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Ellen Poe: The Forgotten Lore Review

An image of the cover art for Ellen Poe: the Forgotten Lore. The cover depicts a teenage girl with shoulder-length brown hair walking toward the viewer down a foggy city street at night. There are lit lamposts to her left and a raven flying overhead.

Ellen Poe: The Forgotten Lore by Diana Peterfreund is a YA mystery with a touch of horror, which will officially be released on April 7, 2026. The publishers were kind enough to send me an advance copy for review.

As the title suggests, the novel draws on the works of Edgar Allan Poe for inspiration. Ellen Reynolds is a supposed descendant of Poe from one of his forgotten relationships. Even though it may only be a rumor, much of her family is Poe-obsessed, including Ellen’s aunt, with whom she’s currently living while her father is away for several months on a job. Aunt Marie is trying to launch a Poe-themes Bed and Breakfast, decorating some rooms according to Poe’s theories on furnishings, and others, including Ellen’s bedroom, around his stories. Ellen herself would prefer to downplay her connection, but while helping her aunt sort through boxes, she finds an old journal which appears to have belonged to Poe. It’s written in code, as Poe was known to do, and immediately after finding it, Ellen begins seeing Poe’s ghost. She’s already been having bad dreams since coming to live with her aunt, seeing dead people who appear to be in torment and waking with the feeling of being suffocated. Ellen’s already complicated life is further complicated when a new student named Gus joins her class and she immediately recognizes him as the dead boy from her dreams.

While there are references to Poe’s horror stories and poetry throughout the novel, Peterfreund leans most heavily into Poe as the originator of the modern detective story. There are two intertwined mysteries for Ellen to unravel – the mystery of her dreams and Gus’ death/near-death and the codes in the journal, which as she begins to solve them lead to a larger mystery surrounding artifacts related to Poe hidden across the city in various locations tied to his life and death.

The book is the first in a series, but strikes a good balance between wrapping up enough of the mystery, while leaving other threads open, to feel satisfying on its own. There is a light romance element, but the primary focus is on friendship as Ellen finds someone with common interests who encourages her to be herself in Gus, and also repairs another friendship that fell apart over a miscommunication. The true heart of the story though is Ellen figuring herself out, accepting her strengths and weakness, deciding what kind of person she wants to be, and coming to terms with her family legacy and both the positive and negative aspects of her relationship with her father.

The mystery elements blend well with the coming-of-age elements and the idea of finding one’s place in the world. There are some nice historical tidbits for Poe fans, and Peterfreund does include notes at the back pointing to which elements are taken from Poe’s life and which are inventions of the book. Overall it’s smoothly written and a satisfying read.

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Spring and Summer Happenings

I’m not sure how it’s already almost March. How does time work? Does it even work anymore. Anyway, despite feeling perpetually behind on everything, days insist on continually happening in the right order and moving ever forward. Here are some places I’ll be and things I’ll be doing over the next few months. All of which will be here sooner than I think!

Charm City Spec Reading

March 4, 2026 from 5-7pm on the 27th Floor Observatory of the Baltimore World Trade Center. Readers include: Chris Campbell, Elwin Cotman, Andrew Hiller, Somto Izehue, James Slater Simmons III, Gina Tron, and A.C. Wise.

Brooklyn Books and Booze

April 21, 2026 from 7-9pm at Barrow’s Intense Tasting Room in Brooklyn, NY. Readers include: Clay MacLeod Chapman, Tim Chawaga, Ed Lin, and A.C. Wise.

An Evening with Gwendoyln Kiste

April 22, 2026 at 6:30pm at Doylestown Bookshop in Doylestown, PA. I’ll be in conversation with Gwendoyln about her wonderful new collection, The Haunted Houses She Calls Her Own, which is officially out on April 14 and available for pre-order now!

StokerCon

June 4-7, 2026 at the Westin Pittsburgh in Pittsburgh, PA. Schedule TBD.

KGB Reading Series

June 10, 2026 at 7pm at KGB Bar in NYC. I’ll be reading alongside Nicholas Kaufmann.

Readercon

July 9-12, 2026 at the Boston Marriott Burlington in Burlington, MA. Schedule TBD.

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Favorite Novels of 2025

The cover art for Wearing the Lion shows a silhouetted male figure wearing a toga-style garment, carrying a lion over his shoulders. A deer and a multi-headed serpent look on from either side of him. The art style is reminiscent of the artwork on ancient Greek and Roman vases.

The Butcher’s Daughter: The Hitherto Untold Story of Mrs. Lovett by David Demchuk and Corinne Leigh Clark

As the title implies, this novel tells the story of Mrs. Lovett of Sweeny Todd fame, who helps the murderous barber dispose of his victims by baking them into pies. The authors make effective use of the epistolary style, with a series of letters written by a woman at a Priory to an investigative journalist looking for Mrs. Lovett, following up on the rumor that she’s hidden away in a convent, in order to frame the story. The novel is atmospheric and immersive, with a fantastic voice that is evocative of its historic setting. It does an excellent job of giving Mrs. Lovett the spotlight, making her more than the demon barber’s lovestruck accomplice, and transforming her into a rich, layered, and complex character.

Listen to Your Sister by Neena Viel

Listen to Your Sister is a sharply-written horror novel with a strong voice and fantastic characters. Calla is trying to raise her younger brother, Jamie, and while her other brother, Dre, is supposed to help, he’s largely useless. Neither brother listens to her, forcing her to carry the weight of responsibility for the family, and do all the emotional labor. Her mounting frustrations come to a boiling point when her nightmares – one of the things she’s been trying desperately to get her brothers to listen to her about – spill over into the waking world and endanger them all. The novel does an excellent job with complicated family relationships, while also looking at grief and guilt, among other themes.

Death on the Caldera by Emily Paxman

Death on the Caldera is an Agatha Christie-style mystery set in a magical world, with a sprawling cast of characters, all with possible motives. Davina is determined to move to the city and go to university, but her brother Kellen, who is about to become king, has forbidden it. Rae is on the run with her mother, and has been warned to be on the lookout for a man whose description sounds very much like Kellen. They all find themselves on a train together, but an explosion derails it and the conductor is murdered, stranding them along with a group of strangers/plausible suspects. As a hunt for the culprit begins, Davina realizes there are things about herself that she doesn’t know, but which her brother might, and they may be among many other secrets that he’s keeping from her. The novel is fast-paced, smoothly written, the magic plays well with the mystery, and the whodunnit wraps up in a satisfying way.

Blood as Bright as the Moon by Andrea Morstabilini

Just when it seems the vampire genre surely must be played out, along comes a year with two books that offer a satisfying new take on a familiar monster. Morstabilini works in elements of fairy tales, classic science fiction, and Gothic literature in a tale of four vampires in isolation in a crumbling manor. Their self-appointed leader enforces a strict code, insisting a higher purpose waits for them all. All they have to do to claim their rightful place is to build wings and fly to the moon, the true home of vampire kind. The novel variously explores belief, mythology and legends used as a means of control, found family, and the meaning of home. It’s full of lovely and striking imagery, balancing gore and moments of sweetness, and ultimately looking at what it means to belong.

The Buffalo Hunter Hunter by Stephen Graham Jones

The second of the two books referred to above bringing fresh life to the undead, and putting a new spin on vampire mythology. Like many classic horror stories, this one if framed with layers of nested narratives. A scholar uncovers a a diary written by one of her ancestors, a Lutheran pastor, which in turn relates the confession he received from a man going by the name Good Stab. The story Good Stab tells relates his transformation at the hands of a Cat Man with sharp teeth, leaving him unable to die, roaming the land and acting as both hunter and hunted. A complex, intertwined history unfolds in a story of colonialism, racism, and revenge. After breathing new life into slashers and werewolves, among other horror tropes, it’s wonderful to see the author take on vampires – brutal, bloody, immersive, and overall, fantastically done.

