Digital screenshot of website interface structured into three-column format with dark vertical sidebar at left, central main content area, and slim navigation column at right. Site header identifies subject as “Alex Boya” with profile page dedicated to projects and activities. Top of main content column displays horizontal banner illustration in monochrome ink depicting humanoid bust with turbine-like engine head, seated behind bar counter with bottles and shelves, composition framed within architectural interior. Beneath banner, page organizes content into three stacked article previews.

First article titled “Dernier verre avec Justine” features illustration identical to header, paired with text excerpt beneath. Second article presents photographic scene from Festival 2019, crowd of people gathered at Café Court event with Espresso signage visible in background; article caption emphasizes return of Espresso program and festival continuation. Third article highlights portrait of individual in front of abstract colorful backdrop with arms crossed, title reading “Café court – Alex Boya.” Each article preview block includes thumbnail image, bold red title text, excerpt paragraph, and red link button labeled “Lire la suite.”

Right-hand column lists related navigational links and tags, including author name, article references, and thematic categories. Sidebar on left displays structured menu hierarchy: homepage link, thematic categories such as “Actualités,” “Articles,” and “Entretiens,” as well as search bar and social media icons. Footer region of page displays multiple logos of partner organizations, including Telefilm Canada, SODEC, ONF/NFB, Conseil des arts du Canada, and media partners, arranged in horizontal row against dark background.

Visual layout emphasizes clear separation of functional zones through background contrast: dark grey sidebars flanking white central content, red highlights marking interactive buttons and category labels. Typography employs sans-serif fonts for body text and headers, consistent with contemporary web design standards. Images alternate between illustrative artwork and documentary photography, creating balance between artistic representation and event documentation. Overall webpage structure functions as professional portfolio and news archive presenting Alex Boya’s artistic contributions, public events, and institutional associations within structured digital interface.

Interior scene showing a person seated cross-legged on a cushioned surface against a vertical wall decorated with a large circular mural. The mural consists of radiating linear segments arranged concentrically around a central hub, resembling a mechanical wheel or architectural rose window, with layered shading defining depth. The seated individual wears a long-sleeved dark garment with translucent mesh sections, layered jewelry including necklaces and bracelets, and dark trousers. Hands are engaged in manipulating a transparent plastic bottle partially filled with water, with one hand gripping the container while the other twists the cap. The figure’s posture remains upright, with legs folded and positioned symmetrically across the cushion. Illumination originates from a single overhead or lateral source, casting directional shadows on the mural and figure, creating tonal contrast between light and shaded areas. The overall environment consists of neutral surfaces with minimal furnishing, focusing attention on the central subject and the large radial design behind. The animated format captures repetitive hand motion associated with bottle cap adjustment.