Posts about tv

(The) Public(‘s) Media: The New Jersey Model

I am delighted that Montclair State University (MSU) has won its bid to take over New Jersey public television, for in this moment I see an opening to reimagine and reinvent public media in a new image — as the public’s media. 

And nowhere better for that to happen than in New Jersey, where threads have been coming together over years — most running through MSU — to support and grow the broader news ecosystem in the state. This support has come from private-public partnerships working with the university in what we have come to call the New Jersey Model. 

Adding public television adds one more piece. Montclair State has first-rate television facilities and the chance to involve students and faculty in producing content for the channels. But to me, television is the least of it. 

What really excites me is that Montclair has the opportunity to build on the strong foundation of its NJ News Commons and Center for Cooperative Media, which now serve more than 300 independent, community-based news providers, new and old, small and large.

Here I want to tell you the story of how this has evolved from what I have seen. I don’t mean to paint myself as a Zelig of the tale, as most often, I merely witnessed and cheered what has been happening. But I have been proud to have had the opportunity to watch as a new vision for local news, media, and community has been built here — a vision I’ve long believed in. I am also proud to say that I am a fellow at MSU’s Center for Cooperative Media, where I hope to help work toward that vision. 

For me, this saga goes back three decades, when I began beating the drum for thinking of news through the lenses of ecosystems and communities over newsrooms and corporations. I was doing that while working as president and creative director of Advance.net, where we started NJ.com while developing hyperlocal news, and then in my research on news ecosystems and innovation at CUNY. 

In New Jersey, this history stretches back at least as far a 2011, when then-Governor Christie sold off the state’s public media — and bandwidth in an FCC spectrum auction — to plug a budget hole. It was a short-sighted decision that robbed the state of its only broadcast outlets. The president of Montclair State at the time, Susan Cole, very much wanted to take over NJ’s public media. The state instead gave the TV and radio stations to WNET and WNYC in New York and WHYY in Philadelphia.

When that happened, an emergency meeting was convened in Newark with journalists and political leaders brought together to consider what to do about our state and news. Some wanted to start a newsroom. I instead beat my ecosystem drum, arguing that we had the chance to support the growth of news outlets in communities across the state, now made possible by the internet. 

Soon, the Dodge Foundation — where I was an advisor and would serve for a time on the board — convinced Montclair State that it had the chance to support and grow the state’s independent and open news ecosystem with the creation of the NJ News Commons, headed at first by hyperlocal blogger Debbie Galant. At Advance, I had tried to persuade Debbie to start a Montclair blog on our site. “Good idea, Jeff,” she said. “But why the hell would I do that for you?” She was right. Instead, she founded Baristanet, a pioneering, independent hyperlocal blog that lives on in a merger that is now Montclair Local.

Debbie had the trust of the ragtag bunch of very independent local bloggers who were trying to make a go of it covering their towns online — and who frankly did not trust big, old news media. The Commons’ mission was to support those local news outlets with training, mentorship, and collaboration — not to compete with them by making a newsroom and content with it. 

The Commons led, in turn to the founding of the Center for Cooperative Media, which under the leadership and vision of Stefanie Murray has been doing pathbreaking work. The Center has just launched a news-sharing network across the state’s ecosystem, funded by the Google News Initiative. It conducts research on communities’ information needs. It helps local news sites with their business and technology and it brings them together for collaborative projects. This is the foundation on which the real public media of New Jersey — the public’s media — is already being built. 

After Christie denuded New Jersey’s media, the legislature was lobbied (read: guilted) to fund support for New Jersey news with the creation of the NJ Civic Information Consortium, which gives grants to applicants from across the state that meet its criteria for supporting the information needs of under-served communities and developing new models for sustainable news. 

Together Montclair State’s Center and the Consortium — working with the hundreds of outlets in the state — have demonstrated what could be done when private and public, journalistic and academic entities work together for the good of communities. Back then, Tom Glaisyer of the Democracy Fund, dubbed what was happening here the New Jersey Model, and he vowed to spread it to other states in the nation.

