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        <title><![CDATA[Typotheque]]></title>
        <description><![CDATA[Typotheque]]></description>
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        <lastBuildDate>Sat, 13 Jun 2026 21:12:45 GMT</lastBuildDate>
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        <pubDate>Sat, 13 Jun 2026 21:12:45 GMT</pubDate>
        <item>
            <title><![CDATA[Typotheque is looking for a Junior Graphic Designer]]></title>
            <description><![CDATA[Typotheque is looking for a junior graphic designer, 2–3 days/week to design type specimens.]]></description>
            <link>https://www.typotheque.com/blog/looking-for-a-junior-graphic-designer</link>
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            <pubDate>Tue, 09 Jun 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[New typeface: Chairman]]></title>
            <description><![CDATA[Chairman is a utilitarian neo-grotesque that grows quieter at headline sizes and sparkier in running text, with three width systems that shape the rhythm of paragraphs.]]></description>
            <link>https://www.typotheque.com/blog/chairman</link>
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            <pubDate>Mon, 08 Jun 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Introducing a new accessibility platform for designers]]></title>
            <description><![CDATA[Today, in celebration of Global Accessibility Awareness Day, we are launching accessibility.tools — a free toolkit built for designers who want to create more inclusive work.]]></description>
            <link>https://www.typotheque.com/blog/introducing-a-new-accessibility-platform-for-designers</link>
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            <pubDate>Thu, 21 May 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[A new collection of Tibetan fonts]]></title>
            <description><![CDATA[We already support 26 writing scripts, and today we add another: Tibetan, created in the 7th century to translate Buddhist texts, has barely changed since — while the spoken language has shifted dramatically.]]></description>
            <link>https://www.typotheque.com/blog/a-new-collection-of-tibetan-fonts</link>
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            <pubDate>Thu, 21 May 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[The evolution of Tibetan typography]]></title>
            <description><![CDATA[An in-depth overview of Tibetan typography, tracing the script’s origins, structure and stylistic traditions, and following its transformation from early calligraphy and woodblock printing through metal type, missionary presses, and into contemporary digital type design.]]></description>
            <link>https://www.typotheque.com/articles/the-evolution-of-tibetan-typography</link>
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            <pubDate>Thu, 21 May 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Font Expressiveness Game]]></title>
            <description><![CDATA[We’re creating a new type specimen and need your help ranking 200+ fonts by expressiveness — from most neutral to most characterful. Play pairwise comparison game and you might spot some unreleased typefaces.]]></description>
            <link>https://www.typotheque.com/blog/font-expressiveness-game</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/font-expressiveness-game</guid>
            <pubDate>Wed, 25 Mar 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Zed now supports Armenian, Cyrillic, Georgian, Greek, and Hebrew]]></title>
            <description><![CDATA[Zed expands beyond Latin with five new scripts — Armenian, Cyrillic, Georgian, Greek, and Hebrew — raising its coverage to 572 languages and making it one of the most extensive and ambitious type systems ever released.]]></description>
            <link>https://www.typotheque.com/blog/zed-now-supports-armenian-cyrillic-georgian-greek-and-hebrew</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/zed-now-supports-armenian-cyrillic-georgian-greek-and-hebrew</guid>
            <pubDate>Mon, 19 Jan 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[A typeface in four dimensions]]></title>
            <description><![CDATA[Description: Zed is a font superfamily built on four variable design axes and spans more than 500 individual styles. This post attempts to make that vast design space easier to grasp.]]></description>
            <link>https://www.typotheque.com/blog/a-typeface-in-four-dimensions</link>
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            <pubDate>Mon, 19 Jan 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Improving Zed Display]]></title>
            <description><![CDATA[Last year we released the Zed type system. Today, it gets better. It is not just a language extension, but complete re-engineering of the fonts, for smoother interpolation and variability. If you licensed the fonts already, you can download a free update. ]]></description>
            <link>https://www.typotheque.com/blog/improving-zed-display</link>
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            <pubDate>Mon, 19 Jan 2026 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[2025: Our Year in Review]]></title>
            <description><![CDATA[As every year, we’re ending the year with a short overview of what happened at Typotheque. 2025 was busy: we released new typefaces, published new research, and spent a fair amount of time lecturing and presenting our work on three continents.]]></description>
            <link>https://www.typotheque.com/blog/2025-our-year-in-review</link>
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            <pubDate>Tue, 30 Dec 2025 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Let’s publish a book on Armenian typography—together]]></title>
            <description><![CDATA[Help us publish a book on Armenian typography—tracing its history, sharing new typefaces, and celebrating a unique script through community effort.]]></description>
            <link>https://www.typotheque.com/blog/armenian-book-crowdfunding</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/armenian-book-crowdfunding</guid>
            <pubDate>Mon, 22 Sep 2025 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Towards a cohesive Cherokee typography]]></title>
            <description><![CDATA[A new project led by Chris Skillern with Typotheque presents new contemporary Cherokee typefaces informed by historical research and community feedback.
]]></description>
            <link>https://www.typotheque.com/articles/towards-a-cohesive-cherokee-typography</link>
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            <pubDate>Sat, 09 Aug 2025 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Cherokee, Osage, and the Indigenous North American Type Collection	]]></title>
            <description><![CDATA[Typotheque is proud to announce the release of new Cherokee and Osage fonts, and a complete Indigenous North American Type Collection.]]></description>
            <link>https://www.typotheque.com/blog/cherokee-osage-and-the-indigenous-north-american-type-collection</link>
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            <pubDate>Sat, 09 Aug 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Books That Inspire Us]]></title>
            <description><![CDATA[Each summer, Typotheque takes time to recharge. Before our break, we share seven books from our studio shelves that continue to inspire our work.]]></description>
            <link>https://www.typotheque.com/blog/books-that-inspire-us</link>
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            <pubDate>Tue, 22 Jul 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Terrassa: A typeface where structure meets expression]]></title>
            <description><![CDATA[Terrassa is a modular, architectural typeface that blends geometric precision with expressive design. Inspired by technical lettering, it offers versatile styles, variable features and spatial elegance.
]]></description>
            <link>https://www.typotheque.com/blog/terrassa</link>
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            <pubDate>Wed, 21 May 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Drawing, Writing, Lettering: From the Geometric Letterform to the Architectural Plan]]></title>
            <description><![CDATA[The geometric nature of Latin letters, which originated in ancient Roman epigraphic capitals, has been much studied since the Renaissance, and architects have long drawn upon this connection, between ancient styles and modern buildings. In this essay, we discuss the link between geometry, architecture and letterforms throughout history, from the early days of the Latin alphabet to the more recent 20th-century trends in architectural lettering.]]></description>
            <link>https://www.typotheque.com/articles/drawing-writing-lettering</link>
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            <pubDate>Tue, 20 May 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[A collection of new, original CJK fonts from Typotheque]]></title>
            <description><![CDATA[Explore Typotheque’s CJK font collection—meticulously crafted to support the GB 18030-2022 standard, including Simplified Chinese, Traditional Chinese, Japanese, and Korean, offering region-specific variants for authentic East Asian typography.​]]></description>
            <link>https://www.typotheque.com/blog/collection-of-new-original-cjk-fonts</link>
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            <pubDate>Tue, 06 May 2025 00:00:00 GMT</pubDate>
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            <title><![CDATA[A journey to the Himalayas: planning and designing large-scale Chinese font families]]></title>
            <description><![CDATA[Designing a system of 40,000 characters across nine weights is an extremely complex process undertaken by a large design team. The challenge lies in maintaining consistency in the design approach and structural harmony while ensuring an efficient production process. Zheng Chuyang, leader of this major project, shares his perspective.]]></description>
            <link>https://www.typotheque.com/articles/designing-large-scale-chinese-fonts</link>
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            <pubDate>Mon, 05 May 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Understanding CJK regional character variants]]></title>
            <description><![CDATA[Chinese characters, or Han characters, vary across East Asia due to regional language evolution and reform. Although Unicode unifies them into a single Chinese, Japanese and Korean (CJK) block, fonts also need to align with regional preferences. This article looks at the reasons behind these variations and how to go about choosing the right fonts for a particular project.]]></description>
            <link>https://www.typotheque.com/articles/understanding-cjk-regional-character-variants</link>
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            <pubDate>Mon, 05 May 2025 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[The Weight of Chinese Characters: Designing an Ultra-Bold Typeface ]]></title>
            <description><![CDATA[This article explores how stroke thickness affects perceived weight in Chinese characters, explaining the complexity of designing balanced, readable type across various weights and styles.]]></description>
            <link>https://www.typotheque.com/articles/chinese-character-weight</link>
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            <pubDate>Mon, 05 May 2025 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Typesetting principles of Chinese, Japanese, and Korean (CJK) text]]></title>
            <description><![CDATA[This article highlights the typographic differences between Latin and CJK (Chinese, Japanese and Korean) typography. It covers vertical and horizontal text orientation, line height requirements, text alignment and hyphenation practices, distinct rules for line breaks and punctuation placement.]]></description>
            <link>https://www.typotheque.com/articles/typesetting-cjk-text</link>
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            <pubDate>Mon, 05 May 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Pristine, a typeface discovering the unknown territories]]></title>
            <description><![CDATA[Pristine is a charismatic multiscript family with a warm personality and distinctive teardrop terminals that lend a friendly feel to headlines and short text.]]></description>
            <link>https://www.typotheque.com/blog/pristine</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/pristine</guid>
            <pubDate>Mon, 14 Apr 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Thai Type: Bridging Tradition and Modernity]]></title>
            <description><![CDATA[Typotheque conducted a meticulous study of Thai typography, focusing reading performance and cultural perception. Collaborating with local experts and designers, they created a collection of 50 Thai font families.]]></description>
            <link>https://www.typotheque.com/blog/new-thai-type</link>
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            <pubDate>Sun, 16 Feb 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[The Contemporary Effects of Loops: Studying the implications of this unique feature of the Thai script]]></title>
            <description><![CDATA[Three experiments were conducted in Bangkok during early 2024 to assess the effects of loops in reading. Our study evaluated reading performance both at a distance and during continuous reading, and we also assessed the connotations the loops elicit. ]]></description>
            <link>https://www.typotheque.com/research/effects-of-loops-in-thai</link>
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            <pubDate>Sat, 15 Feb 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[History of Thai typography]]></title>
            <description><![CDATA[Thai typography has evolved through technological, cultural, and societal influences, from metal type in the 19th century to modern digital fonts shaping literacy and design today.]]></description>
            <link>https://www.typotheque.com/articles/history-of-thai-typography</link>
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            <pubDate>Sat, 15 Feb 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Zed Icons, for communication beyond language]]></title>
            <description><![CDATA[Zed Icons contains two thousand icons designed to break down language and cultural barriers, facilitating quick and effective communication in situations where words or translations are not enough.]]></description>
            <link>https://www.typotheque.com/blog/zed-icons-for-communication-beyond-language</link>
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            <pubDate>Tue, 04 Feb 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Unicode Characters for Heiltsuk]]></title>
            <description><![CDATA[As part of a partnership between the Heiltsuk Nation and Typotheque, we’re proud to announce that two new capital letters for the Heiltsuk language have been formally published Unicode 16.0]]></description>
            <link>https://www.typotheque.com/blog/new-unicode-characters-for-heiltsuk</link>
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            <pubDate>Fri, 17 Jan 2025 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[2024: Our Year in Review]]></title>
            <description><![CDATA[Typotheque reflects on its 25th year: advancing type for global languages, accessibility, and minority scripts. Highlights include Zed typeface, Unicode additions, and future releases! 🌍🔤✨]]></description>
            <link>https://www.typotheque.com/blog/2024-our-year-in-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/2024-our-year-in-review</guid>
            <pubDate>Tue, 31 Dec 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[New fonts for Ford Motors ]]></title>
            <description><![CDATA[In close collaboration with the design, engineering and ergonomic teams at Ford, Typotheque has recently completed the design a range of new fonts for the company’s Human-Machine Interfaces (HMI) and branding purposes, a project that had to be undertaken in strict compliance with the US National Highway Traffic Safety Administration (NHTSA).]]></description>
            <link>https://www.typotheque.com/blog/new-fonts-for-ford-motors</link>
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            <pubDate>Mon, 18 Nov 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[New fonts for Grand Paris Express]]></title>
            <description><![CDATA[Typotheque designed new typefaces for the enhanced Paris public transport used by over a billion people annually. The first two stations opened during the Paris 2024 Olympics.]]></description>
            <link>https://www.typotheque.com/blog/new-fonts-for-grand-paris-express</link>
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            <pubDate>Wed, 13 Nov 2024 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Designing a Typeface for the Next Era of the Paris Metro]]></title>
            <description><![CDATA[Designing a typeface for the Grand Paris Express, balancing innovation with functionality for an urban mobility orientation system.]]></description>
            <link>https://www.typotheque.com/articles/typeface-for-paris-metro</link>
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            <pubDate>Wed, 13 Nov 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[Update on the Typotheque Cherokee Project]]></title>
            <description><![CDATA[Typotheque’s Cherokee Project, funded by 54 backers, is nearing completion to launch syllabary fonts in 2025, preserving Cherokee script diversity and vitality.]]></description>
            <link>https://www.typotheque.com/blog/cherokee-project-update</link>
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            <pubDate>Mon, 11 Nov 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[Custom fonts for The Monterey Bay Aquarium]]></title>
            <description><![CDATA[The Monterey Bay Aquarium’s brand refresh by Pentagram highlights the powerful role of typography in conveying the organisation’s mission. ]]></description>
            <link>https://www.typotheque.com/blog/monterey-bay-aquarium-custom-fonts</link>
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            <pubDate>Fri, 25 Oct 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[First 25 years]]></title>
            <description><![CDATA[On September 22, Typotheque celebrated its 25th birthday with a retrospective exhibition and a party.]]></description>
            <link>https://www.typotheque.com/blog/first-25-years</link>
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            <pubDate>Tue, 24 Sep 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[A Sketchbook Designed for Creatives, by Creatives]]></title>
            <description><![CDATA[Introducing our refined, minimalist sketchbook: 192 smooth pages, durable binding, available in dotted grid or plain, designed for limitless creativity and lasting use.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-sketchbook</link>
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            <pubDate>Thu, 19 Sep 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[Join us for the celebration of Typotheque’s 25th anniversary.]]></title>
            <description><![CDATA[Over the weekend of 21–22 September 2024, in The Hague, Typotheque and the multidisciplinary artistic foundation Make Move Think will be hosting a public exhibition, party and two talks.]]></description>
            <link>https://www.typotheque.com/blog/25th-anniversary</link>
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            <pubDate>Tue, 10 Sep 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Indigenous North American Type]]></title>
            <description><![CDATA[Typotheque Indigenous North American Type: A Collaborative Research Project to Overcome Digital Language Support Barriers for Indigenous North American Typography]]></description>
            <link>https://www.typotheque.com/research/north-american-research</link>
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            <pubDate>Tue, 09 Jul 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[Zed, A sans for the needs of 21st century]]></title>
            <description><![CDATA[Zed is a lab-tested font designed for inclusivity and accessibility, empirically proven to significantly improve reading acuity for visually impaired readers]]></description>
            <link>https://www.typotheque.com/blog/zed-a-sans-for-the-needs-of-21century</link>
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            <pubDate>Mon, 03 Jun 2024 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Optimising Braille Character Spacing for Enhanced Tactile Reading]]></title>
            <description><![CDATA[Exploring the complexities of tactile legibility and optimal spacing for enhanced reading experiences. Through research and collaboration with international organisations, Zed Braille emerges as a finely tuned typeface, bridging diverse user needs and international standards.]]></description>
            <link>https://www.typotheque.com/research/braille-character-spacing</link>
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            <pubDate>Mon, 03 Jun 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[A sans for small text. And another for large.]]></title>
            <description><![CDATA[Sans-serif vs. serif fonts for legibility: a contentious debate without much evidence. Recent research challenges conventional wisdom.]]></description>
            <link>https://www.typotheque.com/articles/sans-for-small-text-sizes</link>
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            <pubDate>Mon, 03 Jun 2024 00:00:00 GMT</pubDate>
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            <title><![CDATA[Designing fonts with low-vision readers in mind: A reading acuity experiment]]></title>
            <description><![CDATA[A lab-based experiment developed to empirically improve and test the distance-reading legibility of new typeface, tested on visually impaired readers.]]></description>
            <link>https://www.typotheque.com/research/designing-fonts-with-low-vision-readers-in-mind</link>
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            <pubDate>Mon, 03 Jun 2024 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Dash, a typeface with different speeds and expressions]]></title>
            <description><![CDATA[Based on science and research, but written with the mastery of a skilled hand, Dash is a handwriting typeface system that makes full use of variable expression]]></description>
            <link>https://www.typotheque.com/blog/dash-a-typeface-with-different-speeds-and-expressions</link>
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            <pubDate>Wed, 08 Nov 2023 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Handwriting Database, 566 samples of contemporary Latin writing]]></title>
            <description><![CDATA[This is a database that captures the writing of over half a thousand contemporary users of the Latin script, across 46 countries and 20 languages.]]></description>
            <link>https://www.typotheque.com/research/handwriting-database</link>
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            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Manu gets a new range of weights]]></title>
            <description><![CDATA[The handwriting font family Manu has been extended to include a range of weights from Hairline to Bold.]]></description>
            <link>https://www.typotheque.com/blog/manu-gets-a-new-range-of-weights</link>
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            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Cyrillic and Greek handwriting]]></title>
            <description><![CDATA[This final part describes the influence of Latin script on other writing systems, namely Cyrillic and Greek, and especially on their cursiveness. ]]></description>
            <link>https://www.typotheque.com/articles/modern-handwriting-a-historical-survey-5</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/modern-handwriting-a-historical-survey-5</guid>
            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Cursive handwriting in Central Europe]]></title>
            <description><![CDATA[This fourth part reveals other traditions of cursive writing in Central and Northern Europe, much different from Western Europe models previously discussed.]]></description>
            <link>https://www.typotheque.com/research/modern-handwriting-a-historical-survey-4</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/modern-handwriting-a-historical-survey-4</guid>
            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Models from Americas and Western Europe]]></title>
            <description><![CDATA[This third part explores the movement of certain models from North America to South America and then to Western Europe, as well as their often lasting entrenchment.]]></description>
            <link>https://www.typotheque.com/research/modern-handwriting-a-historical-survey-3</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/modern-handwriting-a-historical-survey-3</guid>
            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Familiarity Effect in the Perception of Handwriting ]]></title>
            <description><![CDATA[Do we prefer our own handwriting? We conducted a large scale empirical study on how familiarity affects the perception of handwritten text, measuring implicit biases that show people favour text resembling their own style.]]></description>
            <link>https://www.typotheque.com/research/the-familiarity-effect-in-the-perception-of-handwriting</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/the-familiarity-effect-in-the-perception-of-handwriting</guid>
            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Approaches in Great Britain]]></title>
            <description><![CDATA[This second part offers an overview of new approaches developed in Great Britain during the 20th century, inspired by writing history or modern pragmatism.]]></description>
            <link>https://www.typotheque.com/articles/modern-handwriting-a-historical-survey-2</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/modern-handwriting-a-historical-survey-2</guid>
            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Modern handwriting: a historical survey]]></title>
            <description><![CDATA[The opening essay of series of five articles about the many aspects of handwriting, from the late 19th century to the present day, examining the emergence of new handwriting schemes in Europe and the United States, developed for the sake of public health, or for business.]]></description>
            <link>https://www.typotheque.com/research/modern-handwriting-a-historical-survey-1</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/modern-handwriting-a-historical-survey-1</guid>
            <pubDate>Tue, 07 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Announcing Typotheque Club — a unique way to deepen connections between people ]]></title>
            <description><![CDATA[Typotheque Club is a virtual place where its members can connect – with benefits that include exclusive presentations, access to Typotheque’s work in progress and crowdfunding initiatives, and many others.]]></description>
            <link>https://www.typotheque.com/blog/announcing-typotheque-club</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/announcing-typotheque-club</guid>
            <pubDate>Thu, 02 Nov 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Münchenstein, the forgotten typefaces by the designer of Helvetica]]></title>
            <description><![CDATA[Swiss type designer Max Miedinger is primarily recognised as the designer of Helvetica. Nikola Djurek, fascinated by Miedinger’s lesser-known typefaces, has now created the Münchenstein font family, bringing together Miedinger’s first and last typefaces.]]></description>
            <link>https://www.typotheque.com/blog/muenchenstein-forgotten-typefaces-of-max-miedinger</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/muenchenstein-forgotten-typefaces-of-max-miedinger</guid>
            <pubDate>Tue, 05 Sep 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Originality in Type Design]]></title>
            <description><![CDATA[The article was triggered by the discussions with the late Gerard Unger about the nature of originality in the type design industry, highlighting the importance of historical continuity in creating new works while examining the notions of originality and the boundaries between interpretation and plagiarism.]]></description>
            <link>https://www.typotheque.com/articles/originality-in-type-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/originality-in-type-design</guid>
            <pubDate>Tue, 04 Jul 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[November — a comprehensive type system for South Asia]]></title>
            <description><![CDATA[November Type System is a versatile and highly accessible collection of fonts, extensively researched to meet the preferences and needs of readers of hundreds of languages of South Asia.]]></description>
            <link>https://www.typotheque.com/blog/november-a-comprehensive-type-system-for-south-asia</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/november-a-comprehensive-type-system-for-south-asia</guid>
            <pubDate>Mon, 26 Jun 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Designing Fonts for Two Billion people]]></title>
            <description><![CDATA[Typotheque tackled the unprecedented task of designing a comprehensive set of fonts for South Asia.]]></description>
            <link>https://www.typotheque.com/articles/designing-fonts-for-two-billion-people</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/designing-fonts-for-two-billion-people</guid>
            <pubDate>Mon, 26 Jun 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Malayalam: Scripting Tradition and Modernity]]></title>
            <description><![CDATA[The article explores the rich tradition of Malayalam script and its evolution in the face of modern technologies. It delves into the challenges and innovations in adapting the script to digital platforms while preserving its cultural heritage.]]></description>
            <link>https://www.typotheque.com/research/malayalam-scripting-tradition-and-modernity</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/malayalam-scripting-tradition-and-modernity</guid>
            <pubDate>Sun, 25 Jun 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Tracing Meitei Mayek & Ol Chiki Letters: A Comparative Study ]]></title>
            <description><![CDATA[This essay explores socio-linguistic landscape of northeast of India and adoption of two minority writing scripts, Meitei Mayek and Ol Chiki, enjoying significant growth in popularity in recent years, establishing distinct identity of their users.]]></description>
            <link>https://www.typotheque.com/research/tracing-meitei-mayek-and-ol-chiki</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/tracing-meitei-mayek-and-ol-chiki</guid>
            <pubDate>Sat, 24 Jun 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Georgian alphabet, writing and typography]]></title>
            <description><![CDATA[An article on the origins of the Georgian writing script, is historical development, printing traditions, and Georgian typography today.]]></description>
            <link>https://www.typotheque.com/articles/georgian-alphabet-writing-and-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/georgian-alphabet-writing-and-typography</guid>
            <pubDate>Tue, 30 May 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[A collection of new Georgian fonts]]></title>
            <description><![CDATA[At a local event in Tbilisi, Typotheque launched a large collection of new Georgian fonts designed and produced in collaboration with local designers, along with an exhibition and a book.]]></description>
            <link>https://www.typotheque.com/blog/a-collection-of-new-georgian-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/a-collection-of-new-georgian-fonts</guid>
            <pubDate>Tue, 30 May 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[We have an all-new website!]]></title>
            <description><![CDATA[A new version of the Typotheque website, which will allow us to focus on what we do best — designing fonts]]></description>
            <link>https://www.typotheque.com/blog/we-have-an-all-new-website</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/we-have-an-all-new-website</guid>
            <pubDate>Wed, 03 May 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typeface design beyond a single script]]></title>
            <description><![CDATA[Creating a new language version of a typeface is akin to a translation, whereby purpose, intention and respect are as important as proportion and design. 

]]></description>
            <link>https://www.typotheque.com/articles/typeface-design-beyond-a-single-script</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typeface-design-beyond-a-single-script</guid>
            <pubDate>Wed, 03 May 2023 00:00:00 GMT</pubDate>
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            <title><![CDATA[Rapida and Rapidissima, a duo of text and display high-energy typefaces ]]></title>
            <description><![CDATA[Three years after graduating from Type & Media, Michelangelo Nigra completed his thesis project, which is full of surprising type details that give text a unique character and liveliness.]]></description>
            <link>https://www.typotheque.com/blog/rapida-and-rapidissima-a-duo-of-text-and-display-high-energy-typefaces</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/rapida-and-rapidissima-a-duo-of-text-and-display-high-energy-typefaces</guid>
            <pubDate>Mon, 03 Oct 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Ping Round, an approachable typeface for international communication]]></title>
            <description><![CDATA[An affable font family with fluid stroke structure that communicates in Latin, Greek, Cyrillic, Arabic, Hebrew, Thai, Georgian, Armenian and Devanagari.]]></description>
            <link>https://www.typotheque.com/blog/ping-round-an-approachable-typeface-for-international-communication</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/ping-round-an-approachable-typeface-for-international-communication</guid>
            <pubDate>Mon, 16 May 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Handwriting across ages and regions: Latin survey]]></title>
            <description><![CDATA[As a company that develops fonts, we’re interested in learning how people write. In particular, we want to know more about how people around the world write by hand and how they perceive handwriting by others, a topic on which we have found no current literature.]]></description>
            <link>https://www.typotheque.com/blog/handwriting-across-ages-and-regions-latin-survey</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/handwriting-across-ages-and-regions-latin-survey</guid>
            <pubDate>Mon, 02 May 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Devanagari – The Makings of a National Character]]></title>
            <description><![CDATA[The story of Devanagari type from early print to the digital age, as Indian print culture both sparked and responded to intense socio-political change and constant technological innovation.]]></description>
            <link>https://www.typotheque.com/research/devanagari-the-makings-of-a-national-character</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/devanagari-the-makings-of-a-national-character</guid>
            <pubDate>Mon, 21 Mar 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Regional forms of Devanagari (Survey Report)]]></title>
            <description><![CDATA[We created a survey to evaluate different graphic variants of Devanagari characters, interviewing hundreds of people gathering data and recommendations not only on the recognisability of each form of the Devanagari characters, but also on the preferences of readers and users. ]]></description>
            <link>https://www.typotheque.com/research/regional-forms-of-devanagari-survey-report</link>
            <guid isPermaLink="true">https://www.typotheque.com/research/regional-forms-of-devanagari-survey-report</guid>
            <pubDate>Mon, 21 Mar 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Diurnal Mono, a calligraphic font for coding and tables]]></title>
            <description><![CDATA[A humanist monospaced typeface with calligraphic traits, that bringing regularity and warmth into a block of text that aligns vertically.]]></description>
            <link>https://www.typotheque.com/blog/diurnal-mono-a-calligraphic-font-for-coding-and-tables</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/diurnal-mono-a-calligraphic-font-for-coding-and-tables</guid>
            <pubDate>Mon, 21 Mar 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Exclusive fonts for NRK, Norway’s national broadcaster]]></title>
            <description><![CDATA[Typotheque has designed a set of new fonts for the largest public broadcaster in Norway, as part of its brand refresh. The fonts respond to the client’s needs, creating a tool to strengthen its identity.
