cross-media
authoritarianism and democracy
sound art
digital art
video art
technology
dataficated interaction
algorithm
reactive visualizations
cyberfeminism
hacktivism
disinformation
visual programming
open source
immersive environments
mail art
performative media
process-oriented systems
control
gaming
art in public spaces
generative systems
radio-frequency identification
social intervention
robotics
GPS tracking
body hacking
AI
sonification
cybernetics
Big Data
automated decision systems
open access
public interaction
glitch art
datafication
machinima
video surveillance
machine learning
urbanism
bioart
net art
satellite broadcasts
data visualization
software art
ethical and responsible technology
addictive machines
virtual or augmented reality (MR)
transhumanism
transmedia and multimedia projects
aesthetics of error
screen arts
new media
bioart
aesthetics of error
cross-media
transmedia and multimedia projects
ethical and responsible technology
radio-frequency identification
performative media
sonification
machinima
virtual or augmented reality (MR)
glitch art
addictive machines
data visualization
authoritarianism and democracy
sound art
process-oriented systems
gaming
digital art
software art
cyberfeminism
open access
GPS tracking
reactive visualizations
satellite broadcasts
new media
cybernetics
screen arts
disinformation
datafication
mail art
technology
social intervention
video surveillance
Big Data
algorithm
robotics
control
generative systems
AI
urbanism
body hacking
automated decision systems
net art
open source
public interaction
visual programming
transhumanism
hacktivism
dataficated interaction
video art
immersive environments
machine learning
art in public spaces
public interaction
radio-frequency identification
virtual or augmented reality (MR)
dataficated interaction
art in public spaces
robotics
GPS tracking
algorithm
open source
software art
cross-media
bioart
gaming
immersive environments
screen arts
transhumanism
glitch art
sound art
hacktivism
transmedia and multimedia projects
mail art
body hacking
video surveillance
machine learning
cybernetics
new media
generative systems
urbanism
control
addictive machines
performative media
disinformation
ethical and responsible technology
aesthetics of error
data visualization
satellite broadcasts
visual programming
automated decision systems
cyberfeminism
video art
open access
social intervention
authoritarianism and democracy
Big Data
datafication
machinima
sonification
reactive visualizations
technology
digital art
process-oriented systems
AI
net art
Gallery AUTOMATIC is the latest initiative of the DA LAB Foundation, whose profile is the presentation and production of digital arts. The project is unique in two directions. First, as a specialized space for the presentation of digital arts in Bulgaria. Second, with its automated access and functioning, it creates an innovative gallery practice without analogues.
Gallery AUTOMATIC operates on the principle of a vending machine, similar to other automated systems for offering services and products in an urban environment. The way in which the exhibited works are accessed is consistent with the way in which they function, i.e. it will present digital art, whose presentation, method of creation or action are related to automated and interactive processes.
Gallery AUTOMATIC offers the audience direct contact with the presented works of art on the principle of “insert a coin and enter” (respectively mark with a card and enter). Automatic admission and 24/7 working hours turn Gallery AUTOMATIC into a public space. A video surveillance system complements the tools for accessing and sharing content, while also ensuring security for the artworks. This interactive project in form and content will fill a niche in the contemporary art scene in Sofia, namely a gallery specializing in the presentation of digital arts.
AUTOMATIC Gallery presents a selection of works created with digital media, which reveal different artistic practices and approaches in the field of contemporary art using new media, artificial intelligence, science and innovative technologies. The selection includes artists from Bulgaria and abroad, who will present a new project created specifically for the space or an existing work that meets the concept and format of presentation. Part of the selection includes authors presented in previous editions of the international digital arts festival DA Fest, organized by the DA LAB Foundation in collaboration with the National Academy of Arts in Sofia
The exhibitions will last between 1 and 2 months, i.e. from 6 to 12 exhibitions per year.
AUTOMATIC Gallery’s key features:
AUTOMATIC Gallery space:


Venelin Shurelov
DA LAB / idea, curator, administration

Galina Dimitrova-Dimova
DA LAB / curator, communication artists


Ralitsa Georgieva
graphic design assistant

Zahari Dimitrov
website design & administrator

Petya Chalakova
online communications expert

Miroslava Tsoneva
marketing and communications consultant

Julia Lilova
video and photo documentation

Ivan Stefanov
video and photo documentation

Elitsa Georgieva
agent 0011