I’ve testified about the New Jersey Model before legislators in California, Oregon, and Illinois as I’ve tried to dissuade them from passing legislation written by lobbyists for the old, hedge-fund-controlled newspaper industry as it seeks handouts via protectionist, retributive taxes aimed at tech companies. Instead, I say, look at what Jersey has done to build something bigger and better, more open, inclusive, and innovative, by offering support to folks who want to cover and serve their communities.

To be clear, I am not suggesting that old media should be left out of this future. I just joined the board of the not-for-profit that acquired NJ Hills Media, a chain of local weekly papers and sites. Through the Montclair State connection, NJ Hills is reaping benefits from the connection.

Enter MSU’s Professor Carrie Brown. We worked together at CUNY to build a new program in engagement journalism that she directed, centering communities and their priorities in students’ work. Both of us left CUNY and came to Montclair, where Carrie is bringing the values of the movement she has pioneered to classes and to the ecosystem.

In the latest term, Carrie had her engagement students go to listen to residents of Parsippany, where NJ Hills just started a new, online-only and free news site. A few weeks ago, the students presented the reporter covering the town, Nicole Flanagan, and her boss, NJ Hills CEO and publisher Joe Territo, with their findings and recommendations for coverage. Halfway through the presentations, Joe turned to me, saying he wanted help like that in every one of the towns the company covers. 

Meanwhile, at Montclair, we are looking at other new programs, including potentially working with libraries in towns across the state as information hubs for their communities. That, too, is part of New Jersey’s news ecosystem. 

This is the environment into which the new New Jersey public media fits. Stefanie Murray, alongside Keith Strudler, dean of MSU’s College of Communication and Media, and the university’s president, Jonathan Koppell, created the winning bid to convince the state to bring our stations back to our air after WNET decided to drop its franchise. I had no role in the process, other than getting to read and comment on the proposal in progress. I am confident that MSU’s team will use this opportunity to bring imagination, innovation, and inclusion to the task. 

Here is Strudler illustrating how this all comes together around MSU’s vision of the public’s media:

We’ll have staff reporters — North, Central and South Jersey coverage to start, with a full-time Trenton reporter as an aspiration. But the bigger story is what’s already out there. There are hundreds of content creators across New Jersey — people doing serious storytelling on YouTube, TikTok, Instagram, local news sites — who already have audiences and are already doing good work. Our goal, working with the Center for Cooperative Media, is to figure out how we partner with those people. How we give them a bigger platform. How we extend our reach without pretending we can do everything ourselves….

The Center for Cooperative Media has been better than almost anyone in the country at building networks of storytellers across platforms. That’s going to be a real asset. And the best approach is to go to those communities and ask what they need — not come in from the top down and say we know what New Jersey wants.

Amen.

This is also a chance to rethink television. In the long-ago, I was TV critic for People and TV Guide, and so I have opinions. That is why, in the mid-1990s, my frequent boss and mentor Jim Willse — former editor and publisher of the NY Daily News, later to be the editor of Advance’s Star-Ledger — brought me in to consult on a project to launch a 24-hour news channel in NJ. I devised an eccentric content plan that proposed building the studio in New Jersey’s real main street — a mall. And so we could hear the voice of the people, I borrowed an idea from Canadian TV pioneer Moses Znaimer, whose CityTV built a “speakers’ corner” on a Toronto street, so anyone could record a message that might be included in a TV show. What became News12 New Jersey did build a kiosk to capture vox pop and parked it in a mall, for a little while, until Advance left the project. 

Of course, today, we have the ultimate speakers’ corner in the internet, where even with its problems, communities can come together to share knowledge and need. Journalism should begin by listening to them. This is where and this is when the public’s media can be built, here in my home state, Jersey. 

Geeks Bearing Gifts: Reinventing TV News

Here’s another chapter from Geeks Bearing Gifts, this one about a topic I’ve discussed here: reinventing TV news. Read the whole thing on Medium. A snippet:

Screenshot 2015-01-12 at 3.44.51 PM

I know people who are innovating with the form online and who object to calling what they do “television” because they don’t want the word’s baggage. But I say they should co-opt the word, revolutionizing the concept of television instead of letting it languish in its past. It’s true that there’ll soon be no way to distinguish among media. What used to be a text article in a print publication now, online, has video and audio; what used to be a TV story can now carry text and photos online; both can include interactivity and discussion and more. Still, I see value in commandeering the word television because I want innovators to take over the medium itself, pressuring its legacy owners to cast off their orthodoxies and idiocies. Those not-so-old broadcast companies, though weakened by the ceaseless growth of new competitors, still have good businesses and still attract the largest news audiences. They have had little motivation to change. Even newspapers and magazines, finally able to make video, have made the mistake of trying to ape broadcast TV. Change will have to come from outside media.