]]></description>
            <link>https://www.typotheque.com/blog/exclusive-fonts-for-nrk-norways-national-broadcaster</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/exclusive-fonts-for-nrk-norways-national-broadcaster</guid>
            <pubDate>Mon, 21 Mar 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[The history of the Devanagari script and survey of its current use]]></title>
            <description><![CDATA[Typotheque has been working on an extensive historical research project, based on the development in Devanagari printing, combined with a survey of the contemporary regional preferences of Devanagari readers. ]]></description>
            <link>https://www.typotheque.com/blog/the-history-of-the-devanagari-script-and-survey-of-its-current-use</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/the-history-of-the-devanagari-script-and-survey-of-its-current-use</guid>
            <pubDate>Mon, 21 Mar 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Syllabics typographic guidelines and local typographic preferences]]></title>
            <description><![CDATA[This essay provides guidelines to fine Syllabics typography through identifying its general and inherent concepts, as well as detailing the nuances found in local preferences within individual communities.]]></description>
            <link>https://www.typotheque.com/articles/syllabics-typographic-guidelines</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/syllabics-typographic-guidelines</guid>
            <pubDate>Mon, 24 Jan 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[On developing a secondary style for the Canadian Syllabics]]></title>
            <description><![CDATA[This essay explores the journey to developing a suitable secondary style for such a script, the Canadian Syllabics, in a way that expands its typographic palette and offers more tools for expressing the language in its visual form.
]]></description>
            <link>https://www.typotheque.com/articles/on-developing-a-secondary-style-for-the-canadian-syllabics</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/on-developing-a-secondary-style-for-the-canadian-syllabics</guid>
            <pubDate>Mon, 24 Jan 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[North American Syllabics fonts developed in collaboration with Indigenous communities]]></title>
            <description><![CDATA[Typotheque is launching a series of Unified Canadian Syllabics fonts that support Indigenous language revitalisation and preservation efforts in North America, changing the standards of future Syllabics fonts.]]></description>
            <link>https://www.typotheque.com/blog/north-american-syllabics-fonts-developed-in-collaboration-with-indigenous-communities</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/north-american-syllabics-fonts-developed-in-collaboration-with-indigenous-communities</guid>
            <pubDate>Mon, 24 Jan 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[Delvard Serif, an eccentric, yet very functional old-style typeface]]></title>
            <description><![CDATA[A decade after Nikola Djurek drew Delvard, a collection of sans and display fonts, comes Delvard Serif, an eye-catching serif typeface in three optical sizes.]]></description>
            <link>https://www.typotheque.com/blog/delvard-serif-an-eccentric-yet-very-functional-old-style-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/delvard-serif-an-eccentric-yet-very-functional-old-style-typeface</guid>
            <pubDate>Mon, 24 Jan 2022 00:00:00 GMT</pubDate>
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            <title><![CDATA[ November Tamil: Designing with purpose]]></title>
            <description><![CDATA[November, October and November Stencil Tamil are a family of low-contrast, monolinear Tamil typefaces. Following a rigorous overhaul of the original, they have now been redesigned for better reading and unambiguous communication in text and display sizes.]]></description>
            <link>https://www.typotheque.com/articles/november-tamil-designing-with-purpose</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/november-tamil-designing-with-purpose</guid>
            <pubDate>Thu, 18 Nov 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Major update of November multilingual font family]]></title>
            <description><![CDATA[November has been completely revised, redesigned and reengineered and are now available in both static and variable font formats.]]></description>
            <link>https://www.typotheque.com/blog/major-update-of-november-multilingual-font-family</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/major-update-of-november-multilingual-font-family</guid>
            <pubDate>Thu, 18 Nov 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Devanagari type survey]]></title>
            <description><![CDATA[In order that we can make more informed, research-based decisions when designing Devanagari fonts, we are inviting people who regularly use the Devanagari script to take part in our survey to help us understand regional preferences for character variants.
]]></description>
            <link>https://www.typotheque.com/blog/devanagari-type-survey</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/devanagari-type-survey</guid>
            <pubDate>Wed, 01 Sep 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Maro, a razor-sharp stencil typeface for expressive text]]></title>
            <description><![CDATA[An organically created stencil typeface that follows the logical contrast principles of letter construction until the shape is fractured at its narrowest point.]]></description>
            <link>https://www.typotheque.com/blog/maro-a-razor-sharp-stencil-typeface-for-expressive-text</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/maro-a-razor-sharp-stencil-typeface-for-expressive-text</guid>
            <pubDate>Mon, 14 Jun 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[New monumental Typotheque type specimen, a world poem in 162 languages]]></title>
            <description><![CDATA[After more than a year of work, the 560-page book, printed in 11 different inks, that presents the complete Typotheque collection has been published. It is a true community project that took the involvement of hundreds of people to bring it to fruition, and it includes a poem by Indian poet Tishani Doshi, written to correspond to the specific word count of the book.]]></description>
            <link>https://www.typotheque.com/blog/new-monumental-typotheque-type-specimen-a-world-poem-in-162-languages</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-monumental-typotheque-type-specimen-a-world-poem-in-162-languages</guid>
            <pubDate>Mon, 14 Jun 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Theory of Type Design, a book review]]></title>
            <description><![CDATA[A book review of <i>Theory of Type Design</i> by internationally renowned type designer Gerard Unger, where he is delving into cultural, historical and social roots of type design and typography. ]]></description>
            <link>https://www.typotheque.com/articles/theory-of-type-design-a-book-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/theory-of-type-design-a-book-review</guid>
            <pubDate>Tue, 01 Jun 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Size-Specific Spacing of Fonts]]></title>
            <description><![CDATA[Type design must consider not only the shape of the letters, but also the white space around them, which is essential for the ease of reading.]]></description>
            <link>https://www.typotheque.com/articles/size-specific-spacing-of-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/size-specific-spacing-of-fonts</guid>
            <pubDate>Tue, 25 May 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Major update of Lava with variable optical spacing]]></title>
            <description><![CDATA[Lava now includes two new weights (Thin and Light), optimised for East Asian languages and with a size-specific tracking axis in a variable font, alongside a number of other improvements.]]></description>
            <link>https://www.typotheque.com/blog/major-update-of-lava-with-variable-optical-spacing</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/major-update-of-lava-with-variable-optical-spacing</guid>
            <pubDate>Tue, 25 May 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Planejamento familiar, ou como as famílias tipográficas funcionam]]></title>
            <description><![CDATA[Um ensaio sobre a história e definição de famílias tipográficas, parâmetros para o design de tipos, e as possibilidades para criação de sistemas tipográficos ainda maiores hoje.]]></description>
            <link>https://www.typotheque.com/articles/planejamento-familiar-ou-como-as-familias-tipograficas-funcionam</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/planejamento-familiar-ou-como-as-familias-tipograficas-funcionam</guid>
            <pubDate>Sat, 15 May 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Designers Reclusos – Redefinindo o Sucesso na Era da Internet]]></title>
            <description><![CDATA[A distração das mídias sociais pode levar a gritos de “deixe-me continuar com meu trabalho”. Para designers, não há fim na demanda para se estar fisicamente e digitalmente ‘na vitrine’. Porém, e se esse não for o seu modo de ser, ou se não foi esse o motivo que o levou a projetar? Para além de curtidas, seguidores, networking e conexões, para muitos a questão fundamental é: até que ponto o reconhecimento público é uma medida de sucesso?]]></description>
            <link>https://www.typotheque.com/articles/designers-reclusos-redefinindo-o-sucesso-na-era-da-internet</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/designers-reclusos-redefinindo-o-sucesso-na-era-da-internet</guid>
            <pubDate>Sat, 15 May 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Reclusive Designers — Redefining Success in the Internet Era]]></title>
            <description><![CDATA[The distraction of social media can lead to screams of ‘let me just get on with my work.’ For designers, the demand to be physically and digitally ‘out there’ is endless. But what if that is not how you are, or why you even wanted to design? Beyond the likes, followers, networking and connecting, for many people the fundamental issue is: to what extent is public recognition a measure of success?]]></description>
            <link>https://www.typotheque.com/articles/reclusive-designers-redefining-success-in-the-internet-era</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/reclusive-designers-redefining-success-in-the-internet-era</guid>
            <pubDate>Mon, 19 Apr 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[Edge, a geometric slab serif typeface]]></title>
            <description><![CDATA[A year and a half after the release of the original Edge Sans, and 21 years after its original conception, comes Edge, a slab serif based on the orthogonal grid.]]></description>
            <link>https://www.typotheque.com/blog/edge-a-geometric-slab-serif-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/edge-a-geometric-slab-serif-typeface</guid>
            <pubDate>Wed, 13 Jan 2021 00:00:00 GMT</pubDate>
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            <title><![CDATA[A year in review… and looking ahead]]></title>
            <description><![CDATA[2020 has been an extraordinary year, one that has taught us many lessons and forced us to set priorities. During this time, our priority became to work on all the living writing scripts of the world.
]]></description>
            <link>https://www.typotheque.com/blog/a-year-in-review-and-looking-ahead</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/a-year-in-review-and-looking-ahead</guid>
            <pubDate>Wed, 16 Dec 2020 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Greta Sans Korean, a Hangul humanist Sans typeface system]]></title>
            <description><![CDATA[Typotheque partnered with Seoul-based Sandoll to create a brand new Hangul typeface system that would expand the acceptability of sans serif Hangul letterforms, giving users more choices to work with.]]></description>
            <link>https://www.typotheque.com/blog/greta-sans-korean-a-hangul-humanist-sans-typeface-system</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-sans-korean-a-hangul-humanist-sans-typeface-system</guid>
            <pubDate>Thu, 29 Oct 2020 00:00:00 GMT</pubDate>
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            <title><![CDATA[Tremolo Sans, an Unlikely Companion Typeface]]></title>
            <description><![CDATA[Tremolo Sans is a surprising low-contrast typeface with large x-height and unexpected humanist details.]]></description>
            <link>https://www.typotheque.com/blog/tremolo-sans-an-unlikely-companion-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/tremolo-sans-an-unlikely-companion-typeface</guid>
            <pubDate>Thu, 29 Oct 2020 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque Automates Free Test Licenses]]></title>
            <description><![CDATA[Typotheque introduces free font testing and early access to upcoming releases for all font clients.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-automates-free-test-licenses</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-automates-free-test-licenses</guid>
            <pubDate>Thu, 01 Oct 2020 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[The Importance of Play]]></title>
            <description><![CDATA[In the world driven by utility and performance, is there a room for open-ended typographic play system, that allows to discover something that was not entirely planned, something that the system hoped to allow, but could not guarantee?]]></description>
            <link>https://www.typotheque.com/articles/the-importance-of-play</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-importance-of-play</guid>
            <pubDate>Mon, 22 Jun 2020 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Q Project, an open-ended typographic play system]]></title>
            <description><![CDATA[The Q Project is a game-like type system that enables users to create a nearly infinite number of variations. Inspired by toys like Lego or Meccano, Q invites you to explore its vast creative space and discover not only new solutions, but also new problems.]]></description>
            <link>https://www.typotheque.com/blog/the-q-project-an-open-ended-typographic-play-system</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/the-q-project-an-open-ended-typographic-play-system</guid>
            <pubDate>Mon, 22 Jun 2020 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Murtaugh & Riggs, a duo of complementary typeface families]]></title>
            <description><![CDATA[The veteran and the young blood, a duo of typefaces defined by a generational divide.]]></description>
            <link>https://www.typotheque.com/blog/murtaugh-and-riggs-a-duo-of-complementary-typeface-families</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/murtaugh-and-riggs-a-duo-of-complementary-typeface-families</guid>
            <pubDate>Tue, 14 Jan 2020 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[What we have learned so far?]]></title>
            <description><![CDATA[We share we have have learned in our practice, and we’d like to learn more from you about how we can create more useful and valuable typefaces. Please take part of our online survey.]]></description>
            <link>https://www.typotheque.com/blog/what-we-have-learned-so-far</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/what-we-have-learned-so-far</guid>
            <pubDate>Thu, 09 Jan 2020 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Brief History of Webfonts]]></title>
            <description><![CDATA[In less than three decades, web typography has caught up to and even surpassed print typography. A brief look into how we got to where we are today.]]></description>
            <link>https://www.typotheque.com/articles/brief-history-of-webfonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/brief-history-of-webfonts</guid>
            <pubDate>Tue, 22 Oct 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque Solo Exhibition at the Kunstmuseum Den Haag]]></title>
            <description><![CDATA[A cross section of Typotheque’s multidisciplinary work is now on display at the Kunstmuseum Den Haag (formally the Gemeentemuseum), one of the most visited museums in the Netherlands.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-solo-exhibition-at-the-kunstmuseum-den-haag</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-solo-exhibition-at-the-kunstmuseum-den-haag</guid>
            <pubDate>Thu, 03 Oct 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Logo for the Kunstmuseum Den Haag]]></title>
            <description><![CDATA[The former Gemeentemuseum Den Haag has a new name, Kunstmuseum Den Haag, and a new logo designed by Typotheque.]]></description>
            <link>https://www.typotheque.com/blog/new-logo-for-the-kunstmuseum-den-haag</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-logo-for-the-kunstmuseum-den-haag</guid>
            <pubDate>Tue, 01 Oct 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Oli: a neo-grotesque with irrepressible personality and charming details]]></title>
            <description><![CDATA[Oli Grotesk is an affable, high-performance typeface family informed by the industrial aesthetics of mechanical writing tools.]]></description>
            <link>https://www.typotheque.com/blog/oli-a-neo-grotesque-with-irrepressible-personality-and-charming-details</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/oli-a-neo-grotesque-with-irrepressible-personality-and-charming-details</guid>
            <pubDate>Tue, 24 Sep 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Nocturno Stencil, a variable Stencil font]]></title>
            <description><![CDATA[Nocturno, a popular typeface for long reading, now has a stencil version. With a little twist.]]></description>
            <link>https://www.typotheque.com/blog/nocturno-stencil-a-variable-stencil-font</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/nocturno-stencil-a-variable-stencil-font</guid>
            <pubDate>Tue, 17 Sep 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[November / October support extended to Devanagari and Tamil]]></title>
            <description><![CDATA[November and October, global font families inspired by an industrial heritage, now support the two most widely used Indian scripts.]]></description>
            <link>https://www.typotheque.com/blog/november-october-support-extended-to-devanagari-and-tamil</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/november-october-support-extended-to-devanagari-and-tamil</guid>
            <pubDate>Tue, 10 Sep 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[Comb, a suite of monospaced fonts ideal for designing forms]]></title>
            <description><![CDATA[A practical, comprehensive typeface family specifically created for laying out effective print and PDF forms.]]></description>
            <link>https://www.typotheque.com/blog/comb-a-suite-of-monospaced-fonts-ideal-for-designing-forms</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/comb-a-suite-of-monospaced-fonts-ideal-for-designing-forms</guid>
            <pubDate>Tue, 10 Sep 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque’s 20th! Edge’s 20th!]]></title>
            <description><![CDATA[Typotheque turns 20 this month, and to celebrate we have prepared a number of announcements as well as a digital revival of a font that we first published in 1999.]]></description>
            <link>https://www.typotheque.com/blog/typotheques-20th-edges-20th</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheques-20th-edges-20th</guid>
            <pubDate>Tue, 03 Sep 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[Gold European Design Award for Ping]]></title>
            <description><![CDATA[We are pleased to announce that Ping typeface family received the Gold European Design Award for 2019.]]></description>
            <link>https://www.typotheque.com/blog/gold-european-design-award-for-ping</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/gold-european-design-award-for-ping</guid>
            <pubDate>Tue, 18 Jun 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[High legibility Devanagari, Kannada and Telugu fonts]]></title>
            <description><![CDATA[Typotheque now supports two additional South Indian writing scripts, Kannada and Telugu, and releases a new Devanagari font featuring classical contrast and proportions.]]></description>
            <link>https://www.typotheque.com/blog/high-legibility-devanagari-kannada-and-telugu-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/high-legibility-devanagari-kannada-and-telugu-fonts</guid>
            <pubDate>Mon, 20 May 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[Mississippi, a dynamic typeface with variable height]]></title>
            <description><![CDATA[Nikola Djurek returns to his exploration of text patterns and gradients, this time by dynamically increasing or decreasing letter heights to control the rhythm of words and short texts.]]></description>
            <link>https://www.typotheque.com/blog/mississippi-a-dynamic-typeface-with-variable-height</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/mississippi-a-dynamic-typeface-with-variable-height</guid>
            <pubDate>Mon, 20 May 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[Standardised Language Script Suffixes]]></title>
            <description><![CDATA[From now on, Typotheque cease to use Std/Pro font suffixes, and instead proposes to use standartised suffixes that identify language support in fonts.]]></description>
            <link>https://www.typotheque.com/blog/standardised-language-script-suffixes</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/standardised-language-script-suffixes</guid>
            <pubDate>Thu, 18 Apr 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[Ping, a whole-world typeface]]></title>
            <description><![CDATA[Over a decade in development, Ping is a new, not-so geometric Sans.]]></description>
            <link>https://www.typotheque.com/blog/ping-a-whole-world-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/ping-a-whole-world-typeface</guid>
            <pubDate>Mon, 25 Mar 2019 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Introduces a New Licensing Option for Affordable Font Use.]]></title>
            <description><![CDATA[Today we are introducing a new licensing option for print purposes only that make the Typotheque fonts more affordable.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-introduces-a-new-licensing-option-for-affordable-font-use</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-introduces-a-new-licensing-option-for-affordable-font-use</guid>
            <pubDate>Fri, 22 Mar 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[A Brief History of Sans Serif typefaces]]></title>
            <description><![CDATA[The five centuries that followed Gutenberg and his moveable typefaces defined the possibilities of Roman serif type. The current possibilities of sans typefaces were defined over the course of the 20th century. Notes about types that inspired the Ping typeface.]]></description>
            <link>https://www.typotheque.com/articles/a-brief-history-of-sans-serif-typefaces</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/a-brief-history-of-sans-serif-typefaces</guid>
            <pubDate>Mon, 11 Mar 2019 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Language Expansion for Wind]]></title>
            <description><![CDATA[Wind, a variable font for optical effects and multi-layed typography designed by Hansje van Halem now speaks Russian and Greek.]]></description>
            <link>https://www.typotheque.com/blog/language-expansion-for-wind</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/language-expansion-for-wind</guid>
            <pubDate>Tue, 13 Nov 2018 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[November Stencil, a heavy-duty stencil typeface with playful layering styles]]></title>
            <description><![CDATA[Inspired by industrial signage, November Stencil gives a unique flavour to short texts and also provides surprising possibilities for colour typography and motion graphics.]]></description>
            <link>https://www.typotheque.com/blog/november-stencil-a-heavy-duty-stencil-typeface-with-playful-layering-styles</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/november-stencil-a-heavy-duty-stencil-typeface-with-playful-layering-styles</guid>
            <pubDate>Tue, 13 Nov 2018 00:00:00 GMT</pubDate>
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            <title><![CDATA[Brenner, an unusual typeface family with distinct voices]]></title>
            <description><![CDATA[An extensive type system with distinctive members ideal for creating typographic contrasts and inventive layouts.]]></description>
            <link>https://www.typotheque.com/blog/brenner-an-unusual-typeface-family-with-distinct-voices</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/brenner-an-unusual-typeface-family-with-distinct-voices</guid>
            <pubDate>Mon, 10 Sep 2018 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[November Slab, a robust slab serif typeface]]></title>
            <description><![CDATA[November Slab is a functional, no-nonsense addition to a rational, utilitarian family inspired by street signage. Its blocky serifs create stable, robust letterforms that are surprisingly elegant in its thinnest variations, making it well suited for print purposes. ]]></description>
            <link>https://www.typotheque.com/blog/november-slab-a-robust-slab-serif-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/november-slab-a-robust-slab-serif-typeface</guid>
            <pubDate>Wed, 13 Jun 2018 00:00:00 GMT</pubDate>
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            <title><![CDATA[William finally supports Greek and Cyrillic]]></title>
            <description><![CDATA[A typeface that started a decade ago with a Cyrillic design finally gets its official Cyrillic version.]]></description>
            <link>https://www.typotheque.com/blog/william-finally-supports-greek-and-cyrillic</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/william-finally-supports-greek-and-cyrillic</guid>
            <pubDate>Wed, 13 Jun 2018 00:00:00 GMT</pubDate>
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            <title><![CDATA[Halte, a Display Family with an Extra Dash of Personality]]></title>
            <description><![CDATA[A new typeface for identities and headlines, with quirky forms inspired by an unusual signage system.]]></description>
            <link>https://www.typotheque.com/blog/halte-a-display-family-with-an-extra-dash-of-personality</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/halte-a-display-family-with-an-extra-dash-of-personality</guid>
            <pubDate>Mon, 14 May 2018 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque Fonts in Mass Protests in Slovakia]]></title>
            <description><![CDATA[Simple graphics unite Slovaks seeking justice and decency in the largest protests in the country’s history.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-fonts-in-mass-protests-in-slovakia</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-fonts-in-mass-protests-in-slovakia</guid>
            <pubDate>Thu, 15 Mar 2018 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New typeface: Gordian ]]></title>
            <description><![CDATA[Introducing Gordian, a chiselled sans-serif typeface inspired by Roman inscriptional lettering]]></description>
            <link>https://www.typotheque.com/blog/new-typeface-gordian</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-gordian</guid>
            <pubDate>Mon, 19 Feb 2018 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Parmigiano Stencil Hebrew]]></title>
            <description><![CDATA[Stencil version of the typeface inspired by the work of Giambattista Bodoni]]></description>
            <link>https://www.typotheque.com/blog/parmigiano-stencil-hebrew</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/parmigiano-stencil-hebrew</guid>
            <pubDate>Tue, 30 Jan 2018 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Balkan Beyond the Balkans]]></title>
            <description><![CDATA[Balkan, a typeface designed for the transliteration of Croatian and Serbian, has been expanded to support Russian and other Cyrillic languages.]]></description>
            <link>https://www.typotheque.com/blog/taking-balkan-beyond-the-balkans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/taking-balkan-beyond-the-balkans</guid>
            <pubDate>Mon, 22 Jan 2018 00:00:00 GMT</pubDate>
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            <title><![CDATA[Notes on Designing and Producing the Typeface Wind]]></title>
            <description><![CDATA[It is not very often that I come across type that is so unusual, so strikingly different that I can’t place it. Hansje van Halem’s Wind is one of those rare examples, so I asked her if we could publish it]]></description>
            <link>https://www.typotheque.com/articles/notes-on-designing-and-producing-the-typeface-wind</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/notes-on-designing-and-producing-the-typeface-wind</guid>
            <pubDate>Fri, 08 Dec 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Limited-edition Typographic Posters]]></title>
            <description><![CDATA[Typotheque introduces two large typographic posters by Hansje van Halem and Just van Rossum.
]]></description>
            <link>https://www.typotheque.com/blog/limited-edition-typographic-posters</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/limited-edition-typographic-posters</guid>
            <pubDate>Tue, 05 Dec 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Wind, a Layered Typeface for Optical Illusions]]></title>
            <description><![CDATA[A capital-only display typeface by Hansje van Halem for intricate headlines, and optical effects.]]></description>
            <link>https://www.typotheque.com/blog/wind-a-layered-typeface-for-optical-illusions</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/wind-a-layered-typeface-for-optical-illusions</guid>
            <pubDate>Thu, 23 Nov 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[A new Hebrew font collection]]></title>
            <description><![CDATA[Typotheque launches a new type design programme, a collection of contemporary text and display fonts for the Hebrew language.]]></description>
            <link>https://www.typotheque.com/blog/a-new-hebrew-font-collection</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/a-new-hebrew-font-collection</guid>
            <pubDate>Mon, 23 Oct 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Secondary Style in Hebrew Typography]]></title>
            <description><![CDATA[Traditionally, Hebrew printed typography doesn't have a notion of ‘italic’, a concept linked with the evolution of the Latin alphabet. Hebrew, however, when written by hand used cursive forms taught at schools simultaneously from when children start to read, the informal style hasn’t integrated into printed typography. Michal Sahar proposes a cursive Hebrew for continuous text.]]></description>
            <link>https://www.typotheque.com/articles/secondary-style-in-hebrew-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/secondary-style-in-hebrew-typography</guid>
            <pubDate>Wed, 11 Oct 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Designing Hebrew Type]]></title>
            <description><![CDATA[An article on the process of designing typefaces for the language other than your own — challenges of looking at unfamiliar patterns, letters, and their cultural significances.]]></description>
            <link>https://www.typotheque.com/articles/designing-hebrew-type</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/designing-hebrew-type</guid>
            <pubDate>Thu, 05 Oct 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Zico Hebrew]]></title>
            <description><![CDATA[Designed by Daniel Grumer, Zico Hebrew is a modern and versatile low-contrast typeface family.]]></description>
            <link>https://www.typotheque.com/blog/zico-hebrew</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/zico-hebrew</guid>
            <pubDate>Wed, 04 Oct 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Zico Sans]]></title>
            <description><![CDATA[Zico Sans is a slightly square-ish Sans Serif with humanist roots designed by Marko Hrastovec.]]></description>
            <link>https://www.typotheque.com/blog/zico-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/zico-sans</guid>
            <pubDate>Tue, 03 Oct 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Verwandte Schriftfamilien]]></title>
            <description><![CDATA[Von den einsprachigen single-style-Fonts der Bleisatzära zu den komplexen, umfangreichen Multi-Script-Familien der digitalen Gegenwart haben sich Typografie und Schriftgestaltung weiterentwickelt, nicht nur um sich den Veränderungen in Druck- und Kommunikationstechnik anzupassen, sondern auch um eine Welt zu fördern, in der Gemeinsamkeiten und Unterschiede zusammen finden müssen.
