Tag Archives: Wuthering Heights

The Scottish Bluebell Fairy–Beth Trissel


Path Through Bluebell flowers

The Scottish Bluebells (Campanula rotundifolia) are known by various names, most commonly harebell, also Scottish bellflower and fairies thimble, as it was widely thought fairies live among the flowers. I don’t make this stuff up; these fascinating tidbits are from: http://davesgarden.com/guides/articles/view/1615/

“These lovely flowers have been around for centuries. Legend has it that fairies live among them and humans should be wary of disturbing them.”

Scottish Bluebells“The name, Harebell, has its roots in magic. The name came from the fact that Scottish Bluebells are found growing in meadows frequented by hares. Some would argue, the name Harebell was given this flower due to the fact that witches were known to turn themselves into hares and hide among them. Both are interesting stories, one for the non-believer and believer alike.”

The flower is a favorite among poets. Two famous examples listed on the site:

Sir Walter Scott mentioned it in his 1810 poem, “Lady of the Lake;” “A foot more light, a step more true, Ne’er from the heath-flower dashed the dew; E’en the slight harebell raised its head…”

Emily Bronte wrote, “I lingered round them, under the benign sky; watched the moths fluttering among the heath and harebells; listened to the soft wind breathing through the grass; and wondered how anyone could ever imagine unquiet slumbers, for the sleepers in that quiet earth.” in her book, “Wuthering Heights,” published in 1847.”

From: http://www.livingartsoriginals.com/flower-bluebells.html

Scottish bluebell fairyAnother name for bluebells is Dead Man’s bells. This is due to the fact that fairies were believed to cast spells on those who dare to pick or damage the beautiful, delicate flowers. The people of Scotland are fond enough of the flower to continue this tradition in the hopes of protecting the little flower.”

Apparently, when meandering through drifts of bluebells, it’s wise to stick to the path, or you may stir up the wrath of fairies and release the spells trapped in the blooms. Never a good idea, and one that would be echoed by our resident fairy expert, my eight year old niece, Cailin, who warns never step into a circle of flowers or go anywhere without the fairies’ permission. Or they will get very upset. And you do not want an upset fairy, or fairies, on your hands. Particularly the furious wind fairies, but that’s another story.

*Royalty free images

Author Jerri Hines with Ghostly Regency Romance Daughter of Deceit


“The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always — take any form — drive me mad! Only do not leave me in this abyss, where I cannot find you!”

EMILY BRONTE, Wuthering Heights

Welcome Jerri.  I’m also a big fan of Wuthering Heights, did a blog post on it, and I’ve written several ghostly romances in my ‘Somewhere’ series, so we have much in common.  Your new story sounds most intriguing.

And now, back to Jerri.

Thanks Beth.  Most authors are influenced in their writings by their values and beliefs. We are likely to reflect our perspective into our words which will affect the way the reader will relate our story. It should come as no surprise that our own experiences influence our writings. So the question would have to be asked if you one writes a paranormal book, where does one gather experience to write a ghost story?

The answer to me is quite simple…a vivid imagination. Being an avid reader, I love to immerse myself in books and transport myself into a different world. Some books stay with you such as Wuthering Heights, one of my favorite books.  I can still visualize Catherine as a misguided soul wandering the moors searching for what she lost.

Ghost stories are meant to scare. Admit it- we all love a ghost story. So is it the fear and the thrill that attracts us to books with paranormal elements? Ghosts are an unexplained occurrences, but in some aspect I believe we empathize with these lost souls. Most would agree if ghost do exists they are lost souls searching for an answer.  So can spirits cross back over from the other side? Are they searching for closure? Good or malevolent? With purpose or simply lost?

The thought sparked a question within me. Would justice be served if a person could reach beyond the grave to right a wrong?

Daughter of Deceit is a story about forbidden love. Set in Regency England, Lord Julian Casvelyn has long lived with the guilt brought on by the murder of his brother by the hands of England’s most notorious traitor. Alyce Hythe is the daughter of that man who is bent on clearing her father’s name, but strange things have been happening to Alyce causing rumors to be whispered of mystic ghosts.

Blurb: Someone wants Alyce Hythe dead…

Shunned from London society for being the daughter of England’s most notorious spy, Alyce Hythe desires only to clear her father’s name. For years, she has been hidden away from all prying eyes, given a new identity and told to forget who she was. But strange things have been happening causing old rumors to once more be whispered.

Long has Lord Julian Casvelyn lived with guilt brought on when his brother was murdered by England’s most infamous traitor. But one eventful night has changed everything Lord Julian believed about his brother’s death. Never did he suspect the woman he has just saved from certain harm is the daughter of that man. Now Julian is caught in midst of a conspiracy and desire for that woman.

Thrown together by fate, the two search for answers long denied them and along the way discover a love that can free them both.

Excerpt:

Thankful indeed she could breathe again at least for a moment. She turned to stand by Lissa, but instead she froze upon the sight. The last person she ever expected to see this night stood in front of her.

