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0:00/4:35
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Stay 3:450:00/3:45
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Magnolia 2:500:00/2:50
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What's Wrong 2:590:00/2:59
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Lately 2:490:00/2:49
I'm glad you're here. You can explore my work, my music, and myriad offerings by navigating to the sections at the top of this page. Feel free to reach out with any questions through the "Contact" page.
Kindly,
Hannah
photo by Eli Broxham
“Trust Fall is an album that can help heal the world. Hannah's collection of songs is vulnerable and deeply personal but also something we can see a part of ourselves in. On the song ‘Waiting,’ Hannah's idea to play together as a voice and fiddle duet for this final track feels like it encompasses the ethos of the album to me —It's raw and exposed but strong, powerful, and human.”
—John Mailander
“I remember talking with Hannah about how when we are making a record, we are making medicine, in a way. Whatever medicine she most needed -- the stories she was telling through the songs, the emotions she'd be revealing through the performances -- if she was making her own true medicine, that's what mattered. And chances are, that medicine might be potent and healing to others, too. Witnessing Hannah through the process of gathering these songs, and then totally embodying these songs, was amazing. I think that making this record was truly transformative for her. Being in the presence of her incredible vulnerability was transformative for me, too, and I think for everyone who stepped into her circle to be a part of the process. She leaned into so many nuanced places in her voice - strength, anger, regret, defiance, delight, grief - and I think she's going to be able to help a lot of people unlock some of these very tough doors in themselves. It also feels significant that the whole time she was making this record, she was working at High Garden, working with herbs and teas, packaging up little satchels for healing in a different way!”
—Maya de Vitry, producer of Trust Fall
(pictured: Hannah performing as a member of Maya's 'Infinite Band')
"Check out Hannah Delynn’s astounding new album by night — in a dark room beside a crackling fire or during a night drive on a quiet road. That way it’s just you and her astonishing voice, which feels ethereal at first, almost fragile, but reveals enormous strength and power. This record strips away layers to bare the broken places where pain becomes beauty and survival becomes triumph. Maya de Vitry’s sweet, subtle production cushions Hannah when she needs or wants it, and then sensibly gets out of the way. The sidepersons are awesome and understated, as they should be when supporting a voice this singular." - Eric Pooley