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Tina Fey takes another vacation, the “Adolescence” writer has a new (old) story about boys, and the “Stranger Things” producers have a new show about olds!
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The gang’s all here for David Frankel’s much-anticipated sequel, but this follow-up is the cinematic equivalent of Shein or H&M: the shape is there, but the details are dreadful.
His break from movies was “by design,” as he explains to IndieWire, alongside endless pop cultural callbacks, fake movie titles, and very real filmmaking marriages.
The director of Sundance smash documentary “The History of Concrete” joined the IndieWire Studio at Sundance to talk about his filming style, which often involves going rogue in spaces like GQ’s Man of the Year dinner.