She froze in her spot. His wide mouth curved into a vague smile which could easily turn hard she suspected. He looked quite striking, handsome and elegant in his crisp black and white evening clothes. His dark eyes darkened intensely upon her. Before she had a chance to protest, his arm gripped her elbow firmly.

“Oh, no, my dear, I think not,” his utterance carried a hard edge which startled her. “I have long tried to gain an audience with you and have been reputed one way or another. If you choose to make a scene, it will not bode well for you. You may have been hiding in the nest of the Arungdon, but I can guarantee you that legally you are still the ward of my grandfather and I…”

“Please, Lord Casvelyn, you do not have to resort to threats,” she turned her head to see if any other’s attention lay upon them, but none seemed interested. Her gaze shifted back to him. “What, pray, could you have to talk to me? Charles did send his appreciation for you saving me. He assured me he had taken care of the situation and the magistrate…”

“Come. Come. Miss Rufford…or should I say Hythe. I believe there is much we could talk of.”

She glanced back over her shoulder as he edged her along beside him. “Where are you taking me? It will not be proper…”

He cut her words short. “No one will see, I can assure you. I have arranged how I can I say this a few minutes where we will not be disrupted. Then you can rush back to your lordship.”

She watched Lord Casvelyn nod to a man in front of him, a tall man tawny hair and blue eyes. The man nodded back. Immediately, she felt herself being flung into a side door, closing tightly behind her. She could only imagine why Lord Casvelyn thought it necessary to have a guard at the door.

The room was small, quaint in appearance. There was no fire lit nor candle only the moonlit shone in light. He gestured to her to sit upon a settee. She hesitated, but then complied. To her dismay he sat beside her.

She found it difficult to catch a breath with him so near. He stared at her in a manner which made her remember all too well being in his arms with his lips upon hers.

“Now will you please explain yourself so I can rejoin Charles.”

“Ah, yes, the love of your life. I have heard. Unfortunately, I tend to doubt your proclamation of feelings.”

She stared at him and he returned it. He sat close to her, too close. She scooted back but he moved, allowing only her a scant space between her and this man who made her skin shiver with just his touch. “How dare you,” she uttered under her breath. “You don’t know me. Charles and I love each other greatly…”

“Do you?” he asked in a low voice. “Are you in the habit of sharing kisses with another while in the deep throbs of love for another? Come. Do not think I have forgotten having you in my arms. Kissing you, touching you…if not interrupted, perhaps it would have lead to more than…”

She slapped him, hard, and attempted to rise. He thwarted her with his two strong hands, pulling her down to him.

“You are no gentleman!”

“Perhaps,” he answered her, but his voice softened. “Perhaps.”

His hands released her back to her seat. What did he do to her that made her act as if she had not a reasonable thought in her head?~

 

***Daughter of Deceit at Amazon

Jerri Hines (Carrie James Haynes)

Castles in the Air Blog:

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Facebook Fanpage- Novel Works

Twitter: @jhines340   or @CarrieJHaynes

Wuthering Heights~As Promised~


I’ve LONG been an enormous fan of Emily Bronte’s Wuthering Heights, that dark, powerful, hauntingly beautiful romance.  My favorite lines are uttered by Catherine:

“Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”
– Emily Bronte, Wuthering Heights, Ch. 9

“If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it.”
– Emily Bronte, Wuthering Heights, Ch. 9

But there are many other fabulous lines in this brilliant novel.  One of the most famous uttered by Heathcliff:

“‘And I pray one prayer–I repeat it till my tongue stiffens–Catherine Earnshaw, may you not rest as long as I am living; you said I killed you–haunt me, then! The murdered DO haunt their murderers, I believe. I know that ghosts HAVE wandered on earth. Be with me always–take any form–drive me mad! only DO not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I CANNOT live without my life! I CANNOT live without my soul!'”
– Emily Bronte, Wuthering Heights, Ch. 16  ~ Heathcliff

I break my heart for Heathcliff.  At least he and Catherine are together in the end, I have no doubt.

I’ve included an excellent review of Wuthering Heights below:

A Drama Ahead of Its Time

When Emily Bronte’s Wuthering Heights was first published in 1847, under the name of Ellis Bell, it received mixed reviews. Although some critics saw the potential evident in the cyclical plot and other literary devices, many others were shocked and dismayed by the unashamedly dark storyline.

To be sure, Wuthering Heights was a very different book than what was generally considered acceptable during that era. In direct contrast to Emily Bronte’s novel, Susannah Rowson’s Charlotte Temple (1828) tells the story of a young lady who permits her beau to steal her away in the middle of the night. Predictably, he impregnates her and then abandons her, after which she dies of a broken heart. As was common in novels of the era, Charlotte Temple used a fictional story to instruct its readers–primarily young ladies–in what was expected of them. 

In Wuthering Heights, one of the main female characters dies of what could also be considered a broken heart, but the effect is a very different one from that of Charlotte Temple. Instead of presenting an overly sentimental worst-case scenario meant to frighten its readers onto the straight-and-narrow, Wuthering Heights seduces its readers with its dark passion and misguided characters. Both Heathcliff and Catherine are flawed characters, but their flaws intrigue the reader just as surely as they repel. If there is any lesson to be learned in Catherine’s death, it is the folly of denying your heart’s greatest passion–a mistake completely at odds with the cause of Charlotte Temple’s downfall.