]]></description>
            <link>https://www.typotheque.com/articles/verwandte-schriftfamilien</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/verwandte-schriftfamilien</guid>
            <pubDate>Mon, 02 Oct 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Related Type Families]]></title>
            <description><![CDATA[From the single-style, monolingual fonts of the metal-type era to the complex, sprawling, multi-script families of the digital present, typography and type design have evolved, not only to embrace developments in print and communication technology, but also to support a world where unity and diversity must meet if we are to survive.]]></description>
            <link>https://www.typotheque.com/articles/related-type-families</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/related-type-families</guid>
            <pubDate>Mon, 02 Oct 2017 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Sans Devanagari]]></title>
            <description><![CDATA[Greta Sans Devanagari is the largest typeface system of interrelated styles produced for any Indic language, suitable for small text and headlines.]]></description>
            <link>https://www.typotheque.com/blog/greta-sans-devanagari</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-sans-devanagari</guid>
            <pubDate>Mon, 04 Sep 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Calcula, a geometrical layering display typeface with thousands of ligatures ]]></title>
            <description><![CDATA[Calcula is a display typeface that uses smart OpenType features to explore the space between lettering and typeface design, creating maze-like spaces between letters.]]></description>
            <link>https://www.typotheque.com/blog/calcula-a-geometrical-layering-display-typeface-with-thousands-of-ligatures</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/calcula-a-geometrical-layering-display-typeface-with-thousands-of-ligatures</guid>
            <pubDate>Sat, 17 Jun 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Designing Tiles]]></title>
            <description><![CDATA[The best design is often one that addresses a very specific need, something both straightforward and personal.]]></description>
            <link>https://www.typotheque.com/blog/designing-tiles</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/designing-tiles</guid>
            <pubDate>Tue, 13 Jun 2017 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Calcula]]></title>
            <description><![CDATA[Calcula is an experimental display typeface inspired by the idea of exploring the grey area between typeface design and lettering.
]]></description>
            <link>https://www.typotheque.com/articles/calcula</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/calcula</guid>
            <pubDate>Mon, 12 Jun 2017 00:00:00 GMT</pubDate>
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            <title><![CDATA[Plotter, a typeface family inspired by architectural lettering and drafting]]></title>
            <description><![CDATA[Plotter is a massive type family that explores the world of technical drawings and architectural plans]]></description>
            <link>https://www.typotheque.com/blog/plotter-a-typeface-family-inspired-by-architectural-lettering-and-drafting</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/plotter-a-typeface-family-inspired-by-architectural-lettering-and-drafting</guid>
            <pubDate>Wed, 24 May 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Nara Sans, a Dynamic Sans with Two Italics]]></title>
            <description><![CDATA[Nara Sans is an energetic sans serif version of Typotheque’s Nara family, echoing the original concept of dynamic, upright cursives and slanted italics.]]></description>
            <link>https://www.typotheque.com/blog/nara-sans-a-dynamic-sans-with-two-italics</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/nara-sans-a-dynamic-sans-with-two-italics</guid>
            <pubDate>Tue, 11 Apr 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Diurnal, a Sans for long, continuous reading]]></title>
            <description><![CDATA[Diurnal is a sans-serif version of our popular Nocturno typeface. ]]></description>
            <link>https://www.typotheque.com/blog/diurnal-a-sans-for-long-continuous-reading</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/diurnal-a-sans-for-long-continuous-reading</guid>
            <pubDate>Mon, 20 Feb 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[New Wordmark and Typeface for Mozilla]]></title>
            <description><![CDATA[Typotheque designs the typeface for Mozilla’s new brand identity.]]></description>
            <link>https://www.typotheque.com/blog/new-wordmark-and-typeface-for-mozilla</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-wordmark-and-typeface-for-mozilla</guid>
            <pubDate>Tue, 24 Jan 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[From Lettering Guides to CNC Plotters — A Brief History of Technical Lettering Tools]]></title>
            <description><![CDATA[This article highlights some major steps in the historical development of lettering tools for drafting.]]></description>
            <link>https://www.typotheque.com/articles/from-lettering-guides-to-cnc-plotters</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/from-lettering-guides-to-cnc-plotters</guid>
            <pubDate>Sun, 15 Jan 2017 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[October, an industrial rounded typeface]]></title>
            <description><![CDATA[October’s rounded strokes are inherent to the milling technique that inspired it.]]></description>
            <link>https://www.typotheque.com/blog/october-an-industrial-rounded-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/october-an-industrial-rounded-typeface</guid>
            <pubDate>Tue, 13 Dec 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Francis, a highly modulated Sans-serif]]></title>
            <description><![CDATA[Francis is a narrow Sans-serif typeface with warm details and dramatic modulation of thick and thin strokes, ideal for creating strong headlines.]]></description>
            <link>https://www.typotheque.com/blog/francis-a-highly-modulated-sans-serif</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/francis-a-highly-modulated-sans-serif</guid>
            <pubDate>Mon, 10 Oct 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[OpenType features in CSS]]></title>
            <description><![CDATA[Overview and sample code for accessing OpenType features in CSS.]]></description>
            <link>https://www.typotheque.com/articles/opentype-features-in-css</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/opentype-features-in-css</guid>
            <pubDate>Mon, 19 Sep 2016 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[November, utilitarian street signage typeface]]></title>
            <description><![CDATA[November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease.]]></description>
            <link>https://www.typotheque.com/blog/november-utilitarian-street-signage-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/november-utilitarian-street-signage-typeface</guid>
            <pubDate>Mon, 12 Sep 2016 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Fedra Sans Tamil and Bengali now available]]></title>
            <description><![CDATA[Fedra Sans supports another two writing scripts, and 280 million more speakers.]]></description>
            <link>https://www.typotheque.com/blog/fedra-sans-tamil-and-bengali-now-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-tamil-and-bengali-now-available</guid>
            <pubDate>Mon, 05 Sep 2016 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Parmigiano, two years later]]></title>
            <description><![CDATA[There is nothing better than seeing our fonts in action]]></description>
            <link>https://www.typotheque.com/blog/parmigiano-two-years-later</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/parmigiano-two-years-later</guid>
            <pubDate>Tue, 28 Jun 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Zico — how lettering became type design]]></title>
            <description><![CDATA[Lettering is very different from type design, Zico is a typeface inspired by sport aesthetics that brings elements of type and lettering design into one project.]]></description>
            <link>https://www.typotheque.com/articles/zico-how-lettering-became-type-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/zico-how-lettering-became-type-design</guid>
            <pubDate>Mon, 13 Jun 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Zico — Lettering and Sports in a Font]]></title>
            <description><![CDATA[Typotheque’s latest release Zico is a beefy Slab-Serif family with wider proportions. Inspired by sports aesthetics, it includes a broad range of styles that perform equally well at big and small sizes. ]]></description>
            <link>https://www.typotheque.com/blog/zico-lettering-and-sports-in-a-font</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/zico-lettering-and-sports-in-a-font</guid>
            <pubDate>Mon, 13 Jun 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Advanced Font Filtering Possibilities]]></title>
            <description><![CDATA[Typotheque font collection is growing, so we are now introducing parametric font filtering possibilities, to narrow down selection of fonts to those you are really looking for.]]></description>
            <link>https://www.typotheque.com/blog/advanced-font-filtering-possibilities</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/advanced-font-filtering-possibilities</guid>
            <pubDate>Tue, 24 May 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Bara, a new font by Nikola Djurek]]></title>
            <description><![CDATA[We celebrate our new combined library, with a new design from Typonine.]]></description>
            <link>https://www.typotheque.com/blog/bara-a-new-font-by-nikola-djurek</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/bara-a-new-font-by-nikola-djurek</guid>
            <pubDate>Wed, 18 May 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque welcomes Typonine’s font collection]]></title>
            <description><![CDATA[After a decade of close collaboration, Typotheque and Typonine type foundries are joining forces.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-welcomes-typonines-font-collection</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-welcomes-typonines-font-collection</guid>
            <pubDate>Tue, 17 May 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Slovakia launched new branding of the country using Typotheque fonts.]]></title>
            <description><![CDATA[‘Good idea, Slovakia!’, a logo and slogan presenting Slovakia abroad was officially introduced presentation on April 2016.]]></description>
            <link>https://www.typotheque.com/blog/slovakia-launched-new-branding-of-the-country-using-typotheque-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/slovakia-launched-new-branding-of-the-country-using-typotheque-fonts</guid>
            <pubDate>Mon, 09 May 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Manu, the multilingual dog]]></title>
            <description><![CDATA[In what language your dog barks? Manu, our series of multilingual fonts, allow dogs to freely express them in any of the 150 supported languages.]]></description>
            <link>https://www.typotheque.com/blog/manu-the-multilingual-dog</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/manu-the-multilingual-dog</guid>
            <pubDate>Thu, 07 Apr 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Manu, comic strip]]></title>
            <description><![CDATA[Newly published handwritten font Manu offers various possibilities of expression, as demonstrated in this comic strip. ]]></description>
            <link>https://www.typotheque.com/blog/manu-comic-strip</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/manu-comic-strip</guid>
            <pubDate>Wed, 06 Apr 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Manu, a smart handwriting font]]></title>
            <description><![CDATA[A sophisticated handwriting font written with two pens, in two speeds, supporting Latin, Greek, Cyrillic and Hebrew scripts.]]></description>
            <link>https://www.typotheque.com/blog/manu-a-smart-handwriting-font</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/manu-a-smart-handwriting-font</guid>
            <pubDate>Mon, 04 Apr 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[About Uni Grotesk, a Central European geometric Sans]]></title>
            <description><![CDATA[Uni Grotesk is a modern adaptation of the ubiquitous but awkward Universal Grotesk, a typeface that dominated communist Czechoslovakia.]]></description>
            <link>https://www.typotheque.com/articles/about-uni-grotesk-a-central-european-geometric-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/about-uni-grotesk-a-central-european-geometric-sans</guid>
            <pubDate>Mon, 07 Mar 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[William, a Contemporary Interpretation of Caslon Types]]></title>
            <description><![CDATA[William, a contemporary interpretation of Caslon, is a truly international font in which English, Dutch and Russian influences come together to create one complete, modern type family.]]></description>
            <link>https://www.typotheque.com/blog/william-a-contemporary-interpretation-of-caslon-types</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/william-a-contemporary-interpretation-of-caslon-types</guid>
            <pubDate>Mon, 29 Feb 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Uni Grotesk, a Central-European geometric Sans]]></title>
            <description><![CDATA[Uni Grotesk is a modern adaptation of the ubiquitous early 20th century Universal Grotesk, a typeface that dominated communist Czechoslovakia.]]></description>
            <link>https://www.typotheque.com/blog/uni-grotesk-a-central-european-geometric-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/uni-grotesk-a-central-european-geometric-sans</guid>
            <pubDate>Mon, 01 Feb 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[17 years of this website]]></title>
            <description><![CDATA[The new version of Typotheque’s website is a natural evolution of work started back in 1999. Here is a look back at the major milestones.]]></description>
            <link>https://www.typotheque.com/blog/17-years-of-this-website</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/17-years-of-this-website</guid>
            <pubDate>Wed, 20 Jan 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Announcing new website, adapted for 2016 and beyond.]]></title>
            <description><![CDATA[After six years, it is time for a fresh look, and we are pleased to be launching the newest version of typotheque.com. ]]></description>
            <link>https://www.typotheque.com/blog/announcing-new-website-adapted-for-2016-and-beyond</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/announcing-new-website-adapted-for-2016-and-beyond</guid>
            <pubDate>Mon, 18 Jan 2016 00:00:00 GMT</pubDate>
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            <title><![CDATA[Vita, a typeface for low and high resolution]]></title>
            <description><![CDATA[Vita is a distinctive and quietly confident 21st century sans serif typeface for high and low resolutions.]]></description>
            <link>https://www.typotheque.com/blog/vita-a-typeface-for-low-and-high-resolution</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/vita-a-typeface-for-low-and-high-resolution</guid>
            <pubDate>Mon, 18 Jan 2016 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Parmigiano Stencil]]></title>
            <description><![CDATA[New stencil styles of the extensive Parmigiano Typographic System]]></description>
            <link>https://www.typotheque.com/blog/parmigiano-stencil</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/parmigiano-stencil</guid>
            <pubDate>Mon, 09 Nov 2015 00:00:00 GMT</pubDate>
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            <title><![CDATA[Fedra Sans now supports Inuktitut]]></title>
            <description><![CDATA[After Latin, Greek, Cyrillic, Arabic, Armenian, and Devanagari, Inuktitut is the seventh writing script supported by Fedra Sans]]></description>
            <link>https://www.typotheque.com/blog/fedra-sans-now-supports-inuktitut</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-now-supports-inuktitut</guid>
            <pubDate>Wed, 04 Nov 2015 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Greta Mono]]></title>
            <description><![CDATA[We are pleased to present Greta Mono, a fixed-width font family in an unprecedented ten weights and ten widths.]]></description>
            <link>https://www.typotheque.com/blog/greta-mono</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-mono</guid>
            <pubDate>Mon, 07 Sep 2015 00:00:00 GMT</pubDate>
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            <title><![CDATA[Parmigiano, Cyrillic and Greek]]></title>
            <description><![CDATA[Parmigiano has the ambition to be the most extensive family of fonts ever to have been inspired by Giambattista Bodoni, and  today we extend it further by Cyrillic and Greek styles.]]></description>
            <link>https://www.typotheque.com/blog/parmigiano-cyrillic-and-greek</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/parmigiano-cyrillic-and-greek</guid>
            <pubDate>Mon, 29 Jun 2015 00:00:00 GMT</pubDate>
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            <title><![CDATA[Try our fonts for free on Fontstand]]></title>
            <description><![CDATA[We are proud and excited to announce Fontstand, a new Mac OS X application that lets you test fonts for free and rent them for a fraction of their retail price. ]]></description>
            <link>https://www.typotheque.com/blog/try-our-fonts-for-free-on-fontstand</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/try-our-fonts-for-free-on-fontstand</guid>
            <pubDate>Mon, 25 May 2015 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Sans in Cyrillic and Greek]]></title>
            <description><![CDATA[Three years ago, we have launched Greta Sans. Now, we further expand the system by Cyrillic and Greek versions, creating probably the largest type systems available for those languages.]]></description>
            <link>https://www.typotheque.com/blog/greta-sans-in-cyrillic-and-greek</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-sans-in-cyrillic-and-greek</guid>
            <pubDate>Mon, 13 Apr 2015 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Echo & Charlie]]></title>
            <description><![CDATA[Introducing a new typeface Echo, a sans serif counterpart to the newly released Charlie, with subtle influence from the broad nib pen.]]></description>
            <link>https://www.typotheque.com/blog/echo-and-charlie</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/echo-and-charlie</guid>
            <pubDate>Tue, 13 Jan 2015 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Process of development of Charlie & Echo]]></title>
            <description><![CDATA[Personal notes of the author on the design process and development of Echo and Charlie typefaces.]]></description>
            <link>https://www.typotheque.com/articles/process-of-development-of-charlie-and-echo</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/process-of-development-of-charlie-and-echo</guid>
            <pubDate>Mon, 12 Jan 2015 00:00:00 GMT</pubDate>
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            <title><![CDATA[Making the Woodkit typeface system]]></title>
            <description><![CDATA[Ondrej Jób is describing the process of designing Woodkit, a playful fixed-width display series of typefaces inspired by wood type.]]></description>
            <link>https://www.typotheque.com/articles/making-the-woodkit-typeface-system</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/making-the-woodkit-typeface-system</guid>
            <pubDate>Mon, 20 Oct 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Woodkit, a system of display typefaces]]></title>
            <description><![CDATA[Woodkit is a playful fixed-width display series of typefaces inspired by wood type, designed by Ondrej Jób.]]></description>
            <link>https://www.typotheque.com/blog/woodkit-a-system-of-display-typefaces</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/woodkit-a-system-of-display-typefaces</guid>
            <pubDate>Mon, 20 Oct 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Parmigiano Type System, a tribute to Bodoni]]></title>
            <description><![CDATA[Riccardo Olocco and Jonathan Pierini’s Parmigiano is a reinterpretation of the work of Giambattista Bodoni (1740–1813) commemorating the bicentenary of his death. ]]></description>
            <link>https://www.typotheque.com/articles/parmigiano-type-system-a-tribute-to-bodoni</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/parmigiano-type-system-a-tribute-to-bodoni</guid>
            <pubDate>Mon, 07 Jul 2014 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Parmigiano Typographic System]]></title>
            <description><![CDATA[The Parmigiano Typographic System is the most extensive family of fonts inspired by Giambattista Bodoni. ]]></description>
            <link>https://www.typotheque.com/blog/parmigiano-type-system</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/parmigiano-type-system</guid>
            <pubDate>Mon, 07 Jul 2014 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Valter, a high-contrast Sans]]></title>
            <description><![CDATA[Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing. ]]></description>
            <link>https://www.typotheque.com/blog/valter-a-high-contrast-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/valter-a-high-contrast-sans</guid>
            <pubDate>Thu, 15 May 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Interactive Print Type Specimen]]></title>
            <description><![CDATA[Typotheque type specimen No. 10 makes typeface selection easier and more fun with split pages that let you create over 10,000 type combinations.]]></description>
            <link>https://www.typotheque.com/blog/interactive-print-type-specimen</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/interactive-print-type-specimen</guid>
            <pubDate>Wed, 14 May 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Neutral Typeface]]></title>
            <description><![CDATA[Neutral, designed almost a decade ago, is now finally out. It takes inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed.]]></description>
            <link>https://www.typotheque.com/blog/neutral-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/neutral-typeface</guid>
            <pubDate>Mon, 14 Apr 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New York, Boston and Providence]]></title>
            <description><![CDATA[Peter Bilak will be in the East of the US speaking in New York, Boston and Providence about magazine publishing and typography.]]></description>
            <link>https://www.typotheque.com/blog/new-york-boston-and-providence</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-york-boston-and-providence</guid>
            <pubDate>Sun, 30 Mar 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[An Idea of a typeface]]></title>
            <description><![CDATA[Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.]]></description>
            <link>https://www.typotheque.com/articles/an-idea-of-a-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/an-idea-of-a-typeface</guid>
            <pubDate>Fri, 21 Mar 2014 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Tribunal — At Home in Print and on Screen]]></title>
            <description><![CDATA[Tribunal was originally developed as the custom font of a cross-platform magazine, designed from the start to work equally well in both print and screen media.]]></description>
            <link>https://www.typotheque.com/blog/tribunal-at-home-in-print-and-on-screen</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/tribunal-at-home-in-print-and-on-screen</guid>
            <pubDate>Mon, 16 Dec 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Tribunal — Shaped by Two Worlds]]></title>
            <description><![CDATA[Tribunal went through multiple iterations in a very public trial-and-error process as the custom font of the cross-platform Slovene student magazine Tribuna. Its key stylistic features were developed to meet the functional requirements of a constantly evolving publication with a limited budget.]]></description>
            <link>https://www.typotheque.com/articles/tribunal-shaped-by-two-worlds</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/tribunal-shaped-by-two-worlds</guid>
            <pubDate>Fri, 13 Dec 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Caratteri concettuali?]]></title>
            <description><![CDATA[Nel novembre del 2010 Peter Biľak è stato invitato a intervenire alla conferenza di un giorno tenutasi a Copenaghen ‘Conceptual Type - Type led by ideas’; tema del convegno, le idee che stanno alla base della progettazione dei caratteri. Questo intervento si interroga sulle possibilità dei caratteri concettuali e compara il type design ad altre discipline. ]]></description>
            <link>https://www.typotheque.com/articles/caratteri-concettuali</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/caratteri-concettuali</guid>
            <pubDate>Mon, 18 Nov 2013 00:00:00 GMT</pubDate>
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            <title><![CDATA[Karloff Pro: Beauty and Ugliness Now Converge in Cyrillic]]></title>
            <description><![CDATA[Karloff Cyrillic and Greek, designed by Maria Doreuli, who takes a particular interest in reverse-contrast typefaces.]]></description>
            <link>https://www.typotheque.com/blog/karloff-pro-beauty-and-ugliness-now-converge-in-cyrillic</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/karloff-pro-beauty-and-ugliness-now-converge-in-cyrillic</guid>
            <pubDate>Fri, 08 Nov 2013 00:00:00 GMT</pubDate>
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            <title><![CDATA[History, Typotheque’s Multi-Layer Type System, Now Supports Greek and Cyrillic]]></title>
            <description><![CDATA[History was designed around a base of Roman inscriptional capitals, and includes 21 independent typefaces which can be selectively combined in layers. Now available for Cyrillic and Greek.]]></description>
            <link>https://www.typotheque.com/blog/history-typotheques-multi-layer-type-system-now-supports-greek-and-cyrillic</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/history-typotheques-multi-layer-type-system-now-supports-greek-and-cyrillic</guid>
            <pubDate>Thu, 07 Nov 2013 00:00:00 GMT</pubDate>
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            <title><![CDATA[Extended Greek and Cyrillic Character Sets for Three Popular, Typeface Families]]></title>
            <description><![CDATA[We will be speaking in Moscow at Serebro Nabora, the first Russian type conference. Among other things, he will be presenting Typotheque’s latest Cyrillic fonts.]]></description>
            <link>https://www.typotheque.com/blog/extended-greek-and-cyrillic-character-sets-for-three-popular-typeface-families</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/extended-greek-and-cyrillic-character-sets-for-three-popular-typeface-families</guid>
            <pubDate>Wed, 06 Nov 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Harir - Reducing Noise in Arabic Script]]></title>
            <description><![CDATA[Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?]]></description>
            <link>https://www.typotheque.com/articles/harir-reducing-noise-in-arabic-script</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/harir-reducing-noise-in-arabic-script</guid>
            <pubDate>Wed, 25 Sep 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Harir, a modern Arabic typeface in three optical sizes]]></title>
            <description><![CDATA[Harir is an arabic typeface created to explore elegance and high contrast in the script and it's the first typeface of it's kind to feature optical sizes.]]></description>
            <link>https://www.typotheque.com/blog/harir-a-modern-arabic-typeface-in-three-optical-sizes</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/harir-a-modern-arabic-typeface-in-three-optical-sizes</guid>
            <pubDate>Wed, 25 Sep 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Lava — a Multilingual Typeface for Running Text]]></title>
            <description><![CDATA[Lava font was designed for magazine use, but far transcends its original application. It’s a no-nonsense workhorse typeface that can handle large quantities of text with ease.]]></description>
            <link>https://www.typotheque.com/blog/lava-a-multilingual-typeface-for-running-text</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/lava-a-multilingual-typeface-for-running-text</guid>
            <pubDate>Mon, 23 Sep 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Lava — Voice of a Magazine]]></title>
            <description><![CDATA[Lava was designed to bridge the digital and print editions of a newly designed magazine.]]></description>
            <link>https://www.typotheque.com/articles/lava-voice-of-a-magazine</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/lava-voice-of-a-magazine</guid>
            <pubDate>Thu, 05 Sep 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Type as public service]]></title>
            <description><![CDATA[Publishing new typefaces is a commercial venture, but there is also an element of public service. (Written for Financial Times).]]></description>
            <link>https://www.typotheque.com/blog/type-as-public-service</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/type-as-public-service</guid>
            <pubDate>Mon, 05 Aug 2013 00:00:00 GMT</pubDate>
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            <title><![CDATA[Client Spotlight: Communication Arts magazine]]></title>
            <description><![CDATA[Communication Arts publisher Patrick Coyne needed a typeface that would give them the typographical tools necessary to support an international publication in both print and onscreen applications.]]></description>
            <link>https://www.typotheque.com/blog/client-spotlight-communication-arts-magazine</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/client-spotlight-communication-arts-magazine</guid>
            <pubDate>Mon, 17 Jun 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Lumin typeface family]]></title>
            <description><![CDATA[Lumin is an extensive type family designed by our longtime collaborator Nikola Djurek and intended especially for editorial use.]]></description>
            <link>https://www.typotheque.com/blog/lumin-typeface-family</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/lumin-typeface-family</guid>
            <pubDate>Tue, 07 May 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Type & Carpets]]></title>
            <description><![CDATA[This handmade carpet from New Zealand wool is a combination of the skills of Regeneracija’s craftsmen and our interest in typography. ]]></description>
            <link>https://www.typotheque.com/blog/type-and-carpets</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/type-and-carpets</guid>
            <pubDate>Tue, 09 Apr 2013 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Works That Work, a new design magazine]]></title>
            <description><![CDATA[ After a year of preparation, we’ve just released the first issue of <i>Works That Work</i>, ‘a magazine of unexpected creativity’.]]></description>
            <link>https://www.typotheque.com/blog/works-that-work-a-new-design-magazine</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/works-that-work-a-new-design-magazine</guid>
            <pubDate>Mon, 11 Feb 2013 00:00:00 GMT</pubDate>
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            <title><![CDATA[Print, Online and App]]></title>
            <description><![CDATA[360 is a new Dutch magazine in print, online and iPad edition. The designers of the magazine looked for a typeface that would perform in all these platforms, and found Fedra Sans and Serif.]]></description>
            <link>https://www.typotheque.com/blog/print-online-and-app</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/print-online-and-app</guid>
            <pubDate>Tue, 29 Jan 2013 00:00:00 GMT</pubDate>
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            <title><![CDATA[New fonts: Irma Text Narrow]]></title>
            <description><![CDATA[Irma Text Narrow is a space saving addition to Irma type system. While the original Irma Text has generous proportions, the Narrow version is 20% more condensed, yet still preserving the Irma’s DNA.]]></description>
            <link>https://www.typotheque.com/blog/new-fonts-irma-text-narrow</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-fonts-irma-text-narrow</guid>
            <pubDate>Tue, 13 Nov 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Works That Work, a magazine of unexpected creativity]]></title>
            <description><![CDATA[Works That Work is a new magazine that looks beyond mere portfolios, concerning itself with the conditions and contexts of design in a wider sense, celebrating the manifestations of unexpected creativity. Works That Work will be a twice-yearly, internationally distributed periodical.