The Grimoire Grammar School Parent Teacher Association by Caitlin Rozakis

Caitlin Rozakis has a true talent for blending fantasy, humor, and charm in her novels, while also touching on serious subject matter. While not a sequel to her debut novel, Dreadful, The Grimoire Grammar School Parent Teacher Association is set in the same world. Here, the story focuses on Vivian, a non-magical mother whose daughter, Aria, was bitten by a werewolf, and is now attending a school for magical beings. Vivian is thrown into a world she didn’t know existed, forced to try to navigate a whole new set of rules and integrate herself into a new friend group, while trying to disprove a dark prophecy that appears to be about her daughter, and deal with all the petty sniping and personality conflicts that come along with serving on a parent teacher association. While there is a lightness to the novel, there is also both heart and heartbreak. Aria is having trouble adjusting, as if Vivian. She’s doing her best to support her daughter, while feeling lost and overwhelmed, leading to tension with her husband, conflicts with other parents, and making the guilt she carries for being the one who was with Aria when she was bitten even worse. The story can be read a metaphor for a neurotypical parent raising a neurodivergent child, an immigrant coming to a new country being forced to adapt, or simply as a straightforward and lovely story about a non-magical mother trying to do her best by her werewolf daughter.

The Starving Saints by Caitlin Starling

Publishing is weird. Sometimes, years go by between an author’s books being released, and sometimes schedules align in such a way that an author has two excellent novels and a novella all come out in the same year. Along with The Starving Saints, Caitlin Starling published The Graceview Patient, a wonderful body horror novel, and The Oblivion Bride, a fantastic novella about the cost of magic, this year. It was difficult picking just one to highlight among my favorites, but know that all three are well worth reading. The Starving Saints is set in a walled city under siege, told primarily through three points of view – a “madwoman”/ex-communicated nun expected to perform a miracle to save the city, a young woman trying to escape, and a knight assigned to guard the madwoman. As the city’s supplies dwindle and its people grow increasingly desperate, four people claiming to be the Saints that the city venerates show up, asking for fealty and worship. The novel feels like an unhinged medieval illustration come to life in the best of ways, perfectly blending together faith, horror, and magic.

The Unkillable Frank Lightning by Josh Rountree

What if Frankenstein, but Weird Western is the basic thesis statement of this novel, but at the same time, it’s so much more. Rountree has written a series of works reimagining classic monsters, and this is the latest, loosely connected to his 2023 novel, The Legend of Charlie Fish. Dr. Catherine Coldbridge is both a doctor and a practitioner of magic. When her husband, Frank, dies, grief and obsession drive her to bring him back, rebuilding his body and finding his soul on the astral plane. But Frank comes back a killer, and Catherine flees, wracked with guilt. Years later, Catherine has enlisted two hired killers to help her bring Frank down, even though he seems to be unkillable, working for a wild west show where his resurrection act thrills crowds. Rountree does a wonderful job of making Catherine a deeply imperfect, yet sympathetic character, motivated first by obsession and ambition, and then by guilt. The blend of history, magic, weird, western, and nods to the Gothic classic Frankenstein, all work incredibly well together, and I can’t wait to see what monster Rountree reimagines next.

Wearing the Lion by John Wiswell

When I think of John Wiswell, I think of kindness – both as a person and in the vibe that suffuses his work. Wearing the Lion is a reimagining of the myth of Heracles, and its core is the question: what if we all made kinder choices. What if instead of slaying monsters, the great hero befriended them? What if we all found a way to forgive ourselves and our enemies, even if doing so is the work of a lifetime? It could be saccharine, but it isn’t. Wiswell’s Heracles starts the book like an over-enthusiastic puppy, a superfan of his Auntie Hera, who in turn, despises him and is determined to see him ruined. Heracles suffers, over and over again, loses everything and even temporarily loses himself, but at the end of the day, he still makes the kindest choice he can. And eventually, he emerges on the other side – if not whole, at least healing. It’s a gorgeous novel and it’s gorgeously written, and honestly, we could all use a little more kindness in our lives, no?

Staircase in the Woods by Chuck Wendig

Chuck Wendig is good at horror, and in particular, horror that says something about the human condition. Staircase in the Woods, at its heart, is a novel about coping with guilt and grief. A group of friends go into the woods one night. They find a creepy staircase among the trees that seems to go nowhere. One of them climbs it and vanishes. Years later, the remaining friends, all battling their own demons, gather again. They find another staircase waiting for them, and this time, they climb it together in hopes of bringing their friend back. The novel is full of highly effective and eerie imagery, and the characters each bring their own hauntings with them, making the other horrors they encounter all the more frightening.

The Unworthy by Agustina Bazterrica (translated by Sarah Moses)

Originally published in Spanish in 2023, The Unworthy first appeared in English this year. It’s a brief novel, lush and poetic, and packs a lot into a short space. A group of women in a post apocalyptic/post-collapse setting live in a former monastery in a very rigidly hierarchical society. Some of the women have been blinded, others have had their hearing or tongues taken away. There are strict punishments, an emphasis on faith cleansing them of their sins, and one man who no one ever sees dictates all the rules. The novel plays with dichotomies in interesting ways and does fascinating things with the concept of absence, silence, and information withheld. The central character’s story unfolds slowly, and it’s all the more effective for it. Overall, it’s brilliantly done.

The Bewitching by Silvia Moreno-Garcia

This novel unfolds across three time periods, each with a mysterious disappearance that may or may not be caused by witches. Minerva is researching the work of Beatrice Tremblay, an author whose most famous novel relates the true story of her roommate’s disappearance back when she was a student at the same school Minerva now attends. Minerva grandmother’s also told stories of her brother’s strange vanishing when they were young, and the more research Minerva does, the more connections she discovers. Meanwhile, a student seems to have vanished in her own time as well. There are some lovely and eerie sequences throughout, and Moreno-Garcia does a wonderful job building intriguing characters and maintaining an element of doubt. Are there witches involved or is there a simple human explanation?

Spread Me by Sarah Gailey

Are you a fan of John Carpenter’s The Thing and/or Who Goes There? by John W. Campbell, but wish they were more erotic? This may be the book for you! Kinsey is the leader of a six-person expedition working at a remote desert station. The group comes across a strange specimen, bringing it inside and accidentally unleashing an infection. Is it accidental though? Kinsey’s kink is viruses; she’s desperately turned on by the idea of being taken over by one, but for the sake of her crew, she’s fighting to suppress that part of herself as the virus ravages the research station, replacing and impersonating her friends. Spread Me is fast-paced, sexy, and horrifying in the best of ways.

The October Film Haunt by Michael Wehunt

Michael Wehunt’s debut novel builds upon some of his previous short fiction, centered on the Pine Arch Creature, a terrifying maybe-urban-legend in the vein of Slender Man, in that the stories surrounding it very much play with the line between fiction and reality. Jorie and her friends used to run a popular horror blog, visiting the filming locations of various horror movies. One particular movie, Proof of Demons, still haunts Jorie, in that what she wrote about it may have indirectly caused a young girl’s death. When she receives a tape that appears to show alternate scenes from the movie, she’s drawn back into the mystery surrounding the film. Who is the original movie’s reclusive director? Are the rumors of a possible sequel true? Is Jorie an unwitting part of that sequel, hunted, haunted, and stalked while hidden cameras capture every moment of her terror? The novel does a wonderful job examining the line between reality and fiction, the role of fans in creating a work and giving it life beyond the original creator, and similarly, how belief can be a creative force in its own right.

Red Star Hustle by Sam J. Miller

I’m not actually sure whether this is technically a novella or a short novel, but I’m listing it here. Red Star Hustle is one half of a Saga Double, paired with Mary Robinette Kowal’s Apprehension, which I’m relatively certain is novella length, and is also an excellent read. Aran is a Rent Boy whose client is brutally murdered, leaving him the prime suspect. As he goes on the run, he meets up with Resh, the clone/son of a powerful exiled leader, and the two fall for each other immediately. Meanwhile, Imadi is an ex-mech fighter, carrying immense guilt over her twin sister’s death, and whose mother heads one of the largest security companies. She’s been tasked with tracking Aran down. Their paths converge, secrets are reveals, and the stakes become increasingly high. Along with slick writing, strong action, and wonderful characters, the novel offers a powerful exploration of addiction, guilt, and complicated family relationships.

Space Trucker Jess by Matthew Kressel

When I heard Matt read from this novel at a convention, he told the audience to imagine Jess’ voice as Natasha Lyonne’s. It absolutely works. I read the novel with her voice in my head – her snark, but also her heart and her vulnerability. As the novel opens, Jess is saving up for her dream ship and a chance at a better life. Just when she thinks her goal is in sight, she learns her dead-beat, con artist dad has been taken, and despite their troubled relationship she sets out to find him. Kressel does a fantastic job of layering new complications into Jess’ life in a way that feels episodic, but also builds into a larger story. There are space gods and galactic conspiracies, and Jess finds herself rescuing more than a few strays along the way. The worldbuilding is rich, the voice distinct, and the novel feels truly epic.

