Godzilla 1998: The Weird, The Wacky, and Ohh The CGI (lol)

I have to admit, I don’t really a very strong narrative for revisiting this film right now, other than that I may want to reference it in an upcoming post.

I considered trying to tie it in to the sort of ‘creature feature’ kick I’ve been on recently with Primitive War and my recent rewatch of the Jurassic Franchise, but that seems a bit thin. I also considered attempting to frame it as a “movie that made me” like I’ve written about The Matrix or The Mummy (1999), but while my seven-year-old self did enjoy this movie immensely when it came out — and there is indeed a funny story and sort of family tradition that sprung out of that first viewing in theaters way back when — I can’t say that this is a movie that looms very large in my construction of self despite the size of its main character, or the weight of its profits (9th highest grossing film of the year at $136,314,294).

Also, it wasn’t made in 1999 so it brings nothing to my argument there.

No, it’s just the first experience I really remember having with the Godzilla franchise, and with the current number of films at thirty-eight, and sequels to Godzilla X Kong and Godzilla Minus One already in production, it just seems like the right time for me to begin blabbing about this iconic figure on the blog.

Besides, Godzilla is mentioned already one time in my review of Kaiju Preservation Society, so there’s precedent (lol!).

In any case, is this movie any good?

I’d say yes and no. As a kid, I remember absolutely loving it. Now twenty-seven years later, you can definitely feel its age. Mostly this involves the special effects, and in particular, the use of CGI. It’s interesting because The Lost World would have come out a year earlier and is ostensibly a mix between CGI and practical effects. It holds up way better.

Godzilla (1998) then may have been one of the earliest experiments in using just CGI. And while I remember being really impressed by this as a kid, I am less impressed as an adult. I think they should have waited a bit for the technology to develop.

It seems worth noting that this is the first 100% American made Godzilla movie. It’s mentioned in the special features that the team took explicit care to pay tribute to the old films, but that they also wanted to update Godzilla’s image for the modern times. That past depictions of the character as slow moving, and with a kind of rubbery appearance were solely the result of the inferior technology of the time (somewhat ironic given how the movie looks now).

If paleontology was having a kind of renaissance in the 1960s, moving away from dinosaurs as slow moving, coldblooded creatures, Godzilla apparently had to wait until the late 1990s to make the same transition.

Though there are plenty of shots in the beginning of the movie which show nuclear testing, and poor iguanas getting irradiated, this element of the plot seems to get forgotten pretty quickly as the film progresses. The capacity for destruction inherent in nuclear weapons just doesn’t feel top of mind while watching this film which is interesting because the infamous “search for weapons of mass destruction” would begin just three years later after 9/11 in 2001. The Godzilla of this movie is hardly a metaphor, just a really big lizard.

This is felt in a few ways, perhaps most noticeably in the choice to get rid of Godzilla’s beam attack. The movie tries to pay homage to it, by making Godzilla’s roar so fierce that it explodes the gas tanks of a few taxi cabs which then ignite in flame as they fly through the air (which is still an awesome effect), but I think this more ‘realistic’ approach perhaps takes a bit away from what people really love about the franchise. Probably why this film is the only time we see this version of Godzilla.

I was also surprised by how sympathetic Godzilla is. The viewer obviously knows that he must die because he’s wreaking havoc, but you really don’t want him to. If I ever go back and watch some earlier movies I’ll be curious to see if this element is present but it seems to get picked up in the Godzilla x Kong franchise.

Finally, I’m still somewhat marveling at the choice of Matthew Broderick for the role of leading man. I still haven’t seen Ferris Bueller’s Day Off (a classic I know) so probably the movie that Broderick stands out in my mind for most, is Inspector Gadget (another great 1999 film lol). I don’t really think of him as a heart-throb the way the movie kind of portrays him. Also, his comedic timing in this movie is just kind of bizarre. It’s funny but also doesn’t quite seem to fit the film.

In any case, despite the criticism I’ve leveled above, I still had a great time rewatching this film. I’m not generally one for nostalgia, but as time goes on, I realize I’m as susceptible to it as anyone.

Give Godzilla (1998) a watch?

Yea. If you’ve never seen it, you may find it a bit strange, and the old CGI is almost comical, however it still is a fun movie. For die-hard Godzilla franchise fans, it’s probably not going to be your favorite as the film does try to reinvent this beloved character. I can’t say that I’m a huge fan of the franchise, however, I feel like this film doesn’t quite hit the mark, and audiences must have felt the same as we only ever see this version of the character in this film despite a huge loose end in the final shot which suggests a sequel.

But, taken on its own, the movie is quite enjoyable, and pretty funny in places. A definite recommendation from me.

That’s all I have for this week. Who else has seen this film? What are your thoughts? Should they have stuck with this new version of Godzilla? Or kept the old image intact? Which Godzilla franchise movie is your favorite?!