]]></description>
            <link>https://www.typotheque.com/blog/works-that-work-a-magazine-of-unexpected-creativity</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/works-that-work-a-magazine-of-unexpected-creativity</guid>
            <pubDate>Wed, 17 Oct 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Beauty and Ugliness in Type design]]></title>
            <description><![CDATA[Article on the process of designing Karloff typeface, showing just how closely related beauty and ugliness are.]]></description>
            <link>https://www.typotheque.com/articles/beauty-and-ugliness-in-type-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/beauty-and-ugliness-in-type-design</guid>
            <pubDate>Tue, 25 Sep 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Karloff, convergence of beauty and ugliness]]></title>
            <description><![CDATA[Karloff connects the high contrast Modern type of Bodoni and Didot with the monstrous Italians. The difference between the attractive and repulsive forms lies in the contrast between the thick and the thin.]]></description>
            <link>https://www.typotheque.com/blog/karloff-convergence-of-beauty-and-ugliness</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/karloff-convergence-of-beauty-and-ugliness</guid>
            <pubDate>Tue, 25 Sep 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Webfont service improvements]]></title>
            <description><![CDATA[We constantly monitor the performance of our webfont service and work on ways make it faster and more efficient. Today we are announcing technical changes that you can take advantage of to get significantly improved webfont serving.]]></description>
            <link>https://www.typotheque.com/blog/webfont-service-improvements</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/webfont-service-improvements</guid>
            <pubDate>Wed, 19 Sep 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Different Kinds of Hinting]]></title>
            <description><![CDATA[To help foundries, designers and end users, we are proposing standardised icons to identify the hinting methods used for each font.]]></description>
            <link>https://www.typotheque.com/blog/different-kinds-of-hinting</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/different-kinds-of-hinting</guid>
            <pubDate>Mon, 03 Sep 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Irma Screen, new hinted fonts]]></title>
            <description><![CDATA[Irma Screen is designed to work equally well on paper and the computer screen. It is available in TrueType format only and has been specially optimised for exceptional readability on laptops, desktops, mobile devices and other digital displays.]]></description>
            <link>https://www.typotheque.com/blog/irma-screen-new-hinted-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/irma-screen-new-hinted-fonts</guid>
            <pubDate>Mon, 03 Sep 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Irma Boom interview]]></title>
            <description><![CDATA[Peter Biľak speaks to Irma Boom about how her design practice developed over the past decade.]]></description>
            <link>https://www.typotheque.com/articles/irma-boom-interview</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/irma-boom-interview</guid>
            <pubDate>Mon, 23 Jul 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Vienna Airport adopts Fedra Sans]]></title>
            <description><![CDATA[Vienna International Airport opened a new extension of the airport which more than doubles its size.  Typotheque developed a custom version of Fedra Sans for the Airport. ]]></description>
            <link>https://www.typotheque.com/blog/vienna-airport-adopts-fedra-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/vienna-airport-adopts-fedra-sans</guid>
            <pubDate>Mon, 02 Jul 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Arabic, newspaper font]]></title>
            <description><![CDATA[Greta Arabic is a modern Arabic newspaper typeface, carefully sculpted in the spirit of the Naskhi calligraphic style, the most legible and suitable Arabic style for running text. It is intended as a companion to Greta Text.]]></description>
            <link>https://www.typotheque.com/blog/greta-arabic-newspaper-font</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-arabic-newspaper-font</guid>
            <pubDate>Tue, 12 Jun 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[OpenType features in web browsers — Tests]]></title>
            <description><![CDATA[A collection of tests for OpenType feature support in web browsers. Based on the latest draft of the CSS Fonts Module Level 3 specification, and the latest public version of each browser.]]></description>
            <link>https://www.typotheque.com/articles/opentype-features-in-web-browsers-tests</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/opentype-features-in-web-browsers-tests</guid>
            <pubDate>Mon, 04 Jun 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Semantic Icon Fonts]]></title>
            <description><![CDATA[The latest version of Unicode contains hundreds of newly encoded symbols, an advance which enables designers to specify images in icon fonts with specific Unicode values.]]></description>
            <link>https://www.typotheque.com/blog/semantic-icon-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/semantic-icon-fonts</guid>
            <pubDate>Thu, 31 May 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Métodos de distribución: Tipos digitales en el mercado global]]></title>
            <description><![CDATA[Este articulo discute los métodos de distribución convencionales de la tipografía digital y sus alternativas. Fue escrito originalmente para el Centre National des Arts Plastiques y esta enfocado al ámbito de la tipografía en Francia.]]></description>
            <link>https://www.typotheque.com/articles/metodos-de-distribucion-tipos-digitales-en-el-mercado-global</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/metodos-de-distribucion-tipos-digitales-en-el-mercado-global</guid>
            <pubDate>Wed, 23 May 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Una mirada a la relación de la tipografía de origen latino con el mundo]]></title>
            <description><![CDATA[En este breve ensayo se evalúan las percepciones equivocadas acerca de la tipografía occidental en general y la pertinencia del uso de la terminología eurocéntrica en torno a los tipos.]]></description>
            <link>https://www.typotheque.com/articles/una-mirada-a-la-relacion-de-la-tipografia-de-origen-latino-con-el-mundo</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/una-mirada-a-la-relacion-de-la-tipografia-de-origen-latino-con-el-mundo</guid>
            <pubDate>Wed, 23 May 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Mujeres en el diseño gráfico]]></title>
            <description><![CDATA[Un recorrido que da cuenta de las mujeres diseñadoras de libros, revistas, campañas activistas, marcas y otras cosas más en el siglo XX.]]></description>
            <link>https://www.typotheque.com/articles/mujeres-en-el-diseno-grafico</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/mujeres-en-el-diseno-grafico</guid>
            <pubDate>Wed, 23 May 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Sans screensaver]]></title>
            <description><![CDATA[Greta Sans App is now available also as a screensaver. Download the ZIP file, unpack, and double click to install on your Mac.]]></description>
            <link>https://www.typotheque.com/blog/greta-sans-screensaver</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-sans-screensaver</guid>
            <pubDate>Mon, 07 May 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Sans Type System Specimen App]]></title>
            <description><![CDATA[This Greta Sans Type System Specimen App was created to help you explore the type system intuitively with a mouse or your fingers.]]></description>
            <link>https://www.typotheque.com/blog/greta-sans-type-system-specimen-app</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-sans-type-system-specimen-app</guid>
            <pubDate>Wed, 02 May 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Designing Type Systems]]></title>
            <description><![CDATA[Greta Sans was been planned from the outset as a system of interrelated styles. From the very beginning, work proceeded on multiple styles simultaneously. This text is a reflection on the process of designing large typeface systems.]]></description>
            <link>https://www.typotheque.com/articles/designing-type-systems</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/designing-type-systems</guid>
            <pubDate>Wed, 25 Apr 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Type & Music]]></title>
            <description><![CDATA[Georgi Sztojanov, a composer from The Hague, matched visual parameters of Greta Sans type system to musical parameters to create a musical composition. ]]></description>
            <link>https://www.typotheque.com/blog/type-and-music</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/type-and-music</guid>
            <pubDate>Thu, 12 Apr 2012 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Greta Typeface System]]></title>
            <description><![CDATA[Greta Sans explores a multidimensional continuum of possibilities, going beyond the relationship between weight and width, dissolving the boundaries between display and text typefaces.]]></description>
            <link>https://www.typotheque.com/blog/greta-typeface-system</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-typeface-system</guid>
            <pubDate>Tue, 10 Apr 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Introducing Greta Sans]]></title>
            <description><![CDATA[Introducing Greta Sans, in a typographic animation produced by Addikt, Amsterdam.]]></description>
            <link>https://www.typotheque.com/blog/introducing-greta-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/introducing-greta-sans</guid>
            <pubDate>Tue, 10 Apr 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Icon font in 10 weights]]></title>
            <description><![CDATA[Greta Symbol is a unique collection of thousands of useful symbols and alphanumerical characters, available as icons fonts in a range of 10 weights.]]></description>
            <link>https://www.typotheque.com/blog/icon-font-in-10-weights</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/icon-font-in-10-weights</guid>
            <pubDate>Sat, 07 Apr 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Forgotten History]]></title>
            <description><![CDATA[The fascinating history of visual culture in Slovakia between the wars is presented in the book Modernity of Tradition.]]></description>
            <link>https://www.typotheque.com/blog/forgotten-history</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/forgotten-history</guid>
            <pubDate>Mon, 02 Apr 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Influences of Greta Arabic]]></title>
            <description><![CDATA[Documentation and research that lead to design of Arabic newspaper typeface]]></description>
            <link>https://www.typotheque.com/articles/the-influences-of-greta-arabic</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-influences-of-greta-arabic</guid>
            <pubDate>Wed, 21 Mar 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Type design competitions]]></title>
            <description><![CDATA[What is the value of type competitions? A brief reflection on the common practice of awards hunting.]]></description>
            <link>https://www.typotheque.com/articles/type-design-competitions</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/type-design-competitions</guid>
            <pubDate>Tue, 20 Mar 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[PDF Tester API available]]></title>
            <description><![CDATA[PDF Font Tester is an available online API that allows users to create their own samples, controlling the text, position, size, leading, OpenType features and colour, and generate a PDF file with the font samples.]]></description>
            <link>https://www.typotheque.com/blog/pdf-tester-api-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/pdf-tester-api-available</guid>
            <pubDate>Wed, 07 Mar 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Hans Eduard Meier, une vie dédiée aux caractères]]></title>
            <description><![CDATA[L’œuvre typographique de Hans Eduard Meier révèle plus de soixante ans de passion pour la lettre et la traversée de profondes mutations techniques. Si ses recherches des années 1950 restent d’actualité – aussi bien son livre <em>Le Développement des caractères</em> que le Syntax, essentiel dans le répertoire des fontes sans sérifs humanistiques –, il poursuit aujourd’hui avec de nouvelles créations, comme le Schulschrift. Il est tentant de qualifier sa production de «&#160;typographie durable&#160;».]]></description>
            <link>https://www.typotheque.com/articles/hans-eduard-meier-une-vie-dediee-aux-caracteres</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/hans-eduard-meier-une-vie-dediee-aux-caracteres</guid>
            <pubDate>Wed, 01 Feb 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Hans Eduard Meier, una vida dedicada a los caracteres]]></title>
            <description><![CDATA[La obra tipográfica de Hans Eduard Meier refleja más de sesenta años de pasión por la letra y atraviesa profundas mutaciones técnicas. Si, por un lado, la investigaciones que realizó en la década de 1950 no han perdido vigencia –tanto su libro <em>La evolución de la letra</em> como el Syntax, esencial dentro del repertorio de tipos humanísticos sin remates–, por otro lado, su trabajo continua en la actualidad con nuevas creaciones como el Schulschrift. Por ello es tentador calificar su producción como «tipografía sostenible».]]></description>
            <link>https://www.typotheque.com/articles/hans-eduard-meier-una-vida-dedicada-a-los-caracteres</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/hans-eduard-meier-una-vida-dedicada-a-los-caracteres</guid>
            <pubDate>Wed, 01 Feb 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Hans Eduard Meier, a life dedicated to letter design]]></title>
            <description><![CDATA[Hans Eduard Meier’s typographic work is the fruit of his passion for letter design which has lasted over 60 years, against a background of profound technological mutations. The research he conducted in the 1950s is still relevant today, notably in his book <i>The Development of Script and Type</i> and his Syntax typeface, a key humanistic sans serif. He is still designing typefaces today, such as Schulschrift. His output in this domain can be seen as a type of “sustainable typography”.]]></description>
            <link>https://www.typotheque.com/articles/hans-eduard-meier-a-life-dedicated-to-letter-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/hans-eduard-meier-a-life-dedicated-to-letter-design</guid>
            <pubDate>Wed, 01 Feb 2012 00:00:00 GMT</pubDate>
        </item>
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            <title><![CDATA[Hans Eduard Meier]]></title>
            <description><![CDATA[When I was studying at the Atelier national de création typographique (ANCT) in Paris in the mid 1990s, our hero was Hans Eduard Meier, the creator of Syntax.]]></description>
            <link>https://www.typotheque.com/blog/hans-eduard-meier</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/hans-eduard-meier</guid>
            <pubDate>Wed, 01 Feb 2012 00:00:00 GMT</pubDate>
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            <title><![CDATA[Webfonts sites (part 4)]]></title>
            <description><![CDATA[We keep seeing more and more websites using Typotheque webfonts, and it gets harder to select a representative sample. Here are three new sites that got our attention recently:
]]></description>
            <link>https://www.typotheque.com/blog/webfonts-sites-part-4</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/webfonts-sites-part-4</guid>
            <pubDate>Tue, 27 Dec 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Dream projects]]></title>
            <description><![CDATA[When I started working with type some twenty years ago I imagined a couple of dream applications for my future typefaces. I had no idea about font production, but I was already fantasising about the possible results of what was then my evening hobby.]]></description>
            <link>https://www.typotheque.com/blog/dream-projects</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dream-projects</guid>
            <pubDate>Mon, 12 Dec 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Julien movie]]></title>
            <description><![CDATA[Now would like to present selected new projects in short movies. Our new release Julien was a good excuse to try it out.]]></description>
            <link>https://www.typotheque.com/blog/julien-movie</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/julien-movie</guid>
            <pubDate>Wed, 16 Nov 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Julien, geometric display typeface]]></title>
            <description><![CDATA[We are pleased to present a new typeface — Julien. It’s a playful geometric display typeface loosely inspired by the early 20th century avant-garde.]]></description>
            <link>https://www.typotheque.com/blog/julien-geometric-display-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/julien-geometric-display-typeface</guid>
            <pubDate>Tue, 15 Nov 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Julien — the making of]]></title>
            <description><![CDATA[Julien is a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter.]]></description>
            <link>https://www.typotheque.com/articles/julien-the-making-of</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/julien-the-making-of</guid>
            <pubDate>Sat, 12 Nov 2011 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Another year, another pocket calendar]]></title>
            <description><![CDATA[Every year we make a lim­it­ed edi­tion of the pock­et-size cal­en­dar and sketch­book. And every year we strive to make it better.]]></description>
            <link>https://www.typotheque.com/blog/another-year-another-pocket-calendar</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/another-year-another-pocket-calendar</guid>
            <pubDate>Mon, 24 Oct 2011 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[World's first Augmented Reality (AR) stamp]]></title>
            <description><![CDATA[Dutch design agency Gummo designed a new series of post stamps for the TNT Post (now Post NL) on the given theme of not yet realised architecture in the Netherlands, creating the world's first Augmented Reality (AR) stamp. ]]></description>
            <link>https://www.typotheque.com/blog/worlds-first-augmented-reality-ar-stamp</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/worlds-first-augmented-reality-ar-stamp</guid>
            <pubDate>Mon, 10 Oct 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Nara – the typeface that never existed]]></title>
            <description><![CDATA[The Nara typeface was completed more than 20 years after the initial design. This is the story of the search for gaps in type classification.]]></description>
            <link>https://www.typotheque.com/articles/nara-the-typeface-that-never-existed</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/nara-the-typeface-that-never-existed</guid>
            <pubDate>Wed, 14 Sep 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[New fonts: Irma Text, Slab, Round]]></title>
            <description><![CDATA[Irma Text is ideal for the formal requirements of contemporary publishing or giving a unique voice to brand identity projects.  Irma is a versatile family of fonts, offering a complete palette of typographic choices.]]></description>
            <link>https://www.typotheque.com/blog/new-fonts-irma-text-slab-round</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-fonts-irma-text-slab-round</guid>
            <pubDate>Wed, 14 Sep 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Social Energy]]></title>
            <description><![CDATA[We have just received <em>Social Energy</em>, a book documenting a series of travelling design exhibitions, workshops and lectures presented across China.]]></description>
            <link>https://www.typotheque.com/blog/social-energy</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/social-energy</guid>
            <pubDate>Wed, 31 Aug 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Webfonts sites (part 3)]]></title>
            <description><![CDATA[The third installment in the series of websites that use Typotheque’s webfont service.]]></description>
            <link>https://www.typotheque.com/blog/webfonts-sites-part-3</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/webfonts-sites-part-3</guid>
            <pubDate>Mon, 18 Jul 2011 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[We don’t need new fonts…]]></title>
            <description><![CDATA[Is there any reason to make new fonts when there are so many already available for downloading? It's time to reflect on motivation to draw new type. While there is no reason to make uninspired new fonts, still, there are typefaces which haven’t been made yet and which we do need.]]></description>
            <link>https://www.typotheque.com/articles/we-dont-need-new-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/we-dont-need-new-fonts</guid>
            <pubDate>Fri, 15 Jul 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[ACP Donor Wheel]]></title>
            <description><![CDATA[ACP Donor Wheel, Interactive donor recognition sculpture for the Paul Robeson Center for the Arts in Princeton, NJ.  Four weights of Jigsaw Stencil in both roman and cursive are laser-cut in stainless steel and backlit with LEDs.]]></description>
            <link>https://www.typotheque.com/blog/acp-donor-wheel</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/acp-donor-wheel</guid>
            <pubDate>Mon, 27 Jun 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Letter Fountain, book review]]></title>
            <description><![CDATA[Detailed look at the English edition of Letter Fountain, typographic reference book examining the form and anatomy of Latin alphabet.]]></description>
            <link>https://www.typotheque.com/articles/letter-fountain-book-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/letter-fountain-book-review</guid>
            <pubDate>Fri, 24 Jun 2011 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Interview with René Knip]]></title>
            <description><![CDATA[Interview with the Dutch designer René Knip, specialising in three-dimensional typography and lettering. From the book <em>158 answers</em>.]]></description>
            <link>https://www.typotheque.com/articles/interview-with-rene-knip</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/interview-with-rene-knip</guid>
            <pubDate>Mon, 09 May 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Arabic Calligraphy and Type Design]]></title>
            <description><![CDATA[This article presents the Diwani style of Arabic which lead to designing Thuraya, a contemporary yet faithful interpretation of the Diwani style with extensive calligraphic features.]]></description>
            <link>https://www.typotheque.com/articles/arabic-calligraphy-and-type-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/arabic-calligraphy-and-type-design</guid>
            <pubDate>Mon, 09 May 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Thuraya, an Arabic display typeface]]></title>
            <description><![CDATA[Thuraya is a new Arabic display typeface, a contemporary interpretation of the complex Diwani style emphasising calligraphic features.]]></description>
            <link>https://www.typotheque.com/blog/thuraya-an-arabic-display-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/thuraya-an-arabic-display-typeface</guid>
            <pubDate>Mon, 09 May 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book: 158 answers]]></title>
            <description><![CDATA[The book ‘158 answers’ presents eleven interviews with renowned type designers and writers, interviewed by students of Type Media postgraduate course in type design. ]]></description>
            <link>https://www.typotheque.com/blog/new-book-158-answers</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-158-answers</guid>
            <pubDate>Mon, 09 May 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Body Type photofonts]]></title>
            <description><![CDATA[Body Type turns human bodies into a functional type system. It is available as a set of 26 hi-res photos or as a Photofont file (usable in Adobe applications), and includes two styles, Regular and Bold, for a greater range of expression.]]></description>
            <link>https://www.typotheque.com/blog/body-type-photofonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/body-type-photofonts</guid>
            <pubDate>Tue, 26 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Dance Writer app]]></title>
            <description><![CDATA[Typotheque is pleased to announce the release of Dance Writer as an iPhone/iPad app. Dance Writer converts text into a choreographed sequence of poses based on the shapes of the letters]]></description>
            <link>https://www.typotheque.com/blog/dance-writer-app</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dance-writer-app</guid>
            <pubDate>Tue, 26 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typeface As Programme: Glossary]]></title>
            <description><![CDATA[A glossary of tools and technologies mentioned in Typeface As Programme.]]></description>
            <link>https://www.typotheque.com/articles/typeface-as-programme-glossary</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typeface-as-programme-glossary</guid>
            <pubDate>Thu, 14 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typeface As Programme: Interview with Dimitri Bruni]]></title>
            <description><![CDATA[Dimitri Bruni of NORM talks to Jürg Lehni about designing with systematic procedures and limitations, the influence of tools and their projects Replica and Sign Generator.]]></description>
            <link>https://www.typotheque.com/articles/typeface-as-programme-interview-with-dimitri-bruni</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typeface-as-programme-interview-with-dimitri-bruni</guid>
            <pubDate>Thu, 14 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typeface As Programme: Interview with Erik Spiekermann]]></title>
            <description><![CDATA[Jürg Lehni interviews Erik Spiekermann about the legal definition of typefaces, web font distribution models and parametric fonts.]]></description>
            <link>https://www.typotheque.com/articles/typeface-as-programme-interview-with-erik-spiekermann</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typeface-as-programme-interview-with-erik-spiekermann</guid>
            <pubDate>Thu, 14 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typeface As Programme:Interview with Peter Biľak]]></title>
            <description><![CDATA[Jürg Lehni and Peter Biľak in a conversation about the role of technology in type design, font formats and production tools, and Donald E. Knuth’s Metafont.]]></description>
            <link>https://www.typotheque.com/articles/typeface-as-programmeinterview-with-peter-bilak</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typeface-as-programmeinterview-with-peter-bilak</guid>
            <pubDate>Thu, 14 Apr 2011 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typeface As Programme]]></title>
            <description><![CDATA[Designer and programmer Jürg Lehni analyses the evolution of typographic technology and the nature of digital fonts, and introduces Donald E. Knuth’s groundbreaking TeX and Metafont systems. An essay complemented by interviews with Peter Biľak, Erik Spiekermann and Dimitri Bruni (NORM).]]></description>
            <link>https://www.typotheque.com/articles/typeface-as-programme</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typeface-as-programme</guid>
            <pubDate>Thu, 14 Apr 2011 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typeface As Programme]]></title>
            <description><![CDATA[Analysis of the evolution of typographic technology and the nature of digital fonts, and introduces Donald E. Knuth’s groundbreaking TeX and Metafont systems. An essay complemented by interviews with Peter Biľak, Erik Spiekermann and Dimitri Bruni (NORM).]]></description>
            <link>https://www.typotheque.com/blog/typeface-as-programme</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typeface-as-programme</guid>
            <pubDate>Thu, 14 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Best Books of Austria 2010]]></title>
            <description><![CDATA[Book edition <em>Thomas Bernhard, Autobiographische Schriften</em>, designed by Clemens Schedler won the State Award 2010 at the Best Books of Austria.]]></description>
            <link>https://www.typotheque.com/blog/best-books-of-austria-2010</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/best-books-of-austria-2010</guid>
            <pubDate>Sat, 09 Apr 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Webfonts sites (part 2)]]></title>
            <description><![CDATA[Following the first part of the focus on websites using Typotheque webfont service, we are now pleased to present another three websites.]]></description>
            <link>https://www.typotheque.com/blog/webfonts-sites-part-2</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/webfonts-sites-part-2</guid>
            <pubDate>Wed, 23 Mar 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Webfonts sites (part 1)]]></title>
            <description><![CDATA[Looking at the statistics of Typotheque webfont service led to the discovery of some brilliant websites using our webfonts. We are now pleased to highlight some of them.]]></description>
            <link>https://www.typotheque.com/blog/webfonts-sites-part-1</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/webfonts-sites-part-1</guid>
            <pubDate>Tue, 08 Mar 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[How does History sound?]]></title>
            <description><![CDATA[In a project of Typeradio and the HBK Saar students choose existing typefaces and interpret them in short compositions. Martin Kalle chose our History as the inspiration for his piece.]]></description>
            <link>https://www.typotheque.com/blog/how-does-history-sound</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/how-does-history-sound</guid>
            <pubDate>Tue, 01 Mar 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque webfont service stats]]></title>
            <description><![CDATA[There are over 500 unique websites using Typotheque webfont system, resulting in over 6 million font requests a month, growing at a double-digit percentage every month. ]]></description>
            <link>https://www.typotheque.com/blog/typotheque-webfont-service-stats</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-webfont-service-stats</guid>
            <pubDate>Mon, 28 Feb 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Conceptual Type?]]></title>
            <description><![CDATA[In November 2010 Peter Biľak was invited to give a talk at a one-day conference
‘Conceptual Type – Type led by ideas’  in Copenhagen about the underlying ideas behind typefaces. This lecture questions the possibility of conceptual type and compares type to other disciplines.]]></description>
            <link>https://www.typotheque.com/articles/conceptual-type</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/conceptual-type</guid>
            <pubDate>Thu, 24 Feb 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Plan Grotesque 2.0]]></title>
            <description><![CDATA[Plan Grotesque has been now updated with real small caps. This update is available for free to all registered users.]]></description>
            <link>https://www.typotheque.com/blog/plan-grotesque-2-0</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/plan-grotesque-2-0</guid>
            <pubDate>Fri, 11 Feb 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque @ Klat]]></title>
            <description><![CDATA[Typotheque has agreed with Klat magazine to run its blog on Klat’s website. Klat (magazine+website) explores the many-sided world of contemporary art, design and architecture, through a close encounter with its protagonists. ]]></description>
            <link>https://www.typotheque.com/blog/typotheque-klat</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-klat</guid>
            <pubDate>Sun, 02 Jan 2011 00:00:00 GMT</pubDate>
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            <title><![CDATA[Eroica]]></title>
            <description><![CDATA[Choreographer Lukáš Timulak and designer Peter Biľak explore Beethoven’s landmark Symphony No. 3 'Eroica'. Inspired by the composer’s personal life, especially his Heiligenstadt period, the authors explore the notion of non-linear dance.]]></description>
            <link>https://www.typotheque.com/blog/eroica</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/eroica</guid>
            <pubDate>Wed, 22 Dec 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Type At the Opera]]></title>
            <description><![CDATA[For the Göteborg Opera’s upcoming dance production Eroica, we created a structure of metal pipes illuminated by individually controlled LED strips. The construction, which is an integral part of the performance, is eight meters wide, four meters high and four meters deep.]]></description>
            <link>https://www.typotheque.com/blog/type-at-the-opera</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/type-at-the-opera</guid>
            <pubDate>Mon, 06 Dec 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Image and Text]]></title>
            <description><![CDATA[We are pleased to present Image and Text, a new website that experiments with the power of text and images. It is intriguing to see how text can modify our understanding of images, and how a single image can be interpreted in multiple ways.]]></description>
            <link>https://www.typotheque.com/blog/image-and-text</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/image-and-text</guid>
            <pubDate>Thu, 18 Nov 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[New and Improved ]]></title>
            <description><![CDATA[Nowadays ‘New and Improved’ often mean just tiny irrelevant changes, so we thought it might be good to talk about the development process that led up to the seventh “new and improved” version of our calendar.]]></description>
            <link>https://www.typotheque.com/blog/new-and-improved</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-and-improved</guid>
            <pubDate>Sat, 13 Nov 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Mobile Devices support]]></title>
            <description><![CDATA[Typotheque’s webfont service now supports the iPhone and iPad, as well as Android mobile devices (and, of course, all the desktop browsers that we’ve supported from the beginning).]]></description>
            <link>https://www.typotheque.com/blog/mobile-devices-support</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/mobile-devices-support</guid>
            <pubDate>Tue, 09 Nov 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Dance Writer 2]]></title>
            <description><![CDATA[We are pleased to present Dance Writer 2.0 as an online tool — play with it on the screen, or send emails to your friends — your message will be danced to them!]]></description>
            <link>https://www.typotheque.com/blog/dance-writer-2</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dance-writer-2</guid>
            <pubDate>Mon, 01 Nov 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Nordic Tour]]></title>
            <description><![CDATA[Autumn is a busy conference times and Typotheque will give a couple of public presentations in the coming weeks. Meet us in Munich, Helsinki, Copenhagen or Gothenburg.]]></description>
            <link>https://www.typotheque.com/blog/nordic-tour</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/nordic-tour</guid>
            <pubDate>Wed, 27 Oct 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Type specimens]]></title>
            <description><![CDATA[Typotheque produces its own exclusive type specimens and sends them out free of charge to people who request them. Once the specimens are out of print, we don't reprint them. Here are the last 30 copies of some older, out-of-print specimens, collectors’ items available for €4 each.]]></description>
            <link>https://www.typotheque.com/blog/type-specimens</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/type-specimens</guid>
            <pubDate>Mon, 11 Oct 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Peter Biľak interviewed by Mark Thomson]]></title>
            <description><![CDATA[Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines, print media in general, modern dance and typography. This interview appeared in Eye magazine No.75, Spring 2010 in the Reputations series.