The Everlasting by Alix E. Harrow

I’ve loved just about everything I’ve read by Alix E. Harrow and The Everlasting is no exception. It draws inspiration from, and nods towards, Arthurian legend, but rather than a simple re-telling, it deconstructs and interrogates the concept of a national mythology, while also creating a new legend. Owen Mallory is a scholar and former soldier, fascinated with the myth of Una the Everlasting, the greatest knight the Dominion has ever known. Her story is the reason he went to war, and when he gets the chance to translate a previously undiscovered accounting of her life, he can’t believe his luck. The text he’s meant to be translating is stolen, and when it’s returned to him, the pages of the book are blank – because he hasn’t written them yet. Owen finds himself flung back in time, meeting Una herself, and charged with making sure her story becomes the inspirational building block of the Dominion. The writing is gorgeous and the characters are wonderful, their evolving and intertwining stories by turns beautiful and heartbreaking. The novel delves into why we tell stories, what purpose they can or should serve, whether there is such a thing as free will for those caught inside the web of narrative, and where the dividing line lies between mythology and propaganda.

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Favorite Media of 2025

The film poster for Sinners depicts a Black man in a sleeveless shirt, dark pants, and a gun holster. He is holding the gun down by his side and his head is slightly bowed. The backdrop is a bloody sunset, and there are indistinct figures in the distance behind him, silhouetted against the light.

This is one of the areas where I consistently feel the most behind. With movies and TV especially, I also don’t have a good sense of when things came out. Everything is either upcoming, or it came out years ago, and things that are new to me, probably everyone else had already watched/played them and moved on. That said, here are some movies, TV shows, and games that I’m reasonably confident did in fact come out this year and that I enjoyed.

Sinners

This is the obvious one, right? Written and directed by Ryan Coogler, beautifully shot, brilliantly acted all around but particularly by Michael B. Jordan in his dual role as twins Smoke and Stack, and Miles Canton as Sammie – a performance that’s doubly impressive for being his acting debut. It’s a slow-burn monster movie where the monsters don’t even show up until late in the game. It’s also a movie about music, family, community, belonging, but also regret, loss, and violence. The gore feels earned when it is deployed, and similarly the music is such a core part of the storytelling, speaking volumes on its own. Is is a musical? A horror movie? A historical drama? All of the above? Yes. Whatever you want to call it, it’s a damn good film and it deserves all the praise thrown its way.

K-Pop Demon Hunters

Tonally, this is a different movie from Sinners, obviously, but there is crossover. They’re both monster movies where music is a core part of the experience. They’re both, to a degree, about community and family. They were both runaway hits this year, but K-Pop Demon Hunters is probably the more surprising of the two, though it probably shouldn’t have been. Catchy songs, bright colors, appealing to both kids and adults? What’s not to like? At its core, it’s a relatively straightforward story about being yourself, but it’s sweet, it doesn’t take itself too overly seriously, and it has fun along the way. Sometimes you just need something bright, joyous, and celebratory with an earwormy soundtrack and an adorable derpy tiger whose buddy is a multi-eyed crow.

Weapons

The premise of this movie, printed right on the posters, is incredibly effective, creepy, and hooky. “Last night at 2:17 am every child from Mrs. Gandy’s class woke up, got out of bed, went downstairs, opened the door, walked into the dark–and they never came back.” Perfect, right? The movie gave us several new iconic horror images and moments – the children running down the street with their arms out, the sticks being snapped, Gladys. There are jump scares, but they didn’t feel obnoxious. The layering of various viewpoints to build the story worked well, and the unexpected humor was a nice counterpoint to the tension.

Wake Up Dead Man: A Knives Out Mystery

Okay, it isn’t technically speculative fiction, but also isn’t it a little bit? Benoit Blanc feels like a mythic figure by this point, his third movie. His powers of reasoning and crime solving seem near supernatural. He shows up, transforms lives and towns, and moves on, presumably never to be seen again. It wouldn’t feel like a stretch to learn that he’s a Time Lord, is what I’m saying. Rian Johnson does an excellent job building characters quickly, so that even when those characters are fairly straightforward, they feel complete, understandable, and motivated. The movie is beautifully lit, framed, and shot, and the actors all do a fantastic job. It manages to comment on the genre without feeling like it’s undermining or mocking it, and as mysteries go, it’s just good fun.

Poker Face

Speaking of Rian Johnson, mysteries, and things that aren’t technically speculative fiction but kind of are – Poker Face season two aired in 2025. Charlie Cale’s ability to tell when someone is lying is basically a superpower, and the show doesn’t feel the need to justify or explain it. It’s just a thing, and the way the show is constructed, you’re willing to go with it. The structure of each episode is similar to the structure used in Wake Up Dead Man. The crime occurs, all the pieces are laid out, and then Charlie shows up halfway through to solve the mystery, and you get to see where she fit into the story all along. It’s charming, and Natasha Lyonne is perfectly cast. There are fun guest stars throughout, and overall, it feels like a loving homage to 70s, 80s, and 90s television, Colombo in particular, which it references indirectly several times, and directly in season 2.

Haunted Hotel

Katherine inherits her brother’s haunted hotel, struggling to keep the business afloat while raising her two kids, Ben and Esther, and her sort of semi-adopted, semi-son, Abaddon, an ancient demon trapped in a young boy’s body. Katherine’s brother, Nathan, is one of the hotel’s hauntings, some of which are human and some of which are very much not. There’s a Gravity Falls vibe to the show, with most episodes having a simple monster-of-the-week premise, while also occasionally contributing to the larger season-long arc. The show starts off being fairly light-hearted, but does get into some heavier themes as it goes on. Like Gravity Falls, family is key to the show, and it definitely scratches that same itch of weird, funny, and heartfelt,

Doctor Who

What can I say? I’m a sucker for the show, and I enjoyed Ncuti Gatwa’s turn as the Doctor. It ended too soon; I would have liked to see more from him; I wasn’t ready to let go. But that’s the nature of the Doctor, isn’t it? I’m almost never ready to say goodbye to any single iteration of them, but at the same time, I’m excited to see what comes next. Overall, I felt Gatwa’s first season/series was stronger than the second, but a few episodes stood out this season. “Lux” had a lot of fun with animation and the line between fiction and reality. “The Well” took the Doctor back to a familiar planet, but had it look very different this time, and the monster felt very classic to new-era Who monster episode. “The Story & the Engine” did a lovely job celebrating the power of storytelling itself. Problems with Disney aside, it was fun to see Doctor Who with a larger budget, particularly as it impacted costuming. Rather than having one or two looks for an entire series, the actors got spiffed up in all kinds of fun threads, sometimes changing clothes multiple times an episode. In addition to getting cool period-appropriate clothing, it felt like the show was doing fun things with colors, mood, and style for each character. Like the Doctor, the show itself is always changing. It’ll be interesting to see where it goes from here.

Dead Take

As kids, my stepsister and I played a fair number of computer games together, but the ones we were truly obsessed with were the horror puzzle games 7th Guest and its sequel 11th Hour. Dead Take is very much in that vein, mixing puzzle gameplay with full motion video. It’s quite a short game. I knocked it out in about 6 hours, spaced out over a few days, but one could probably run through it in even less time. The puzzles aren’t complex, nor are they meant to be. There were one or two that caught me up, only because it wasn’t obvious that certain objects could be manipulated in certain ways, but otherwise, it’s the story that takes center stage. The premise is that you’re an actor, exploring the creepy, abandoned mansion of a director in the aftermath of a movie premier party for a role you didn’t get. Or did you? Solving each puzzle lets you piece together additional bits of the story, but the game leaves many elements open to interpretation. There are some effective jump scares, the atmosphere overall is pleasantly eerie, and the story offers a nice exploration of fame, obsession, and the churn of the Hollywood machine.

