Music in 2025

I really like it when people post their end-of-year music round-up. Colly, Jon, and Naz have all posted about music they listened to in 2025.

I recognise almost none of the albums that they’ve listed. That’s because my musical brain has been almost entirely conquered by Irish traditional music.

2025 was a year filled with music for me. Mostly it was music that I was playing. I think I might’ve spent more time playing music than listening to music this year. I like that ratio.

Brighton has a healthy session scene. Most weeks I get to play in more than one. Even better, I had some great tunes outside of the pub environment, calling around to people’s houses or having them over for a nice cup of tea with some jigs’n’reels.

Most of my travel in 2025 was music-based. The Willie Clancy Summer School in County Clare. Belfast Trad Fest in Northern Ireland. The Cáceres fleadh in Spain. The inaugural Namur Irish Music Festival in Belgium.

There’s nothing better than being in a good session, and I enjoyed some great ones this year. I think my mandolin-playing has benefited from it too.

I also got hold of some albums released in 2025…

The second Copley Street album is, unsurprisingly, excellent.

The second volume of Mná na bPíob is, also unsurprisingly, also excellent.

But I think my favourite album of 2025 is Òran na hEala by Maurice Bradley. Terrific tunes, superb piping, and equally superb fiddle playing.

I’ve been in a session two with Maurice Bradley during previous tradfests in Belfast. I was looking forward to seeing him there again this year to tell him how much I like the album. Alas, he passed away shortly after the album was released. Ar dheis Dé go raibh a anam. A great loss to Irish music.

Oh, I did get one album released in 2025 that isn’t traditional Irish music, and it’s really, really good:

Deep Black Water by Salter Cane.

Okay, that’s cheating because I’m in the band, but honestly, I think the album is genuinely excellent. Every track is a banger, in my somewhat-biased opinion. Have a listen for yourself and see what you think.

My wish for 2026 is that I’ll have plenty of opportunities to play those songs live. In between all the sessions.

Playlist J (part 2) – The Irish Mandolin – a website from Aidan Crossey

I had fun coming up five trad music tracks related to the letter J.

• Jenny’s Welcome To Charlie
• Jayne Pomplas
• Jig of Life
• Julia Delaney’s
• Jim Donoghue’s

geoTrad - Google My Maps

Well, this is a rather wonderful mashup made with data from thesession.org:

The distribution of Irish traditional tunes which reference place names in Ireland

Fairweather Fiddlers @ Brighton Acoustic Club Aug 2019 - YouTube

Myself and Jessica joining in some reels and jigs.

Sessions Map

This is nifty—a map of all the Irish music sessions and events happening around the world, using the data from TheSession.org.

If you’re interested in using data from The Session, there’s a read-only API and regularly-updated data dumps.

Banjos and Discrete Technologies | stevebenford

An examination of how sites like The Session are meshing with older ideas of traditional Irish music:

There is a very interesting tension at play here – one that speaks directly to the design of new technologies. On the one hand, Irish musicians appear to be enthusiastically adopting digital media to establish a common repertoire of tunes, while on the other the actual performance of these tunes in a live session is governed by a strong etiquette that emphasizes the importance of playing by ear.

There’s an accompanying paper called Supporting Traditional Music-Making: Designing for Situated Discretion (PDF).