]]></description>
            <link>https://www.typotheque.com/articles/peter-bilak-interviewed-by-mark-thomson</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/peter-bilak-interviewed-by-mark-thomson</guid>
            <pubDate>Mon, 27 Sep 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Peter Biľak, Eye magazine interview]]></title>
            <description><![CDATA[Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines and printed matter, modern dance and typography. This interview appeared in Eye magazine No.75, Spring 2010 in the Reputations series.]]></description>
            <link>https://www.typotheque.com/blog/peter-bilak-eye-magazine-interview</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/peter-bilak-eye-magazine-interview</guid>
            <pubDate>Mon, 27 Sep 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Notes on the development of Charlie typeface family]]></title>
            <description><![CDATA[This article was written to coincide with the launch of the new Typotheque website and the release of Charlie, a slab serif typeface designed by Ross Milne. An in-depth record of the design process is documented below, including some personal notes on the design process and its historical roots in the slab serif traditions of the nineteenth century.]]></description>
            <link>https://www.typotheque.com/articles/charlie-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/charlie-typeface</guid>
            <pubDate>Sat, 25 Sep 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[In the Name Of the Father (or the troubles with L-caron)]]></title>
            <description><![CDATA[A real-life situation that forced a type designer to evaluate his profession. One small typographic detail (an incorrect version of the diacritic over the letter L) caused troubles with the authorities. With a happy end.]]></description>
            <link>https://www.typotheque.com/articles/lcaron</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/lcaron</guid>
            <pubDate>Sat, 25 Sep 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[AGI-NL 2010]]></title>
            <description><![CDATA[Meet & Greet Dutch Design. This first edition of AGI-NL 2010 is a project of the Dutch members of Alliance Graphique Internationale.]]></description>
            <link>https://www.typotheque.com/blog/agi-nl-2010</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/agi-nl-2010</guid>
            <pubDate>Tue, 21 Sep 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[New typeface: Brioni Sans]]></title>
            <description><![CDATA[Introducing Nikola Djurek’s Brioni Sans, an elegant, humanist sans serif typeface suitable for both body and display text.]]></description>
            <link>https://www.typotheque.com/blog/new-typeface-brioni-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-brioni-sans</guid>
            <pubDate>Fri, 17 Sep 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New typeface: Charlie]]></title>
            <description><![CDATA[Introducing a new typeface by Ross Milne, Charlie, a slab serif typeface created for use in print and exhibition settings]]></description>
            <link>https://www.typotheque.com/blog/new-typeface-charlie</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-charlie</guid>
            <pubDate>Fri, 17 Sep 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque new website]]></title>
            <description><![CDATA[For the past year we've been working on redesigning Typotheque.com from the ground up. This was not just a reformatting of content. We rethought every section, offering new, more interactive ways to view and work with fonts.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-new-website</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-new-website</guid>
            <pubDate>Fri, 17 Sep 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque for Tipoplakat]]></title>
            <description><![CDATA[Our good friend Nikola Djurek asked Typotheque to design a poster for his new initiative —  Tipoplakat.com. Nikola is producing a limited edition of beautifully silkscreened B1 posters (1000 mm × 700 mm | 39.4" x 27.8").]]></description>
            <link>https://www.typotheque.com/blog/typotheque-for-tipoplakat</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-for-tipoplakat</guid>
            <pubDate>Fri, 10 Sep 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Screen fonts for optimal legibility on the computer monitor]]></title>
            <description><![CDATA[After launching our own webfont system, Typotheque now offers fonts specially engineered and optimised for exceptional readability on the computer monitor. These fonts use TrueType outlines, and were manually hinted to achieve crystal-clear results on computer screens. ]]></description>
            <link>https://www.typotheque.com/blog/screen-fonts-for-optimal-legibility-on-the-computer-monitor</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/screen-fonts-for-optimal-legibility-on-the-computer-monitor</guid>
            <pubDate>Sun, 20 Jun 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Tüpo 3D objects]]></title>
            <description><![CDATA[German designer Tanja Huckenbeck has created a series of three dimensional objects ranging from pillows, pot holders and purses to armchairs and even sofas based on Typotheque’s Klimax Plus font.]]></description>
            <link>https://www.typotheque.com/blog/tuepo-3d-objects</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/tuepo-3d-objects</guid>
            <pubDate>Sat, 29 May 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Font hinting]]></title>
            <description><![CDATA[Hinting, or screen optimising, is the process by which TrueType or PostScript fonts are adjusted for maximum readability on computer monitors. This text compares different ways of hinting (black & white, grey-scale, ClearType, DirectWrite), and explains the behaviour of fonts under different rasterisers.]]></description>
            <link>https://www.typotheque.com/articles/hinting</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/hinting</guid>
            <pubDate>Mon, 17 May 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book: hard cover specimen no.7]]></title>
            <description><![CDATA[Besides its regular free specimens, Typotheque occassionally produces a hardcover specimen. 
This one is a limited hardcover edition of Typotheque specimen No.7. This 10 year anniversary book presents the complete Typotheque collection printed on bible paper and signed by its authors.]]></description>
            <link>https://www.typotheque.com/blog/new-book-hard-cover-specimen-no-7</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-hard-cover-specimen-no-7</guid>
            <pubDate>Sat, 15 May 2010 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Typotheque licenses its Webfont engine & Character Set viewer]]></title>
            <description><![CDATA[Typotheque now licenses the engine behind our Webfont service, allowing font conversion to EOT, WOFF and SVG and Character Set Viewer, the online application that displays all glyphs from a TTF or OTF font, including their OpenType alternatives (GSUB and GPOS).]]></description>
            <link>https://www.typotheque.com/blog/typotheque-licenses-its-webfont-engine-and-character-set-viewer</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-licenses-its-webfont-engine-and-character-set-viewer</guid>
            <pubDate>Fri, 23 Apr 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque introduces Phonts]]></title>
            <description><![CDATA[Bringing the world of rich typography to the visually impaired]]></description>
            <link>https://www.typotheque.com/blog/typotheque-introduces-phonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-introduces-phonts</guid>
            <pubDate>Thu, 01 Apr 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Introducing the 100-Year Calendar]]></title>
            <description><![CDATA[Plan your future (and your children’s futures, possibly even your grandchildren’s futures), or just contemplate the beautiful pattern of numbers. Presenting the 100-Year Calendar.]]></description>
            <link>https://www.typotheque.com/blog/introducing-the-100-year-calendar</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/introducing-the-100-year-calendar</guid>
            <pubDate>Sat, 20 Mar 2010 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[The history of History]]></title>
            <description><![CDATA[Two years after releasing History, Peter Bilak reflects on the process of creating this skeletal system in which different styles are imposed on a Roman capital base. Previous experiments are mentioned, as well as inspiration sources for the typeface.]]></description>
            <link>https://www.typotheque.com/articles/the-history-of-history</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-history-of-history</guid>
            <pubDate>Tue, 09 Mar 2010 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[History of History (article)]]></title>
            <description><![CDATA[Two years after releasing History, Peter Biľak reflects on the process of creating this skeletal system in which different styles are superimposed on a base of Roman capitals. ]]></description>
            <link>https://www.typotheque.com/blog/history-of-history-article</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/history-of-history-article</guid>
            <pubDate>Tue, 09 Mar 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New typeface: Plan Grotesque]]></title>
            <description><![CDATA[Plan Grotesque is a sturdy, unpretentious typeface for text of any kind; it is a functional workhorse with enough character to be distinctive at larger sizes.]]></description>
            <link>https://www.typotheque.com/blog/new-typeface-plan-grotesque</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-plan-grotesque</guid>
            <pubDate>Tue, 23 Feb 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque now supports WOFF in Firefox 3.6]]></title>
            <description><![CDATA[Mozilla Foundation has released version 3.6 of Firefox which supports Web Open Font Format (WOFF). Typotheque has already integrated this new font format into its web font system.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-now-supports-woff-in-firefox-3-6</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-now-supports-woff-in-firefox-3-6</guid>
            <pubDate>Mon, 25 Jan 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Selection of websites using Typotheque Web Font Service]]></title>
            <description><![CDATA[Since its October 2009 launch, Typotheque’s Web Font Service has been used in over 290 sites, some of which we present in this small selection.]]></description>
            <link>https://www.typotheque.com/blog/selection-of-websites-using-typotheque-web-font-service</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/selection-of-websites-using-typotheque-web-font-service</guid>
            <pubDate>Sat, 23 Jan 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Open Manifesto]]></title>
            <description><![CDATA[<em>Open Manifesto</em> comes out twice a year, offering eclectic, critical writing on a wide mix of disciplines seen through the eyes of a graphic designer. It is edited / published / designed by Kevin Finn in Australia. ]]></description>
            <link>https://www.typotheque.com/blog/open-manifesto</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/open-manifesto</guid>
            <pubDate>Mon, 18 Jan 2010 00:00:00 GMT</pubDate>
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            <title><![CDATA[Gore’s choice]]></title>
            <description><![CDATA[How Al Gore requested a change of inconvenient figure one in Brioni typeface for his book <em>Our Choice</em>.]]></description>
            <link>https://www.typotheque.com/blog/gores-choice</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/gores-choice</guid>
            <pubDate>Thu, 07 Jan 2010 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque Web Font System now supports Chrome]]></title>
            <description><![CDATA[Google recently released a new Beta of their Chrome browser which supports @font-face web font linking. We’ve now updated our Web Font Service to support Google Chrome.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-web-font-system-now-supports-chrome</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-web-font-system-now-supports-chrome</guid>
            <pubDate>Wed, 23 Dec 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Methods of Distribution: Digital Fonts and the Global Market]]></title>
            <description><![CDATA[Article written for the Centre national des arts plastique, discussing conventional distribution methods of digital typefaces and their alternatives. The text focuses primarily on the French typography scene.]]></description>
            <link>https://www.typotheque.com/articles/methods-of-distribution-digital-fonts-and-the-global-market</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/methods-of-distribution-digital-fonts-and-the-global-market</guid>
            <pubDate>Mon, 21 Dec 2009 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[New articles: Methods of distribution]]></title>
            <description><![CDATA[Peter Biľak wrote a piece for this year’s edition of <em>Graphisme en France</em>. The text discusses conventional distribution methods of digital typefaces and their alternatives]]></description>
            <link>https://www.typotheque.com/blog/new-articles-methods-of-distribution</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-articles-methods-of-distribution</guid>
            <pubDate>Mon, 21 Dec 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Méthodes de distribution : les caractères numériques sur le marché mondial]]></title>
            <description><![CDATA[Article written for the Centre national des arts plastique, discussing conventional distribution methods of digital typefaces and their alternatives. The text focuses primarily on the French typography scene.]]></description>
            <link>https://www.typotheque.com/articles/methodes-de-distribution-les-caracteres-numeriques-sur-le-marche-mondial</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/methodes-de-distribution-les-caracteres-numeriques-sur-le-marche-mondial</guid>
            <pubDate>Sun, 20 Dec 2009 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Typotheque diary for 2010]]></title>
            <description><![CDATA[Limited edition of the pocket-size, no-nonsense Typotheque calendar and sketchbook.]]></description>
            <link>https://www.typotheque.com/blog/new-typotheque-diary-for-2010</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typotheque-diary-for-2010</guid>
            <pubDate>Wed, 18 Nov 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Major update of Fedra Sans, Fedra Serif, Fedra Sans Condensed]]></title>
            <description><![CDATA[We've updated Fedra fonts to to support Vietnamese, Arabic, Chinese and Sanskript transliteration. The total number of glyphs in the OpenType Pro fonts is now 2.540 glyphs.]]></description>
            <link>https://www.typotheque.com/blog/major-update-of-fedra-sans-fedra-serif-fedra-sans-condensed</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/major-update-of-fedra-sans-fedra-serif-fedra-sans-condensed</guid>
            <pubDate>Tue, 03 Nov 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque — the first company to introduce Webfonts]]></title>
            <description><![CDATA[Typotheque has become the first commercial type foundry to license its entire font collection for use on the World Wide Web via our web font service.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-the-first-company-to-introduce-webfonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-the-first-company-to-introduce-webfonts</guid>
            <pubDate>Tue, 20 Oct 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque endorses new font format WOFF]]></title>
            <description><![CDATA[Proposal by Erik van Blokland, Jonathan Kew, and Tal Leming for a new web-specific font format WOFF.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-endorses-new-font-format-woff</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-endorses-new-font-format-woff</guid>
            <pubDate>Thu, 15 Oct 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque speaks in Vienna, Paris, Ljubljana]]></title>
            <description><![CDATA[Typotheque joins a few events in the coming weeks. If you happen to be in Vienna, Paris, or Ljubljana, please join us for the talk, and drinks afterward.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-speaks-in-vienna-paris-ljubljana</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-speaks-in-vienna-paris-ljubljana</guid>
            <pubDate>Sat, 03 Oct 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Celebrates Its First 10 Years]]></title>
            <description><![CDATA[We decided to do something special to celebrate Typotheque’s first 10 years. We asked four of our colleagues to design t-shirts for the occasion. The project brief was carte blanche, no strings attached: design a T-shirt that you yourself would like to wear.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-celebrates-its-first-10-years</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-celebrates-its-first-10-years</guid>
            <pubDate>Thu, 24 Sep 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[DanceWriter at Experimenta Lisbon]]></title>
            <description><![CDATA[For Experimenta 2009, we created an interactive installation currently on show at the Museu Colecção Berardo.]]></description>
            <link>https://www.typotheque.com/blog/dancewriter-at-experimenta-lisbon</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dancewriter-at-experimenta-lisbon</guid>
            <pubDate>Tue, 15 Sep 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Web Font Service screencast demo]]></title>
            <description><![CDATA[Demo of the upcoming Web Font Service offering advanced typographic features.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-web-font-service-screencast-demo</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-web-font-service-screencast-demo</guid>
            <pubDate>Mon, 07 Sep 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[New company: The Indian Type Foundry]]></title>
            <description><![CDATA[The Indian Type Foundry will be the first specialised company to develop and directly distribute Unicode-compliant digital fonts in India.]]></description>
            <link>https://www.typotheque.com/blog/new-company-the-indian-type-foundry</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-company-the-indian-type-foundry</guid>
            <pubDate>Fri, 04 Sep 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[New t-shirt: A Piece of Text]]></title>
            <description><![CDATA[‘A piece of text that looks good but doesn’t say anything’, using Irma's OpenType features mixing positive and negative spaces of letters. Printed on Organic Fine Jersey T-Shirt from American Apparel.]]></description>
            <link>https://www.typotheque.com/blog/new-t-shirt-a-piece-of-text</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-t-shirt-a-piece-of-text</guid>
            <pubDate>Mon, 31 Aug 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[New font release: Irma]]></title>
            <description><![CDATA[Irma is an elegant capital-only display typeface in 9 weights that is available in simple Sans & geometric Slab.]]></description>
            <link>https://www.typotheque.com/blog/new-font-release-irma</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-font-release-irma</guid>
            <pubDate>Fri, 21 Aug 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Form = Content]]></title>
            <description><![CDATA[Bookshelf in Literarny Klub in a shape of letter 'k' from Greta Text.]]></description>
            <link>https://www.typotheque.com/blog/form-content</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/form-content</guid>
            <pubDate>Mon, 20 Jul 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Web Font Service preview]]></title>
            <description><![CDATA[Up until now, if you wanted to use fonts on a website, you were limited to one of the dozen or so ‘web-safe’ fonts. We offer an alternative that allows using real fonts on the web.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-web-font-service-preview</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-web-font-service-preview</guid>
            <pubDate>Wed, 15 Jul 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque gets social]]></title>
            <description><![CDATA[Typotheque goes Facebook, Twitter and Flickr.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-gets-social</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-gets-social</guid>
            <pubDate>Wed, 24 Jun 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[New font release: Nara]]></title>
            <description><![CDATA[Nara explores gaps in traditional type classification. It exhibits characteristics of humanist typefaces, such as an oblique axis of contrast between the thick and thin strokes, but also characteristics of modern typefaces.]]></description>
            <link>https://www.typotheque.com/blog/new-font-release-nara</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-font-release-nara</guid>
            <pubDate>Mon, 01 Jun 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Fedra Hindi wins at the European Design Awards 2009 competition]]></title>
            <description><![CDATA[Typotheque pays as much attention to ‘non-Latin’ fonts as to our Latin fonts, and by now our fonts support over 190 languages spoken by over 1.5 billion native speakers. Latest expansion of Fedra family is Devanagari version.]]></description>
            <link>https://www.typotheque.com/blog/fedra-hindi-wins-at-the-european-design-awards-2009-competition</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-hindi-wins-at-the-european-design-awards-2009-competition</guid>
            <pubDate>Sat, 30 May 2009 00:00:00 GMT</pubDate>
        </item>
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            <title><![CDATA[Typographica's Favorite Typefaces of 2008]]></title>
            <description><![CDATA[Typographica published their Favorite Typefaces of 2008. Two Typotheque's typefaces were selected: Brioni and History.]]></description>
            <link>https://www.typotheque.com/blog/typographicas-favorite-typefaces-of-2008</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typographicas-favorite-typefaces-of-2008</guid>
            <pubDate>Thu, 23 Apr 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Back Cover No.2 now available]]></title>
            <description><![CDATA[Back Cover (formerly known as <i>Marie Louise</i>) is the only serious French magazine, as far as we are concerned,  interested in graphic design and its history. ]]></description>
            <link>https://www.typotheque.com/blog/back-cover-no-2-now-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/back-cover-no-2-now-available</guid>
            <pubDate>Fri, 10 Apr 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Fonts Now Support Klingon]]></title>
            <description><![CDATA[To meet the growing demand for for global communication, Typotheque has taken another step towards true internationalisation by extending all its fonts to support Klingon.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-fonts-now-support-klingon</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-fonts-now-support-klingon</guid>
            <pubDate>Wed, 01 Apr 2009 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[The National Grid No.5]]></title>
            <description><![CDATA[Fifth issues of the graphic design publication from New Zealand.]]></description>
            <link>https://www.typotheque.com/blog/the-national-grid-no-5</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/the-national-grid-no-5</guid>
            <pubDate>Fri, 13 Mar 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Letter to Robin Kinross]]></title>
            <description><![CDATA[New book published by <em>true true true</em> mocking the perverse fanaticism in design. ]]></description>
            <link>https://www.typotheque.com/blog/letter-to-robin-kinross</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/letter-to-robin-kinross</guid>
            <pubDate>Fri, 13 Mar 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[New typeface Klimax (TDC 2009 winner)]]></title>
            <description><![CDATA[Klimax received the Type Directors Club’s Certificate of Excellence in Type Design in 2009. Klimax also received the Judge&#700;s Choice award.]]></description>
            <link>https://www.typotheque.com/blog/new-typeface-klimax-tdc-2009-winner</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-klimax-tdc-2009-winner</guid>
            <pubDate>Fri, 20 Feb 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[typographers-calendar.com site launched]]></title>
            <description><![CDATA[A launch of a new website supporting Typotheque diary.]]></description>
            <link>https://www.typotheque.com/blog/typographers-calendar-com-site-launched</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typographers-calendar-com-site-launched</guid>
            <pubDate>Fri, 20 Feb 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Font License Calculator]]></title>
            <description><![CDATA[The question that we receive most often is 'How much are your fonts?'. Our response is of course, 'Well it depends'. To make life easier for ourselves, and also for our beloved customers, we created an online font calculator.]]></description>
            <link>https://www.typotheque.com/blog/font-license-calculator</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/font-license-calculator</guid>
            <pubDate>Thu, 19 Feb 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque has designed the basic typographic template for the Slovak Euro stamps]]></title>
            <description><![CDATA[Stamps are engraved by various artists, and layout is implemented by Peter Augustovič following the basic template designed by Peter Biľak.
<br />]]></description>
            <link>https://www.typotheque.com/blog/typotheque-has-designed-the-basic-typographic-template-for-the-slovak-euro-stamps</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-has-designed-the-basic-typographic-template-for-the-slovak-euro-stamps</guid>
            <pubDate>Fri, 23 Jan 2009 00:00:00 GMT</pubDate>
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            <title><![CDATA[Preview of Klimax, a new typeface]]></title>
            <link>https://www.typotheque.com/blog/preview-of-klimax-a-new-typeface</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-klimax-a-new-typeface</guid>
            <pubDate>Wed, 19 Nov 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Pocket calendar 2009 sold out]]></title>
            <link>https://www.typotheque.com/blog/pocket-calendar-2009-sold-out</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/pocket-calendar-2009-sold-out</guid>
            <pubDate>Wed, 12 Nov 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Pocket calendar / sketchbook 2009]]></title>
            <link>https://www.typotheque.com/blog/pocket-calendar-sketchbook-2009</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/pocket-calendar-sketchbook-2009</guid>
            <pubDate>Sun, 02 Nov 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Narrow]]></title>
            <link>https://www.typotheque.com/blog/greta-narrow</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-narrow</guid>
            <pubDate>Sun, 02 Nov 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque work 1999-2008]]></title>
            <link>https://www.typotheque.com/blog/typotheque-work-1999-2008</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-work-1999-2008</guid>
            <pubDate>Tue, 21 Oct 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Mixing Typotheque fonts]]></title>
            <link>https://www.typotheque.com/blog/mixing-typotheque-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/mixing-typotheque-fonts</guid>
            <pubDate>Wed, 15 Oct 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[In the Name Of the Father (or the troubles with L-caron)]]></title>
            <link>https://www.typotheque.com/blog/in-the-name-of-the-father-or-the-troubles-with-l-caron</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/in-the-name-of-the-father-or-the-troubles-with-l-caron</guid>
            <pubDate>Sun, 28 Sep 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Typeface: Brioni & Brioni Text]]></title>
            <link>https://www.typotheque.com/blog/new-typeface-brioni-and-brioni-text</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-brioni-and-brioni-text</guid>
            <pubDate>Wed, 17 Sep 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta fonts in Greek and Cyrillic]]></title>
            <link>https://www.typotheque.com/blog/greta-fonts-in-greek-and-cyrillic</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-fonts-in-greek-and-cyrillic</guid>
            <pubDate>Wed, 17 Sep 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[A New Typeface: History]]></title>
            <link>https://www.typotheque.com/blog/a-new-typeface-history</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/a-new-typeface-history</guid>
            <pubDate>Wed, 10 Sep 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Biggest release yet]]></title>
            <link>https://www.typotheque.com/blog/biggest-release-yet</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/biggest-release-yet</guid>
            <pubDate>Sun, 07 Sep 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[FontTester 2.0]]></title>
            <link>https://www.typotheque.com/blog/fonttester-2-0</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fonttester-2-0</guid>
            <pubDate>Mon, 01 Sep 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Dot Dot Dot 16 available now]]></title>
            <link>https://www.typotheque.com/blog/dot-dot-dot-16-available-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dot-dot-dot-16-available-now</guid>
            <pubDate>Fri, 08 Aug 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Jan van Toorn, Critical Practice]]></title>
            <description><![CDATA[Third in the heavily subsidised series ‘Graphic design in the Netherlands’, Jan van Toorn, Critical Practice takes on the difficult task of exploring and striving to elucidate the work of Jan van Toorn (JvT), a designer who is not always clear about his intentions, who makes frequent use of inexplicable images and text, and whose work is often described with concepts such as ‘alienation’, ‘incomprehensibility’, ‘defamiliarisation’, ‘digressions’ and ‘intrusion’.]]></description>
            <link>https://www.typotheque.com/articles/jan-van-toorn-critical-practice</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/jan-van-toorn-critical-practice</guid>
            <pubDate>Wed, 16 Jul 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Book review: Jan van Toorn, Critical Practice]]></title>
            <link>https://www.typotheque.com/blog/book-review-jan-van-toorn-critical-practice</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/book-review-jan-van-toorn-critical-practice</guid>
            <pubDate>Wed, 16 Jul 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[New font: Greta Grande Pro]]></title>
            <link>https://www.typotheque.com/blog/new-font-greta-grande-pro</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-font-greta-grande-pro</guid>
            <pubDate>Mon, 07 Jul 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book: Detail in typography]]></title>
            <link>https://www.typotheque.com/blog/new-book-detail-in-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-detail-in-typography</guid>
            <pubDate>Mon, 07 Jul 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[New typeface preview: Brioni]]></title>
            <link>https://www.typotheque.com/blog/new-typeface-preview-brioni</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typeface-preview-brioni</guid>
            <pubDate>Tue, 01 Jul 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Ways of Seeing, book review]]></title>
            <description><![CDATA[More than 35 years after the seminal art book Ways of Seeing was published, Peter Biľak looks closely at its continuing relevance.]]></description>
            <link>https://www.typotheque.com/articles/ways-of-seeing-book-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/ways-of-seeing-book-review</guid>
            <pubDate>Thu, 05 Jun 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Book review of Ways of Seeing]]></title>
            <link>https://www.typotheque.com/blog/book-review-of-ways-of-seeing</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/book-review-of-ways-of-seeing</guid>
            <pubDate>Thu, 05 Jun 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Marie Louise is now Back Cover. Issue 1 out now]]></title>
            <link>https://www.typotheque.com/blog/marie-louise-is-now-back-cover-issue-1-out-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/marie-louise-is-now-back-cover-issue-1-out-now</guid>
            <pubDate>Thu, 05 Jun 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[A View of Latin Typography in Relationship to the World]]></title>
            <description><![CDATA[A short essay scrutinising the general misconceptions of western typography, and the appropriateness of Euro-centric type terminology.