Clair Obscur: Expedition 33

I haven’t actually finished the game yet, but I can pretty confidently say it deserves all the accolades and awards it’s garnered thus far. Visually, it is stunning. The music is gorgeous. The acting is brilliant. The story is well-written. The three acts feel very distinct from each other, and the world and the characters evolve as the game unfolds. There are moments that are truly heartbreaking, but in a good way, or at least in a way that feels right for the world and the story being told. The monster design, the character design, the world itself, are all incredible – unique and lovely and beautiful and frightening. The gameplay itself is very twitch/reaction time based, which is not the type of game I normally go for, but it’s worth it for the story, setting, and everything else. Even when I get frustrated, I want to keep playing. The combat is satisfying when it goes right, and regardless, the game is breathtaking. Plus, you can be blood-spattered from battle and have very serious and emotional conversations while dressed in the most stereotypical French clothing possible, with a baguette strapped to you back. What’s not to love?

Two honorable mentions I want to throw in here are the co-op games RV There Yet? and Goblin Clean-Up. On its surface, RV There Yet? isn’t speculative fiction. Up to four blobby characters navigate their RV through a map, solving physics puzzles in order to get the vehicle through the increasingly absurd terrain while occasionally being attacked by bears, eagles, and alligators. Except ***SPOILER WARNING*** at the end you’re suddenly driving through a post-apocalyptic construction zone landscape while being shot at by helicopters, which makes me think the blobby characters were some kind of escaped science experiment all along, so maybe it is speculative fiction. Goblin Clean-Up, on the other hand, is very speculative. The premise is that you’re part of the clean-up crew that goes into dungeons after the adventurers have passed through, mopping up blood stains, feeding chunks of meat to the resident mimic, resetting traps without getting trapped yourself, and so on. I don’t particularly like cleaning in real life, but when it earns me fun hats for my cutesy goblin character and I’m using a slime on a stick to mop blood out of a dungeon, it’s actually rather satisfying.

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Favorite Short Fiction of 2025

The cover image for Nightmare Magazine's September 2025 issue features a female figure, seated crossed-legged and holding a bouquet of flowers. She is surrounded by butterflies. Her hair is a blue-green shade and half of her face has the appearance of a corpse.

As with most years, there were so many wonderful short stories and novelettes published in 2025 that I feel like I’m only just scratching the surface. I’m still (always) playing catch up, and I know there’s a lot that I missed or haven’t had a chance to read yet. That said, here are my favorites from among what I did manage to read this year. Hopefully you’ll find something new to you that you’ll love too!

Novelettes

In the Splinterlands, the Crows Fly Blind by Siobhan Carroll (Asimov’s January/February) – a story full full of excellent worldbuilding, with a strong voice, exploring complicated family relationships against the backdrop of a dangerous rescue mission.

The Temporary Murder of Thomas Monroe by Tia Tashiro (Clarkesworld, January) – a smoothly written and satisfyingly twisty story of a hit that quickly becomes complicated and a target who doesn’t stay dead.

Never Eaten Vegetables by H.H. Pak (Clarkesworld, January) – an effective and occasionally heartbreaking take on a Cold Equations-style story, where a gestation ship desperately tries to keep 500 embryos alive after they unfreeze ahead of schedule.

We Begin Where Infinity Ends by Somto Ihezue (Clarkesworld, February) – a beautifully written story of friendship and environmental recovery in a post-collapse world.

Symbiotic by Caroline Zhao (Clarkesworld, April) – a dream-like and flowing narrative that looks at the relationship between two characters who are part of the SYMBIOTIC program, feeling what the other feels and losing the boundaries between themselves.

Welcome to Kearney by Gary Kloster (Clarkesworld, July) – a story that explores sentience and the desire for connection as a caretaker for a historical town that seeks to recreate the America of the past comes across an injured droid who is being hunted.

A Tide of Paper by Leah Cypess (Asimov’s, September/October) – a satisfying historical mystery set in Venice where two brothers are drawn into a murder investigation after they stumble across a corpse and one of them begins seeing the dead man’s ghost.

Courtney Lovecraft’s Book of the Dead by Sam J. Miller (Nightmare, October) – effectively framed as a podcast interview with a drag queen and medium going by the name of Courtney Lovecraft, the story explores guilt and responsibility via angry ghosts who are sick of humanity’s bullshit.

The Millay Illusion by Sarah Pinsker (Uncanny, November/December) – a lovely exploration of the history of magic, and particularly the role of women on the stage, which takes a light touch with the speculative element but uses it effectively as a magician stages a final performance for those who doubted her.

Shadow Jack by C.L. Hellisen (Giganotosaurus, May) – a dark, surreal, and evocative story about a group of boys who serve in a strange religious order, cleaning up after the priests who make regular sacrifices in an attempt to ascend and become gods.

Chickenfoot Soup by Marika Bailey (Lightspeed, January) – a wonderful story that draws on fairy tales and is laced with darkness, following a young woman caught between trying to please her overbearing and cruel mother and trying to protect her young daughter, who ultimately turns to a witch for help.

Faith by Kate Maruyama (Analog, November/December) – a lovely and heartbreaking story about a woman acting as a caretaker for her mother who has Alzheimer’s, and whose research is also key to their survival on Mars, trying to learn as much as she can about how to keep the colony alive while also learning about her mother’s past and their family history before the stories are lost.

Short Stories

Kolumbo 1619: Choose Your Own Adventure by KÁNYIN Olorunnisolo (Khōréō 4.4) – a painful story framed as a choose your own adventure VR experience, where a Black man tries to navigate simply existing in the world where no outcomes are favorable.

Extreme Sports Club for Octogenarians by Kate Lechler (The Deadlands, January) – a touching story about a group of seniors who take up extreme sports, choosing the moment of their deaths and giving them meaning.

Red Leaves by S.E. Porter (Reactor, February) – a story full of lovely and striking imagery where, after his death, a young boy finds his ghost among other ghosts, stuck to a Reverend who lives in the nearby boarding house.

The Demon Metrazol by Ray Nayler (Asimov’s March/April) – a haunting story filled with quiet, queer longing, touching on the inhumane treatment of mental illness in the 1930s.

Cryptid or Your Money Back by Misha Lenau (Asimov’s March/April) – a lovely story about embracing monstrousness as a means of dealing with dysphoria, finding one’s place in the world, and not letting other define you.

A Recipe for Immortality (Serves 2) by Shreejita Majumder (Tales & Feathers) – a time travel story tucked inside a recipe, where a granddaughter taps into the magic of food and the connection provided by cooking to visit her grandmother as a younger woman.

Landline by Kelly Robson (Reactor, March) – a tense and frightening story of a mother desperately trying to get home to her young son during a storm after he calls her while she’s at the airport, saying that the power is out and his daddy is gone.

The Ballad of Easy Deaths by Steve Toase (Three-Lobed Burning Eye, March) – an atmospheric and evocative short story about lost roads and the old gods of the desert who require martyrdom from their followers.

Idle, Inc. by Benjamin Parzybok (Bourbon Penn 35) – a story with a Severance-like vibe about a man who figures out how to steal time from others and horde it for himself.

St. Dymphana’s School for Borderland Girls by Jocelyn Szczepaniak-Gillece (Weird Horror #10) – a sensual and eerie story about a group of girls at a religious boarding school who begin falling into ecstatic trances and subsequently disappearing.

Möbius Loop by Samir Sirk Morató (Khōréō 5.1) – a unique twist on a time loop story exploring cycles of violence, as a young boy meets an older version of himself after a spaceship crash-lands in his yard.

Track Eats Track by Avi Burton (Analog, March/April) – a brief but lovely story that packs an emotional punch, about a racer who wants out, while the company who sponsors his implants is intent on forcing him to keep racing.

Concerning the Multiplicity of Children in Central Florida’s Suburbanized Wetlands by Ichabod Cassius Kilroy (Analog, March/April) – a lovely yet painful story about two young siblings facing parental neglect, who each in their own way are haunted by multiple possible versions of the future.

Emily of Emerald Starship by Ng Yi-Sheng (Clarkesworld, June) – a lush reimagining of the play Emily of Emerald Hill, wherein a groom working in a stable falls for a young man whose mother traded her humanity to become a starship and build an empire.

If an Algorithm Can Cast a Shadow by Claire Jia-Wen (Clarkesworld, June) – a heartbreaking story exploring grief and loss, where a mother orders a digital double of her son following his death, trying to understand why he killed himself.

