0mni

Welcome!

I am an Australian music producer/musician that's been producing music for about 4 years.The majority of songs I make will usually be some sort of fusion with either electronic or rock and it'll probably include a vocal synth.

Latest Release

2018 - 2021

My experience with making music started around 2018 when I made a very bad song for a project (which I don't plan to make public), it wasn't until 2021 when, for my birthday, I bought FL Studio.A month later, I released my first original song Monkey Sing, Monkey Dance. My biggest inspiration at the time was Hans Zimmer since I was so fixated on Christopher Nolan's InterstellarAlso in 2021 I first started playing Hopoo's Risk of Rain 2 in which I discovered Chris Christodoulou, since then he has been one of my biggest inspirations to this day.2021 only had one other original song release, which was Lunchtime Mixtape in late NovemberIn December I also uploaded some now privated piano covers of EMPTY DIARY from UNBEATABLE (white label). They were not very good.

2022

In February 2022 I released my first album Prepped Plate, based off of Lunchtime Mixtape. Each song sorta told a mini story all based around food and they all had their own cover art.For most of 2022 I didn't produce much until November when a friend of mine Brughurb asked me and another friend of mine (trippyCD) to help him with a FNF mod jam.It was also in late November that I released probably the most important song to my discography, the original Lost Task. My first vocal synth song. (Which uses an incorrectly credited Eleanor Forte Lite)
Fun fact: This video started my usage of "Thank you" text at the end of videos.For a bit of extra context, another inspiration of mine is DM DOKURO. In October, I had listened to his song bacteriophage which initially I thought it was his singing but I was shocked to find out it was actually made in a program called Synthesizer V.2 days before Lost Task released he also uploaded a video titled Synthesizer V - THESE AI VOICES THO. Which at this point sold it to me. Specifically I loved how the short clip of STILL HERE (harsh sun version) sounded, which is also what eventually led to my first vocal synth I bought being SOLARIA.On the topic of DM DOKURO, at the time I was really in to a song he created for the A Dance of Fire and Ice (ADOFAI) DLC Neo Cosmos, Divine Intervention. This led to my inspired, but admittedly crappy song Deus Ex Machina.December 2022 was when I began my second and still unfinished album to this day, Seasonal Treats. This was supposed to be an album about the Australian seasonal experience and was supposed to have 12 songs, one for each month. I would also try to release each song during the current season.

2023

This year I produced much more than the previous years
with 4 songs in the first two months:The Harsh Sun on a Glass Beach which was the second song in Seasonal Treats and was my first song with SOLARIA in it.
Fun fact: The Harsh Sun in the title is taken from DM DOKUROPsycho Streamer, its a Jerma song.Passport Guardian (Symphonic Rock Cover), which unfortunately is still my most popular Youtube video, especially since it's not a good representation of my skills. I've been tempted to remake the cover but I'm still very unsure on that.Aurora Australis, the third song in Seasonal Treats, marking the end of summer. This song was heavily inspired by Serenity by Heart Plus Up! I would seriously recommend listening to that instead.April was when I uploaded my first ever public ADOFAI custom level of my own song Lost Task which besides how bad the level was, it managed to get put into Rhythm Doctor Lounge's constellations. This kicked off my interest in creating ADOFAI customs and eventually led me toIt was also in April that I posted the next two songs from Seasonal Treats:Red and Orange Crowding the Sky which I'm not very proud of, especially for the songwriting17 Degree Difference which I'm still a little proud of, especially for my first attempt at Post Rock which stemmed from my addiction to Hi-Fi Rush at the time.Take a wild guess which month the song titled may came out. Anyway this is the 5th addition to Seasonal Treats, there was this weird thing at the time were my mixing for some reason had the piano so far above everything else.In June, I released my Love Letters Cover, this cover was also cursed with loud piano. I believe this one was inspired by KOTDARI's remixAround the same time I completed my song EBEC, but it would only be released in 2025I also finished and released my MOAI 2 ADOFAI Custom, I'm still waiting for the full release of the song.Got my first commission in July with cutscene music for the ADOFAI levels Fragor Magnus and Novum Futurum by Hawkyrious and TeoC
I was also commissioned for the creation of the third song, Nova Renata but it was cancelled before the song was completed. (Plus the song was a complete mess)
Please do not use the song in any chart.Then in August I released the second version of Lost Task, Lost Task (Remastered), it was a sort of test of my skills at the time. It also uses SOLARIA instead of Eleanor Forte.Around the same time I was asked by CyanAqua to make a song for a level they were working on. This led to the release of Collect N!! in October, this was also the first inclusion of the touhou trumpet in my music.Also in October Hawkyrious ran an ADOFAI level creation contest with the theme being Halloween. I originally didn't plan to participate but with around 2 weeks left until the deadline I decided to try and make a completely original song and level.I contacted a very good friend of mine trippyCD (verytrippy at the time) and working together (with the help of yuta) we made Remote Access Trojan, which now sits as my most viewed original song.