Looking forward to talking about this one! Leave your thoughts in the comments!

See you next time!

Prehistoric Planet does Fire and Ice in Episode 4 – Ice Worlds

Following up on last week’s post about Prehistoric Planet Episode 3: Freshwater, we’re back again with a post about Episode 4: Ice Worlds.

I feel like this is the most astonishing episode yet, and not because of any interesting behavior or fact about an individual dinosaur (although there was one really cool thing which I’ll touch on later on), but namely because I think I’m still just not used to seeing dinosaurs in the snow.

This should not be all that shocking. Paleontologists such as John Ostrom, and Robert Bakker were talking about warm blooded dinosaurs as far back as the 1960s and 1970s (a movement known as the Dinosaur Renaissance) and the original Jurassic Park movie, brought agile, social, warm-blooded dinosaurs into the mainstream 30 years ago.

While we should be able to extrapolate from this knowledge that dinosaurs would have lived in colder climates, having the information needed to figure something out, and actually figuring it out are completely separate things.

As such, I feel like the predominant climate in which we associate dinosaurs is still that of a rainforest or tropical setting. Indeed I can only think of two examples which might have dampened the shock. Robert Bakker’s Raptor Red, written in 1995, contains a long section in which Red and her pack live (I think) in the foothills beneath a mountain, and seek warmth and shelter in a cave to get away from snow (something we kinda see Antarctopelta do in this episode . . . well seeking out a cave at least). And then the most recent Jurassic movie, Jurassic World: Dominion, features a Pyroraptor (meaning FIRE THIEF how cool is that?!), swimming in cold water beneath ice while hunting, and an Apatosaurus doing . . . something at a lumber mill (probably due for a rewatch).

This is . . . not a lot of examples. Granted, this is just my personal experience, but I’m assuming I’m not that far off from the average person, and maybe even a little more well versed considering I love dinosaurs and have posted about them on this blog (at the time of this writing) just over 20 times.

So that was the main take-away from this episode: Much snow, many dino. Wow.

The other part of this episode which I loved was seeing the Troodontid use a burning stick to smoke out prey, spreading an already burning forest fire (again FIRE THIEF!!). While this behavior seems unbelievable, “Firehawks” — fire-foraging birds which prey on animals fleeing the flames — exist today, in many locations from Africa to Texas.

I have not been able to get this idea out of my head since watching the episode. Could it show up in some of my fiction later on? I certainly hope so. Very cool.

Also, something I thought was really interesting about this particular dinosaur, it is apparently something of an amalgam of the different members of the family Troodontidae. I assume that this is because this section of the taxonomy seems to have multiple interpretations so it appears the show decided to remain as vague as possible.

As for the rest of the dinosaurs in this episode, many were familiar in shape, but not in specificity. Nanuqsaurus was not one I’d heard of, but it seems quite similar to T. Rex. Same for Dromaeosaurus which seems kind of Velociraptor-esque, and the aforementioned Antarctopelta was giving me Ankylosaur vibes.

We got to see two kinds of Hadrosaurs, and a distant relative of triceratops: Pachyrhinosaurus.

I’m sure I’ll be googling all of these dinosaurs in the months to come, including the very strange Ornithomimus and learning what else I can, but I was at least glad to make their acquaintance here in the snow.

If you haven’t yet, give this episode a watch, there is so much to explore here.

That’s all I have for now. Please let me know in the comments what you thought the coolest part of the episode was. Maybe write me a short story about a fire thief! hahah.

See you next time!

Celebrating my 2nd #NationalVelociraptorDay with Raptor Red

Hold on to your butts, it’s #NationalVelociraptorDay again.

This year, I again decided to enjoy a piece of fiction instead of attempting anything remotely resembling research, but I’m feeling this year’s post is at least heading in the right direction (last year’s post on Velocipastor was . . . something else).

Raptor Red was at least written by a real paleontologist . . . about the life and adventures of a Utahraptor pack. Damn. Well there’s no #NationalUtahRaptorDay so far as I can tell.

Also, the image of Velociraptor that I assume most people associate with the term — from nearly a quarter century of watching and rewatching Jurassic Park for almost any reason at all (just me?) — actually has more to do with the real Utahraptor than it does with the real Velociraptor.

As you can see from the graphic, the big red raptor (Utahraptor; also good job Scott Hartman for doing Utahraptor in red like the title of this book) and the purple raptor (from JP) are roughly related when it comes to size. The real Velociraptor, in blue, is quite tiny by comparison.

Interestingly, as Raptor Red author Robert T. Bakker (of Dinosaur Renaissance fame) describes in the opening pages of his book, the designs of the velociraptors in Jurassic Park already had their dimensions before Utahraptor was ever found in Gaston Quarry in 1991 (Wikipedia points out that some Utahraptor bones were found in 1975 as well but not well known). Bakker would know, apparently he was helping Spielberg’s artists with the anatomy.

