a home is all the greater because it marks my first complete anthology trilogy, lo these thirteen or so years after I chanced sideways into a volume two. I should add that I have no insight into the S&S publisher’s intentions for the series. There may be a Volume Four someday, or more, and I will happily continue writing and submitting Kellan Oakes stories for as long as the opportunity presents itself. But for now, I’m deeply content to have a footprint in the first three volumes, come what may.

A hill of beans in this crazy world …

Sidearm & Sorcery Volume Two is out now! Get your copy here, and if you still haven’t acquired a copy of Volume One, it remains available as well, right here.

I wrote a post a while back, in anticipation of Volume One, in which I tried to define the sword and sorcery genre in order to explain how the premise of the book was S&S through the lens of urban fantasy. That holds true enough, but I recently ran across an elaboration on the subject of sword and sorcery which felt especially relevant in light of Volume Two.

In the above-mentioned post I talked about the protagonists and antagonists of sword and sorcery stories, but not the stakes. If the formula pits skilled but not supernatural heroes against more powerful, supernatural villains, does that make Lord of the Rings a sword and sorcery story? Gandalf is a wizard and Aragorn is a member of the long-lived Dunedain, but Frodo and Sam are the ultimate everyman characters. However, Lord of the Rings is high fantasy because Frodo and Sam go on a quest to destroy the most powerful weapon in the world, to prevent a diabolical evil force from conquering the entire world, and coincidentally help restore a royal dynasty and bring about the end of one age and dawning of another.

Sword and sorcery has far less to do with the fate of all existence or the preservation of life as we know it, or global politics, or the sweep of history. The S&S protagonist fights against the odds for mere survival, and the stories unfold on a smaller, more personal scale. Whether the hero carries the day or succumbs, the larger world will continue on its own trajectory, unbothered.

Don’t get me wrong, I enjoy both high fantasy and sword and sorcery, and just about every other speculative subgenre out there. But I was struck by this observation about the lower stakes of S&S in particular when considering my own story, “Personal Mythologies”, which has a distinct lack of capital-E Evil and reality-shattering consequences. I might have attributed this solely to my conception of Kellan Oakes as a low-key, somewhat lazy individual who often gets caught up in the weird, but as it turns out it’s perfectly appropriate for a sidearm and sorcery protagonist.

The past is never dead

Having just signed the contract this morning, I am please to announce the following trio of good news items: Sidearm & Sorcery is returning this year for Volume Two, I will have another story in the anthology, and that story is a new adventure of everyone’s favorite druid-by-blood, slacker-by-choice private eye, Kellan Oakes.

“Personal Mythologies” finds Kellan on a case with an unexpectedly intimate connection to his younger years, hence the heavily literary reference I indulged in for the title of this post. I’ve written Kellan Oakes stories set earlier in his life before, but this one is much more about the ripple effects of the choices he once made, and how the past has gut-wrenching ways of catching up with us.

More info to come when a release date is announced for Sidearm & Sorcery, Volume Two. For now I will leave you with the following image, a tantalizing hint as to what “Personal Mythologies” has in store …

Return to the Arborian Age

Please forgive the terrible pun, but I couldn’t resist once again combining references to both Conan the Barbarian, and his pseudo-historical setting in the Hyborian Age, and my own creation Kellan Oakes, born the son of a druid priestess and raised amidst her pseudo-mystical arboreal culture. The latest Kellan Oakes adventure, “The Undying Past”, is now available in the new anthology Sidearm & Sorcery!

The book is full of all-original stories, which means Conan himself does not appear, but there is a thematic connection, which I explained in depth in a previous blog post and won’t rehash here.

As for announcing the release itself, technically this book came out in the waning days of 2021, at least in Kindle format. But it is now available in both e-book and paperback formats, so don’t delay – get your copy today!

Scorching hot action

The latest, greatest and sort-of-tied-to-a-date-est collection of new pulp adventures is here! In the proud tradition of its Christmas and Halloween Specials, PulpWork Press proudly presents the 2018 Summer Special!

Granted, summer isn’t so much a date like December 25 or October 31 as it is a season, but my story “Strike Down the Sun” is focused on the summer solstice itself, which should come as no surprise since it is yet another rip-roaring case file from druid-reared private eye Kellan Oakes.

Break out the SPF 50, grab an ice cold beverage, and enjoy! The Summer Special is available now at Amazon – and if you click over there between now and August 19, you can download the Kindle version FOR FREE!

Updated to add: The giveaway period has ended, but the collection is available for a mere $3.95 on Kindle, and if you happen to be a Kindle Unlimited subscriber, it’s still free for you!

Leafing through the past

The creeping, choking vines have unfurled their black tendrils, pushing open the gates of DEATH’S GARDEN!

This anthology from LVP Publications contains both short stories and poems, including my short story “Green Growing Things” which you may remember had its genesis in an attempt to write for a specific anthology call, as I detailed in this post. I’m not sure what I can say about the tale that I didn’t divulge earlier, but just in case you’re avoiding that post for some reason, here’s the highlights: it is yet another entry in the continuing adventures of everyone’s favorite druid private eye Kellan Oakes, it was written as a pulpy horror story in which Kellan faces off against an adversary with extreme botanophobia, it sheds a little more light on Kellan’s unusual childhood, and it even delves into Kellan’s love life, such as it is. Mystery! Monsters! Romance! This one has it all!

You can pick up a copy for your library from Amazon right now. Don’t be left behind on the tour through Death’s Garden!

Card-carrying membership

If you’ve ever perused the mini-wiki on this site devoted to Kellan Oakes, you’ve run across the name-dropping assertion that my fictional creation is part of a “proud literary tradition of occult detectives”. In theory, this could be up for debate, as matters of official taxonomy often are. But as of today, I have a splendid piece of evidence supporting my side of the argument, to wit that a Kellan Oakes story has appeared between the covers of OCCULT DETECTIVE QUARTERLY. Behold my bona fides:

“One of the most important new fantasy magazines of the decade.” – Black Gate Online

The fourth issue of ODQ is now available and contains, among other tales, “Abduction in Ash” written by yours truly and starring Kellan Oakes, who takes on a missing person case and finds himself once again at the wrong end of some nasty, gnarly forest folk. To pull back the curtain a bit, this is a story I wrote quite some time ago, when the Kellan Oakes series started taking on a life of its own and I was doing research into creatures of legend to find likely pegs I might hang stories on. I wound up digging into some fairly obscure corners, and I can only hope that I ended up doing justice to the original lore.

Feel free to judge for yourself – you can obtain your own copy of Occult Detective Quarterly #4 right here!

Convergent visions

I’m at the point where it’s still extremely gratifying and exciting to see a publisher go to the trouble of obtaining the services of an artist to illustrate one of my stories, particularly when said illustration turns out to be GORGEOUS:

This artwork is the handiwork of Russell Smeaton, who pretty much rules. It is intended to accompany my forthcoming Kellan Oakes tale, “Abduction in Ash”, appearing in the fourth issue of Occult Detective Quarterly any day now! The interiors of ODQ are black and white, so this will become a grey-toned rendering in the magazine, but I’m delighted to present it in glorious technicolor here.

Considering that Russell and I had never met before, and he had only the text of the story itself to work with, I think the manner in which he was able to capture something frighteningly close to my own mental constructs is phenomenal. I hope the story itself will live up to what’s promised here – watch this space for an update on the release soon!