Highway 1, Past Hope by Maria Haskins (The Deadlands, April) – a haunting and gorgeous story about a murdered woman reassembling herself from spare bones to take revenge on her killer and protect another woman threatened by violence.

Because I Held His Name Like a Key by Aimee Ogden (Strange Horizons, June) – an absolutely beautifully-written story that traces the relationship between Alan Turing and a fae lord over several years, delving into questions about the nature of self and conciousness.

Mavka by A.D. Sui (Pseudopod, February) – a dark tale drawing on traditional folklore that explores what it means to survive as a family struggles against the threat of starvation, brutal winter conditions, and occupying soldiers.

The Peculiarities of Hunger by Woody Dismukes (Khōréō 5.2) – a brutal and effective story about a young boy from Brazil, adopted into an American family, who experiences fragments of his past and his heritage as a literal haunting.

Patient Was the Doctor by Victoria N. Shi (Analog, July/August) – a story with a strong emotional core about a psychologist called into a military base to try to gain insight into the mind of a wounded alien.

Every Ghost Story by Natalia Theodoridou (Reactor, August) – a story about grieving and letting go, set at a camp where the attendees undergo exposure therapy to help them deal with the sudden appearance of ghosts among the living.

The Heart is Hungry Above All Things by Avra Margariti (Three-Lobed Burning Eye, July) – a dark and effective story exploring co-dependence, responsibility, jealousy, and complicated family relationships as twin siblings care for their vampire-like brother and keep him fed.

Welcome to Spruceway by Brianne Battye (Augur 8.1) – an apocalyptic tale framed as an audio tour of an abandoned mall where several survivors have holed up, effectively conveying a sense of the world and the horrors that have occurred.

Genius, Borrowed and Brief by Julia Darcey (Analog, September/October) – a subtly eerie story with hints of cosmic horror about a struggling artist who comes across a computer program that creates fractal patterns that suddenly launches him into fame and fortune when he passes them off as his own work.

Whale Fall of Yours by M.M. Olivas (Uncanny, September/October) – a gorgeously written story that feels epic in scope, tracing the protagonist’s relationship with her girlfriend-then-wife, her slingshot mission into the stars, her wife’s cancer and eventual death, and her joining the crew of a starship that encounters a whale-like starbeast.

The Hungry Mouth at the Edge of the Universe and the Goddess Knitting at Home by Renan Bernardo (Reactor, August) – a lovely story about sacrifice and honoring family, where a woman wakes as a ghost on a starship to discover the bodies of her crewmates floating around her and a mysterious creature attacking the bridge.

Closed Doors by Mary Miseon Wu (Khōréō 5.3) – a surreal meditation on identity, belonging, and individuality, where a mysterious phenomenon sweeps across America and people begin joining with each other, forming vast human-shaped monoliths.

The Magnolia Returns by Eden Royce (PodCastle, October) – a lovely story about the magic of food, told through a series of vignettes, all centered around a butcher shop that appears when it’s needed and gives people the perfect dish to soothe their souls.

Magical Girl Antifa War Machine by Esther Alter (Escape Pod, March) – a story with a strong voice about four transfemme friends who touch an artifact, become magical girls, and fight back against fascism, while finding a new balance in their relationship and dealing with the mundane bullshit of daily life.

Slipcraft by Jarune Uwujaren (Fiyah 33) – a bittersweet story about a woman who can take over people’s bodies with a touch, and as a result struggles with relationships that feel real and meaningful, and with her sense of self.

The Nine Crashes of Flight Lieutenant Hilla Quinn by Louise Hughes (Kaleidotrope, Fall 2025) – a sweet story that explores the sense of self as pilot who is adjusting to her new body keeps crashing her ship, her frustration mounting that her movements and reactions times aren’t the same as before.

It Grows Back by Grant Collier (Cast of Wonders, October) – an unsettling and eerie story about a young boy who witnesses an accident at a construction site, which leaves him both literally and figuratively haunted.

Autogas Ferryman by Champ Wongsataynont (Nightmare, September) – a bittersweet story about a taxi driver who sees ghosts and tries to help them find peace, but can’t bring himself to drive the stretch of road where his own mother died.

How to Build a Homecoming Queen: A Guide by a Bad Asian Girl by Tina S. Zhu – a story about expectations and pressure, but also about personal growth, as a young woman builds a homunculus to take her place in classes and with her family obligations so she has more time to pursue her own interests.

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Award Eligibility 2025

The cover of The Dark Issue 127 depicts a pale figure with shadowed eyes and dark hair, wrapped in barbed wire. They stare outward at the viewer with their arms crossed over their chest. The background suggests snow and cold.

Here’s what all I did this year and where you can find it!

Wolf Moon, Antler Moon, Reactor, January 2025 (14,000 words – novelette/long fiction)

She can’t stop seeing them—the doe-girl skins hanging from the wall, turned inside out, cut and changed so the girls could never find their way inside them again.

Slay the Princess, Save the Dragon, Secret Romantic’s Book of Magic (Titan), June 2025 (7,000 words – short story)

The air here smelled like asphalt and identical houses, strip malls and parking lots and, of course, the plant itself – the stink of disappointment and failure. The plant where Ev’s mother had spent her days, and now spent her nights. The plant where Ev’s future lay, too, the only possible one she could see.

Her Shadow, Nailed to the Floor, 3-Lobed Burning Eye, July 2025 (2,874 words – short story)

We stand outside the schoolhouse, a huddle of uncertain birds, a collective knot of shoulders bowed low by grief. We, the parents of the children who are gone. 

Sick, Vampire Hunters: An Incomplete Record (Speculation Press), July 2025 (2,900 words – short story)

-Teeth pulled; canines etched with flowers; etchings darkened with shoe polish to achieve an effect like scrimshaw (full regrowth – 21 days)

Hold Us in the Light, Night and Day (Saga Books), July 2025 (6,180 words – short story)

The summer she’d turned twelve, the summer their mother left them, light had haunted her dreams. It had poured itself into the space behind her eyelids every night until she’d thrown the fucking carving she and Tristan had found in the quarry into the lake.

We Dwell in Its Many-Chambered Heart, Weird Fiction #11, Fall 2025 (3,630 words – short story)

Alanna digs at the scant gap of light surrounding the door. The improvised tool in her hand is flat and white and worn. She found it in her pocket when she woke. She’s fairly certain it used to be a bone.

Werewolf Girl Swallows the Moon, Howl: An Anthology of Werewolves from Women in Horror, November 2025 (4,420 words – short story)

She turned her phone so they could all see. Right there, in between endless make-up tutorials, dance trends, and the latest spicy food challenge, she’d found a video called How to Seduce Your Perfect Dark Lord. The Gothic Girls crowded around, breathless, and the Plan was born.

Most Like To…(Class of 1997), The Dark, December 2025 (5,850 words – short story)

I don’t know what I believe, looking back now, but I know what I believed then and what I picture when I remember that day. Natalie screaming. Her back arched. Her white gown turning red. Her feet lifting off the ground, the taut, painful bow of her body floating above the stage.

Us, In Another Universe, Lightspeed, December 2025 (1,440 words – short story)

In this universe, we fight because we can’t fuck. Call it Universe A, or One, the Golden Age where it all began. 

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Favorite Collections of 2025

The cover for Christopher Caldwell's collection, Call and Response, features swirling, cloud-like colors, in reds, oranges, creams, and turquoises. It brings to mind the surface of a planet like Jupiter, or perhaps roiling clouds.

I recently posted about my favorite novellas of the year, and now it’s time to turn my attention to collections. This felt like an especially strong year for short fiction collections, and I’ve already been lucky enough to read a few coming out next year that make me think 2026 will be equally stellar. There are still posts on novels, anthologies, and stand-alone short fiction on the way, but in the meantime, what have you read this year and loved?

Haunted Ecologies by Corey Farrenkopf

As the title implies, there’s a focus on ecological and environmental horror in this collection. As a result, a strong sense of place suffuses the stories, whether atmospheric and moody or desolate and melancholy, whether smelling of the sea or the deep, piney woods. Other themes that echo across the collection include family, difficult relationships, and people trying to do the best they can to understand each other, even amidst horrors. The collection overall is incredibly strong, but there were a few pieces in particular that stood out. Mother’s Wolves centers on a daughter searching for proof that wolves have returned to Maine while looking for her mother, who disappeared while studying them. Translations for a Dead Sea sees a woman living alone in a cottage on Cape Cod, finishing a translation of an epic poem discovered by her father, which draws monstrous creatures from the sea, but may also provide hope against something worse. Dredging the Bay is the story of a man who recovers trash from the ocean and discovers half a body in a washing machine, leading him to learn of a terrifying local practice of sacrificing people to the sea.

