The Butcher’s Daughter: The Hitherto Untold Story of Mrs. Lovett by David Demchuk and Corinne Leigh Clark
As the title implies, this novel tells the story of Mrs. Lovett of Sweeny Todd fame, who helps the murderous barber dispose of his victims by baking them into pies. The authors make effective use of the epistolary style, with a series of letters written by a woman at a Priory to an investigative journalist looking for Mrs. Lovett, following up on the rumor that she’s hidden away in a convent, in order to frame the story. The novel is atmospheric and immersive, with a fantastic voice that is evocative of its historic setting. It does an excellent job of giving Mrs. Lovett the spotlight, making her more than the demon barber’s lovestruck accomplice, and transforming her into a rich, layered, and complex character.
Listen to Your Sister by Neena Viel
Listen to Your Sister is a sharply-written horror novel with a strong voice and fantastic characters. Calla is trying to raise her younger brother, Jamie, and while her other brother, Dre, is supposed to help, he’s largely useless. Neither brother listens to her, forcing her to carry the weight of responsibility for the family, and do all the emotional labor. Her mounting frustrations come to a boiling point when her nightmares – one of the things she’s been trying desperately to get her brothers to listen to her about – spill over into the waking world and endanger them all. The novel does an excellent job with complicated family relationships, while also looking at grief and guilt, among other themes.
Death on the Caldera by Emily Paxman
Death on the Caldera is an Agatha Christie-style mystery set in a magical world, with a sprawling cast of characters, all with possible motives. Davina is determined to move to the city and go to university, but her brother Kellen, who is about to become king, has forbidden it. Rae is on the run with her mother, and has been warned to be on the lookout for a man whose description sounds very much like Kellen. They all find themselves on a train together, but an explosion derails it and the conductor is murdered, stranding them along with a group of strangers/plausible suspects. As a hunt for the culprit begins, Davina realizes there are things about herself that she doesn’t know, but which her brother might, and they may be among many other secrets that he’s keeping from her. The novel is fast-paced, smoothly written, the magic plays well with the mystery, and the whodunnit wraps up in a satisfying way.
Blood as Bright as the Moon by Andrea Morstabilini
Just when it seems the vampire genre surely must be played out, along comes a year with two books that offer a satisfying new take on a familiar monster. Morstabilini works in elements of fairy tales, classic science fiction, and Gothic literature in a tale of four vampires in isolation in a crumbling manor. Their self-appointed leader enforces a strict code, insisting a higher purpose waits for them all. All they have to do to claim their rightful place is to build wings and fly to the moon, the true home of vampire kind. The novel variously explores belief, mythology and legends used as a means of control, found family, and the meaning of home. It’s full of lovely and striking imagery, balancing gore and moments of sweetness, and ultimately looking at what it means to belong.
The Buffalo Hunter Hunter by Stephen Graham Jones
The second of the two books referred to above bringing fresh life to the undead, and putting a new spin on vampire mythology. Like many classic horror stories, this one if framed with layers of nested narratives. A scholar uncovers a a diary written by one of her ancestors, a Lutheran pastor, which in turn relates the confession he received from a man going by the name Good Stab. The story Good Stab tells relates his transformation at the hands of a Cat Man with sharp teeth, leaving him unable to die, roaming the land and acting as both hunter and hunted. A complex, intertwined history unfolds in a story of colonialism, racism, and revenge. After breathing new life into slashers and werewolves, among other horror tropes, it’s wonderful to see the author take on vampires – brutal, bloody, immersive, and overall, fantastically done.
The Grimoire Grammar School Parent Teacher Association by Caitlin Rozakis
Caitlin Rozakis has a true talent for blending fantasy, humor, and charm in her novels, while also touching on serious subject matter. While not a sequel to her debut novel, Dreadful, The Grimoire Grammar School Parent Teacher Association is set in the same world. Here, the story focuses on Vivian, a non-magical mother whose daughter, Aria, was bitten by a werewolf, and is now attending a school for magical beings. Vivian is thrown into a world she didn’t know existed, forced to try to navigate a whole new set of rules and integrate herself into a new friend group, while trying to disprove a dark prophecy that appears to be about her daughter, and deal with all the petty sniping and personality conflicts that come along with serving on a parent teacher association. While there is a lightness to the novel, there is also both heart and heartbreak. Aria is having trouble adjusting, as if Vivian. She’s doing her best to support her daughter, while feeling lost and overwhelmed, leading to tension with her husband, conflicts with other parents, and making the guilt she carries for being the one who was with Aria when she was bitten even worse. The story can be read a metaphor for a neurotypical parent raising a neurodivergent child, an immigrant coming to a new country being forced to adapt, or simply as a straightforward and lovely story about a non-magical mother trying to do her best by her werewolf daughter.