]]></description>
            <link>https://www.typotheque.com/articles/a-view-of-latin-typography-in-relationship-to-the-world</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/a-view-of-latin-typography-in-relationship-to-the-world</guid>
            <pubDate>Sat, 03 May 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Quattro grafici olandesi]]></title>
            <description><![CDATA[Typotheque will take part of the conference, workshop and an exhibition in ISIA Urbino, Italy]]></description>
            <link>https://www.typotheque.com/blog/quattro-grafici-olandesi</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/quattro-grafici-olandesi</guid>
            <pubDate>Sat, 05 Apr 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque acquires The New York Times]]></title>
            <description><![CDATA[After extensive but unsuccessful lobbying for the New York Times to adopt Greta Text as the main typeface for its layout, the Dutch type foundry Typotheque acquired the newspaper.]]></description>
            <link>https://www.typotheque.com/blog/typotheque-acquires-the-new-york-times</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-acquires-the-new-york-times</guid>
            <pubDate>Tue, 01 Apr 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[The National Grid No.4 available]]></title>
            <link>https://www.typotheque.com/blog/the-national-grid-no-4-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/the-national-grid-no-4-available</guid>
            <pubDate>Thu, 20 Mar 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Peter Bilak at Typografiska fredag in Stockholm]]></title>
            <link>https://www.typotheque.com/blog/peter-bilak-at-typografiska-fredag-in-stockholm</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/peter-bilak-at-typografiska-fredag-in-stockholm</guid>
            <pubDate>Tue, 04 Mar 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Masculine / Feminine, 62 Typotheque projects on 1 poster]]></title>
            <link>https://www.typotheque.com/blog/masculine-feminine-62-typotheque-projects-on-1-poster</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/masculine-feminine-62-typotheque-projects-on-1-poster</guid>
            <pubDate>Mon, 25 Feb 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta nominated for the Design Museum Award]]></title>
            <link>https://www.typotheque.com/blog/greta-nominated-for-the-design-museum-award</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-nominated-for-the-design-museum-award</guid>
            <pubDate>Tue, 05 Feb 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Dwell magazine chooses Greta]]></title>
            <link>https://www.typotheque.com/blog/dwell-magazine-chooses-greta</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dwell-magazine-chooses-greta</guid>
            <pubDate>Mon, 04 Feb 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Family planning, or how type families work]]></title>
            <description><![CDATA[An essay on the history and definition of type families, type design parameters, and the possibilities of creating larger type systems today. ]]></description>
            <link>https://www.typotheque.com/articles/type-families</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/type-families</guid>
            <pubDate>Thu, 31 Jan 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Twenty new hats]]></title>
            <link>https://www.typotheque.com/blog/twenty-new-hats</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/twenty-new-hats</guid>
            <pubDate>Mon, 21 Jan 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[New issue of DOT DOT DOT (No.15)]]></title>
            <link>https://www.typotheque.com/blog/new-issue-of-dot-dot-dot-no-15</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-issue-of-dot-dot-dot-no-15</guid>
            <pubDate>Mon, 21 Jan 2008 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque diary / sketchbook 2008 available!]]></title>
            <link>https://www.typotheque.com/blog/typotheque-diary-sketchbook-2008-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-diary-sketchbook-2008-available</guid>
            <pubDate>Wed, 31 Oct 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Monthly planner]]></title>
            <link>https://www.typotheque.com/blog/typotheque-monthly-planner</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-monthly-planner</guid>
            <pubDate>Wed, 31 Oct 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Third issue of The National Grid]]></title>
            <link>https://www.typotheque.com/blog/third-issue-of-the-national-grid</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/third-issue-of-the-national-grid</guid>
            <pubDate>Wed, 31 Oct 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book: Wim Crouwel: Typographic Architectures]]></title>
            <link>https://www.typotheque.com/blog/new-book-wim-crouwel-typographic-architectures</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-wim-crouwel-typographic-architectures</guid>
            <pubDate>Wed, 31 Oct 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Convert text into dance with DanceWriter]]></title>
            <link>https://www.typotheque.com/blog/convert-text-into-dance-with-dancewriter</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/convert-text-into-dance-with-dancewriter</guid>
            <pubDate>Wed, 17 Oct 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New/old book Designing books]]></title>
            <link>https://www.typotheque.com/blog/newold-book-designing-books</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/newold-book-designing-books</guid>
            <pubDate>Tue, 18 Sep 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book Typographic matchmaking]]></title>
            <link>https://www.typotheque.com/blog/new-book-typographic-matchmaking</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-typographic-matchmaking</guid>
            <pubDate>Tue, 18 Sep 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Dot Dot Dot 14 available now]]></title>
            <link>https://www.typotheque.com/blog/dot-dot-dot-14-available-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dot-dot-dot-14-available-now</guid>
            <pubDate>Tue, 18 Sep 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Fedra Arabic released]]></title>
            <link>https://www.typotheque.com/blog/fedra-arabic-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-arabic-released</guid>
            <pubDate>Mon, 27 Aug 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New French magazine available]]></title>
            <link>https://www.typotheque.com/blog/new-french-magazine-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-french-magazine-available</guid>
            <pubDate>Wed, 01 Aug 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Symposium on Arabic Visual Culture &amp; Typography]]></title>
            <link>https://www.typotheque.com/blog/symposium-on-arabic-visual-culture-and-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/symposium-on-arabic-visual-culture-and-typography</guid>
            <pubDate>Mon, 23 Jul 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta brochure in press]]></title>
            <link>https://www.typotheque.com/blog/greta-brochure-in-press</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-brochure-in-press</guid>
            <pubDate>Wed, 27 Jun 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Two examples of Jigsaw Stencil in use]]></title>
            <link>https://www.typotheque.com/blog/two-examples-of-jigsaw-stencil-in-use</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/two-examples-of-jigsaw-stencil-in-use</guid>
            <pubDate>Wed, 20 Jun 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[VOLT interpolation script released]]></title>
            <link>https://www.typotheque.com/blog/volt-interpolation-script-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/volt-interpolation-script-released</guid>
            <pubDate>Wed, 13 Jun 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New t-shirt: Typotheque Rebus]]></title>
            <link>https://www.typotheque.com/blog/new-t-shirt-typotheque-rebus</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-t-shirt-typotheque-rebus</guid>
            <pubDate>Thu, 07 Jun 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Peter Bilak lectures in Slovenia]]></title>
            <link>https://www.typotheque.com/blog/peter-bilak-lectures-in-slovenia</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/peter-bilak-lectures-in-slovenia</guid>
            <pubDate>Thu, 17 May 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta Text and Greta Display released]]></title>
            <link>https://www.typotheque.com/blog/greta-text-and-greta-display-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-text-and-greta-display-released</guid>
            <pubDate>Mon, 14 May 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[What is Typography?]]></title>
            <description><![CDATA[What do we mean by the term typography? Before starting any discussion it is useful to clarify the terminology and definition of the word. This is a first from the regular columns that Peter Bilak writes for online version of the Swedish magazine CAP & Design.]]></description>
            <link>https://www.typotheque.com/articles/what-is-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/what-is-typography</guid>
            <pubDate>Sun, 13 May 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New t-shirt ‘Dutch Sky’]]></title>
            <link>https://www.typotheque.com/blog/new-t-shirt-dutch-sky</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-t-shirt-dutch-sky</guid>
            <pubDate>Mon, 07 May 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book: Edward Wright: readings, writings]]></title>
            <link>https://www.typotheque.com/blog/new-book-edward-wright-readings-writings</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-edward-wright-readings-writings</guid>
            <pubDate>Thu, 12 Apr 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Review of Gonzo by Hunter S. Thomson]]></title>
            <link>https://www.typotheque.com/blog/review-of-gonzo-by-hunter-s-thomson</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/review-of-gonzo-by-hunter-s-thomson</guid>
            <pubDate>Thu, 12 Apr 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[화이트큐브의 그래픽디자인 / Graphic Design in the White Cube]]></title>
            <link>https://www.typotheque.com/articles/graphic-design-in-the-white-cube-kr</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/graphic-design-in-the-white-cube-kr</guid>
            <pubDate>Wed, 11 Apr 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Greta awarded at the TDC 2007]]></title>
            <link>https://www.typotheque.com/blog/greta-awarded-at-the-tdc-2007</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/greta-awarded-at-the-tdc-2007</guid>
            <pubDate>Fri, 30 Mar 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[PDF Font Tester]]></title>
            <link>https://www.typotheque.com/blog/pdf-font-tester</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/pdf-font-tester</guid>
            <pubDate>Tue, 20 Mar 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Sky t-shirt (NEW)]]></title>
            <link>https://www.typotheque.com/blog/sky-t-shirt-new</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/sky-t-shirt-new</guid>
            <pubDate>Tue, 20 Mar 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Re-evaluation of Gill Sans (article by Ben Archer)]]></title>
            <link>https://www.typotheque.com/blog/re-evaluation-of-gill-sans-article-by-ben-archer</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/re-evaluation-of-gill-sans-article-by-ben-archer</guid>
            <pubDate>Mon, 12 Mar 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Eric Gill got it wrong; a re-evaluation of Gill Sans]]></title>
            <description><![CDATA[This article is intended for an audience of contemporary designers and students who are at least one step removed from mid-century British typographic culture; it is a critique of the Gill Sans typeface and the idiosyncrasies of its creation from a contemporary perspective. The central argument is that an earlier typeface by Eric Gill’s mentor, Edward Johnston, is a superior piece of type design.]]></description>
            <link>https://www.typotheque.com/articles/re-evaluation-of-gill-sans</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/re-evaluation-of-gill-sans</guid>
            <pubDate>Sun, 11 Mar 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Graphic Design magazine from New Zealand]]></title>
            <link>https://www.typotheque.com/blog/graphic-design-magazine-from-new-zealand</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/graphic-design-magazine-from-new-zealand</guid>
            <pubDate>Fri, 16 Feb 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New book by Robert Bringhurst]]></title>
            <link>https://www.typotheque.com/blog/new-book-by-robert-bringhurst</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-by-robert-bringhurst</guid>
            <pubDate>Fri, 16 Feb 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Looking for Greta]]></title>
            <link>https://www.typotheque.com/blog/looking-for-greta</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/looking-for-greta</guid>
            <pubDate>Wed, 14 Feb 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Fedra amongst best 100 fonts of all times]]></title>
            <description><![CDATA[Fedra ranked No. 40 in the selection of best 100 typefaces since Gutenberg, judges by the international jury]]></description>
            <link>https://www.typotheque.com/blog/fedra-amongst-best-100-fonts-of-all-times</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-amongst-best-100-fonts-of-all-times</guid>
            <pubDate>Tue, 30 Jan 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque designed newspaper font Greta]]></title>
            <link>https://www.typotheque.com/blog/typotheque-designed-newspaper-font-greta</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-designed-newspaper-font-greta</guid>
            <pubDate>Sun, 21 Jan 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Typo Hats (winter 2007)]]></title>
            <link>https://www.typotheque.com/blog/new-typo-hats-winter-2007</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-typo-hats-winter-2007</guid>
            <pubDate>Mon, 15 Jan 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[50% discount on Typotheque diary 2007]]></title>
            <link>https://www.typotheque.com/blog/50-discount-on-typotheque-diary-2007</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/50-discount-on-typotheque-diary-2007</guid>
            <pubDate>Mon, 15 Jan 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Fedra Serif Display (new font)]]></title>
            <link>https://www.typotheque.com/blog/fedra-serif-display-new-font</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-serif-display-new-font</guid>
            <pubDate>Mon, 15 Jan 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[ More photos of Fedra Arabic]]></title>
            <link>https://www.typotheque.com/blog/more-photos-of-fedra-arabic</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/more-photos-of-fedra-arabic</guid>
            <pubDate>Sun, 14 Jan 2007 00:00:00 GMT</pubDate>
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            <title><![CDATA[Conversazione modulare]]></title>
            <description><![CDATA[Peter Biľak, grafico e type designer slovacco attivo a L’Aia, con la sua fonderia digitale Typotheque e la rivista Dot Dot Dot si è fatto conoscere come voce originale e indipendente nel campo della tipografia e della riflessione critica sul design. 
Due anni fa ha iniziato una collaborazione con il Nederlands Dans Theater e il coreografo Lukáš Timulak, con il quale progetta e mette in scena performance di danza contemporanea. Lo abbiamo intervistato a Milano, nel cortile della nuova sede Aiap, il 30 maggio di quest’anno, il giorno dopo la sua conferenza all’Istituto Europeo di Design.]]></description>
            <link>https://www.typotheque.com/articles/conversazione-modulare</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/conversazione-modulare</guid>
            <pubDate>Wed, 20 Dec 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Interview with Peter Biľak, Milano, 29/05/02]]></title>
            <description><![CDATA[Interview conducted by Luciano Perondi and Silvia Sfligiotti discussing issues of translation, languages, teaching, writing, organizing exhibitions, and having no answer to question about parallels between design and science.]]></description>
            <link>https://www.typotheque.com/articles/interview-with-peter-bilak-milano-290502</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/interview-with-peter-bilak-milano-290502</guid>
            <pubDate>Wed, 20 Dec 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Dot Dot Dot No.10 available now]]></title>
            <link>https://www.typotheque.com/blog/dot-dot-dot-no-10-available-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dot-dot-dot-no-10-available-now</guid>
            <pubDate>Fri, 15 Dec 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Interview with Typotheque's PB]]></title>
            <link>https://www.typotheque.com/blog/interview-with-typotheques-pb</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/interview-with-typotheques-pb</guid>
            <pubDate>Fri, 15 Dec 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[À la recherche d’une théorie générale du dessin de caractères]]></title>
            <link>https://www.typotheque.com/articles/a-la-recherche-dune-theorie-generale-du-dessin-de-caracteres</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/a-la-recherche-dune-theorie-generale-du-dessin-de-caracteres</guid>
            <pubDate>Mon, 11 Dec 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typo hats 2007 available ! (in new colours)]]></title>
            <link>https://www.typotheque.com/blog/typo-hats-2007-available-in-new-colours</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typo-hats-2007-available-in-new-colours</guid>
            <pubDate>Fri, 08 Dec 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Beziehungen innerhalb der tschechoslowakischen Typografenszene]]></title>
            <description><![CDATA[Dieser Artikel basiert zum Teil auf meiner Forschung für die Ausstellung über das tschechische und slowakische Schriftdesign mit Schwerpunkt auf der Entwicklung der Typografie in den letzten zwanzig Jahren, die ich zusammen mit Alan Záruba 2004-2006 kuratierte. Die Ausstellung mit dem Titel 'Experiment And Typography' wurde erstmals 2004 an der International Biennale of Graphic Design in Brno gezeigt und zog später weiter nach Prag, Den Haag, Bratislava, Cieszyn, Ljubljana, Warschau und Budapest.]]></description>
            <link>https://www.typotheque.com/articles/beziehungen-innerhalb-der-tschechoslowakischen-typografenszene</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/beziehungen-innerhalb-der-tschechoslowakischen-typografenszene</guid>
            <pubDate>Tue, 28 Nov 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Swiss magazine Typografische Monatsblatter just published article by JB]]></title>
            <link>https://www.typotheque.com/blog/swiss-magazine-typografische-monatsblatter-just-published-article-by-jb</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/swiss-magazine-typografische-monatsblatter-just-published-article-by-jb</guid>
            <pubDate>Tue, 28 Nov 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque will speak at 'Tag der Typografie' in Zurich]]></title>
            <description><![CDATA[Johanna and Peter Bilak will speak at the Tag der Typografie conference in Zurich.  The title of the talk is <i>Sources of inspiration: Central European typography and beyond</i>]]></description>
            <link>https://www.typotheque.com/blog/typotheque-will-speak-at-tag-der-typografie-in-zurich</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-will-speak-at-tag-der-typografie-in-zurich</guid>
            <pubDate>Thu, 23 Nov 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Preview of new type in progress]]></title>
            <link>https://www.typotheque.com/blog/preview-of-new-type-in-progress</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-new-type-in-progress</guid>
            <pubDate>Tue, 21 Nov 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[New products: Multicolour sketchbook]]></title>
            <link>https://www.typotheque.com/blog/new-products-multicolour-sketchbook</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-products-multicolour-sketchbook</guid>
            <pubDate>Mon, 06 Nov 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque Diary 2007 available]]></title>
            <link>https://www.typotheque.com/blog/typotheque-diary-2007-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-diary-2007-available</guid>
            <pubDate>Mon, 06 Nov 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Fedra Sans Condensed Pro released]]></title>
            <link>https://www.typotheque.com/blog/fedra-sans-condensed-pro-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-condensed-pro-released</guid>
            <pubDate>Wed, 11 Oct 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Czechoslovak Typography Connections]]></title>
            <description><![CDATA[This article is partly based on the research for the exhibition on Czech and Slovak typeface design that we co-curated with Alan Záruba in 2004-2006 focusing on the last twenty years of typography development.  The exhibition entitled 'Experiment And Typography' was first presented at the Biennale of Graphic Design in Brno in 2004 and later travelled to Prague, The Hague, Bratislava, Cieszyn, Ljubljana, Warsaw and Budapest.]]></description>
            <link>https://www.typotheque.com/articles/czechoslovak-typography-connections</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/czechoslovak-typography-connections</guid>
            <pubDate>Tue, 03 Oct 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Kyoorius DesignYatra 2006, review of a design conference]]></title>
            <description><![CDATA[Review of India’s first design conference, held in 2006 in Goa.]]></description>
            <link>https://www.typotheque.com/articles/kyoorius-designyatra-2006-review-of-a-design-conference</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/kyoorius-designyatra-2006-review-of-a-design-conference</guid>
            <pubDate>Sat, 23 Sep 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[좋은 디자인이란 무엇인가]]></title>
            <description><![CDATA[A Korean translation of Stefan Sagmeister’s lecture about the state of contemporary design, ethics, advertising and aesthetics.]]></description>
            <link>https://www.typotheque.com/articles/</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/</guid>
            <pubDate>Fri, 15 Sep 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Fedra Serif Pro released]]></title>
            <link>https://www.typotheque.com/blog/fedra-serif-pro-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-serif-pro-released</guid>
            <pubDate>Wed, 19 Jul 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Microtipografia: Il progetto dei nuovi dizionari Collins]]></title>
            <description><![CDATA[L'Art Director di Collins descrive il procedimento seguito per il progetto di una nuova serie di dizionari, dal punto di vista storico, del layout e della scelta dei caratteri. Data la scala alla quale il contenuto del dizionario viene espresso, e il modo particolare in cui viene letto, le decisioni microtipografiche hanno un effetto amplificato.]]></description>
            <link>https://www.typotheque.com/articles/microtipografia-il-progetto-dei-nuovi-dizionari-collins</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/microtipografia-il-progetto-dei-nuovi-dizionari-collins</guid>
            <pubDate>Tue, 18 Jul 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Limited edition hard cover specimen (signed)]]></title>
            <link>https://www.typotheque.com/blog/limited-edition-hard-cover-specimen-signed</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/limited-edition-hard-cover-specimen-signed</guid>
            <pubDate>Mon, 17 Jul 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Graphic Design in the White Cube (exhibition & catalogue)]]></title>
            <link>https://www.typotheque.com/blog/graphic-design-in-the-white-cube-exhibition-and-catalogue</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/graphic-design-in-the-white-cube-exhibition-and-catalogue</guid>
            <pubDate>Tue, 20 Jun 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Graphic Design in the White Cube]]></title>
            <description><![CDATA[Essay accompanying the exhibition *Graphic Design in the White Cube* during the 22nd International Biennale of Graphic Design Brno 2006. Nineteen designers and collectives were commissioned to design posters for the design exhibition in which they were to participate. Instead of bringing work from the outside to the gallery, the work is made for the gallery. Instead of recreating the context for the exhibition, gallery conditions are the context for the work.]]></description>
            <link>https://www.typotheque.com/articles/graphic-design-in-the-white-cube</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/graphic-design-in-the-white-cube</guid>
            <pubDate>Sat, 17 Jun 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New catalogue off to press]]></title>
            <link>https://www.typotheque.com/blog/new-catalogue-off-to-press</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-catalogue-off-to-press</guid>
            <pubDate>Wed, 07 Jun 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ The most beautiful Swiss books 2005]]></title>
            <link>https://www.typotheque.com/blog/the-most-beautiful-swiss-books-2005</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/the-most-beautiful-swiss-books-2005</guid>
            <pubDate>Sat, 03 Jun 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ DDD 12 available now]]></title>
            <link>https://www.typotheque.com/blog/ddd-12-available-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/ddd-12-available-now</guid>
            <pubDate>Fri, 02 Jun 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Designing Type — book review]]></title>
            <description><![CDATA[As a teacher of type design and typography I have always wished for a book which I could recommend to my students without hesitation, and so I was excited to receive Karen Cheng’s <i>Designing Type</i>. As the author remarks in her introduction, there are simply very few books that explain the type design process comprehensively.]]></description>
            <link>https://www.typotheque.com/articles/designing-type-book-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/designing-type-book-review</guid>
            <pubDate>Sat, 13 May 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Designing Type, book review]]></title>
            <link>https://www.typotheque.com/blog/designing-type-book-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/designing-type-book-review</guid>
            <pubDate>Sat, 13 May 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Peter Bilak's lecture at RISD on Thursday, May 4]]></title>
            <link>https://www.typotheque.com/blog/peter-bilaks-lecture-at-risd-on-thursday-may-4</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/peter-bilaks-lecture-at-risd-on-thursday-may-4</guid>
            <pubDate>Mon, 01 May 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[Preview of Fedra Arabic]]></title>
            <link>https://www.typotheque.com/blog/preview-of-fedra-arabic</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-fedra-arabic</guid>
            <pubDate>Mon, 01 May 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ e-a-t.08: experiment and typography in Budapest]]></title>
            <link>https://www.typotheque.com/blog/e-a-t-08-experiment-and-typography-in-budapest</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/e-a-t-08-experiment-and-typography-in-budapest</guid>
            <pubDate>Thu, 02 Feb 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque diary 2006 with 50% off]]></title>
            <link>https://www.typotheque.com/blog/typotheque-diary-2006-with-50-off</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-diary-2006-with-50-off</guid>
            <pubDate>Wed, 01 Feb 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New products: Flower t-shirt]]></title>
            <link>https://www.typotheque.com/blog/new-products-flower-t-shirt</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-products-flower-t-shirt</guid>
            <pubDate>Wed, 01 Feb 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New products: Typo Hats!]]></title>
            <link>https://www.typotheque.com/blog/new-products-typo-hats</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-products-typo-hats</guid>
            <pubDate>Wed, 01 Feb 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque at 33pt conference in Dortmund]]></title>
            <link>https://www.typotheque.com/blog/typotheque-at-33pt-conference-in-dortmund</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-at-33pt-conference-in-dortmund</guid>
            <pubDate>Tue, 17 Jan 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Peter Biľak will speak at Beurs Schouwburg, in Brussels on 12/01/2006 20h00]]></title>
            <link>https://www.typotheque.com/blog/peter-bilak-will-speak-at-beurs-schouwburg-in-brussels-on-12012006-20h00</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/peter-bilak-will-speak-at-beurs-schouwburg-in-brussels-on-12012006-20h00</guid>
            <pubDate>Wed, 11 Jan 2006 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New issue of DOT DOT DOT (No.11)]]></title>
            <link>https://www.typotheque.com/blog/new-issue-of-dot-dot-dot-no-11</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-issue-of-dot-dot-dot-no-11</guid>
            <pubDate>Tue, 06 Dec 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New items on stock]]></title>
            <link>https://www.typotheque.com/blog/new-items-on-stock</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-items-on-stock</guid>
            <pubDate>Tue, 06 Dec 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque Diary / sketchbook 2006 available]]></title>
            <link>https://www.typotheque.com/blog/typotheque-diary-sketchbook-2006-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-diary-sketchbook-2006-available</guid>
            <pubDate>Fri, 04 Nov 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Preview of an upcoming release Fedra Serif Pro, and description of its OpenType features]]></title>
            <link>https://www.typotheque.com/blog/preview-of-an-upcoming-release-fedra-serif-pro-and-description-of-its-opentype-features</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-an-upcoming-release-fedra-serif-pro-and-description-of-its-opentype-features</guid>
            <pubDate>Sun, 30 Oct 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ English edition of The Stroke by Gerrit Noordzij available online]]></title>
            <link>https://www.typotheque.com/blog/english-edition-of-the-stroke-by-gerrit-noordzij-available-online</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/english-edition-of-the-stroke-by-gerrit-noordzij-available-online</guid>
            <pubDate>Mon, 17 Oct 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque RSS feed]]></title>
            <link>https://www.typotheque.com/blog/typotheque-rss-feed</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-rss-feed</guid>
            <pubDate>Wed, 28 Sep 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Dot Dot Dot No.10 available now]]></title>
            <link>https://www.typotheque.com/blog/dot-dot-dot-no-10-available-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dot-dot-dot-no-10-available-now</guid>
            <pubDate>Thu, 22 Sep 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Typotheque at TypeRadio (ATypI Helsinki 2005)]]></title>
            <link>https://www.typotheque.com/blog/typotheque-at-typeradio-atypi-helsinki-2005</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-at-typeradio-atypi-helsinki-2005</guid>
            <pubDate>Mon, 19 Sep 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ New t-shirt Spring shirt]]></title>
            <link>https://www.typotheque.com/blog/new-t-shirt-spring-shirt</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-t-shirt-spring-shirt</guid>
            <pubDate>Tue, 13 Sep 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[ New t-shirt Back Up]]></title>
            <link>https://www.typotheque.com/blog/new-t-shirt-back-up</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-t-shirt-back-up</guid>
            <pubDate>Tue, 13 Sep 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[ Preview of a three new fonts in development]]></title>
            <link>https://www.typotheque.com/blog/preview-of-a-three-new-fonts-in-development</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-a-three-new-fonts-in-development</guid>
            <pubDate>Sun, 14 Aug 2005 00:00:00 GMT</pubDate>
        </item>
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            <title><![CDATA[ Fedra Sans Alt Pro released]]></title>
            <link>https://www.typotheque.com/blog/fedra-sans-alt-pro-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-alt-pro-released</guid>
            <pubDate>Sun, 07 Aug 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[ Fedra Sans Pro released]]></title>
            <link>https://www.typotheque.com/blog/fedra-sans-pro-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-pro-released</guid>
            <pubDate>Sun, 07 Aug 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[ TipoGráfica features Typotheque]]></title>
            <description><![CDATA[TipoGráfica, the Argentinian magazine devoted to typography, type design and theory has featured Typotheque’s work in their latest 02/2005 issue. You can see the preview here, and read the original Spanish texts in the article section.]]></description>
            <link>https://www.typotheque.com/blog/tipografica-features-typotheque</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/tipografica-features-typotheque</guid>
            <pubDate>Fri, 29 Jul 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[ Fedra Sans Display 2 released]]></title>
            <link>https://www.typotheque.com/blog/fedra-sans-display-2-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-display-2-released</guid>
            <pubDate>Mon, 20 Jun 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[ Peter Biľak will speak at Off_Corso in Rotterdam on Thursday, 16.6.2005, 20:00, as part of the Helden Avond]]></title>
            <link>https://www.typotheque.com/blog/peter-bilak-will-speak-at-off-corso-in-rotterdam-on-thursday-16-6-2005-2000-as-part-of-the-helden-avond</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/peter-bilak-will-speak-at-off-corso-in-rotterdam-on-thursday-16-6-2005-2000-as-part-of-the-helden-avond</guid>
            <pubDate>Wed, 15 Jun 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Las personas como píxeles]]></title>
            <description><![CDATA[Un interesante análisis sobre la historia, el contexto y el uso político de imágenes gráficas conformadas por multitudes: ¡la gente como pixeles!]]></description>
            <link>https://www.typotheque.com/articles/las-personas-como-pixeles</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/las-personas-como-pixeles</guid>
            <pubDate>Tue, 07 Jun 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Tipografía de los noventa. La demistificación y re-mistificación]]></title>
            <link>https://www.typotheque.com/articles/tipografia-de-los-noventa-la-demistificacion-y-re-mistificacion</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/tipografia-de-los-noventa-la-demistificacion-y-re-mistificacion</guid>
            <pubDate>Tue, 07 Jun 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Falta de diseño, exceso de diseño y volver a diseñar]]></title>