Controversy & Obscurity: Wuthering Heights
Due to the novel’s tumultuous passion, the book received a mixture of responses. Eventually, those who were scandalized by the book’s inappropriateness won out, and Emily Bronte’s only novel was buried in literary obscurity. Decades later, when Wuthering Heights was revived by the interest of modern scholars, the unique literary devices used in the work began to earn more attention than its soap opera-like tale of obsession and loss. 

Although the second part of the novel–the part that chiefly concerns Catherine and Heathcliff’s respective children–is frequently overlooked in retellings and screen adaptations, many contemporary critics believe it holds the key to Emily Bronte’s real literary genius. The first generation of children–Catherine, her brother Hindley, and the gypsy child Heathcliff–had led miserable lives, and both Catherine and Hindley died young as payment for their misguided passions. As a result of Heathcliff’s scheming prior to Hindley’s death, he has inherited the Earnshaw home, as well as the care of Hindley’s son, Hareton. After the death of Heathcliff’s estranged wife–Catherine’s husband’s sister, his own son, Linton, comes to live with him as well, setting in motion his final push for revenge.

Generations: Wuthering Heights
The highlight of the second part of the book is when Heathcliff effectively kidnaps Catherine’s daughter, who is called Cathy. With the three children now all under one roof, the latter half of the book parallels the beginning, when Catherine, Hindley, and Heathcliff were all children together in the same house. However, whether by a twist of fate or Heathcliff’s mistreatment of the boy, Hareton’s demeanor and place in the household resembles Healthcliff’s childhood persona more than that of his own father, while Linton is so weak and sickly that he is the perfect opposite of Heathcliff. 

Despite the clear similarities to the old rivalries, though, the children begin to converge, rather than to follow in the footsteps of their parents. Maddened by a desire for revenge, Heathcliff attempts to play them against one another, forcing Cathy to marry Linton so that he may inherit the neighboring property that belongs to his rival, Catherine’s widower. Linton dies soon after. After Heathcliff’s own death, the tale comes full circle: the estates return to their rightful heirs, Hareton and the younger Cathy fall in love, and Heathcliff’s legacy of revenge disappears almost without a trace.

Despite its early reception, the combination of unbridled passion and a complex storytelling form makes Wuthering Heights a favorite in many modern literary circles. The darkness of the story and the lack of accompanying moral teachings shocked many of its contemporaries, while the intricacies of the cyclical plot–the destruction and ultimate reunification of the families–were overlooked until recent decades. A novel that combines masterful literary devices with all of the scandals of a soap opera, Emily Bronte’s Wuthering Heights was a drama far ahead of its time.
****
I was particularly taken with the 2009 Wuthering Heights production but there are many excellent versions of this timeless classic.

A lovely tribute to the film:

Another beautiful Collection of Film Clips:

The Byronic Hero


Contributed by my friend Linda Nightingale and reposted from The Pink fuzzy Slipper Writers~
At Con-Jour, I was on a panel called Sympathy for the Devil: The Byronic Hero. It was an interesting conversation moderated by a professor of literature at the University of Houston.
Byron’s first introduction of this type of character was in his epic poem, Childe Harold’s Pilgrimage, published in 1812-1818. Emily Bronte, author of Wuthering Heights, was influenced by Byron. Byron was the model for the title character of Glenarvon by his lover Lady Caroline Lamb, and for Lord Ruthven in The Vampyre by his physician Polidori.
The Byronic hero is an idealized but flawed character exemplified in the life and writings of Lord Byron, characterized by Lady Caroline Lamb as being “mad, bad and dangerous to know.”
Characteristics of the Byronic hero:
Arrogant
Intelligent and perceptive
Cunning and able to adapt
A troubled past
Dark secret
Sophisticated and educated
Introspective
Seductive and sexually attractive
Social and sexual dominance
Emotional conflicts
Exile, outcast or outlaw
Jaded, world-weary (has seen the world)
Cynical
Good heart in the end
This describes the hero in all of my works. I write about vampires and fallen angels, both of whom already have a dark secret, are bad boys and can definitely be dangerous to know.
In Sinners Opera, the hero, Morgan D’Arcy, is a British lord, a concert pianist and a vamire. All of the above characterists apply to Morgan–in spades! He must learn to balance his nature against his love for a mortal woman.
In Black Swan, the Byronic hero is Tristan. He runs away from the woman who knows what he is and loves him anyway, trying to escape the killer that, as a vampire, he inherently is.
A few examples of the Byronic hero: Edward Cullen in Twilight; the vampire Lestat; Heathcliff (Wuthering Heights); Lucifer (Paradise Lost); and both Rhett Butler and Scarlet O’Hara from Gone with the Wind.
Know any real-life Byronic heroes? Do you use the Byronic hero in your writing? I find them fascinating (obviously) but I’m not sure I’d want one in my life.