Is This Post Secretly About Jurassic Park?

No. I was just feebly attempting to defend my myself for talking about the wrong kind of raptor.

About Raptor Red then?

Yes! Onto the reason we’re here. How was Raptor Red?

Honestly, quite a lot of fun to read.

After the confusion that was 65, it felt really good to reengage with dinosaurs again in a way that felt both thoughtful and passionate. It is clear that Bakker has a real love for these ancient creatures and his attention to detail was astounding (though I can’t speak to its accuracy. 1995 was a long time ago so I’m sure some things have changed and also I just wanted to read and have a good time).

On a surface level, Raptor Red reads a little like an episode of Prehistoric Planet, dolling out information about how Utahraptors may have lived, providing some interludes from the points of view of other contemporary species, and showing us adaptations those species had for their unique niche.

In this capacity, Raptor Red exposed me to a bunch of new species I had never heard of before. Appearances by Astrodon, Acrocanthosaurus, and Ornithocheirus were new, as well as early mammals like Aegialodon, or marine reptiles like Kronosaurus. And it was great to see some old favorites too like Pterydactyls, Deinonychs, and Iguanadons.

But this is really only just the surface. I think the real draw of the story, and what keeps us reading is a second level altogether consisting of the humanity Bakker is able to give the Utahraptors which are essentially horrifying killing machines.

This happens in a few ways. Raptor interiority is one. Bakker represents their intelligence with more than just expert hunting tactics, but actual thoughts which is at first a little strange, but quickly palatable.

The pack dynamic and the constant struggle for survival are two more. In many cases, the tension of a scene comes from changes in environment which the raptors are not ready for, or not adapted to. They rely on either their aforementioned intelligence, or the bonds between themselves and the other members of the pack. Consequently, when those bonds begin to fray, trouble is always soon to follow.

This feels very human. And a lot more like a novel than a documentary.

So a third level which presents a kind of message or theme should not feel out of place, but a passage about the “momentous transition in family life from a male-dominated pack structure to an incipient matriarchy.” (pg 135), stood out to me as somewhat surprising. I have in my notes:

“Raptors fighting the patriarchy?”

Bakker explains later that inspiration for this came from how “Owls, hawks, and eagles have societies organized around female dominance, and we can think of tyrannosaurus and raptors as giant, ground-running eagles.” (pg 249).

Looking to these kinds of birds for inspiration makes sense (they are also raptors), but I think it was a detail that could have just as easily been left out.

But one I’m sure glad wasn’t.

Give this One a Read?

Absolutely. Two killing toe-claws way up for Raptor Red. This book has both the detail and science of a documentary, as well as the drama and catharsis of a novel. It’s clear that Bakker has a deep sense of awe, and a love for dinosaurs, but also the ability to tell a great story like a novelist. I can’t imagine a better way to spend #NationalVelociraptorDay, then with a copy of Raptor Red.

That’s all I have this week. Has anyone read this one? What were your thoughts? Please leave them in the comments section. I’d love to talk about this one.

Rereading Jurassic Park After a Decade . . .

This June has been a wonderful month. A dinosaur filled month.

I’ve studied up on paleontology with Darren Naish’s Dinopedia, got to see some dinos in my favorite settings with Prehistoric Planet Ep. 2: Deserts, and then finally saw the most recent ‘Jurassic’ film TWICE(!), Jurassic World Dominion.

But I’ve only got time this month for one more Dino-centric post and I thought it might be fun to go back to the beginning with a reflective review of Michael Crichton’s original Jurassic Park novel.

For a lot of people, this is the thing that started it all. The thing that, in Naish’s view:

“. . . did more to introduce the public to the “modern view” of dinosaurs — the Dinosaur Renaissance view — than any other effort.”

Naish, Darren; Dinopedia: A Brief Compendium of Dinosaur Lore. (2021)

In the days of my youth . . .

I’m pretty sure that it was the film which first fascinated me as a child (I was only 3 months old when the book came out) but without this book, there never would have been a film (although Naish says there was a screenplay in 1983 so perhaps it still would have been).

This book seems to be another book lost to the record of not having GoodReads before 2011 (see Rereading Dune After a Decade), but if memory serves this was a book I was supposed to read in my senior year of high school (big year for me as a SFF reader it seems), but the teacher decided he was tired of teaching that particular Crichton novel and decided we should read Sphere instead (side note: I got very sick that year and tried to read Sphere with a 104 degree fever so I wouldn’t have to catch up when I got back to school. Needless to say, I hallucinated several parts of that book and it was absolutely terrifying. Perhaps it’s good that did not happen with JP).

Heartbroken, I think I ended up complaining to my dad and he presented me with his old copy, assumedly from 1995, if I tracked down the right edition, when the movie came out and he first read it.

