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Colin Cunningham
@Sgtzima
NO SUCH THING AS A BAD MOVIE PODCAST @nosuchthingpod VFX/Commercials/Music Videos sgtzima.bsky.social
Toronto, Ontario
Joined June 2016
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    LIVE WIRE (1992) has a scene where Pierce Brosnan has to get rid of an exploding clown at a kid's party and it's amazing.
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    I’m honestly shocked (and delighted) this was done by hand. I immediately assumed it was an After Effects plugin, or worse, AI.
    The opening credits sequence for Gladiator II was painted by Italian artist, Gianluigi Toccafondo. The same artist who created the Scott Free opening logo for Ridley 20 years ago. "So I called him and asked, are you still alive and want to do this?" - RS x.com/etkralicesi/st…
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    As we start watching horror movies for October, this is more relevant than ever.
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    Francis Ford Coppola takes a football to the groin while introducing Megalopolis #tiff
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    Fleischer Studios created the Stereoptical Camera process in 1934, which allowed them to combine 2D animated characters with practical miniature sets. The first time I saw this in animation class, my jaw hit the floor. The character and set were photographed together in one pass.
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    This scene. The animation, blocking, editing and score are just impeccable.
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    Phew, I was worried I’d never see Tatooine again.
    Between darkness and defeat, hope survives. Watch the new teaser trailer for @obiwankenobi, and start streaming the limited series May 25 on @DisneyPlus.
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    Obi-Wan Kenobi
    Star Wars
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    Point-n-click adventure tie-in game for Neil Breen's latest.
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    Dismounts worm at ticket booth… “One for Madame Web, please.”
    dudes rock incredibly hard
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    My favourite shot in TOP GUN: MAVERICK is when Jon Hamm shows up at the beach and Tom Cruise has a conversation with his ass.
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    Congratulations @redlettermedia for the #1 and #2 best talk shows in TV HISTORY! Take that, Johnny Carson, Oprah and Larry King, you hacks. stacker.com/stories/1978/b…
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    Replying to @Sgtzima
    The explosion jump cut is magnificent.
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    Here's a handy camera movement guide anybody working on a film set should be familiar with.