            <description><![CDATA[El no-diseño como una repuesta al sobre-diseño y el manierismo contemporáneo. Alegato a favor de un diseño que, tomando en cuenta su contexto, responda a las necesidades de comunicación y no a modas pasajeras con las que el diseñador luce su virtuosismo técnico.  ]]></description>
            <link>https://www.typotheque.com/articles/falta-de-diseno-exceso-de-diseno-y-volver-a-disenar</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/falta-de-diseno-exceso-de-diseno-y-volver-a-disenar</guid>
            <pubDate>Tue, 07 Jun 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[In search of a comprehensive type design theory]]></title>
            <description><![CDATA[An honest appraisal of the role discussions about type design have in the broader culture today, and why there is a need for a more cohesive discussion within the field.]]></description>
            <link>https://www.typotheque.com/articles/in-search-of-a-comprehensive-type-design-theory</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/in-search-of-a-comprehensive-type-design-theory</guid>
            <pubDate>Tue, 07 Jun 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[ New article In search of a comprehensive type design theory, by Peter Biľak]]></title>
            <link>https://www.typotheque.com/blog/new-article-in-search-of-a-comprehensive-type-design-theory-by-peter-bilak</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-article-in-search-of-a-comprehensive-type-design-theory-by-peter-bilak</guid>
            <pubDate>Tue, 07 Jun 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Preview of an upcoming release Fedra Sans Pro, and description of its OpenType features]]></title>
            <link>https://www.typotheque.com/blog/preview-of-an-upcoming-release-fedra-sans-pro-and-description-of-its-opentype-features</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-an-upcoming-release-fedra-sans-pro-and-description-of-its-opentype-features</guid>
            <pubDate>Fri, 13 May 2005 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[LetterMeter has been updated for Tiger (Mac OS 10.4)]]></title>
            <link>https://www.typotheque.com/blog/lettermeter-has-been-updated-for-tiger-mac-os-10-4</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/lettermeter-has-been-updated-for-tiger-mac-os-10-4</guid>
            <pubDate>Thu, 12 May 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Yves Peters’ review of Fedra Display at Typographer.org]]></title>
            <link>https://www.typotheque.com/blog/yves-peters-review-of-fedra-display-at-typographer-org</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/yves-peters-review-of-fedra-display-at-typographer-org</guid>
            <pubDate>Thu, 12 May 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Acerca de Fedra]]></title>
            <description><![CDATA[Una breve mirada al enfoque ‘sintético’ con que Peter Bilak entiende el diseño de tipos. Se examina Eureka, su diseño anterior, y las recientes familias de Fedra.]]></description>
            <link>https://www.typotheque.com/articles/acerca-de-fedra</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/acerca-de-fedra</guid>
            <pubDate>Wed, 11 May 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Historia de una fuente nueva]]></title>
            <description><![CDATA[El diseño tipográfico como conocimiento acumulado y continuidad: una mirada al papel de los diseñadores de tipos, la historia y la tecnología, los revivals y la invención. ]]></description>
            <link>https://www.typotheque.com/articles/historia-de-una-fuente-nueva</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/historia-de-una-fuente-nueva</guid>
            <pubDate>Wed, 11 May 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[En busca de una teoría completa del diseño tipográfico]]></title>
            <description><![CDATA[Una honesta valoración del papel que las discusiones sobre diseño tipográfico juegan hoy en la cultura general, y porqué hay necesidad de discusiones más integradoras dentro de la disciplina. ]]></description>
            <link>https://www.typotheque.com/articles/en-busca-de-una-teoria-completa-del-diseno-tipografico</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/en-busca-de-una-teoria-completa-del-diseno-tipografico</guid>
            <pubDate>Wed, 11 May 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Sandberg, Designer and Director of Stedelijk]]></title>
            <description><![CDATA[Graphic designer Willem Sandberg became the director of Amsterdam’s Stedelijk Museum in 1945. From that time until 1962 he designed almost all the printed matter for the Stedelijk and transformed the museum, introducing new ideas into the stuffy world of museums of that time.]]></description>
            <link>https://www.typotheque.com/articles/sandberg-designer-and-director-of-stedelijk</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/sandberg-designer-and-director-of-stedelijk</guid>
            <pubDate>Wed, 11 May 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New book review: Sandberg, Designer and Director of Stedelijk]]></title>
            <link>https://www.typotheque.com/blog/new-book-review-sandberg-designer-and-director-of-stedelijk</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-book-review-sandberg-designer-and-director-of-stedelijk</guid>
            <pubDate>Wed, 11 May 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Article on redesign of Collins dictionaries (using Fedra).]]></title>
            <link>https://www.typotheque.com/blog/article-on-redesign-of-collins-dictionaries-using-fedra</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/article-on-redesign-of-collins-dictionaries-using-fedra</guid>
            <pubDate>Mon, 02 May 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Microtypography, Designing the new Collins dictionaries]]></title>
            <description><![CDATA[The art director of Collins describes the process of designing the new set of dictionaries, their history, layout and choice of type. Due to the scale at which a dictionary’s content is expressed and the particular way in which the content is read, microtypographic decisions have an unusually large effect.]]></description>
            <link>https://www.typotheque.com/articles/microtypography-designing-the-new-collins-dictionaries</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/microtypography-designing-the-new-collins-dictionaries</guid>
            <pubDate>Thu, 28 Apr 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Peter Biľak, founder of Typotheque, Dot Dot Dot]]></title>
            <description><![CDATA[Rudy VanderLans talks with Peter Biľak about the Typotheque founder’s education, design practice and experience as an ex-pat Slovak living in the Netherlands. Dot Dot Dot is discussed, as well as the typefaces Biľak has produced and his current teaching practice.]]></description>
            <link>https://www.typotheque.com/articles/peter-bilak-founder-of-typotheque-dot-dot-dot</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/peter-bilak-founder-of-typotheque-dot-dot-dot</guid>
            <pubDate>Wed, 13 Apr 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New article: Emigre’s interview with Peter Biľak]]></title>
            <link>https://www.typotheque.com/blog/new-article-emigres-interview-with-peter-bilak</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-article-emigres-interview-with-peter-bilak</guid>
            <pubDate>Wed, 13 Apr 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New website launched. Still in Beta version though.]]></title>
            <link>https://www.typotheque.com/blog/new-website-launched-still-in-beta-version-though</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-website-launched-still-in-beta-version-though</guid>
            <pubDate>Sat, 19 Mar 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Jigsaw Italic released]]></title>
            <link>https://www.typotheque.com/blog/jigsaw-italic-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/jigsaw-italic-released</guid>
            <pubDate>Tue, 15 Mar 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Preview of a new font in development]]></title>
            <link>https://www.typotheque.com/blog/preview-of-a-new-font-in-development</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-a-new-font-in-development</guid>
            <pubDate>Tue, 15 Mar 2005 00:00:00 GMT</pubDate>
        </item>
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            <title><![CDATA[New font: Fedra Sans Display 1]]></title>
            <link>https://www.typotheque.com/blog/new-font-fedra-sans-display-1</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/new-font-fedra-sans-display-1</guid>
            <pubDate>Tue, 15 Mar 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[We Want You To Love Type, first book published by Typotheque]]></title>
            <link>https://www.typotheque.com/blog/we-want-you-to-love-type-first-book-published-by-typotheque</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/we-want-you-to-love-type-first-book-published-by-typotheque</guid>
            <pubDate>Thu, 10 Mar 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typographica Mea Culpa, Unethical Downloading]]></title>
            <description><![CDATA[Steven Heller describes the guilty revelation experienced when he learned that typeface software licenses are sold for use on specific, not unlimited numbers of CPUs. He calls for the ethical treatment of type designers, i.e. respect for their copyrights.]]></description>
            <link>https://www.typotheque.com/articles/typographica-mea-culpa-unethical-downloading</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/typographica-mea-culpa-unethical-downloading</guid>
            <pubDate>Sat, 05 Mar 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Jigsaw flipbook available online]]></title>
            <link>https://www.typotheque.com/blog/jigsaw-flipbook-available-online</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/jigsaw-flipbook-available-online</guid>
            <pubDate>Fri, 04 Mar 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Fred Smeijers’s Arnhem typefaces]]></title>
            <description><![CDATA[Andy Crewdson discusses the origins of the Dutch designer&#8217;s recent family of types.]]></description>
            <link>https://www.typotheque.com/articles/arnhem</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/arnhem</guid>
            <pubDate>Thu, 24 Feb 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Martin Majoor feature]]></title>
            <description><![CDATA[The introduction to a series of interviews and articles by and about Martin Majoor, the designer of Scala, Seria, Telefont and others.]]></description>
            <link>https://www.typotheque.com/articles/martin-majoor-feature</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/martin-majoor-feature</guid>
            <pubDate>Tue, 01 Feb 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Faces (List of Interviews)]]></title>
            <description><![CDATA[The list of designers interviewd for Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-list-of-interviews</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-list-of-interviews</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Faces (Bibliography)]]></title>
            <description><![CDATA[The bibliography of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-bibliography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-bibliography</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Faces (Conclusion)]]></title>
            <description><![CDATA[The conclusion of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-conclusion</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-conclusion</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Chapter Five: The Netherlands)]]></title>
            <description><![CDATA[The fifth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-chapter-five-the-netherlands</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-chapter-five-the-netherlands</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Chapter Four: London)]]></title>
            <description><![CDATA[The fourth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-chapter-four-london</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-chapter-four-london</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Chapter Three: The East Coast)]]></title>
            <description><![CDATA[The third chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-chapter-three-the-east-coast</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-chapter-three-the-east-coast</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Chapter Two: The West Coast)]]></title>
            <description><![CDATA[The second chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-chapter-two-the-west-coast</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-chapter-two-the-west-coast</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Mapping Contemporary Type Design)]]></title>
            <description><![CDATA[The first chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part two).]]></description>
            <link>https://www.typotheque.com/articles/new-faces-mapping-contemporary-type-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-mapping-contemporary-type-design</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Chapter One: Technological and Industrial Change: Setting the Scene)]]></title>
            <description><![CDATA[The first chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part one).]]></description>
            <link>https://www.typotheque.com/articles/new-faces-chapter-one-technological-and-industrial-change-setting-the-scene</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-chapter-one-technological-and-industrial-change-setting-the-scene</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Typographic History in the Context of Broader Design Historical Models)]]></title>
            <description><![CDATA[The introduction of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part three).]]></description>
            <link>https://www.typotheque.com/articles/new-faces-typographic-history-in-the-context-of-broader-design-historical-models</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-typographic-history-in-the-context-of-broader-design-historical-models</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (Historiography)]]></title>
            <description><![CDATA[The introduction to Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part two).]]></description>
            <link>https://www.typotheque.com/articles/new-faces-historiography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-historiography</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[New Faces (Introduction)]]></title>
            <description><![CDATA[The introduction to Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part one).]]></description>
            <link>https://www.typotheque.com/articles/new-faces-introduction</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-introduction</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[New Faces (abstract): type design in the first decade of device-independent digital typesetting (1987-1997)]]></title>
            <description><![CDATA[The abstract for Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.]]></description>
            <link>https://www.typotheque.com/articles/new-faces-abstract-type-design-in-the-first-decade-of-device-independent-digital-typesetting-1987-1997</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/new-faces-abstract-type-design-in-the-first-decade-of-device-independent-digital-typesetting-1987-1997</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Experimental typography. Whatever that means.]]></title>
            <description><![CDATA[We throw ‘experimental’ around in type and design like it means something — but does it? This traces the word from its scientific roots into visual culture, with real historical and contemporary examples that make you rethink the label.
]]></description>
            <link>https://www.typotheque.com/articles/experimental-typography-whatever-that-means</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/experimental-typography-whatever-that-means</guid>
            <pubDate>Sun, 23 Jan 2005 00:00:00 GMT</pubDate>
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            <title><![CDATA[Battle of the Blogs]]></title>
            <description><![CDATA[Blogs, design criticism and the AIGA Vancouver conference discussion about the premacy of corporate vs. editorial design...]]></description>
            <link>https://www.typotheque.com/articles/battle-of-the-blogs</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/battle-of-the-blogs</guid>
            <pubDate>Wed, 22 Dec 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[History of a new font (notes on designing Fedra Serif)]]></title>
            <description><![CDATA[Type design as accumulated knowledge and continuity: a look at the role of type designers, history and technology, revivals and invention.]]></description>
            <link>https://www.typotheque.com/articles/history-of-a-new-font-notes-on-designing-fedra-serif</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/history-of-a-new-font-notes-on-designing-fedra-serif</guid>
            <pubDate>Wed, 01 Dec 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Fedra typefaces reviewed]]></title>
            <description><![CDATA[A brief look at Peter Bilak’s ‘synthetic’ approach to type design which examines both his earlier Eureka and more recent Fedra families. ]]></description>
            <link>https://www.typotheque.com/articles/fedra-typefaces-reviewed</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/fedra-typefaces-reviewed</guid>
            <pubDate>Wed, 01 Dec 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Deconstruction and Graphic Design: History Meets Theory]]></title>
            <description><![CDATA[A theory-heavy, mid-1990s look at the concept of Deconstruction, looking at its origins in French post-structuralist discourse and then current use in the design world.]]></description>
            <link>https://www.typotheque.com/articles/deconstruction-and-graphic-design-history-meets-theory</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/deconstruction-and-graphic-design-history-meets-theory</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 10 Bibliography]]></title>
            <description><![CDATA[The bibliography for Emily King’s dissertation for the V&amp;A/RCA M.A. Course in
the History of Design. The dissertation focuses on the relationship between
graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-10-bibliography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-10-bibliography</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 9 Conclusion]]></title>
            <description><![CDATA[The conclusion of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in
the History of Design. The dissertation focuses on the relationship between
graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-9-conclusion</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-9-conclusion</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 8 Popcorn and Pop graphics, What’s New Pussycat?, 1965]]></title>
            <description><![CDATA[Part eight of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in
the History of Design. The dissertation focuses on the relationship between
graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-8-popcorn-and-pop-graphics-what-and-8217s-new-pussycat-1965</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-8-popcorn-and-pop-graphics-what-and-8217s-new-pussycat-1965</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 7: Sex and Typography: From Russia With Love, 1963]]></title>
            <description><![CDATA[Part seven of ten of Emily King's dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. Bond titling sequences and the invasion of British design...]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-7-sex-and-typography-from-russia-with-love-1963</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-7-sex-and-typography-from-russia-with-love-1963</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 6: Musical Statues: Spartacus, 1960]]></title>
            <description><![CDATA[Part six of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. Saul bass, Hitchcock, Clement Greenbrg, Tin Pan Alley and Hollywood: the American avant garde and kitsch...]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-6-musical-statues-spartacus-1960</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-6-musical-statues-spartacus-1960</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 5 Spiralling Aspirations: Vertigo, 1958]]></title>
            <description><![CDATA[Part five of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. Saul bass, Hitchcock, Clement Greenbrg, Tin Pan Alley and Hollywood: the American avant garde and kitsch...]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-5-spiralling-aspirations-vertigo-1958</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-5-spiralling-aspirations-vertigo-1958</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 4 Abstracting the Essence]]></title>
            <description><![CDATA[Part four of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. ]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-4-abstracting-the-essence</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-4-abstracting-the-essence</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 3 Visions in Motion]]></title>
            <description><![CDATA[Part three of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. here she lays down the modernist roots of her work.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-3-visions-in-motion</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-3-visions-in-motion</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 2 Introduction]]></title>
            <description><![CDATA[Emily King’s introduction to her dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-2-introduction</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-2-introduction</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / Acknowledgements]]></title>
            <description><![CDATA[Emily King's acknowledgements for her dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-acknowledgements</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-acknowledgements</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 1 Contents]]></title>
            <description><![CDATA[Emily King’s contents (part two of ten) for her dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-1-contents</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-1-contents</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Serial type families (from Romulus to Thesis)]]></title>
            <description><![CDATA[A thorough look at the history and development of large type families across the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/serial-type-families-from-romulus-to-thesis</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/serial-type-families-from-romulus-to-thesis</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Ladislav Sutnar, Web Design before the Internet]]></title>
            <description><![CDATA[Steven Heller laments the disappearance of refined modern design craftsmanship and organisation, and provides some background to Sutnar’s work, upholding him as a pioneer of just this sort of waning craft.]]></description>
            <link>https://www.typotheque.com/articles/ladislav-sutnar-web-design-before-the-internet</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/ladislav-sutnar-web-design-before-the-internet</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Helvetica: Homage to a Typeface, review]]></title>
            <description><![CDATA[Lars M&#252;ller is taken to task for his religious reverence for and faith in the omnipresent Helvetica, and the book he produced which is described as a sort of universalist, modernist gospel but several decades misplaced. What one might come away with from the book and review is the possibility that type preferences are simply individualistic... so what does it matter anyway?]]></description>
            <link>https://www.typotheque.com/articles/helvetica-homage-to-a-typeface-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/helvetica-homage-to-a-typeface-review</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Women Graphic Designers]]></title>
            <description><![CDATA[A survey of woman designers of books, magazines, activist campaigns, identities etc. across the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/women-graphic-designers</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/women-graphic-designers</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Writing Lessons: Modern Design Theory]]></title>
            <description><![CDATA[A history of visual design and arts pedagogy, the Bauhaus, semiotics and gestalt theories as they apply to modern graphic design education.]]></description>
            <link>https://www.typotheque.com/articles/writing-lessons-modern-design-theory</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/writing-lessons-modern-design-theory</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[The Science of Typography]]></title>
            <description><![CDATA[‘Scientific’ studies of typography and legibility are analysed by Ellen Lupton...]]></description>
            <link>https://www.typotheque.com/articles/the-science-of-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-science-of-typography</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Max Kisman, graphic designer]]></title>
            <description><![CDATA[A mid-1990s discussion of the state of type design, graphic design in the Netherlands and emerging digital media.]]></description>
            <link>https://www.typotheque.com/articles/max-kisman-graphic-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/max-kisman-graphic-designer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Letterror, designers and programmers]]></title>
            <description><![CDATA[A discussion from the late 1990s with Erik van Blokland and Just van Rossum about their work as type designers and programmers.]]></description>
            <link>https://www.typotheque.com/articles/letterror-designers-and-programmers</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/letterror-designers-and-programmers</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Karel Martens, graphic designer]]></title>
            <description><![CDATA[The prolific founder of Werkplaats Typografie, Karel Martens focuses on the design of the Dutch architectural magazine OASE in his 1999 conversation with Peter Biľak.]]></description>
            <link>https://www.typotheque.com/articles/karel-martens-graphic-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/karel-martens-graphic-designer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Neal Gabler, media critic]]></title>
            <description><![CDATA[America as the republic of entertainment, the way Americans’ freedom in a vast choice of cable TV stations, xenophobia and the putting forward of the theory that American culture is NOT run by the political Right: all in the context of European and American history.]]></description>
            <link>https://www.typotheque.com/articles/neal-gabler-media-critic</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/neal-gabler-media-critic</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Merrill Berman, Design Connoisseur]]></title>
            <description><![CDATA[A discussion about the art and design ephemera collecting practices of  Merrill Berman, who has amassed a vast portfolio of design history from the past century and more.]]></description>
            <link>https://www.typotheque.com/articles/merrill-berman-design-connoisseur</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/merrill-berman-design-connoisseur</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Don Norman, Usablity Expert]]></title>
            <description><![CDATA[Design errors in academic design curricula, the 2000 presidential ballot and aviation and nuclear accidents are considered, the concept of human error is called into question, and a call for human-centered design for the fallible user is put forward in this discussion from 2001.]]></description>
            <link>https://www.typotheque.com/articles/don-norman-usablity-expert</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/don-norman-usablity-expert</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[10 Issues of Fuse]]></title>
            <description><![CDATA[A thorough albeit pointed review, from a perspective of the early 1990s, of Neville Brody’s and Jon Wozencroft’s pioneering magazine Fuse. A timely piece of history for those interested in the design of type. ]]></description>
            <link>https://www.typotheque.com/articles/10-issues-of-fuse</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/10-issues-of-fuse</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Design History]]></title>
            <description><![CDATA[A call for greater design history instruction in graphic design education as a way to better (and Heller hints proper) design. ‘Design programs should encourage designers to become critical historians...’]]></description>
            <link>https://www.typotheque.com/articles/design-history</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/design-history</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Fuck Tibor]]></title>
            <description><![CDATA[Despite the piece’s off-colour title, an optimism exists in this reaction to what the author sees as the hermetic design field’s reverence of the late Tibor Kalman.]]></description>
            <link>https://www.typotheque.com/articles/fuck-tibor</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/fuck-tibor</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[My Type Design Philosophy]]></title>
            <description><![CDATA[This article by the designer of Scala and Seria is as much a typographic guide and history lesson as it is a personal account of his approach to type design.]]></description>
            <link>https://www.typotheque.com/articles/my-type-design-philosophy</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/my-type-design-philosophy</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Seria’s motives: How Martin Majoor developed his literary typeface Seria
]]></title>
            <description><![CDATA[The background of the design of Majoor’s font Seria.]]></description>
            <link>https://www.typotheque.com/articles/seria</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/seria</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[How Good is Good?]]></title>
            <description><![CDATA[Stefan Sagmeister talks about the state of current design, ethics, advertising and aesthetics.]]></description>
            <link>https://www.typotheque.com/articles/how-good-is-good</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/how-good-is-good</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Spot the difference]]></title>
            <description><![CDATA[Emily King examines the interaction of punctuation, numerals and acronyms via corporate design and an album cover.]]></description>
            <link>https://www.typotheque.com/articles/spot-the-difference</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/spot-the-difference</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Graphic intervention]]></title>
            <description><![CDATA[Steven Heller discusses the history and current state of guerrilla, activist and political design from posters to attached image files.]]></description>
            <link>https://www.typotheque.com/articles/graphic-intervention</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/graphic-intervention</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Time for Being Against]]></title>
            <description><![CDATA[An enjoyably nebulous set of Rick Poynor’s thoughts about the current condition of criticism and the value of oppositional tactics in design and writing.]]></description>
            <link>https://www.typotheque.com/articles/the-time-for-being-against</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-time-for-being-against</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Long March]]></title>
            <description><![CDATA[The optimistic theory is put forth that institutions of power have been democratized by the “empowering effects of the media” and that real change can be effected by graphic designers who use their work to engage the public in meaningful dialogue.]]></description>
            <link>https://www.typotheque.com/articles/the-long-march</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-long-march</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Reduce to the max]]></title>
            <description><![CDATA[A reduced and expanded exploration of Swiss design and culture across the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/reduce-to-the-max</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/reduce-to-the-max</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Hans Eduard Meier, En toutes lettres]]></title>
            <description><![CDATA[Hans Eduard Meier a consacré sa vie à la lettre – au dessin de caractères, à la typographie, à la calligraphie et à l’enseignement. La profondeur de sa réflexion s’éclaire à la lumière de l’histoire, classique comme moderne. Féru de calligraphie et habité par l’évolution des écritures depuis leurs formes antiques, il publie à la fin des années cinquante «Le développement des caractères]]></description>
            <link>https://www.typotheque.com/articles/hans-eduard-meier-en-toutes-lettres</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/hans-eduard-meier-en-toutes-lettres</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[People as Pixels]]></title>
            <description><![CDATA[An interesting analysis of the history, politics and context of graphic images which are composed of crowds of people: people as pixels!]]></description>
            <link>https://www.typotheque.com/articles/people-as-pixels</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/people-as-pixels</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[One Picture, 1,000 Word]]></title>
            <description><![CDATA[A brief examination of the politics, culture and designer’s role in the uses, cultural placement and proliferation of stock photography.]]></description>
            <link>https://www.typotheque.com/articles/one-picture-1000-word</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/one-picture-1000-word</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Contemporary Dutch graphic design: an insider/outsider’;s view]]></title>
            <description><![CDATA[An essay about the design culture which is specific to the Netherlands.]]></description>
            <link>https://www.typotheque.com/articles/contemporary-dutch-graphic-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/contemporary-dutch-graphic-design</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Small Crit]]></title>
            <description><![CDATA[A brief look at the role of graphic design criticism.]]></description>
            <link>https://www.typotheque.com/articles/the-small-crit</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-small-crit</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Last Supper]]></title>
            <description><![CDATA[Emily King briefly looks at visual artists use of type, and their collaboration with designers in their work.]]></description>
            <link>https://www.typotheque.com/articles/the-last-supper</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-last-supper</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Mars calling Earth]]></title>
            <description><![CDATA[A refreshingly positive response to (and call for?) more, and more thoughtful culture and design publications in a time when the phrase “who needs another design mag?” is common. Max Bruinsma also briefly details the evolution of Dutch and other non-mainstream/design publications.]]></description>