The Starving Saints by Caitlin Starling
Publishing is weird. Sometimes, years go by between an author’s books being released, and sometimes schedules align in such a way that an author has two excellent novels and a novella all come out in the same year. Along with The Starving Saints, Caitlin Starling published The Graceview Patient, a wonderful body horror novel, and The Oblivion Bride, a fantastic novella about the cost of magic, this year. It was difficult picking just one to highlight among my favorites, but know that all three are well worth reading. The Starving Saints is set in a walled city under siege, told primarily through three points of view – a “madwoman”/ex-communicated nun expected to perform a miracle to save the city, a young woman trying to escape, and a knight assigned to guard the madwoman. As the city’s supplies dwindle and its people grow increasingly desperate, four people claiming to be the Saints that the city venerates show up, asking for fealty and worship. The novel feels like an unhinged medieval illustration come to life in the best of ways, perfectly blending together faith, horror, and magic.
The Unkillable Frank Lightning by Josh Rountree
What if Frankenstein, but Weird Western is the basic thesis statement of this novel, but at the same time, it’s so much more. Rountree has written a series of works reimagining classic monsters, and this is the latest, loosely connected to his 2023 novel, The Legend of Charlie Fish. Dr. Catherine Coldbridge is both a doctor and a practitioner of magic. When her husband, Frank, dies, grief and obsession drive her to bring him back, rebuilding his body and finding his soul on the astral plane. But Frank comes back a killer, and Catherine flees, wracked with guilt. Years later, Catherine has enlisted two hired killers to help her bring Frank down, even though he seems to be unkillable, working for a wild west show where his resurrection act thrills crowds. Rountree does a wonderful job of making Catherine a deeply imperfect, yet sympathetic character, motivated first by obsession and ambition, and then by guilt. The blend of history, magic, weird, western, and nods to the Gothic classic Frankenstein, all work incredibly well together, and I can’t wait to see what monster Rountree reimagines next.
Wearing the Lion by John Wiswell
When I think of John Wiswell, I think of kindness – both as a person and in the vibe that suffuses his work. Wearing the Lion is a reimagining of the myth of Heracles, and its core is the question: what if we all made kinder choices. What if instead of slaying monsters, the great hero befriended them? What if we all found a way to forgive ourselves and our enemies, even if doing so is the work of a lifetime? It could be saccharine, but it isn’t. Wiswell’s Heracles starts the book like an over-enthusiastic puppy, a superfan of his Auntie Hera, who in turn, despises him and is determined to see him ruined. Heracles suffers, over and over again, loses everything and even temporarily loses himself, but at the end of the day, he still makes the kindest choice he can. And eventually, he emerges on the other side – if not whole, at least healing. It’s a gorgeous novel and it’s gorgeously written, and honestly, we could all use a little more kindness in our lives, no?
Staircase in the Woods by Chuck Wendig
Chuck Wendig is good at horror, and in particular, horror that says something about the human condition. Staircase in the Woods, at its heart, is a novel about coping with guilt and grief. A group of friends go into the woods one night. They find a creepy staircase among the trees that seems to go nowhere. One of them climbs it and vanishes. Years later, the remaining friends, all battling their own demons, gather again. They find another staircase waiting for them, and this time, they climb it together in hopes of bringing their friend back. The novel is full of highly effective and eerie imagery, and the characters each bring their own hauntings with them, making the other horrors they encounter all the more frightening.
The Unworthy by Agustina Bazterrica (translated by Sarah Moses)
Originally published in Spanish in 2023, The Unworthy first appeared in English this year. It’s a brief novel, lush and poetic, and packs a lot into a short space. A group of women in a post apocalyptic/post-collapse setting live in a former monastery in a very rigidly hierarchical society. Some of the women have been blinded, others have had their hearing or tongues taken away. There are strict punishments, an emphasis on faith cleansing them of their sins, and one man who no one ever sees dictates all the rules. The novel plays with dichotomies in interesting ways and does fascinating things with the concept of absence, silence, and information withheld. The central character’s story unfolds slowly, and it’s all the more effective for it. Overall, it’s brilliantly done.