2024

Compared to 2023, I didn't release as much music as I was mostly focusing on my diploma, although part of the course was learning how to properly mix audio which greatly helped my mixing. I also released a few ADOFAI levels.This was also the year which my computer's power supply broke resulting in me experimenting a bit more.I started this year by releasing another ADOFAI custom level of Exyl's SAVE THIS WRLDThen in April I released another custom level, using Speh's Signals Afar in my first and last collaboration with KeqiIt was also in April that I released my first submission to Cosmic Radio, delocomotivated. I got help from m1n3c4rt who wrote the first chorus, CyanAqua who mostly came up with the title and Hawkyrious who wrote the final line of the song.
This is also the first of many of my songs/covers that are based on public transport.
Fun fact: The video was edited with ~13 hours until the deadlineIn between Signals Afar and delocomotivated, M1n3c4rt and I started working on a toki pona version of Inabakumori's I'm The Rain. Which led to me producing, animating (with the help of M1n3c4rt) and editing I'm The Rain (Faded Memories Cover)
Fun Fact: The cover is called Faded Memories because it was loosely based on Lost TaskIn July, myIn August, Hawkyrious ran a little 3 day long level creation competition that I decide to participate in, so I made a gimmick ADOFAI level of fizzd's Puff PieceAlso in August, M1n3c4rt invited me to participate in the GMTK Game Jam 2024, so I made 2 tracks for the game OXVN.
Fun Fact: This was the first time I actually recorded guitar, which would accidentally foreshadow Port Corella's existence.Going back to April, Hawkyrious also came to me asking whether I'd be willing to help with creating a song for a level to celebrate a community member's birthday. After the birthday happened 7 months prior, Chateau Delve was released! This was also my first attempt at synthwave. This was mostly because I lost most of my plugins when my computer became unusable and I had to use my laptop.
Fun fact: The guitar part during the second half of the song was originally based off of iamsleepless' Our Hearts Collide