            <link>https://www.typotheque.com/articles/mars-calling-earth</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/mars-calling-earth</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Fluid Mechanics: Typographic Design Now]]></title>
            <description><![CDATA[A poetically theoretical take on the fluid state of type, design and the vernacular in digital form as they relate to language and contemporary culture.]]></description>
            <link>https://www.typotheque.com/articles/fluid-mechanics-typographic-design-now</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/fluid-mechanics-typographic-design-now</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Zap Comics]]></title>
            <description><![CDATA[An anecdotal history and analysis of the racy work of Robert Crumb, and the cultural situationing of Zap comics then and now.]]></description>
            <link>https://www.typotheque.com/articles/zap-comics</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/zap-comics</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Quick Cuts, Coarse Letters, Multiple Screens:]]></title>
            <description><![CDATA[An overview of the work of Cuban-born titling artist Pablo Ferro who broke ground with the titles for films like Dr. Strangelove and pioneered moving type for the screen.]]></description>
            <link>https://www.typotheque.com/articles/quick-cuts-coarse-letters-multiple-screens</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/quick-cuts-coarse-letters-multiple-screens</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Ladislav Sutnar and Knud Lönberg-Holm]]></title>
            <description><![CDATA[A history of the little-known collaboration of Ladislav Sutnar and Knud L&ouml;nberg-Holm, who together were a modern design team which was ahead of its time in the realm of information information design.]]></description>
            <link>https://www.typotheque.com/articles/ladislav-sutnar-and-knud-lonberg-holm</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/ladislav-sutnar-and-knud-lonberg-holm</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Otto Bettmann: Father of Retro]]></title>
            <description><![CDATA[About the German-born founder of the Bettmann Archives in New York which houses over 5 million cuts, drawings, images and pieces of ephemera, collected since the 1930's.]]></description>
            <link>https://www.typotheque.com/articles/otto-bettmann-father-of-retro</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/otto-bettmann-father-of-retro</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Advertising Arts: America Becomes Modern(istic)]]></title>
            <description><![CDATA[A history and analysis of the role played by this American precursor to the graphic design magazine, which sought to bring progressive commercial graphic and industrial arts into the mainstream.]]></description>
            <link>https://www.typotheque.com/articles/advertising-arts-america-becomes-modernistic</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/advertising-arts-america-becomes-modernistic</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Erik Nitsche: The Reluctant Modernist]]></title>
            <description><![CDATA[The life and work of the quietly pivotal Swiss modern design Erik Nitsche, who's clients ranged from the MOMA to RCA in a career that spanned the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/erik-nitsche-the-reluctant-modernist</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/erik-nitsche-the-reluctant-modernist</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Designed Screens]]></title>
            <description><![CDATA[Screens of all sorts, their histories and their metaphors are approached in this theoretical discussion which take on the panopticon, Clinton’s inauguration and the largest movie screen in the world.]]></description>
            <link>https://www.typotheque.com/articles/designed-screens</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/designed-screens</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Old Guns]]></title>
            <description><![CDATA[In 1999, Print magazine talked to 20 American design heroes and had them look at work from their halcyon days. Designers from Art Chantry to Massimo Vignelli discuss a piece of early work as a foil for Print’s ‘Designers Under Thirty’ section.]]></description>
            <link>https://www.typotheque.com/articles/old-guns</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/old-guns</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Words On Screens]]></title>
            <description><![CDATA[Max Bruinsma (who declares he has no printer, just a Zip drive) calls for greater attention to be paid to type on screen, is echoed by Matthew Carter, with a brief discussion of screen text technology and its place in reading today (or then).]]></description>
            <link>https://www.typotheque.com/articles/words-on-screens</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/words-on-screens</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Designer as Producer]]></title>
            <description><![CDATA[Walter Benjamin’s ideas are explored (amongst other early 20th century avant-garde artists) in relation to the recent discussions around expanding the designer’s role from that of problem solver to one of author—and producer.]]></description>
            <link>https://www.typotheque.com/articles/the-designer-as-producer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-designer-as-producer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Graphic Design Magazines: Das Plakat]]></title>
            <description><![CDATA[The point-form story of a German dentist named Hans Josef Sachs and the magazine <i>Das Plakat</i> he founded on his love for posters. Responsible for the promulgation of early German advertising art abroad, his vast collection was confiscated by Goebbels for the Nazis’ collections and Sachs narrowly escaped the Holocaust. Steven Heller looks at the rise and fall of this significant early design periodical.]]></description>
            <link>https://www.typotheque.com/articles/graphic-design-magazines-das-plakat</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/graphic-design-magazines-das-plakat</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Object Poster:]]></title>
            <description><![CDATA[Wooden display types, Victorian chromolithography and the demise of Art Nouveau in the form of a poster for a German Match company in 1906...]]></description>
            <link>https://www.typotheque.com/articles/the-object-poster</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-object-poster</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[De Stijl, New Media, and the Lessons of Geometry]]></title>
            <description><![CDATA[An exploded view of the digital screen, informed by analyses of architecture, designers’ roles, avant-garde Dutch design from the De Stijl period and geometry.]]></description>
            <link>https://www.typotheque.com/articles/de-stijl-new-media-and-the-lessons-of-geometry</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/de-stijl-new-media-and-the-lessons-of-geometry</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Graphic Authorship]]></title>
            <description><![CDATA[An examination from 1996 of the history and concept of the designer as author, starting in the first decades of the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/graphic-authorship</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/graphic-authorship</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Thirty-six point Gorilla]]></title>
            <description><![CDATA[A fascinatingly thorough investigation of the naming of typefaces. The naming of type as a window to history, conventions, the hermetic type world and cultural context, then and now. ]]></description>
            <link>https://www.typotheque.com/articles/thirty-six-point-gorilla</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/thirty-six-point-gorilla</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Font Embedding]]></title>
            <description><![CDATA[In 1996 Erik van Blokland relays the problems with font embedding, which a decade later has little success…]]></description>
            <link>https://www.typotheque.com/articles/font-embedding</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/font-embedding</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Walter Herdeg, editor and founder of Graphis]]></title>
            <description><![CDATA[The “epitome of a post-war Modernist”, Walter Herdeg, backbone of Graphis magazine, is appraised by Steven Heller.]]></description>
            <link>https://www.typotheque.com/articles/walter-herdeg-editor-and-founder-of-graphis</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/walter-herdeg-editor-and-founder-of-graphis</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Dutch type design]]></title>
            <description><![CDATA[A mid-90s account of the development and current state of Dutch design and type in the context of its cultural and political history.]]></description>
            <link>https://www.typotheque.com/articles/dutch-type-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/dutch-type-design</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Official Anarchy: Dutch Graphic Design]]></title>
            <description><![CDATA[A mid-90s appraisal of Dutch graphic design’s unique qualities, with an overview of various studios, designers and significant movements from the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/official-anarchy-dutch-graphic-design</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/official-anarchy-dutch-graphic-design</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Electronic Typography: The New Visual Language]]></title>
            <description><![CDATA[A talking Barbie lush as a foil for the Mac’s Speech functions; debates about the value of capital letters; Derrida, Saussure and Foucault; Oliver Sachs and Chaucer are all considered in this theoretical piece about the state of typography in new media.]]></description>
            <link>https://www.typotheque.com/articles/electronic-typography-the-new-visual-language</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/electronic-typography-the-new-visual-language</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Cult of the Ugly]]></title>
            <description><![CDATA[In the early 1990s Steven Heller takes on the word ugly as he sees it applied to  graphic design and design education. En route, his views of art history, pop culture and recent design trends are considered in his essay about style and meaning in design.]]></description>
            <link>https://www.typotheque.com/articles/cult-of-the-ugly</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/cult-of-the-ugly</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Waiting for Permission]]></title>
            <description><![CDATA[An early 90s discussion about social responsibility and design. Using a frightening 1960s social behaviour experiment as his fulcrum, the author suggests that the designer has the responsibility to do more than provide design as a service to the client.]]></description>
            <link>https://www.typotheque.com/articles/waiting-for-permission</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/waiting-for-permission</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Martin Majoor, type designer]]></title>
            <description><![CDATA[Martin Majoor, known for his typefaces Scala and Seria, is interviewed by Peter Biľak. The origins of his type, book design and working methods are discussed. ]]></description>
            <link>https://www.typotheque.com/articles/martin-majoor-type-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/martin-majoor-type-designer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Tobias Frere-Jones, type designer]]></title>
            <description><![CDATA[An interview from 2002 with the Font Bureau designer Tobias Frere-Jones, the creator of Gotham, Interstate and Garage Gothic to name just a few.]]></description>
            <link>https://www.typotheque.com/articles/tobias-frere-jones-type-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/tobias-frere-jones-type-designer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Paul Thompson, director of the Cooper Hewitt Museum]]></title>
            <description><![CDATA[A discussion about the role of design, museums and more in British and American culture.]]></description>
            <link>https://www.typotheque.com/articles/paul-thompson-director-of-the-cooper-hewitt-museum</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/paul-thompson-director-of-the-cooper-hewitt-museum</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Rudy VanderLans, editor of Emigre]]></title>
            <description><![CDATA[The globalisation and homogenisation of design, legibility and communication and the history of Emigre magazine are discussed in this interview with its founder, Rudy VanderLans. ]]></description>
            <link>https://www.typotheque.com/articles/rudy-vanderlans-editor-of-emigre</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/rudy-vanderlans-editor-of-emigre</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Don Norman, Usablity Expert]]></title>
            <description><![CDATA[Design errors in academic design curricula, the 2000 presidential ballot and aviation and nuclear accidents are considered, the concept of human error is called into question, and a call for human-centered design for the fallible user is put forward in this discussion from 2001.]]></description>
            <link>https://www.typotheque.com/articles/don-norman-usablity-expert</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/don-norman-usablity-expert</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Merrill Berman, Design Connoisseur]]></title>
            <description><![CDATA[A discussion about the art and design ephemera collecting practices of  Merrill Berman, who has amassed a vast portfolio of design history from the past century and more.]]></description>
            <link>https://www.typotheque.com/articles/merrill-berman-design-connoisseur</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/merrill-berman-design-connoisseur</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Neal Gabler, media critic]]></title>
            <description><![CDATA[America as the republic of entertainment, the way Americans’ freedom in a vast choice of cable TV stations, xenophobia and the putting forward of the theory that American culture is NOT run by the political Right: all in the context of European and American history.]]></description>
            <link>https://www.typotheque.com/articles/neal-gabler-media-critic</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/neal-gabler-media-critic</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Karel Martens, graphic designer]]></title>
            <description><![CDATA[The prolific founder of Werkplaats Typografie, Karel Martens focuses on the design of the Dutch architectural magazine OASE in his 1999 conversation with Peter Biľak.]]></description>
            <link>https://www.typotheque.com/articles/karel-martens-graphic-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/karel-martens-graphic-designer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Letterror, designers and programmers]]></title>
            <description><![CDATA[A discussion from the late 1990s with Erik van Blokland and Just van Rossum about their work as type designers and programmers.]]></description>
            <link>https://www.typotheque.com/articles/letterror-designers-and-programmers</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/letterror-designers-and-programmers</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Max Kisman, graphic designer]]></title>
            <description><![CDATA[A mid-1990s discussion of the state of type design, graphic design in the Netherlands and emerging digital media.]]></description>
            <link>https://www.typotheque.com/articles/max-kisman-graphic-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/max-kisman-graphic-designer</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Science of Typography]]></title>
            <description><![CDATA[‘Scientific’ studies of typography and legibility are analysed by Ellen Lupton...]]></description>
            <link>https://www.typotheque.com/articles/the-science-of-typography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/the-science-of-typography</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Writing Lessons: Modern Design Theory]]></title>
            <description><![CDATA[A history of visual design and arts pedagogy, the Bauhaus, semiotics and gestalt theories as they apply to modern graphic design education.]]></description>
            <link>https://www.typotheque.com/articles/writing-lessons-modern-design-theory</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/writing-lessons-modern-design-theory</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Women Graphic Designers]]></title>
            <description><![CDATA[A survey of woman designers of books, magazines, activist campaigns, identities etc. across the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/women-graphic-designers</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/women-graphic-designers</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Helvetica: Homage to a Typeface, review]]></title>
            <description><![CDATA[Lars M&#252;ller is taken to task for his religious reverence for and faith in the omnipresent Helvetica, and the book he produced which is described as a sort of universalist, modernist gospel but several decades misplaced. What one might come away with from the book and review is the possibility that type preferences are simply individualistic... so what does it matter anyway?]]></description>
            <link>https://www.typotheque.com/articles/helvetica-homage-to-a-typeface-review</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/helvetica-homage-to-a-typeface-review</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Ladislav Sutnar, Web Design before the Internet]]></title>
            <description><![CDATA[Steven Heller laments the disappearance of refined modern design craftsmanship and organisation, and provides some background to Sutnar’s work, upholding him as a pioneer of just this sort of waning craft.]]></description>
            <link>https://www.typotheque.com/articles/ladislav-sutnar-web-design-before-the-internet</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/ladislav-sutnar-web-design-before-the-internet</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Serial type families (from Romulus to Thesis)]]></title>
            <description><![CDATA[A thorough look at the history and development of large type families across the 20th century.]]></description>
            <link>https://www.typotheque.com/articles/serial-type-families-from-romulus-to-thesis</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/serial-type-families-from-romulus-to-thesis</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 1 Contents]]></title>
            <description><![CDATA[Emily King’s contents (part two of ten) for her dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-1-contents</link>
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            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / Acknowledgements]]></title>
            <description><![CDATA[Emily King's acknowledgements for her dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-acknowledgements</link>
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            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 2 Introduction]]></title>
            <description><![CDATA[Emily King’s introduction to her dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-2-introduction</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-2-introduction</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 3 Visions in Motion]]></title>
            <description><![CDATA[Part three of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. here she lays down the modernist roots of her work.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-3-visions-in-motion</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-3-visions-in-motion</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 4 Abstracting the Essence]]></title>
            <description><![CDATA[Part four of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. ]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-4-abstracting-the-essence</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-4-abstracting-the-essence</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 5 Spiralling Aspirations: Vertigo, 1958]]></title>
            <description><![CDATA[Part five of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. Saul bass, Hitchcock, Clement Greenbrg, Tin Pan Alley and Hollywood: the American avant garde and kitsch...]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-5-spiralling-aspirations-vertigo-1958</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-5-spiralling-aspirations-vertigo-1958</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 6: Musical Statues: Spartacus, 1960]]></title>
            <description><![CDATA[Part six of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. Saul bass, Hitchcock, Clement Greenbrg, Tin Pan Alley and Hollywood: the American avant garde and kitsch...]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-6-musical-statues-spartacus-1960</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-6-musical-statues-spartacus-1960</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 7: Sex and Typography: From Russia With Love, 1963]]></title>
            <description><![CDATA[Part seven of ten of Emily King's dissertation for the V&amp;A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. Bond titling sequences and the invasion of British design...]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-7-sex-and-typography-from-russia-with-love-1963</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-7-sex-and-typography-from-russia-with-love-1963</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 8 Popcorn and Pop graphics, What’s New Pussycat?, 1965]]></title>
            <description><![CDATA[Part eight of ten of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in
the History of Design. The dissertation focuses on the relationship between
graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-8-popcorn-and-pop-graphics-what-and-8217s-new-pussycat-1965</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-8-popcorn-and-pop-graphics-what-and-8217s-new-pussycat-1965</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 9 Conclusion]]></title>
            <description><![CDATA[The conclusion of Emily King’s dissertation for the V&amp;A/RCA M.A. Course in
the History of Design. The dissertation focuses on the relationship between
graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-9-conclusion</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-9-conclusion</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Taking Credit: Film title sequences, 1955-1965 / 10 Bibliography]]></title>
            <description><![CDATA[The bibliography for Emily King’s dissertation for the V&amp;A/RCA M.A. Course in
the History of Design. The dissertation focuses on the relationship between
graphic design and film in the middle of the past century.]]></description>
            <link>https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-10-bibliography</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/taking-credit-film-title-sequences-1955-1965-10-bibliography</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Deconstruction and Graphic Design: History Meets Theory]]></title>
            <description><![CDATA[A theory-heavy, mid-1990s look at the concept of Deconstruction, looking at its origins in French post-structuralist discourse and then current use in the design world.]]></description>
            <link>https://www.typotheque.com/articles/deconstruction-and-graphic-design-history-meets-theory</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/deconstruction-and-graphic-design-history-meets-theory</guid>
            <pubDate>Mon, 29 Nov 2004 00:00:00 GMT</pubDate>
        </item>
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            <title><![CDATA[Preview of an upcoming font Fedra Display]]></title>
            <link>https://www.typotheque.com/blog/preview-of-an-upcoming-font-fedra-display</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-an-upcoming-font-fedra-display</guid>
            <pubDate>Tue, 16 Nov 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Exclusive Typotheque diary / sketchbook]]></title>
            <link>https://www.typotheque.com/blog/exclusive-typotheque-diary-sketchbook</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/exclusive-typotheque-diary-sketchbook</guid>
            <pubDate>Tue, 16 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Ladislav Sutnar, book available]]></title>
            <link>https://www.typotheque.com/blog/ladislav-sutnar-book-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/ladislav-sutnar-book-available</guid>
            <pubDate>Tue, 16 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Take part in colour association survey]]></title>
            <link>https://www.typotheque.com/blog/take-part-in-colour-association-survey</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/take-part-in-colour-association-survey</guid>
            <pubDate>Tue, 16 Nov 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[T-shirts for every day of the week]]></title>
            <link>https://www.typotheque.com/blog/t-shirts-for-every-day-of-the-week</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/t-shirts-for-every-day-of-the-week</guid>
            <pubDate>Wed, 03 Nov 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Review of e-a-t exhibition in Prague]]></title>
            <link>https://www.typotheque.com/blog/review-of-e-a-t-exhibition-in-prague</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/review-of-e-a-t-exhibition-in-prague</guid>
            <pubDate>Thu, 28 Oct 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Modern Typography, second edition available]]></title>
            <link>https://www.typotheque.com/blog/modern-typography-second-edition-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/modern-typography-second-edition-available</guid>
            <pubDate>Sat, 25 Sep 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[The Solid Form of Language, an essay by Robert Bringhurst available]]></title>
            <link>https://www.typotheque.com/blog/the-solid-form-of-language-an-essay-by-robert-bringhurst-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/the-solid-form-of-language-an-essay-by-robert-bringhurst-available</guid>
            <pubDate>Sat, 25 Sep 2004 00:00:00 GMT</pubDate>
        </item>
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            <title><![CDATA[Preview of Fedra Serif Pro character set.]]></title>
            <link>https://www.typotheque.com/blog/preview-of-fedra-serif-pro-character-set</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/preview-of-fedra-serif-pro-character-set</guid>
            <pubDate>Sat, 25 Sep 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Reprint of Strc prst skrz krk on luxury t-shirts.]]></title>
            <link>https://www.typotheque.com/blog/reprint-of-strc-prst-skrz-krk-on-luxury-t-shirts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/reprint-of-strc-prst-skrz-krk-on-luxury-t-shirts</guid>
            <pubDate>Sat, 28 Aug 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Why Not Associates? 2, book review by Peter Bilak]]></title>
            <link>https://www.typotheque.com/blog/why-not-associates-2-book-review-by-peter-bilak</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/why-not-associates-2-book-review-by-peter-bilak</guid>
            <pubDate>Fri, 16 Jul 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Typotheque participated in an upcoming book on Dutch Type, and contributed to a free typeface published by Max Kisman.]]></title>
            <link>https://www.typotheque.com/blog/typotheque-participated-in-an-upcoming-book-on-dutch-type-and-contributed-to-a-free-typeface-published-by-max-kisman</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-participated-in-an-upcoming-book-on-dutch-type-and-contributed-to-a-free-typeface-published-by-max-kisman</guid>
            <pubDate>Fri, 02 Jul 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[A new book on work of the Dutch designer Karel Martens]]></title>
            <link>https://www.typotheque.com/blog/a-new-book-on-work-of-the-dutch-designer-karel-martens</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/a-new-book-on-work-of-the-dutch-designer-karel-martens</guid>
            <pubDate>Fri, 02 Jul 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Strc prst skrz krk, a t-shirt edition.]]></title>
            <link>https://www.typotheque.com/blog/strc-prst-skrz-krk-a-t-shirt-edition</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/strc-prst-skrz-krk-a-t-shirt-edition</guid>
            <pubDate>Fri, 02 Jul 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[LetterMeter, a text analysis tool for type designers.]]></title>
            <link>https://www.typotheque.com/blog/lettermeter-a-text-analysis-tool-for-type-designers</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/lettermeter-a-text-analysis-tool-for-type-designers</guid>
            <pubDate>Fri, 02 Jul 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[An unpdated version of FontTester. Now you can compare two different Typotheque fonts.]]></title>
            <link>https://www.typotheque.com/blog/an-unpdated-version-of-fonttester-now-you-can-compare-two-different-typotheque-fonts</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/an-unpdated-version-of-fonttester-now-you-can-compare-two-different-typotheque-fonts</guid>
            <pubDate>Wed, 05 May 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[History Missing, an essay by Steven Heller]]></title>
            <link>https://www.typotheque.com/blog/history-missing-an-essay-by-steven-heller</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/history-missing-an-essay-by-steven-heller</guid>
            <pubDate>Sun, 18 Apr 2004 00:00:00 GMT</pubDate>
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            <title><![CDATA[Typotheque and Vinotheque announce merger]]></title>
            <description><![CDATA[Typotheque, a type foundry from the Netherlands, and Vinotheque, a leading wine producer of fine Bordeaux wines, today announced the signing of a definitive merger agreement. ]]></description>
            <link>https://www.typotheque.com/blog/typotheque-and-vinotheque-announce-merger</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typotheque-and-vinotheque-announce-merger</guid>
            <pubDate>Thu, 01 Apr 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Dutch Type, a long anticipated book by Jan Middeldorp is now available]]></title>
            <link>https://www.typotheque.com/blog/dutch-type-a-long-anticipated-book-by-jan-middeldorp-is-now-available</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/dutch-type-a-long-anticipated-book-by-jan-middeldorp-is-now-available</guid>
            <pubDate>Sat, 13 Mar 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Typographica Mea culpa, by Steven Heller]]></title>
            <link>https://www.typotheque.com/blog/typographica-mea-culpa-by-steven-heller</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/typographica-mea-culpa-by-steven-heller</guid>
            <pubDate>Thu, 04 Mar 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Fedra Serif used on the new standard Dutch post stamps]]></title>
            <link>https://www.typotheque.com/blog/fedra-serif-used-on-the-new-standard-dutch-post-stamps</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-serif-used-on-the-new-standard-dutch-post-stamps</guid>
            <pubDate>Tue, 02 Mar 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Two new essays by Ellen Lupton]]></title>
            <link>https://www.typotheque.com/blog/two-new-essays-by-ellen-lupton</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/two-new-essays-by-ellen-lupton</guid>
            <pubDate>Sun, 29 Feb 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Fedra Sans Condensed released]]></title>
            <link>https://www.typotheque.com/blog/fedra-sans-condensed-released</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fedra-sans-condensed-released</guid>
            <pubDate>Sun, 29 Feb 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Book review The Book of Probes by Peter Biľak]]></title>
            <link>https://www.typotheque.com/blog/book-review-the-book-of-probes-by-peter-bilak</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/book-review-the-book-of-probes-by-peter-bilak</guid>
            <pubDate>Thu, 19 Feb 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[About Nothing, really]]></title>
            <description><![CDATA[Design is concerned with creations of form, rather than philosophical discussions about holism and acceptance of non-form. However, can the absence of matter teach us more about our true nature?]]></description>
            <link>https://www.typotheque.com/articles/about-nothing-really</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/about-nothing-really</guid>
            <pubDate>Thu, 19 Feb 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[First Typotheque t-shirt edition.]]></title>
            <link>https://www.typotheque.com/blog/first-typotheque-t-shirt-edition</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/first-typotheque-t-shirt-edition</guid>
            <pubDate>Tue, 27 Jan 2004 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Happy New Year 2004]]></title>
            <link>https://www.typotheque.com/blog/happy-new-year-2004</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/happy-new-year-2004</guid>
            <pubDate>Fri, 02 Jan 2004 00:00:00 GMT</pubDate>
        </item>
        <item>
            <title><![CDATA[Work in Progress: Fedra Display Hairline]]></title>
            <link>https://www.typotheque.com/blog/work-in-progress-fedra-display-hairline</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/work-in-progress-fedra-display-hairline</guid>
            <pubDate>Sun, 14 Dec 2003 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Feature article in the IDEA magazine No.302 (2004.1) on the Fedra project]]></title>
            <link>https://www.typotheque.com/blog/feature-article-in-the-idea-magazine-no-302-2004-1-on-the-fedra-project</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/feature-article-in-the-idea-magazine-no-302-2004-1-on-the-fedra-project</guid>
            <pubDate>Sun, 14 Dec 2003 00:00:00 GMT</pubDate>
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            <title><![CDATA[Letterletter available again.]]></title>
            <link>https://www.typotheque.com/blog/letterletter-available-again</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/letterletter-available-again</guid>
            <pubDate>Fri, 28 Nov 2003 00:00:00 GMT</pubDate>
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        <item>
            <title><![CDATA[Fred Smeijers: Type Now available online]]></title>
            <link>https://www.typotheque.com/blog/fred-smeijers-type-now-available-online</link>
            <guid isPermaLink="true">https://www.typotheque.com/blog/fred-smeijers-type-now-available-online</guid>
            <pubDate>Wed, 12 Nov 2003 00:00:00 GMT</pubDate>
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            <title><![CDATA[Irma Boom, book designer]]></title>
            <description><![CDATA[Irma Boom, one of the world&#146;s foremost book designers, discusses her working methods, preferences, and the nature of free-range design. ]]></description>
            <link>https://www.typotheque.com/articles/irma-boom-book-designer</link>
            <guid isPermaLink="true">https://www.typotheque.com/articles/irma-boom-book-designer</guid>
            <pubDate>Thu, 29 Nov 2001 00:00:00 GMT</pubDate>
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