The Bewitching by Silvia Moreno-Garcia
This novel unfolds across three time periods, each with a mysterious disappearance that may or may not be caused by witches. Minerva is researching the work of Beatrice Tremblay, an author whose most famous novel relates the true story of her roommate’s disappearance back when she was a student at the same school Minerva now attends. Minerva grandmother’s also told stories of her brother’s strange vanishing when they were young, and the more research Minerva does, the more connections she discovers. Meanwhile, a student seems to have vanished in her own time as well. There are some lovely and eerie sequences throughout, and Moreno-Garcia does a wonderful job building intriguing characters and maintaining an element of doubt. Are there witches involved or is there a simple human explanation?
Spread Me by Sarah Gailey
Are you a fan of John Carpenter’s The Thing and/or Who Goes There? by John W. Campbell, but wish they were more erotic? This may be the book for you! Kinsey is the leader of a six-person expedition working at a remote desert station. The group comes across a strange specimen, bringing it inside and accidentally unleashing an infection. Is it accidental though? Kinsey’s kink is viruses; she’s desperately turned on by the idea of being taken over by one, but for the sake of her crew, she’s fighting to suppress that part of herself as the virus ravages the research station, replacing and impersonating her friends. Spread Me is fast-paced, sexy, and horrifying in the best of ways.
The October Film Haunt by Michael Wehunt
Michael Wehunt’s debut novel builds upon some of his previous short fiction, centered on the Pine Arch Creature, a terrifying maybe-urban-legend in the vein of Slender Man, in that the stories surrounding it very much play with the line between fiction and reality. Jorie and her friends used to run a popular horror blog, visiting the filming locations of various horror movies. One particular movie, Proof of Demons, still haunts Jorie, in that what she wrote about it may have indirectly caused a young girl’s death. When she receives a tape that appears to show alternate scenes from the movie, she’s drawn back into the mystery surrounding the film. Who is the original movie’s reclusive director? Are the rumors of a possible sequel true? Is Jorie an unwitting part of that sequel, hunted, haunted, and stalked while hidden cameras capture every moment of her terror? The novel does a wonderful job examining the line between reality and fiction, the role of fans in creating a work and giving it life beyond the original creator, and similarly, how belief can be a creative force in its own right.
Red Star Hustle by Sam J. Miller
I’m not actually sure whether this is technically a novella or a short novel, but I’m listing it here. Red Star Hustle is one half of a Saga Double, paired with Mary Robinette Kowal’s Apprehension, which I’m relatively certain is novella length, and is also an excellent read. Aran is a Rent Boy whose client is brutally murdered, leaving him the prime suspect. As he goes on the run, he meets up with Resh, the clone/son of a powerful exiled leader, and the two fall for each other immediately. Meanwhile, Imadi is an ex-mech fighter, carrying immense guilt over her twin sister’s death, and whose mother heads one of the largest security companies. She’s been tasked with tracking Aran down. Their paths converge, secrets are reveals, and the stakes become increasingly high. Along with slick writing, strong action, and wonderful characters, the novel offers a powerful exploration of addiction, guilt, and complicated family relationships.
Space Trucker Jess by Matthew Kressel
When I heard Matt read from this novel at a convention, he told the audience to imagine Jess’ voice as Natasha Lyonne’s. It absolutely works. I read the novel with her voice in my head – her snark, but also her heart and her vulnerability. As the novel opens, Jess is saving up for her dream ship and a chance at a better life. Just when she thinks her goal is in sight, she learns her dead-beat, con artist dad has been taken, and despite their troubled relationship she sets out to find him. Kressel does a fantastic job of layering new complications into Jess’ life in a way that feels episodic, but also builds into a larger story. There are space gods and galactic conspiracies, and Jess finds herself rescuing more than a few strays along the way. The worldbuilding is rich, the voice distinct, and the novel feels truly epic.
The Everlasting by Alix E. Harrow
I’ve loved just about everything I’ve read by Alix E. Harrow and The Everlasting is no exception. It draws inspiration from, and nods towards, Arthurian legend, but rather than a simple re-telling, it deconstructs and interrogates the concept of a national mythology, while also creating a new legend. Owen Mallory is a scholar and former soldier, fascinated with the myth of Una the Everlasting, the greatest knight the Dominion has ever known. Her story is the reason he went to war, and when he gets the chance to translate a previously undiscovered accounting of her life, he can’t believe his luck. The text he’s meant to be translating is stolen, and when it’s returned to him, the pages of the book are blank – because he hasn’t written them yet. Owen finds himself flung back in time, meeting Una herself, and charged with making sure her story becomes the inspirational building block of the Dominion. The writing is gorgeous and the characters are wonderful, their evolving and intertwining stories by turns beautiful and heartbreaking. The novel delves into why we tell stories, what purpose they can or should serve, whether there is such a thing as free will for those caught inside the web of narrative, and where the dividing line lies between mythology and propaganda.