Audio processing is part art, part science, and a little bit of magic. Our processors handle the hard part—taming levels, smoothing peaks, and keeping your sound crisp and consistent. Whether it’s a mic, a livestream, or final FM processing, Angry Audio does the heavy lifting so you can focus on show biz.
C-LEVEL is designed to normalize all your contribution audio. Think of it as a gentle multi-band AGC. It makes everything sound consistent and polished. Use it as a pre-processor so your OTA processor can work in its sweet spot. Use it at satellite and cable originations before sending the audio downstream for rebroadcast. Even use it to tame TV audio.
C4 is built for streaming audio. Put an end to the problem of blasting commercials and mumbling voices. Your programming will always sound consistent even with wildly disparate source material. C4 adapts and adjusts to the incoming content so that any format, any material sounds amazing. And C4 is fully compliant with the latest loudness standards from Apple, Amazon, Youtube and others.
C3 is optimized for studio listening. Simulating the sound of an OTA (over the air) processor, your talent can listen to their voices the way it sounds to the listeners. Big, bold, beautiful and smooth. This is more than just an enjoyable experience. When talent can hear the processing working, they are able to make tiny adjustments to voice and mic technique to really get that professional sound that keeps your listeners tuning in.
Meet the StereoToolBox—the FM processor that includes everything you need right out of the box. No hidden fees, no extra charges for ‘essential’ features. We believe in transparency and simplicity. With the StereoToolBox, you get a complete set of tools, ready to perform without the need for any costly add-ons. It’s everything you’ve been looking for, finally in one package.
Meet SMooth, the world’s first microphone processor designed exclusively for the iconic Shure SM7. We spent months measuring, analyzing and listening until we knew this microphone inside and out. Then we went to work, creating DSP algorithms that perfectly enhance the SM7’s unique characteristics.
Meet REbel, the world’s first microphone processor engineered exclusively for the popular Electro-Voice RE20, RE27 and RE320 microphones. We spent months measuring, analyzing and listening until we knew these microphones like the backs of our hands. Then we went to work, creating DSP algorithms that perfectly enhance the unique qualities of these EV mics.
The U.192 is the first audio interface designed specifically for StereoTool software. Before now, connecting StereoTool to your transmitter involved trying to find a sound card that would actually work. Ordinary sound cards and interfaces were just not built to pass multiplex signals to the transmitter. U.192 is designed for StereoTool, built for broadcast, and ready for air.