If you can’t wait for the rest of the book, then you can buy it here.

Come reinvent TV news

UPDATE: Registration is now open here. Our keynoter is VICE News Editor-in-Chief Jason Mojica and we’ll hear new ideas for TV News from Twitter’s Fred Graver, NowThisNews’s Sean Mills, and Occupy Wall Street chronicler Tim Pool.

lowell thomas

We’re going to reinvent TV news at CUNY on Sept. 19. Or rather, you will.

Do you have a wild vision for what TV news could or should be? Send it our way and you would win $1,000 and present your idea to an audience of TV people and TV disruptors at CUNY’s Graduate School of Journalism on Sept. 19.

You’ll be joining some innovators we know and have invited to the event to present their visions for TV’s possibilities: The conditions for everyone: You can’t present anything you’ve already done. You have to show something you (or your organizations) haven’t had the guts to do.

Your presentation could be how to summarize the news in 3 minutes better than TV does now in 22. It could be rethinking those never-ending weather reports with the brevity and informative value of Forecast.io. It could be making assets of value like backgrounders and explainers instead of just filling time. It could be rethinking the talk show to make it productive. It could be rethinking the sports report or the predictable sports interview. The presentation could be a few minutes of video or a storyboard or a sketch on a whiteboard; it’s the vision we care about — not the production value. The audience will be TV people — whose minds should be blown — and innovators — who should be inspired with new ideas, new possibilities.

Among those we’ve invited who are scheduled to come: Tim Pool of Vice; Fred Graver, creator of Best Week Ever on VH1, now handling TV matters at Twitter; Merope Mills, the new head of video at the Guardian; the folks at Fusion; Tom Keene at Bloomberg; Robert King, head of news at ESPN, and more.

The day won’t be about bashing TV news. I’ve already done that. No, this is about possibilities. We will concentrate on what TV can do well and about innovation. We will also explore the business of TV news and the reasons why this medium is ready to follow newspapers and magazines into the giant maw of disruption. Finally, it’s time to challenge the orthodoxies of TV news and rethink the form.

So if you have an idea for a way to reinvent TV news — a new method, a new segment, a new show, a new site or service — summarize it here. You could win $1,000 and and the chance to show it to people who might help make it happen.

If you’re interested in coming to the event, sign up here for updates and we’ll let you know when invitations open up. Also sign up there to get a reminder so you can watch the event on a live stream or afterwards on video.

This is the beginning of a crusade at the Tow-Knight Center and CUNY, where we are also starting a course this fall in reinventing TV news. Expect to hear much more on the topic from us.

Rethinking TV news, Part III: First, kill the stand-up

I was about to launch into writing a post about the most irritating habits of local TV news — starting with the most objectionable: the stand-up — when I got a surprising email from a producer at Fox Channel 5 News in New York: “We are working on a story about the most annoying things about local news,” he wrote. “Yes, we are really doing this. And it is for tonight.” I got a similar call from another network; more on that in a minute. So I spoke to the Channel 5 reporter for 10 minutes over Skype and they used one soundbite (which is another annoying thing TV news does, but I’m not complaining):

New York News

Points to Fox’ Joel Waldman for doing a stand-up ridiculing stand-ups.

Here’s why I hate the convention: The stand-up has zero journalistic value. It wastes time. It wastes precious reportorial resource. It turns the world into a mere backdrop for entertainment. It’s a fake. Take, for example, all the stand-ups we see these days at the George Washington Bridge because of the Christie scandal. Local TV news does it:

standup local 2

National TV news does it:

standup national

There is *no* reporting to be done at the bridge. None. There are no officials there. There are no sources to be found. The victims are long gone. So TV news wastes a reporter’s time and a crew’s time and the use of expensive equipment going to the bridge, standing there for an hour or more, where there is *nothing* happening, *nothing* to report. Why? Because TV thinks it must have video, style over substance, image über alles.

