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Arthur and Aegle in the Happy Valley, (detail), 1849, oil on canvas by John Martin (1789–1854), Image credit: Laing Art Gallery

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Framed print of Woman with a Coral Necklace by Gwen John (1876–1939).

Framed print of Woman with a Coral Necklace by Gwen John (1876–1939).
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Housewives with Steak-Knives. 1985, mixed media on canvas by Sutapa Biswas (b.1962). © Sutapa Biswas. All rights reserved, DACS 2025. Image credit: Bradford Museums and Galleries

Housewives with Steak-Knives
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Expanding Panels Series. 1979, gouache on paper by Wilhelmina Barns-Graham (1912–2004). © Wilhelmina Barns-Graham Trust. Image credit: Wilhelmina Barns-Graham Trust

Expanding Panels Series
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Self Portrait. 1953, terracotta by Benno Schotz (1891–1984). © Royal Scottish Academy of Art & Architecture. Image credit: Glasgow Life Museums

1953, terracotta by Benno Schotz (1891–1984)
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New Street, Baghdad. 1930, egg tempera on canvas by Mary Winifred Smith (1904–1992). © the copyright holder. Image credit: National Trust Images

New Street, Baghdad
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A detail from 'Self-Portrait with Bandaged Ear'. 1889, oil on canvas by Vincent van Gogh (1853–1890). Image credit: The Courtauld

1889, oil on canvas by Vincent van Gogh (1853–1890)
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Theatre Prep, 2002, oil on linen by Simon Black (1958–2008). © the artist's estate / Bridgeman Images. Image credit: Royal Free Hospital

Theatre Prep
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58 Flavors (Parade Series), (detail), acrylic on canvas by Grace Gardner (1920–2013), © the artist's estate, image credit: Falmouth Art Gallery

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