A Catalog of Storms by Fran Wilde

This is a gorgeous and lyrical collection that provides a wonderful sampling of Wilde’s work across fantasy, science fiction, and horror. As with Farrenkopf’s collection, there are themes of ecology and the environment at play here, along with various other themes that recur from story to story. It’s wonderful to see these works brought together and the way, when collected, they are in conversation with each other. There are stories exploring bodily autonomy and freedom, who gets considered a person and who gets overlooked, and who has access to healthcare. This, in turn, speaks to the stories about transformation, bodies changing forms, and people changing themselves through technology, explored through the lenses of horror, fantasy, and science fiction. Some stories crackle with anger, others are meditative, and yet others deploy subtle humor, showcasing Wilde’s range.

The House of Illusionists by Vanessa Fogg

The stories in this collection tend to the mythical and the magical and many of them suggest worlds that extend far beyond the page. The stories throughout are beautifully written, often suffused by melancholy, but offering hope as well. A few in particular stood out. Wild Ones is a heartbreaking story about youth and age as a mother tries to keep her daughter from being stolen by the wild hunt. The Wave is an excellent exploration of seeking an adrenaline high and the difference between real and virtual experiences as a group of surfers take on a massive wave while mind-casting, allowing audiences to experience thrills vicariously. The Message is a bittersweet story about the desire for connection and communication as Sarah shares messages and stories with her best friend who she is in love with but has never met in person, while scientists try to decipher an alien communication which may not even be meant for humans. Wings is a gorgeously written story of a princess who marries a poet against her mother’s wishes, causing her mother to curse the poet to transform into a series of animals so he can never speak again. One Midsummer’s Eve considers what it means to be a myth and being caught in cycles of history as a boy who will one day become the demon prince and destroy his people out of grief for his lost love returns to the garden where it all began with the hope that this cycle will be a happy one.

Teenage Girls Can Be Demons by Hailey Piper

Simply growing up and surviving your teenage years can be a horror, a fact which Piper highlights in this excellent collections that perfectly blends the mundane and the supernatural. Why We Explode looks at the way boys silence girls, as girls explode with unspoken words until one of them learns to fight back. Thagomizer is an effective exploration of fear and guilt as, after burying her son, a mother drives back home haunted by memories and seeing what appears to be her son’s favorite dinosaur stalking her through the trees. The Last Leaf on the Ursine Tree centers on a complicated mother-daughter relationship in a world where periods call hungry bears to follow around the person menstruating, delving into the idea of being a parent and being expected to prioritize others above yourself. Hopscotch is a pleasantly eerie story about a mysterious child who challenges the kids in the neighborhood to a game that causes one of them to disappear. Magic Girl Child Crusade Squad is a satisfying examination of the magic girl trope, what it means to be a perpetual warrior, what happens when you don’t believe in the fight anymore, and what happens to a magical girl when in your day-to-day life people think you’re a boy and not a girl. My absolute favorite story in the collection is the original novelette, The Many Sins of Clara Greenstone. The nuns who run St. Mary’s Home for Girls are cruel, doling out vicious punishments and there are even rumors that they fed one of the girls to the dark thing in the attic. Then Clara Greenstone arrives, a girl in appearance, but possibly a fae trickster or demon in reality, causing chaos for the nuns, but providing the other girls with hope.

Uncertain Sons by Thomas Ha

Thomas Ha has been absolutely killing it in the short fiction realm over the last several years, so it’s no surprise his debut collection is outstanding. He has a talent for stories that drip with uneasiness, are evocative, and often suggest much worse things just out of sight and beyond the margins of the page. Many of the stories I’d read when they were originally published, but it was a pleasure to revisit them. The collection also includes a new novelette, Uncertain Sons. Like many of Ha’s stories, it weaves cosmic horror through a story about family as the Young Bikeman sets out to destroy the thing that killed his father, bringing his father’s disembodied head along for the ride. The descriptions are rich and unsettling, and Ha makes effective use of voice and shifts in perspective throughout, adding both further uncertainty and depth to the tale.

Tell Me Yours I’ll Tell You Mine by Kristina Ten

Like Hailey Piper’s collection, many of the stories in Ten’s collection explore the horrors of growing up. They straddle literary, cosmic horror, dark fantasy, and everything in-between. The Dizzy Room and The Curing both explore the uneasy space of childhood and trying to define yourself, especially as a child of immigrant parents and ESL learner. Bunny Ears is a dark and unsettling tale centered around a ghost story told at summer camp about the bunny-ear kids whose parents never picked them up, who subsequently went feral and still inhabit the woods. Mel for Melissa focuses on mundane horror rather than the supernatural, and it’s one of those most chilling stories in the collection. It does a wonderful job with structure, circling around the central horror of what happened to the protagonist’s best friend Mel when they were in high school. It’s an excellent piece of body horror that delves into trauma, the way women’s bodies in particular are viewed, and the brutality athletes endure in order to win.

The Greatest Fight of Sunny Granada and Other Stories by Kenneth Yu

This slim collection covers a lot of ground and includes speculative and non-speculative stories, humor, science fiction, fantasy, and horror. The title piece, which opens the collection, is quite sweet and carries real emotional weight. Sunny Granada is an interspecies fighter, recruited to be the face of a new league. After he’s knocked out in a fight, his life flashes before his eyes, but the memories unlock they key to beating his opponent. Operation Bleach is a chilling look at internalized racism and racist beauty standards, effectively told through a series of case studies and interviews. A new product called Porselna turns Pinoy people white, with a new version promised that will alter height, features, and eye color. Blending In is the least speculative story in the collection, but one of the most emotional and highly effective. The narrator’s older brother and his best friend Ronel are basketball stars. Ronel’s father has been threatened for telling the truth about corrupt local politicians on his radio show, leading the politician to plant drugs on Ronel. When Ronel’s father tries to defend him, both he and his son are killed in the ensuing fight. The relationship between the two brothers and between the two families are both lovely, and the story provides a nice look at playing the long game and how small actions can have a huge impact in seeking justice.

Call and Response by Christopher Caldwell

Published by Neon Hemlock, this collection is gorgeous inside and out, with lovely sprayed edges and consistently beautiful fiction. Caldwell has a real talent for creating worlds that feel fully realized and like they have a life beyond the page. In fact, there are several stories that call back to and reference each other, or feature the same characters. For example, the stories which bookend the collection – Femme and Sundance and Miz Boudreaux’s Last Ride – are directly linked. The narrator and his boyfriend seek a favor from Miz Boudreaux in the first and face the consequences of the deal they made in the last as she returns after her death to ask them to do a favor for her in return. Similarly, The Beekeeper’s Garden and Counting Her Petals, feature the same character at different points in her life – as a child, lured into a magical garden and enchanted by a woman who wants to keep her like a living doll, and as an adult as she follows her girlfriend into a virtual world and tries to bring her home. Many of the stories have a fairy tale-like feel, and Serving Fish in particular is a take on an animal transformation story. A young drag queen meets a magical, wish-granting fish as a young child, and calls on the fish again later in life to become something more than human.

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Favorite Novellas of 2025

The cover image for Mia Dalia's novella Alakazam features a black and white illustration of a house drifting in mid-air, seemingly emerging from or resting on top of a top hat, and a small figure stands silhouetted beneath it.

As I continue to gather links to eligibility posts and recommended reading lists, it seems like the perfect time to share some of my own favorites reads from the year. I’m still frantically trying to catch up, as always, and I may update the post at some point. There are also other posts forthcoming dedicated to collections, anthologies, novels, and short fiction. Maybe there’ll even be a post for games and media, we’ll see how ambitious I get. For now though, novellas!