Think of how TV news covers, say, the ongoing deliberations of a jury in a trial. The anchor tells us what they’ve told us and what they’re going to tell us. The anchor throws to a reporter doing a stand-up in front of a courthouse where, of course, the jury is sequestered and there is nothing to learn and thus nothing to say. The reporter gives us a bit more background and tells us the jury is still out. The reporter throws back to the anchor. The anchor says they’ll be sure to tell us when something happens. All that hoo-ha could be replaced with the anchor reading one sentence: “The so-and-so jury is still out.” Bonus points if the anchor adds: “For background, see our web site.”

And on the web site, the TV station could have a standing piece explaining the background on the trial for anyone who has missed it. They’d waste less of their airtime and be able to give us, the audience, the public, more stories and/or more substance — wasting less of our time. More importantly, they’d free up the reporter to, well, *report* something rather than just regurgitating what we already know and nothing new: journalistic dry heaves.

I have taken to shouting at my TV when I see stand-ups in front of crime scenes where nothing has happened in at least 12 hours. Or when I hear anchors, particularly on network news, wasting precious seconds with empty transitions after reports: “Still much to learn” (no shit). Or when I see faked b-roll of someone walking down a hall or typing or talking on a phone to create images and easier edits — except this isn’t reality, it is staged, faked for us (how journalistic is that?). Or when I see team coverage of weather sticking rulers in snow or breaking eggs to fry (or now freeze) or demonstrating that ice is slick or that wind blows. Or when I see someone being interviewed and looking off-camera when they really should be talking to us (Hello? We’re over here!). And that is just a list of the silly orthodoxies of presentation on TV news, to say nothing of the quality, depth, originality, utility, wisdom, and incisiveness of the content itself.

I shouted at my TV and it didn’t listen … until now. Not only did I get that email from Fox 5 New York, but when I was in Davos, I spoke to a crew from Fusion, the new partnership of Univison and ABC, and couldn’t resist poking fun at the form, turning from the producer asking questions off-camera and staring instead directly into the camera to beg them to give up this silly, stilted convention. They didn’t air it. [CORRECTION: Turns out, they did air it, starting at :35.] Instead, they called me into the studio for a conversation with anchor Jorge Ramos.

We talked about the conventions of TV news:

And then Ramos asked me for my advice to Fusion:

I said in my first post on reinventing TV news that I wouldn’t dwell on the negative — preferring in a second post to concentrate on new opportunities — yet here I have focused on the bad, the silly, the wasteful. For we do need to get rid of the idea that real television news, professional television news must have stand-ups and establishing shots and staged b-roll and frothy transitions. We need to clean away that ancient filigree to free up resources and time to make TV news better, because it can be.

* * *

Here is the complete, 11-minute Fusion conversation:

Jeff Jarvis on AMERICA with Jorge Ramos from Fusion America on Vimeo.

Rethinking TV news, Part I: What’s broken, what’s possible

ron burgandy breaking news

Most TV news sucks. But I don’t want to dwell on that.

I’d like to see TV news be reinvented, yet I’m astounded so little innovation is occurring in the medium. That could be because TV news is in better financial shape than print (for now). It could be because in a highly competitive market, no one wants to leave the pack and risk failure trying something new. Still, network TV’s audience is lurching toward the grave; cable news is struggling; and Pew says that for the once-indomitable local TV news, “future demographics do not bode well.” Like newspapers and magazines before them, broadcasters need to change, to take advantage of opportunities to work in new ways, to fend off the digital competitors who are sure to grasp the chance to disrupt, and simply to improve.

TV news is stuck holding onto its orthodoxy of inanity. It wastes resources trying to fool us with stand-ups at sites where news occurred 12 hours before and where there is nothing left to witness or report. It repeats much, saying little. It adores fires that affect few. It goes overboard on weather. It gives us BREAKING NEWS that isn’t breaking at all but is long over, predictable, obvious, or trivial. It gullibly and dutifully flacks for PR events created just for TV. It presents complex issues with false and simplistic balance. It speaks in the voice of plastic people. It stages reality (no that guy in the b-roll isn’t really typing on his laptop). It has little sense of the utility of what it presents. And did I mention its pyromania?