No surprise, I was completely enthralled. I remember thinking Malcom was even cooler than he was in the movie, and probably thought I’d try to become a Chaotician if such things existed until I remembered that would literally just be a mathematician and I DID NOT like math during those times (I suppose math and I get along these days but I’m still not very practiced at it). Ironically, I don’t think reading this book kindled any desire in young me to become a paleontologist.

And Now?

Now that I’m older, and upon a second read, I think my opinion of the book has become a little more nuanced.

Actor Sam Neill (Alan Grant) has been quoted as saying today’s moviegoers would no longer accept Jurassic Park‘s slow-burn action pacing. In much the same way, the structure of Crichton’s masterpiece does not read at all like modern thriller. The opening pages are more or less a thesis on the state of (then) modern genetics research which reads more like a wikipedia article than a novel. It takes many chapters (in essence several prologues) to even meet any of our main characters with a kind of unfolding mystery that eventually leads us to the park.

My writer brain attributes this to the shear amount of situations Crichton needs to set up so he can dump exposition about dinosaurs on us without seeming to. Essentially, he’s worldbuilding, which is kind of strange to think about because we already know where we’re trying to get to, which is Jurassic Park, the name of the novel. However, certainly back in the early 90’s when this book first came out, a combined amusement park and zoo centered around genetically reincarnated dinosaurs must have seemed a pretty strange and (ahem) novel idea. We do not have that luxury of ignorance of what the novel is going to be about. We’ve known what this novel was about since about the time we were born.

Eventually the action does begin though, and when it does, it is thrilling in the extreme. Crichton really knows how to make his characters work for their survival and this novel was a great example of that. There were enough differences between the novel and the film that nobody who survived one, would be guaranteed to survive the other (slight spoiler: two character deaths in particular were baffling to me especially because one has a very prominent role in the sequel The Lost World! I’m tempted to dive into the next one just to see how he survived).

Again my writer brain derived quite a bit of enjoyment picking apart the differences between the novel and the film (both subtle and blatant) and pondering why certain changes were made and how they added to, or took away from the dramatic effect.

Of course, the part I loved the most about the whole thing was the dinosaurs themselves! Nearly every dinosaur description and behavior written into this book should be taken with a grain of salt (again take a look at Naish’s Dinopedia for the major mistakes). Some of this is because we’ve learned so much since this book came out, and some of it is choices Crichton made for dramatic effect, but either way, the dinosaurs are just sooo coooool.

Also, there was a considerable amount of things he got right which was also great to read.

Finally, now that I’m older, and I have learned a little bit more about the subjects featured in this awesome book, it was really cool to see just HOW MUCH research Crichton did to write this book. Of course the dinosaurs themselves, but also other little things like Dr. Alan Grant being a hadrosaur expert, and centering his career around studying their nests, which was a reference to Jack Horner, a real paleontologist who studied hadrosaur nests and consulted on the JP film when it came out.

I’d be remiss if I did not admit that there were other awkward parts in the in the novel besides the pacing which made it feel a bit dated. I caught a few objectifications of Dr. Ellie Sattler though certainly he has come a long way since novels like Easy Go.

Also, a chapter near the end entitled “Destroying the World” in which Malcom explains to Hammond the many different paradigm shifts our earth has encountered. How currently most organisms need oxygen to survive when three billion years ago plants producing oxygen actually created a crisis for contemporary organism for which it was a poison much like we consider fluorine.

When Hammond brings up that the ozone layer is getting thinner, Malcom suggests that: “Ultraviolet radiation is good for life. It’s powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation.”

Eventually he ends the segment with:

“Let’s be clear. The planet is not in jeopardy. We are in jeopardy. We haven’t got the power to destroy the planet — or to save it. But we might have the power to save ourselves.”

Crichton, Michael; Jurassic Park pg. 369 (1995)

Now it seems to me, that the point he is trying to make here is exactly the type of point Maclom would make which is: Life will find a way.

Even if that life is not human beings. That we should be less worried about “the planet” and more worried about ourselves. At least that is the way I WANT to read this chapter.

However, I’ve heard some things about Crichton being a climate change denier (check out his talk a Cal Tech in 2003 called Aliens Cause Global Warming). Apparently his opinions on climate change are made very clear in the “Afterward” of State of Fear, a novel which I own and enjoyed but apparently did not read thoroughly enough. I’m sure at some point there will be a follow up.

So Did it Hold Up?

In my opinion, yes. Jurassic Park is still a great novel despite the way times have changed around it. I think that some of the paleontology has matured since 1990, as well as some of our social attitudes, and modern readers may struggle with the pacing at the beginning, but ultimately, I think this one still thrills to read. Highly recommend.

That’s all I have for this time around. Has anyone read this? What were your favorite parts? What is your favorite dino? Would love to talk about this one!

Until next time . . .