Alakazam by Mia Dalia

PS Publishing has carved out the perfect niche for itself with limited edition collections, novels, and anthologies that are lovely as physical objects in addition to being excellent reads. Right off, I feel the need to mention Alakazam’s cover art, which is reminiscent of Stephen Gammell’s unforgettable illustrations for the Scary Stories to Tell in the Dark series. The piece is a collaboration between Dalia and Michael Marshall Smith, and it’s incredibly eye-catching. The novella follows two friends who become fascinated with a house once belonging to the Amazing Archibald, a magician whose tricks no one ever figured out, who mysteriously disappeared after his retirement. The present-day sections are interwoven with Archibald’s own story – a man with secrets, carrying a deep sadness within himself. It’s soaked in a sense of place, and captures quiet desperation, faded glory, and the feeling of magic perfectly, making for a story that is both haunted and haunting.

The Cosmic Color by T.T. Madden

Speaking of carving out niches, Neon Hemlock has made its mark with novellas, anthologies, and collections, consistently publishing multiple excellent titles each year. Eric is an Instar pilot, a mech-like, partially biological creature designed to fight the Imago, humans transformed by amber – a fuel source that powers the Instars, but can also turn people into insect-like or reptilian creatures. He’s uncertain about his role and the rightness of fighting the Imago, and experiences dysmorphia both inside and outside his Instar. He isn’t sure who and what he’s supposed to be; he just knows doesn’t feel like himself. Stories about mechs are frequently used to explore identity, and The Cosmic Color is a particularly effective example of the sub-genre, looking at how the sense of self can be tied to a person’s physicality, while also looking at both race and gender. The novella also touches on violence and how humans are often more comfortable responding with aggression to something they don’t understand, while also looking at humans being used as cogs in the military machine.

The Iron Below Remembers by Sharang Biswas

This is another Neon Hemlock title featuring mechs, but in a very different context. Here, they artifacts being studied by the protagonist, Laxman – a nerdy academic whose boyfriend just happens to be the most famous superhero in the world. The voice of the novella is a lot of fun, perfectly mixing snark with academic citations, while the plot mixes up superheroes, ancient mechs, and alternate history. The characters are fantastic, and the relationships between them are very nicely done, showing both Laxman’s and Ezra’s insecurities and the ways they each feel insufficient at times, but also showing their deep love for each other and their ability to be open and honest and not allow those insecurities to drive them apart. There’s a strong sense of history and the feeling of a living, breathing world that extends beyond the page, accomplishing a lot at novella length while never feeling rushed.

The River Has Roots by Amal El-Mohtar

This is a gorgeous, fairy tale-like novella that draws inspiration from classic murder ballads and revels in the magic of language. Ysabel and Esther are sister who live on the border of faerie. Their family has always cared for the willows there, singing to them in appropriate seasons and making baskets from their branches. Esther’s lover, Rin, is one of the fae. They visit infrequently and never stay long, which is less than Esther wants from the relationship. Meanwhile, the neighboring farmer is courting her, and trying to pressure her into a relationship, which ultimately leads things to take a dark turn.

Don’t Sleep with the Dead by Nghi Vo

This novella is a sequel to Vo’s novel The Chosen and the Beautiful, which itself reimagines The Great Gatsby, placing the characters from Fitzgerald’s classic novel in a world of magic in a way that makes it feel like that’s where they’ve always belonged. The story picks up several years after the events of the novel, with the dead returning and Nick believing he’s seen Gatsby’s ghost, or perhaps Gatsby himself. The world is richly imagined and beautifully written, blending fae magic and Hell with the world of the Great Gatsby, and doing a wonderful job portraying a character haunted by his past both literally and figuratively.

No One to Hold the Distant Dead by K.L. Schroeder

The novella starts off with visceral and immersive descriptions as Inga is beamed into a receptacle body on the distant planet of Nordenmark, there to help a community in crisis and on the verge of ecological collapse. There are gaps in her memory, and she’s having trouble adjusting to the new body, which feels like it’s dying from the moment she arrives. An air of loss permeates the novella, with the planet being on the brink of failure and the sense that not much can be done to save it. As a press, Psychopomp focuses on stories about death, and No One to Hold the Distant Dead puts a unique spin on the theme with the idea of mourning an entire planet. It’s a thoughtful and caring look at death and finding hope and meaning in a bleak situation.

Quantum Ghosts by Nancy Kress

Published over two issues of Asimov’s Magazine, starting with the May/June 2025 issue, this novella is full of great worldbuilding and characters. It’s tightly plotted, weaving together multiple narrative threads and points of view. Rob Dayson is the younger brother of Cabot Dayson, a senator killed in an attack on the Capitol Building over 20 years ago. Rob is now a senator in his own right, hoping to introduce new experimental quantum implants to the population. Kenda is a young woman caring for her younger sister Caity after their mother’s death, forced to live next to a quantum upload center, leaving their apartment haunted by quantum ghosts. Kress does a wonderful job of ramping up the tension across the two parts of the novella, and along with being a satisfying speculative story, the novella does a good job exploring themes such as who has access to technology, the erosion of public trust, misinformation, and conspiracy theories, among others.

Murder on the Eris Express by Beth Goder

It’s hard to resist a locked room mystery set in space, and Beth Goder’s novella, published in Analog Magazine, is an excellent example of the subgenre. Mo is an AI aboard a ship; after an argument with the captain, she wakes to find hours of her memory missing and the captain dead. The four passengers aboard are all suspects with potential motives and secrets they’re trying to hide. Since Mo has always dreamed of being a detective, she’s thrilled at the opportunity, and sets out to solve the case. The story has a fun voice, great characters, and provides a satisfying mystery to boot.

The Chronolithographer’s Assistant by Suzanne Palmer

This novella, published in Asimov’s Magazine, puts a unique spin on the time travel genre. Thomas comes from a family of fishermen, but he’s terrified of the water. Instead of going into the family business, he gets a job as an assistant to a local artist. Mrs. Hammond is eccentric, often says things that make no sense to Thomas, and her age seems to shift occasionally, but he enjoys the work. However, after making his first print of his own, Thomas opens the door to discover winter in the midst of July. Mrs. Hammond reveals that her press causes her entire cottage to travel in time, and they’ve ended up 400 years in the past, before their town even existed. Ultimately, it’s a sweet novella, and there’s a nice arc for several of the character, especially Thomas as he digs into the roots of his fear of water and finds a way to overcome it. Art as a means of time travel is also a fun concept, and overall, it’s a lovely story.

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What Have You Done, What Have You Loved 2025

It’s that time of year again! Hard to believe, isn’t it? Authors, editors, and publishers start assembling posts of their award-eligible work for the year; reviewers and readers share lists of the things they’ve loved during the year. As an author, reader, and reviewers, I’m a big proponent of all of the above! There are so many games, poems, books, stories, movies, and TV shows that come out in any given year, it’s impossible to keep track of them all.

Posting your award eligible work is a fantastic way to not only remind people of what you’ve done and help them find things they may have missed, but it’s a good way to look back on what you’ve accomplished in a year. It’s easy to lose things in the churn, including pride in your own work, especially since there’s often a large gap between when something is created and when it appears in the world. Also, let’s face it, we could all use a reason to celebrate, and art, fiction, and joy in creating and making are just that.

With all that said, here’s how this works. Over the next few months, I’ll be collecting links to eligibility posts and listing them alphabetically here. I’ll also be collecting links to recommendation posts, and links to various awards and resources where folks can nominate or submit work for consideration. If you have a post you want me to list, feel free to drop it in the comments, email me at a.c.wise [at] hotmail.com, or tag me on BlueSky with your link.

I’ll try to update the post as often as possible. Check out other creators’ links for examples of posts and to see all the amazing work that made its way out into the world this year. Let’s celebrate art, words, games, poetry, non-fiction, all of it. Share what you made and tell us what you loved!

Award Resources

Aurora Awards Rules

BSFA Awards (voting open for members until February 19, 2026)

Hugo Award FAQs

Lambda Literary Awards (submission period closed November 21, 2025)

Locus Awards (voting open until April 1, 2026)

Nebula Awards (nominations open until March 1, 2026)

Otherwise Awards (submission period closed November 15, 2025)

SF Awards Database

Shirley Jackson Award Rules

Sidewise Awards

Stoker Award (voting open for members until February 15, 2026)

World Fantasy Award (submissions open until April 30, 2026)

Eligibility Posts

Adams, John Joseph

Alexander, Alma

Alexander, William

Allen, B. Morris

Alter, Esther

Althoff, Sylvie

Anaxagoras, David

Anderson, Chase J.

Atthis Arts

Avila, Xochilt

Ayala, V.M.