2025

This year was interesting for releases but also marks what I believe is my best year for improvement in quality and also when I switched from using Adobe programs to free alternatives.Nearly nothing happened in the first quarter of the year, I was mostly just working on projects until March 28th when I released my "Buried" cover of Brandon Boone's Scarlet Hollow (from the visual novel Scarlet Hollow by Black Tabby Games) on my bluesky.
The reason why its only there right now is because I had a plan to make a Buried Cover of all of the character theme songs, although I began to really struggle with Avery's and stopped (for now) after Kaneeka's.
_{If you really wanna find Stella's and Avery's you can search them up on the Black Tabby Games Discord}In April trippyCD and I participated in our first music jam, OST Composing Jam: Crunchtime 04 were we had 48 hours to compose a soundtrack, and so Get Me Outta Here was made.
I'm really proud that we managed to make 12 minutes worth of music in such a short amount of time and we came first place!May was the month of releasing remakes, it first started with releasing my remake of my prepped plate album, prepped plate (reheated), which even came with a music video of the final song (7:57am) Burnt Bread. One of the things about this that made me really happy was that I could finally execute the vision I had for the ending of Burnt Bread since I first made it in 2022.
Fun fact: [7:57am] Burnt Bread was being worked on from December 2024 and a majority of the ~150 hours of work was on blender.
Drum fact: This is when I first tried out using breakbeats in my music, still don't know what genre it and later songs it falls under.Remember SAVE THIS WRLD by Exyl ADOFAI level? Well it was updated.In the last 2 weeks of May I managed to not only completely make another version of Lost Task (named Lost Task (Teto's Encore)) but also make a whole ADOFAI custom with it.The story behind me deciding to do this was incredibly dumb involving that stupid edit of Teto's face on a pear leading me to buying the voice bank
Fun fact: The ADOFAI level came out before the songActually, going back to that Fun fact, in between the level and song, I released my second submission to Cosmic Radio: miscommutercation.
Which is another song about public transport.
Anyway the video, similar to Burnt Bread, took up most of the production time.
Sun fact: The vocal tuning/mixing of this song is super inspired by DM DOKURO's STILL HERE (harsh sun version)
Funbeatable fact: The visual style of the MV is nearly copied from the UNBEATABLE demoA very important thing happened with the creation of those two songs, and that was finally figuring out what I actually wanted to create with my music, which is why I call myself a vocal synth artist now.I also started listening to Flavor Foley (because of a friend who recommended me weathergirl earlier in the year) which lead me to Jamie Paige who indirectly made me learn how to tune vocal synths.
This also made me start to listen to other vocal synth artists.
I'm also very open to recommendationsIn July Tanger and I's Hammer of Justice Bossa Cover came out, don't have much to say about this one other than it was a really cool experience to be able to work on it.
Also shout out to that one jaw harp sample by 3bagbrew I got off of freesoundIn August I was invited again by M1n3c4rt to help with making music for a GMTK game jam 2025 game named XCUIT, so I did.
This resulted in the creation of It recursed, with powerful resistance. Loosely based off of Chris Christodoulou's ...con lentitud poderosa (at least the song, the title scheme is completely taken from it)
Fun fact: There are technically 255 different possible variations of the song because of how it was created.Later in the month I released my "sunday timetable" cover of Flavor Foley's weathergirl. I decided to adapt the instrumental and visuals to include/fit public transport. I also do not remember why. This is the first time I've sung in any of my songs, although its heavily auto tuned to fit the vocal tuning.
Fun fact: The sunday... in the cover title is because the cover was based off of my song (8:46pm) Lo-Fi Hip-Hop Beats to Eat a Sundae To from prepped plate [reheated]
Fun fact?: although its called sunday timetable cover the times "weekday" are said in the lyrics were not replaced, which looks really silly in the video when "... in weekday" is sung while showing a Sunday bus timetable on the screen.September begun with another OST Composing Jam, this time trippyCD and I had a week and in that week we made Port CorellaPort Corella was very much me trying out playing literally everything I could instead of relying on FL Studio's humanise tool. I unfortunately do not have every single instrument that was used but I do have a midi keyboard, a few second hand acoustic guitars and a microphone.The biggest issue about producing 20 minutes worth of music in a week is that it was absolutely draining and really made me feel Burnt Out.
Fun fact: When I was up around 3am while uploading the video, I got to get a really good look at the blood moon.In September I also offered to help a friend of mine (#Guigui) with producing a few tracks for his platformer Corrupted Worlds, so I made 3 tracks, Corrupted Worlds, Next Destination and "unnamed_post_1x".
Unfortunately these songs are unavailable to listen to right now.As one final gift before the end of the year, I completed and released my LONER (MISTAKEN COVER), which is based off of peak divide's LONER
(which it itself is partially based off of fizzd's Intimate)
I love UNBEATABLE and Rhythm Doctor so much which is why I thought this song would've been perfect for a cover, originally I planned to release it inbetween the two games releasing and even making it in the Rhythm Doctor editor
Fun fact: The MISTAKEN part of the cover name is because the song's style is based off of miscommutercation

2026

This year marks the 5th year since I started producing and releasing music!As I'm currently writing this in March, I've got a few things planned, including a cooking song featuring Teto releasing soon (currently planning the video) and I'm very excited to release a few songs that I've been working very hard on later in the year.Thank you for reading this!

Vocal Synth

Instrumental

Contact Details

If you want to commission me to make some music or you just want to ask anything, you can find me here:

• VGen
• Email
• Discord Account

Also feel free to message me on social media, I'll just be less likely to check it.

Song Usage

I DO NOT allow my songs to be used to train or be put in to ANY generative AI.General
I do not mind people using my music in non-commercial projects as long as credit is given. As for commercial projects I'm open to licensing but not full ownership transferal.Just be mindful that this only applies to my original pieces that I fully own the rights to.What I don't fully own the rights to:
- Covers/remixes (please get the original artist's permission first)
- Exclusives (as of March 2026 I currently do not have any)If you are worried about a specific song's usage, please contact me.Covers
Feel free to make covers of my music, you may also monetize them on YouTube, please avoid distribution for now though. Don't forget to also credit. (Also send them to me!)Social Media
You may use my music in monetized YouTube videos and/or Twitch streams only if credit is given on screen or in the description.Rhythm Games
You may also use my music in custom levels for rhythm games such as A Dance of Fire and Ice, Rhythm Doctor, Quaver, etc.If you are a developer of a commercial rhythm game, please contact me first.