But I don’t want to dwell on that.

I want to dwell on what TV could do well, on its strengths and opportunities. TV can summarize, sometimes too well perhaps, but delivering a quick overview of what’s happening is a useful function of news. It can curate, bringing together divergent reports and viewpoints. It can explain a complex topic and doesn’t have to dumb it down. It can demonstrate. It can convene the public to action. It can collaborate, having witnesses share what they are seeing and what they know. It can discuss and doesn’t have to shout. It can give voice to countless new perspectives now that everyone has a camera on laptop or phone. It can humanize without cynically patronizing or manufacturing a personality.

There are sprouts of innovation in television (folks I know working in video online object to it being called television but I say they should co-opt the word, the medium, and the form). That innovation is generally not coming from other media companies, for newspapers and magazines have made the mistake of aping broadcast TV when they should exploring new directions. And the innovation that is occurring doesn’t take the form of incremental adjustment to the familiar form of TV news. Instead, true innovation is unrecognizable as television. On one end of the spectrum, there’s the six-second self-parody of viral video shallowness that is Vine as news. On the other, there’s the TWiT Network (of which I am a part), where we geeks can yammer on about single topics — Google, security, Android — for devoted if small audiences for two hours.

When Katie Couric announced that she’d be moving to Yahoo and NPR’s Weekend Edition asked me to yammer about it, I took the opportunity to push my own agenda and wish that Couric and Marissa Mayer would reinvent TV news because they’re both smart; Couric knows the form so well she knows what to break; Mayer is a disruptive innovator; and Yahoo needs to be something *new* not merely something changed.

And so then I started asking some folks what they’d suggest. I asked TWiT’s founder, Leo Laporte, and after more than 10 minutes’ discussion on two shows — hey, we have all the time in the world — he said that instead of giving us the news — we already get that — he’d want to see Couric give us rich interviews with newsmakers. I like that. When Katie was on Howard Stern’s show weeks ago, I called in to ask about him having a pure interview show on TV, since he has had a remarkable run of amazing interviews lately. Besides Charlie Rose, who really does that on TV?

I asked Michael Rosenblum about reinventing TV news. He has reinvented his share of newsrooms, converting the old three-person crews to so-called one-man bands, teaching people how to tell stories with video and without the silly conventions of stand-ups, establishing shots, b-roll, and cotton-candy scripts. He told me about returning from the UK, where he taught a few dozen journalists at the Independent and Evening Standard how to gather video news with their iPhones. If they can do it, anybody can.

I asked Shane Smith, founder of Vice, which just announced the start of a new news channel in 2014 (below), and he talked about the net’s ability to bring many new voices into the news.

Vice was smart enough to hire Tim Pool the guy who broadcast Occupy Wall Street live for 21 hours straight. Pool’s not sure what to call himself — a mobile journalist, a social journalist. Take a look at how he covered protests in Turkey, where he was the first journalist so far as he knows to broadcast live using Google Glass — the true eyewitness.

A few weeks ago, Pool came to my class and then sat in my office and so I asked him about the future of TV news. Speculating together — having nothing to do with Vice’s future plans — he didn’t start talking about video. He started talking about people — witnesses and commentators and how to find the best of them and connect them — and about technology and about user interfaces. There I started to hear the beginnings of a new vision for TV and news in which video is just one tool to use.

So how would you reinvent TV news? What advice would you give Katie Couric? What advice would you give the next Tim Pool? At CUNY’s Tow-Knight Center, I’d like to embark on projects to rethink the form of TV news, its relationship with the public, and its business models. What would you like to see us do? Try not to dwell on mocking the form and its weaknesses — Ron Burgundy has done enough of that for a lifetime (plus a sequel). Try instead to imagine you are a young (reincarnated) William Paley with all these tools and all these possibilities at hand. What do you invent? In Part II, I’ll add my own wishes and speculation.