Barb, Patrick

Barlow, Devan

Bell, E.D.E.

Benardo, Renan

Bennett, James

Bettendorf, Michael

Beucler, D.M.

Bhatia, Gautam

Black, A. Katherine

Brash, Raymond J.

Britos, Peter J. Oluloa

Burnett, Emma

Burrows, Rex

Cahill, Martin

Chang, Myna

Chawaga, Tim

Cherry, Danny

Chng, Joyce

Chow, Pauline

Chrostek, John

Chu, John

Clark, Chloe N.

Claybourne, Z.Z.

Climenhage, Christy

Cole, Emma

Cornell, P.A.

Croal, Lyndsey

De Winter, Gunnar

Dandenelle, Karl

Davitt, Deborah L.

Dawson, J.R.

Demchuk, David

Donohue, Jennifer R.

Dorgan, EC

Douglas, Malina

Duncan, R.K.

Eherewon Books

Farrenkopf, Corey

Feldman, Stephanie

Fogg, Vanessa

Garfinkle, Gwynne

Geleynse, André

Glewwe, Eleanor

Goldfuss, A.L.

Grech, Amy

Greenblatt, A.T.

Griffant, KC

Gunn, Dianna

Haber, Elad

Hall, Louis Inglis

Halliday, Mags L.

Hallow, S.M.

Han, Bella

Hanchey, Jenna

Harris, S.L.

Haskins, Maria

Headlee, Amanda

Heijndermans, Joachim

Heike, Sylvia

Hennessy, Idé

Hessel-Mial, Michael

Hicks, Gwendolyn M.

Hill, Theodore

Hines, Jim C.

Howell, A.P.

Holloway, Dee

Hotston, Stew

Hudak, Jennifer

Hughes, Louise

Hugo Eligible Booklist ( recommended reading, not necessarily comprehensive of every eligible work)

Ihezue, Somto

Jamnia, Naseem

Kemske, Abigail

Kernan, Divya

Kotowych, Stephen

Kozma, Andrew

Kressel, Matthew

Kurella, Jordan

Lau, Roanne

Lavigne, C.J.

Lesley, Kiera

Levai, Jessica

Levine, David D.

Li, Ian

Linardos, Akis

Lingen, Marissa

Liu, Angela

Low, P.H.

MacCath-Moran, Cellaigh S.

McCarthy, J.A.W.

McClellan, Elizabeth

McIlvor, Katie

MacNutt, Toby

Madden, T.T.

Manners, Arthur H.

Mohamed, Premee

Moon, Richard H.

Morstabilini, Andrea

Mulder, Allison

Neon Hemlock

Nerds of a Feather

Neugebauer, Annie

Nocito, Nico Martinez

Nye, Ellis

Ogden, Aimee

Pearce, C.H.

Pecha, Margo

Phan, Cindy

Picacio, John

Piper, Hailey

Powell, Gareth L.

Queen of Swords Press

Reactor Short Fiction

Reuven, Caryanna

Reynolds, Jeff

Ricci-Thode, Vanessa

Rivera, Chey

Rodriguez, Karlo Yeager

Ross, Shana

Royce, Eden

Rozakis, Caitlin

Seiberg, Effie

Shea, Caroline

Space Cowboy Books

Speculative Insight

Stanley, Nelson

Steele, T.R.

Stott, Romie

Sunday Morning Transport

Takács, Bogi

Talabi, Wole

Tan, Cecilia

Tavares, Catherine

Taylor, Jordan

Ten, Kristina

Thakrar, Shveta

Thompson, Tade

Toase, Steve

Tobler, E. Catherine

Triantafyllou, Eugenia

Tyndall, Katharine

Un, Guan

Undertow Publishing

Verone, P.C.

Ward, Adrian

Wells, Martha

Wilcox, Neil

Will This Be a Problem?

Wilson, Emily

Wiswell, John

Yoachim, Caroline

Yoakeim, Ramez

Recommendation Posts

Amazon’s Best Books of the Year

Andrew Liptak Recommended Reading

A.P. Howell Recommended Reading

Barnes & Noble Best Science Fiction and Fantasy Books of 2025

Barnes & Noble Best Horror Books of 2025

Bogi Takács Recommended Reading

BSFA Awards Longlist

Eugenia Triantafyllou Recommended Reading

Ginger Nuts of Horror Best Horror Books of 2025

Goodreads Choice Awards Best Books of 2025

John Wiswell’s Favorites of 2025

Library Journal Best Books of the Year 2025

Lineup Best Horror Books of 2025

Locus Recommended Reading List

Marissa Lingen Recommended Reading

Nebula Award Recommended Reading List

Nerds of a Feather Hugo Recommendations: Fiction Categories

Nerds of a Feather Hugo Recommendations: Visual Works Categories

Nerds of a Feather Hugo Recommendations: Individual Categories

Nerds of a Feather Hugo Recommendations: Institutional Categories

NPR Best Books of 2025

Queer SFF Novels Published in 2025

Reactor Reviewers’ Choice Best Books of 2025

Reactor Readers’ Favorite SFFH of 2025

Reactor’s Notable Young Adult Science Fiction, Fantasy, and Horror 2025

Sam J. Miller Recommended Reading

Stoker Award Reading List

Stoker Award Preliminary Ballot

Tarvalon’s Reading Recommendations 2025

Time Magazine 100 Must Read Books of 2025

Waterstone’s Book of the Year List

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Fall Happenings

Fall always seems to be a busy time of year with various family-related travel and book-related events. Here are a few places I’ll be in the coming months, with more details and updates to follow.

Agustina Bazterrica in Conversation

On Tuesday, September 9 at 6pm at the Barnes and Noble in Center City Philadelphia, I’ll be in conversation with Agustina Bazterrica about her latest novel, The Unworthy. Tickets and more information available here.

Vampire Hunters Book Release

On Saturday, September 13, Speculation Publications will host a book launch for their new anthology, Vampire Hunters: An Incomplete Record of Personal Accounts. It’s a fun anthology, and it should be a wonderful event, held at the Vampa Museum in Doylestown, PA. The museum will be open for folks to tour the collection and grounds, books will be sold from 12-4 with a chance to meet and chat with the editors, and from 5-8pm, there will be readings and refreshments in the Vampire Sanctuary. More info available here. I’ve been meaning to check out the museum, so this will be a perfect excuse. I’ll be reading along with several other fabulous authors, and I’ll do my best to find something vampire-inspired to wear.

Capclave

September 19-21, I’ll be attending Capclave in Rockville, MD. A preliminary schedule is below, and I’ll update the post with more details as they become available. Capclave is generally a laidback con, and a good way to end the convention season. It’s on the smaller side, but the folks there are passionate about books, reading, and speculative fiction, and it’s nice to go to a con and feel like there’s time to see and hang out with people without being overwhelmed by the sheer number of attendees.

Author Reading – Saturday, September 20 at 1pm – Adams

What You Should Be Reading and Watching – Saturday, September 20 at 2pm – Jackson

Hopeful Fiction for Dark Times – Saturday, September 20 at 4pm – Washington Theater

A Philosophy of Thieves

Fran Wilde’s fantastic new novel, A Philosophy of Thieves, comes out at the end of September. On October 7, from 6:30-7:30 pm, I’ll be in conversation with Fran at Main Point Books, talking about heists as art, environmental collapse and recovery, high tech fashion, hacking and skullduggery, and much more. It’ll be a delightful time!

Story Hour

On Wednesday, October 22 at 7pm PST/10pm EST, I’ll be returning to the wonderful Story Hour reading series. I haven’t decided what I’ll read yet, but since October is the spookiest month, I’ll be aiming for horror. More details to come.

Night and Day

On Tuesday, November 18 at 7pm, I’ll be at The Twisted Spine in Brooklyn, celebrating the very cool Saga Double anthology, Night and Day, edited by Ellen Datlow. I’ll share more details as they’re available, but I believe A.T. Greenblatt, Clay McLeod Chapman, and Ellen Datlow will be in attendance as well. I imagine we’ll read from our stories in the anthology and signs some books. I’m personally very excited to explore the bookstore itself, which officially has its grand opening on September 6 & 7th. A bookstore and cafe dedicated to horror and dark literature? Yes, please and thank you!

Finally, while it’s not an event, the paperback edition of Out of the Drowning Deep was released on September 2, 2025.